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Originally Posted by Lamplighter /img/forum/go_quote.gif
The whole thing is kind of confusing as there are so many options, I hear terms like lossless, variable bitrate among others and it's a bit intimidating.
I have never been very concerned with sound quality until recently when something seem to click and now I am more interested in fewer songs at better sound quality as opposed to the other way around.
No reason to have 2000 songs at good quality when you can have say.. 1200at great quality, you probably won't listen to them all on a portable device anyway.
As for my main question I was assuming that songs would be more flexible when stored at MP3 as opposed to WMA but that may have been in the past, perhaps now it does not make much of a difference !!! When knowing about the loss in quality because of a transfer it does seem like a pointless operation.
The good point is that I do have all the original CD's (of which some were ripped from MP3's) so can always spend some time and re-rip if needed.
Cheers again everyone, LL-
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lossless: i.e., lossless compared to cd resolution. Either the same files as on the cd, or a compression method from which these files can be reproduced bit by bit while playing (like APE,or FLAC)
lossy: file types like mp3 or wma don't use all the data of the cd, they sample it at varying rates of precision and save this sampled data in a compressed form. By using them you lose some of the data and some of the sound quality of the original file. For instance, with good headphones and a decent source, most people can easily tell the difference between a wma at 128kbps and an mp3 at 192kbps vbr. On an mp3 player with cheapish portable headphones, the difference would be harder to hear.
conversion: since mp3 and wma use different methods of compressing the data of a cd file, it's particulary dangerous to switch from one to the other. It's kind of like making a photocopy of a photocopy, whereas lossless is more like a print from a photo negative.
variable bitrate: rather than sample the cd file at a constant bitrate, VBR uses a higher rate for complicated passages and a lower one for simple parts like the silence between tracks or when only one instrument is playing, say. The advantage is to get the sound quality of a high-bitrate file in a smaller file size.
The problem you're running into now is that your files are ripped to such a low bitrate that if you get good headphones, you'll likely want to make all new files with better resolution-- assuming you have the original cds. A pain? Oh yes. But most everyone here will tell you it's worth it. I'd start with the stuff you love the most, and the stuff with the best original recordings. Good luck,
FV