^^
The gain switch is a useful feature.
Which vol pot did you opt for?
The gain switch is a useful feature.
Which vol pot did you opt for?
A dac could account for the extra power suply. Haven't seen a single-jack stereo-input before, but perhaps.It could be some form of a single-jack stereo-input, maybe a coaxial input for an internal DAC?
^^
The gain switch is a useful feature.
Which vol pot did you opt for?
Someone seems to be enjoying it..Just going through the thread. Very interesting. Could somebody share more info on H12g? There seem to be no further discussion on how this amp performs, while it looks wonderful Is there any other amp at Eufonika with triode sound?
Someone seems to be enjoying it..
Oak is fine, it is just at the pictures i have seen the frame seems not to be cut precisely. I have not seen the frame myself, but there seem to be sharp edges at the photos.I don't think the standard oak frame is that bad, I actually like it the way it is. Unless you are a woodworker, or know someone who is, a custom wooden frame would set you back €250-350 (if etsy LP12 plinths are a valid comparison).
On the two of mine corners have been fine, but I understand what you referring to. Wood isn’t as easy to work with as most seem to think. It expands and contracts with humidity, especially if not properly dried before usage. Living in a all-wooden house like I do, you become painfully aware of these things. You also develop a tolerance towards these small imperfections. In Wieslaw’s amps you don’t pay for the frame, you pay for parts, amp design, and labour. I did research frames a bit, but the costs of having a competent woodworker make one exceeded what I was willing to pay just for looks.
I once ordered a rather expensive 5-tier custom wooden hifi rack from a competent woodworker (or so I thought). It arrived in the middle of the winter, and once set up in room temperature, all shelves started to curl up, to the point of rendering them unusable. Apparently the wood had been stored in a place with too much humidity, and once exposed to room temperature the moisture vapourated and the wood contracted.
About the skewed frame mentioned earlier (one foot not touching ground).. A well-known british hi-end hifi manufacturer had a number of units with this problem (and on a continuous basis), and simply offered shims to correct it. If you pay premium prices, you don’t expect these kinds of imperfections, but if the product otherwise is ‘perfect’, you learn to live with them.
If you know, that you are going to exchange the standard oak frame for something better looking, you could consult with Wieslaw about having the internals mounted in a way that makes it easy to swap frames. I did this, in my current amp everything is attached to the top plate. If I ever decide to swap the frame, I simply unscrew both plates and move the whole thing to the new frame.
I am not sure what you mean by sharp corners. Joining two wooden side panels can be done in different ways. As far as I can judge they all produce sharp corners, unless you decide to round them subsequently.
I understand the suggestions of the users, but you should not forget that what Eufonika offers is far from what you get from China.
I would mention it to the custom enquirer that he should pay attention to this.
Maybe he will pay more attention to it in the future.