MeDotOrg
New Head-Fier
- Joined
- Feb 5, 2012
- Posts
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- 13
[size=medium]I should preface this post with the (obvious) declaration that I am an audiophile, but am certainly not an engineer, so if what I’m suggesting is absurd, mea culpa. The idea of a DSP tube amplifier might be an oxymoron, but bear with me...
People always talk about the warmth and sweetness of tube amps - that they are very forgiving to poor recordings where solid state amps can sound a little dry and cold.
What got me thinking about this was an article that talked about the difference between listening to an analog recording compared to a digital transfer of an analog recording. Most listeners could not tell the difference between the analog original and the quality digital transfer- they both sounded ‘analog’.
If the analog sound of a vinyl recording can be transferred to a CD or other digital media, why can’t the sound of a tube amp be replicated in a digital signal processor? Just another soundstage setting like ‘club’ or ‘stadium’ or ‘live'?
The floor is open for debate....[/size]
People always talk about the warmth and sweetness of tube amps - that they are very forgiving to poor recordings where solid state amps can sound a little dry and cold.
What got me thinking about this was an article that talked about the difference between listening to an analog recording compared to a digital transfer of an analog recording. Most listeners could not tell the difference between the analog original and the quality digital transfer- they both sounded ‘analog’.
If the analog sound of a vinyl recording can be transferred to a CD or other digital media, why can’t the sound of a tube amp be replicated in a digital signal processor? Just another soundstage setting like ‘club’ or ‘stadium’ or ‘live'?
The floor is open for debate....[/size]