LugBug1
Headphoneus Supremus
- Joined
- Jan 10, 2011
- Posts
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I'll start by saying... For me to sell my beloved HD800 then there has to be something wrong with the world. Or I've found something better.
Well it's both.
The thing with SQ is that it is a constant learning experience. Both subjectively but also as we continue to be impressed or unimpressed by new technicals and designs. The HD800 has stood the test of time and deservedly so. Especially for classical music lovers like myself; the soundstage, imaging and general (or apparent) colourless tuning. I've owned them for approximately 4 years (bought twice). Nothing would sway me to sell or save up for something that might be better especially when they are still the staple for reviewers to compare to.
I've had the Edition X v2's now for something like 4 month. I wrote a review and stated that I was impressed but wouldn't be selling my HD800. Time has told me many things about the sound I have with these Hifiman headphones in comparison to the almighty kings from Sennheiser. I'll list them thus;
1. The HD800 are not neutral at all... This is a bit unfair because I think most of us know this already. They have an unnatural peak and lower dip in the trebles that either pleases or hurts. For me it has alway pleased. But I often wondered why my ears complained when I listened to my HD600 straight after. My ears were adjusting to the missing information from the HD800 and so making the HD600 sound a little "etchy" (not a real word... Don't care)
2. Soundstage is subjective as bass treble mids etc.. The HD800 paint a massive picture in front of you - Great! for large canvases of Opera, ambient music etc. And it can be learned to be liked for even intimate ensembles. Nice big space. Great. But a soundstage that meets you in the middle - focuses your attention on the things the producer wanted you to? Now that is harder. Probably impossible, but what I'm saying here is - the lowly HD600 betters the HD800 here in all seriousness.
3. "Speed" is something that none of the flagship Senns are up to compared to planars. This is a fact. Decay, should not be confused with glare/ringing etc.
The HEX fix all the above problems to my ears. And they round it off with a smoothness and air that is quite something. If anyone can tell me vocals sound more natural on the HD800 - I disagree. Anyone tell me that a cello sounds more "life-like" I disagree. Anyone tell me that strings (and for me this has been a bane in my life to find a sound that sounds right) sound better on either the HD600 or HD800 I disagree. Layering and detail, again if anyone can listen to a complex orchestral piece and find more detail (apart from the highlighted top of the pops treble) with the HD800 I disagree. BRASS!!! I can listen to the Hex without wincing in advance with familiar recordings like I do with both the other cans I've mentioned.
The only time I may prefer the HD800 over the HEX is when I'm listening to a recording that does not exhibit treble peaks and revels in the large soundstage - choral works for example. But this is strictly recording quality permitting. I will still be missing some treble information and texture.... But the huge soundstage outweighs the negative here.
I could go on all night... But I'm going to stop with a few final thoughts: For twenty plus years we've appreciated the HD600 for its neutrality and general listenability. Imagine a headphone that fixes its little shortcomings and makes everything a little bigger and a LOT better?
Let me put it another way. Buy an HD600 then buy the gear needed to squeeze every ounce of goodness out of it (you will be looking into many thousands of dollars) OR, Buy an HEX and plug it into your phone. Thank me later
Even better, you will already own a good DAC - otherwise you have no business even looking into the High-End forum (how dare you!!), either plug them into the inbuilt hp out- or buy a clean SS amp (class A of course darlings) for a couple of hundred bucks. And again thank me later. Sell your huge ferrari amps! (Treat the Mrs to a holiday... While you enjoy your new headphones)
Natural - neutral (apart from a little extra lower bass - which to be fair we all want!) - smooth - great soundstage - pretty much perfect trebles - a midrange that invites you into its bedroom for truffles and Chardonnay - Bass that refuses to enter the mids unless invited, but gently rubs your testicals when the show gets steamy (sorry) . etc etc etc.
Thats why
Well it's both.
The thing with SQ is that it is a constant learning experience. Both subjectively but also as we continue to be impressed or unimpressed by new technicals and designs. The HD800 has stood the test of time and deservedly so. Especially for classical music lovers like myself; the soundstage, imaging and general (or apparent) colourless tuning. I've owned them for approximately 4 years (bought twice). Nothing would sway me to sell or save up for something that might be better especially when they are still the staple for reviewers to compare to.
I've had the Edition X v2's now for something like 4 month. I wrote a review and stated that I was impressed but wouldn't be selling my HD800. Time has told me many things about the sound I have with these Hifiman headphones in comparison to the almighty kings from Sennheiser. I'll list them thus;
1. The HD800 are not neutral at all... This is a bit unfair because I think most of us know this already. They have an unnatural peak and lower dip in the trebles that either pleases or hurts. For me it has alway pleased. But I often wondered why my ears complained when I listened to my HD600 straight after. My ears were adjusting to the missing information from the HD800 and so making the HD600 sound a little "etchy" (not a real word... Don't care)
2. Soundstage is subjective as bass treble mids etc.. The HD800 paint a massive picture in front of you - Great! for large canvases of Opera, ambient music etc. And it can be learned to be liked for even intimate ensembles. Nice big space. Great. But a soundstage that meets you in the middle - focuses your attention on the things the producer wanted you to? Now that is harder. Probably impossible, but what I'm saying here is - the lowly HD600 betters the HD800 here in all seriousness.
3. "Speed" is something that none of the flagship Senns are up to compared to planars. This is a fact. Decay, should not be confused with glare/ringing etc.
The HEX fix all the above problems to my ears. And they round it off with a smoothness and air that is quite something. If anyone can tell me vocals sound more natural on the HD800 - I disagree. Anyone tell me that a cello sounds more "life-like" I disagree. Anyone tell me that strings (and for me this has been a bane in my life to find a sound that sounds right) sound better on either the HD600 or HD800 I disagree. Layering and detail, again if anyone can listen to a complex orchestral piece and find more detail (apart from the highlighted top of the pops treble) with the HD800 I disagree. BRASS!!! I can listen to the Hex without wincing in advance with familiar recordings like I do with both the other cans I've mentioned.
The only time I may prefer the HD800 over the HEX is when I'm listening to a recording that does not exhibit treble peaks and revels in the large soundstage - choral works for example. But this is strictly recording quality permitting. I will still be missing some treble information and texture.... But the huge soundstage outweighs the negative here.
I could go on all night... But I'm going to stop with a few final thoughts: For twenty plus years we've appreciated the HD600 for its neutrality and general listenability. Imagine a headphone that fixes its little shortcomings and makes everything a little bigger and a LOT better?
Let me put it another way. Buy an HD600 then buy the gear needed to squeeze every ounce of goodness out of it (you will be looking into many thousands of dollars) OR, Buy an HEX and plug it into your phone. Thank me later
Even better, you will already own a good DAC - otherwise you have no business even looking into the High-End forum (how dare you!!), either plug them into the inbuilt hp out- or buy a clean SS amp (class A of course darlings) for a couple of hundred bucks. And again thank me later. Sell your huge ferrari amps! (Treat the Mrs to a holiday... While you enjoy your new headphones)
Natural - neutral (apart from a little extra lower bass - which to be fair we all want!) - smooth - great soundstage - pretty much perfect trebles - a midrange that invites you into its bedroom for truffles and Chardonnay - Bass that refuses to enter the mids unless invited, but gently rubs your testicals when the show gets steamy (sorry) . etc etc etc.
Thats why
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