Let me ask: sub bass or bass reaching into lower mids?
I was referring to the latter. Say like playing a lower piano string: energetic bass conbined with mids+highs.
Pro (without EQ) delivers a bit of an unnatural sounding. Limiting the 2/4 kHz area solves the "problem".
Wich song do you prefer for A/B comparison? I can offer "Maybe I'm a Leo" from Glenn Hughes or "Cinderella Smile" from Mr. Big
Okay, I see what you mean. This was the thing that made me not appreciate the headphones at first, but the clarity in lower bass and highs sort of compensated that for me, or so I thought.
But first of all, let me be clear that I am not an experienced audiophile.
Piano sounds quite unnatural, as well as everything else, with the stock tuning. This is why I prefer headphones with more mids or more balanced signature.
I have no beef with V-Shape heads or Bass Heads, but in my opinion they're the reason so many headphones are the way they are. Many people just listen to their trash pop music, and all they care about is the dumb lyrics and their high voices and low bass. Mids bring out the garbage beat that is playing in the background, and thus making it all sound bad, so they prefer V-Shape. Sorry for being harsh, and also probably
slightly incorrect...
The F9 Pro's aren't very much V-shaped, but sadly You've made me realize this more. But it's okay, to me, in outdoors sub-bass and bass tends to get lost, and I'm used to brighter sounding headphones, so they start sounding more balanced... if it's not all in my head.
What I found strange is how You saw this much negative difference towards F9 Pro's from F9's. Because the frequency graph by Hi-Fi Brooko (Hope You don't mind me showing it here, Brooko), shows that they're virtually the same in anything but a little bit in the upper mid-range and beyond. 8K is more under control, while, the 2/4 is a bit louder than the original F9, but not by much.