Quote:
Originally Posted by PATB
Art, I really respect your opinion, but all electrostatics? I find the Omega IIs to be bass monsters. I used to live with one using a maxed out KGSS. Could you please clarify?
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I haven't heard the Omega IIs.
I do agree completly with headroom (headphone.com) when they say:
"The next type of ultra-high-end headphone are electrostatics. These were the top of the heap for a long time, but dynamic cans have come a long way and we feel they are generally superior these days. The best electrostatic system is the Stax Omega. This is a very fine headphone with lush texture and airy presentation but does tend to be a bit thin compared to the dynamic headphones. The other electrostatic worthy of loft note is the Sennheiser Orpheus system. These are no longer available, but they were very good and darn pretty too."
Now, I do find the SA5000 to be close to the electrostatic sound signature in transient reponse - the ability of the cone to follow the signal as quickly as possible is a huge plus for me in evaluating any transducer. I think this is related to high resolution, extrication of inner detail, and congested-sound-avoidance with loud amd complex material, and that this makes the SA5000 superior to the HD650 for me. Other headphones, less revealing than the SA5000, do offer a more forgiving sound with softer imaging with harsher recorded material.
As I said, I prefer to have signal-pure components where I can manipulate the sound with tube choices in my Bada PH12 hybrid amp, while always having the great characteristics of solid state sound which the Bada provides.
Sure, you can take a non-hybrid all-tube amp and give it a hard and lean sound to duplicate solid state sound, but, whereas this duplicates the downfall aspects of solid state (hard and lean), this won't duplicate all the good characteristics (lightening fast transients, deep and well-defined bass, dynamics, detail, sharp image resolution) of solid state. An all tube amp that sounds like a solid state amp has always been a failure in my experience, as has been a solid state amp set up to duplicate tube coloration (added tone body). My Bada PH12 combines the best of both and allows me to dial in the tone-body tube sound signature while retaining the good solid state signature.
I can dial in the timbre I want, from natural tone body and timbre to tones that are more rich, liquid, lush and sweet. Now, I can't do this completely and some, liking tube sound, may find the Bada slightly lacking in the euphonic coloration they seek. I find it more than enough for me and avoid some tube set-ups because of too much coloration
I know that all-tube amps can be used with tube changes to change the timbre from rich, soft, and lush to hard and detailed, but they don't have the Bada PH12 solid state signature (lightening fast transients, deep and well-defined bass, dynamics, detail, sharp image resolution) that always remains to large extent with tone-body changes from tube changes.
I like a neutral solid state sound with some added tone body to make it more natural and realistic, and sometimes even richer and more lush than is natural - but not too much.
My equipment right now is giving me all I could possibly want.
Will someone plaese tell me how I can get better sound? LOL