The new pads feel much better for me and don’t feel sticky against the skin. They are soft and form a seal quite well.
Similar for me, except in my case is only probably better not "
much" better.
They would be a frontrunner for most comfortable ANC headphone for me
I'm agree more or less, but I still think the Dali iO-12, the old Bose QC35/QC35 II and the Sony XM3 (not the XM4 and I don't know the XM5) are still more comfortable than the MG.
Not had any warmth or sweat issues so far, but not used them above 24 or so degrees so will be interesting once summer really sets on.
Here for me we have a clear difference. With only 22 degrees celsius, and after only about 20 minutes, my ears getting very warm and start sweating a little. The isn't happening with the vegan leather earpads of the Solitaire T, or the genuine leather of the iO-12 or H100.
Timing and rhythmic drive benefits a lot from how precise the drivers are. It is an exciting sound that conveys the timing in rhythmic pieces very well and tells you when the drummer or bass guitar is spot on or a bit off.
"...tells you when the drummer or bass guitar is spot on or a bit off"?? Please forgive me for thinking that this is an exaggeration, that the Bathys MG can telling you if the drummer or bass player is off??. Wow.
Soundstage has good separation and layering with good height, decent depth and quite good focus. Instruments get a bit of space around them instead of sounding like they are on top of each other. It is not a huge sound stage, but it is decent for a closed back, and good for an ANC headphone.
Maybe this is because I'm coming from the Dali iO-12 and H100, but "good separation" and "instruments get a bit of space around them instead of sounding like they are on top of each other" is NOT my experience with the MG. Like I saying before, in general I often hear surprising congestion in the music reproduction of the MG.
Tuning wise, I experienced the old Bathys as a bit more treble focused with good bass and and quite good treble, but the mids were a bit hollowed out for me.
This is also in general my opinion of the original Barthys.
I feel there is not much competition when it comes to precision in transients and technical capability as the MG is quite far ahead.
I'm sorry but I really think this is an exaggeration -- and, "quite far ahead"?? Wow.
The staging on the MG is much improved with slightly more width and much better height, a bit more depth and more space around performers.
"Much improved"?? I'm not agree here, and again I think the is an exaggeration -- maybe a little better, but definitely not, from my memory of the original Bathys, "much improved".
Solitaire T goes more for a diffuse field tuning in the treble, but with a large dip in the mid-treble which is noticeable when listening. The dip doesn’t bother me all that much, but that along with the diffuse field tuning on the rest of the treble makes it a slightly bright and a bit thinner sounding headphone than if it was Harman tuned.
Do you saying exactly the same thing about the treble of the Solitaire T in the ST thread? Or, like is happen soooo typically many times, people suddenly start hearing things
only after a graph is published (in this case the very recent ST graph by Resolve). Here are your impressions of the ST after owning "for a little while":
https://www.head-fi.org/threads/t-a-solitaire-t-wireless-headphone.964925/page-121#post-18060613
They both have fairly good sound stage and image quite well, but the smoother presentation on the MG along with slightly better dynamic capability wins out in the sound comparison. Resolution is fairly similar, but I feel the MG edges a little bit ahead in this department.
"Fairly good soundstage in the Solitaire T"??! -- I think the vast majority of ST owners (including me), even big fans, agree that the ST don't have a good soundstage.
I felt the PX8 was often a more enjoyable listen than the Bathys as it didn’t have the mid-range issues and was often more exiting and enjoyable to listen to on the go. It was also better at ANC, outside of low frequencies, which made it better in the office and in noisy environments.
The PX8 don't have the small dip in the mids of the original Bathys but the midrange of the PX8 is badly affected by the BIG boost in low frequencies that making the midrange unnaturally thick of og=ften sounding muddy, terrible for orchestral music and good masters from the 1970s and 1980s. If the voicing of the PX8 is exciting for you, that's fine, but I think the very majority of people that know both headphones will saying the original Bathys is a clearly better sounding headphone.
The Bathys MG stock tuning is kind of in the middle between the PX8 and the original Bathys, with a smoother smoother frequency response and a lot of the excitement and enjoyment that the PX8 brought.
I'm not sure if this is true or not because I don't hearing the original Bathys and PX8 for a long time, but probably you are correct from my memory of the others 2 headphones), and this is probably why the MG sound is surprising me in a negative way, specially for a headphone with not really significant changes that going from 800 EUR to 1200 EUR..
The volume has more fine grained steps with 16 steps that are each approx. 3dB so I had no issues finding a volume I was happy to listen to. The original Bathsy had 5dB steps in the areas I wanted to listen so I constantly had slightly too loud or too quiet, but this is fixed for me with the MG.
I saying this before: If, in theory, now is 3dB (and not 5dB) increments in the 16 steps, this is meaning that the headphone is 40% more quiet at max volume. This is not my experience and I have very similar problems from my memory of the original Bathys. Do you measure yourself all 16 steps?? Do you measure the max volume of both models??
AAC handling is much improved over the old Bathys and generally sounds fine. It has noticeably less fine detail than aptX Adaptive, but you probably won’t notice that much in a noisy environment when the ANC is working.
"AAC noticeably less fine detail than aptX Adaptive"-- again, forgive me for thinking that you're exaggerating one moire time. I see so often people exaggerating about codecs and bitrates for many years...that this isn't a surprise for me anymore.
A good example of compression artifacts on AAC is “Rich Woman Blues” from the “Live In Amsterdam” by “Tony Joe White”. When listening over aptX Adaptive you can clearly hear the vibrations from the strings on the guitar and reverberation from the harmonica, this gets quite a bit more muted when moving to AAC.
I'm very, very sceptical of your comment "this gets quite a bit more muted when moving to AAC" -- What is your source exactly??
Using aptX Adaptive is a decent step up from AAC and would be my preferred Bluetooth mode. It gives you most of the spatial cues and detail you get on USB, but there are some slight compression artifacts that you probably won’t notice if you never plug them in over USB
"A decent step up"? Again, I'm very sceptical. Sorry.