In the meantime, I've experimented with power cords. First, I used my good old Furutech FP-3TS20 with decent plugs. The latest cable I've built is a Nanotech #309 with Furutech FI11 Rhodium plugs. The Nanotech is better. More natural space and timbre, cleaner, better tonal balance. The 3TS is no slouch at all, yet it makes the DAC sound more compressed, flatter, with an unnatural brightness. In lieu of better wording, I'd say that the Nanotech makes the sound "chocolaty" without pasting over the finest details, quite the contrary.
One of my favorite test recordings is Whitesnake's "Starkers in Tokyo". It has an intimate, small club atmosphere. With the Nanotech I feel closer to the musicians. I discovered subtle new room cues which I had never heard before.
This DAC needs the best food! It's a precision instrument. Surprisingly, it is quite sensitive to power line influences, despite its fully decoupled digital sections. It has no mains filter built-in, I assume by design, thus, the analog section reflects every improvement in the power line configuration.
In about a week, my Benchmark HPA4 gets delivered, finally - at least they promised. Can't wait to find out how good the volume control of the DAC really is in comparison.
One of my favorite test recordings is Whitesnake's "Starkers in Tokyo". It has an intimate, small club atmosphere. With the Nanotech I feel closer to the musicians. I discovered subtle new room cues which I had never heard before.
This DAC needs the best food! It's a precision instrument. Surprisingly, it is quite sensitive to power line influences, despite its fully decoupled digital sections. It has no mains filter built-in, I assume by design, thus, the analog section reflects every improvement in the power line configuration.
In about a week, my Benchmark HPA4 gets delivered, finally - at least they promised. Can't wait to find out how good the volume control of the DAC really is in comparison.
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