Long story short, I managed to end up with both the i06 and Aonic 50. I’ve been able to do back to back and long term listening tests with well run in items (and compared new to “run in” i06). I’ve reviewed them here being driven wirelessly from a Shanling M6 using a mixture of .flac files through Neutron player and high res steams from Amazon HD. Connection has been via LDAC and AptX HD.
For anyone considering either - a comparison of the Dali i06 with Shure Aonic 50:
Sound:
The strength of the Shure product is that it focusses heavily on detail and instrument separation. The sound is best described as explicit. Subtleties and nuances are laid bare with ruthless effectiveness, each instrument in even busy arrangements seems to have its own space and can be clearly heard through the mix. Vocals, male or female are clearly conveyed with intimacy and expression. The upper bass region (80-250Hz) seems to be boosted a noticeable amount and combined with the revealing midrange, this gives excellent texture to instruments in the bass area. The mid band is relatively slightly forward, again, making the ‘phones sound detailed and revealing. Treble is strong but sweet, never harsh, and serves to further that explicit presentation. Where the Shures are conspicuously lacking is in the very low frequencies. Although the mid and upper bass regions are a little forward, the area below 40Hz is steeply rolled off, so A0 is only audible when playing loud and going lower, there is very little meat.
By comparison, the Dali product is more subtle in its approach. There is not the immediate sensation of etched detail that you get with the Aonic 50, but at the same time, they don’t miss anything that the Shures reveal, it is just that the presentation of the i06 seems to be less explicit. While detail, texture and separation are evident, they are not conspicuous qualities here. Vocals are maybe a little recessed by comparison to the Shures, but also, vocals seem to have a little more emotion with the Dalis. In terms of frequency response, the Dalis produce a balance close to neutral. Treble is extended, but never harsh, midrange is clear and clean. The bass seems to have a very slight boost in a narrow band around the 100Hz area, very subtle, but it also reaches all the way down to the very lowest audible notes giving a good sense of weight without any hint of bloom or bloat. I’d sum it up as nothing added or taken away.
Happily, neither of these headphones are tuned to the Harman curve.
Sound stage:
The Shure put together a nicely ordered space for all elements of the sound to be presented. The Dali seem to offer a less focussed stage, but also a significantly larger and more open one. Where the Shure gets the presentation a little outside of the ear cups, the Dali seem to expand that boundary noticeably further.
Noise cancelling / isolation.:
Passive isolation is very much more effective on the Dali i06. The Shure Aonic 50 counters this with better active noise cancelling. The noise cancelling on the Shure also seems to have very little effect on the sound (in its default setting), the Dalis definitely do sound more affected by use of the ANC. Realistically, the poor passive isolation of the Shure means that they leak a lot of sound, much like an open back headphone. With the Aonic 50, you certainly couldn’t sit listening to music while whoever you are sitting next to watched the television. The Dali, by comparison, has very good passive isolation and minimal sound leakage, making it no problem to listen without bugging your settee sharing TV watching partner. I found that with someone watching the TV at normal volume, I only needed the ANC on with the Dali with really quiet pieces. With the Shure, the sound leakage was just far too much to even try. With the Aonic 50, the ANC would probably make them more effective on a flight, but the people sitting next to you (and in front of you and behind you for several seats) will want to kill you if you play music.
Working with EQ:
I found that with Neutron player, I was able to recover the lowest frequencies by setting up a low frequency shelf from 40Hz and get the Aonic 50 to sound good all the way down to the lowest notes. This gave them a decent sensation of sonic weight where the music called for it, without making any other part of the sound bloated or overly slow or thick. The Dali needed no EQ to perform well, but I did try to EQ them to see how they would convey detail if they mimicked the Aonics frequency response. Although superficially similar, it became clear that although the EQ could be set to make the Dali mimic the Aonic’s frequency response, the Shure still demonstrated more resolution and separation. I tried using the Shure with AptX HD instead of forcing LDAC max quality, but this did not make any obvious differences to the sound. I found the Dali at their best with no EQ applied. Moving to steaming from Amazon HD, I was unable to get a satisfactory EQ of the Shure’s bottom end. The Amazon app only provides a slider at 60Hz, which, if boosted, causes the sound to bloat. I tried cutting everything above the 60Hz EQ point (if in doubt take it out, good advice for EQ and surgery) and this gave a more satisfactory result, but the really low frequencies are still almost missing in the Shure when streaming from the Amazon app.
Comfort / wearing:
The Shure have larger, softer pads and seem to clamp a little less than the Dalis. The headbands on both seem to be almost identical in height at their maximum setting. The Dalis clamp more and have a slightly smaller ear cup. The Shures seem to heat my ears up much more quickly than the Dalis, but neither are unpleasant. So both comfortable, but I’d say the Shure very slightly more so. Something to note, although not strictly comfort related, is that with the Dali, the sound is more sensitive to placement than the Shure.
Conclusion:
Both of these headphones offer an excellent sound. The Shure Aonic 50 presents a clean crisp and very hi-fi experience. If your listening tastes include stuff from the Orb and FSOL, or orchestras for that matter, they will need some sort of EQ to rescue the many very low frequency events and weight that these kinds of music include. The Dali counters with a more slow burning approach to musical presentation that covers the full audio spectrum without EQ. Ultimately, the Shure is a star performer. If you want detail and pace, I’d say it was ahead of the Dali. However, I cannot ignore a simple fact that demonstrated itself time and again while listening to these ‘phones. With the Shure, I consistently found myself aware of many of the wonderful elements and subtle details in the music, whereas, with the Dali, I consistently became quickly consumed by the music. For me, that makes Dali the winner. You pays your money and takes your choice!
As an aside:
My first pair of i06 started to show signs of developing the power switch fault, (sometimes completely failing to power up unless the switch was jiggled to the bluetooth pairing position and it was getting worse) so I ordered a set of Army Green ones (to ensure recent production) while the return of my older Iron Black ones was being processed. This gave me the opportunity to have a pair with over 100 hours on them to compare to a box fresh pair. Was there a difference? Well, yes, a big difference. The box fresh ‘phones sounded OK, but noticeably tight and veiled compared to the well run in pair. The sound of the 100 hour plus pair was more open, bigger soundstage, more “outside the head” more fluid in presentation. Both sweeter and with more textural information. Unfortunately, the new pair developed a charging fault on their second charging cycle (amber light flashes but no charging takes place), so they are being exchanged Friday for a third pair. Fingers crossed, third time lucky and does anybody want to buy my lightly used Shure Aonic 50 ?