markl
Hangin' with the monkeys.
Member of the Trade: Lawton Audio
- Joined
- Jun 22, 2001
- Posts
- 9,130
- Likes
- 49
Intro:
Yeah, it's a long review, but I feel there is insufficient information on these boards about the CD3000s. I really had no sense of what to expect. Therefore, a long yet thorough review should be a forgivable offense and may actually help someone.
Associated Equipment:
Source: Denon DVM3000 DVD Changer
Amp: Berning MicroZOTL with NOS tubes
Musical Taste:
"Rock"-- some alternative rock, some classic rock, some punk, some electronic, some 60's soul music.
Backstory:
I've compared my beloved HD600s to all the major competitors in their price range with the exception of the K1000 from AKG. Grado RS1 sounded "fake" and colored to me. The ER4S was an excellent phone, but the ergonomics just wouldn't work for me. So, now I have ordered the Sony CD3000 just to satisfy myself that there is no better phone available than the HD600. I've had the Sonys for a little over a week, they have about 70 hrs. of burn-in, and I have logged over 30 hours on them. I've owned the Senns for over a year, and owned the HD580 for years before that.
Review:
If you consider the HD600 and the Grado RS1 to be two opposite ends of the high-end headphone spectrum, the Sony CD3000s are closer in sound to the Senns. Anyone who says "all Sony phones suck", either has a hidden agenda, a bias against Sony, or simply hasn't heard these phones. They are definitely in the same league in terms of performance as the ER4S, RS1, and HD600.
Ergonomics:
Extremely comfortable, but not as snug as the HD600s. I like the clamping action of the Senns. Don't attempt to boogie with the Sonys on-- they'll move about. Not as heavy as they look. Absolutely no isolation whatsoever-- they pass every bit as much noise out as the open HD600s. I do not like the covering on the Sonys cord-- it's flimsy and frail. The earcups are HUGE, so you will look like a total headphone dork (which, let's face it, you are). The large earcups enable the drivers to be set at an angle so the sound approaches your ears more like regular speakers (presumably to assist with imaging). I was able to turn the ZOTL down quite a bit compared to the level of the HD600s.
Soundstage/Imaging:
Much, much "larger" soundstage than the HD600s. You are moved to front row center. The sound is more "immediate" and "faster" than the HD600s. Left to right imaging exceeds that of the HD600s which already did a great job. Electronic effects that drift around make an unbroken line when they move left to right-- it's very realistic with no "hole" in the middle. I've never found a headphone yet that had a compelling sense of "depth", and the Sonys are no worse than any other phone in this respect. Verdict: a slight edge to the Sonys.
Treble:
This is the make-or-break area with any phone for me. If the treble is abrasive, spitty, gritty, or piercing-- I'm gone. Ditto if the sound is stifled, claustrophobic or muffled. I always found that the Senns with a tube amp did the highs better than any other set of phones I've owned. Listening to the Sony's has now made me aware that the Senns are slightly etched and hashy in comparison. The Sonys have an amazing clarity that makes horns, trumpets and female vocals sound just fantastic.
There is a lot more treble energy with the Sonys. In my system with my amp, this sounds clear and smooth, although a touch "sweet" compared to the HD600s. I don't mind the extra "sweetness", but it's a coloration that can be too much with poorly recorded, "tinny"-sounding music. It's fabulous on well-recorded records though, top notch. However, this comes at a price: I notice my ears ring a little after a long session with the Sonys. Verdict: I like the treble on the Sonys on most recordings over the HD600s.
Mids:
Slightly more midrange "presence" than the somewhat "hollow"-sounding Senns (possible hump in the Sony's midrange?). Detail and resolution is equivalent to the Senns, although I would say the Sonys are a bit "warmer" and "richer" sounding than the relatively sterile HD600s. You can't go wrong with the mids of the Sonys-- they're clean and appealing and draw you in to the sound. Verdict: I prefer the Sony's mids over the 600s.
Bass:
Most likely due to the larger drivers, the Sonys have much more kick and punch than the 600s. There is more bass information, but I still question if it really goes as low as the 600s. I don't think it delivers the lowest registers as well as the 600s. Drums, however really come to life on the Sony's. The low bass of electronica albums sounds pretty tight and convincingly deep. Verdict: a draw between the bass of the 600s and the Sonys.
About My Results:
My amp, the ZOTL has a very laid-back character with an incredibly smooth and easy presentation. I wonder how the Sony's would sound with solid-state? Would the sweet highs be a bit too much? Might the sound get a touch brittle and hashy?
Final Remarks:
I never saw the utility of owning more than one set of cans, but I'm leaning toward keeping both phones. I would take the Sony's out to listen to well-recorded modern discs and recently remastered older CDs. It's not so good with older "brittle"-sounding or poorly recorded discs. It may also not perform quite as well as the HD600 on very intense tracks where there are lots of loud instruments playing simultaneously. For those, the Senns seem to work better and keep sound separated and distinct.
Overall, very impressed with the Sony CD3000 and wouldn't hesitate to recommend it. In some areas I believe it bests the HD600.
Cheers.
markl
Yeah, it's a long review, but I feel there is insufficient information on these boards about the CD3000s. I really had no sense of what to expect. Therefore, a long yet thorough review should be a forgivable offense and may actually help someone.
Associated Equipment:
Source: Denon DVM3000 DVD Changer
Amp: Berning MicroZOTL with NOS tubes
Musical Taste:
"Rock"-- some alternative rock, some classic rock, some punk, some electronic, some 60's soul music.
Backstory:
I've compared my beloved HD600s to all the major competitors in their price range with the exception of the K1000 from AKG. Grado RS1 sounded "fake" and colored to me. The ER4S was an excellent phone, but the ergonomics just wouldn't work for me. So, now I have ordered the Sony CD3000 just to satisfy myself that there is no better phone available than the HD600. I've had the Sonys for a little over a week, they have about 70 hrs. of burn-in, and I have logged over 30 hours on them. I've owned the Senns for over a year, and owned the HD580 for years before that.
Review:
If you consider the HD600 and the Grado RS1 to be two opposite ends of the high-end headphone spectrum, the Sony CD3000s are closer in sound to the Senns. Anyone who says "all Sony phones suck", either has a hidden agenda, a bias against Sony, or simply hasn't heard these phones. They are definitely in the same league in terms of performance as the ER4S, RS1, and HD600.
Ergonomics:
Extremely comfortable, but not as snug as the HD600s. I like the clamping action of the Senns. Don't attempt to boogie with the Sonys on-- they'll move about. Not as heavy as they look. Absolutely no isolation whatsoever-- they pass every bit as much noise out as the open HD600s. I do not like the covering on the Sonys cord-- it's flimsy and frail. The earcups are HUGE, so you will look like a total headphone dork (which, let's face it, you are). The large earcups enable the drivers to be set at an angle so the sound approaches your ears more like regular speakers (presumably to assist with imaging). I was able to turn the ZOTL down quite a bit compared to the level of the HD600s.
Soundstage/Imaging:
Much, much "larger" soundstage than the HD600s. You are moved to front row center. The sound is more "immediate" and "faster" than the HD600s. Left to right imaging exceeds that of the HD600s which already did a great job. Electronic effects that drift around make an unbroken line when they move left to right-- it's very realistic with no "hole" in the middle. I've never found a headphone yet that had a compelling sense of "depth", and the Sonys are no worse than any other phone in this respect. Verdict: a slight edge to the Sonys.
Treble:
This is the make-or-break area with any phone for me. If the treble is abrasive, spitty, gritty, or piercing-- I'm gone. Ditto if the sound is stifled, claustrophobic or muffled. I always found that the Senns with a tube amp did the highs better than any other set of phones I've owned. Listening to the Sony's has now made me aware that the Senns are slightly etched and hashy in comparison. The Sonys have an amazing clarity that makes horns, trumpets and female vocals sound just fantastic.
There is a lot more treble energy with the Sonys. In my system with my amp, this sounds clear and smooth, although a touch "sweet" compared to the HD600s. I don't mind the extra "sweetness", but it's a coloration that can be too much with poorly recorded, "tinny"-sounding music. It's fabulous on well-recorded records though, top notch. However, this comes at a price: I notice my ears ring a little after a long session with the Sonys. Verdict: I like the treble on the Sonys on most recordings over the HD600s.
Mids:
Slightly more midrange "presence" than the somewhat "hollow"-sounding Senns (possible hump in the Sony's midrange?). Detail and resolution is equivalent to the Senns, although I would say the Sonys are a bit "warmer" and "richer" sounding than the relatively sterile HD600s. You can't go wrong with the mids of the Sonys-- they're clean and appealing and draw you in to the sound. Verdict: I prefer the Sony's mids over the 600s.
Bass:
Most likely due to the larger drivers, the Sonys have much more kick and punch than the 600s. There is more bass information, but I still question if it really goes as low as the 600s. I don't think it delivers the lowest registers as well as the 600s. Drums, however really come to life on the Sony's. The low bass of electronica albums sounds pretty tight and convincingly deep. Verdict: a draw between the bass of the 600s and the Sonys.
About My Results:
My amp, the ZOTL has a very laid-back character with an incredibly smooth and easy presentation. I wonder how the Sony's would sound with solid-state? Would the sweet highs be a bit too much? Might the sound get a touch brittle and hashy?
Final Remarks:
I never saw the utility of owning more than one set of cans, but I'm leaning toward keeping both phones. I would take the Sony's out to listen to well-recorded modern discs and recently remastered older CDs. It's not so good with older "brittle"-sounding or poorly recorded discs. It may also not perform quite as well as the HD600 on very intense tracks where there are lots of loud instruments playing simultaneously. For those, the Senns seem to work better and keep sound separated and distinct.
Overall, very impressed with the Sony CD3000 and wouldn't hesitate to recommend it. In some areas I believe it bests the HD600.
Cheers.
markl