Lyssky
100+ Head-Fier
I suppose he meant that some reviews use an unnecessary amount of grandiloquent language while saying nothing.
You forgot to add cons-Here is a generic review you all can use - feel free to substitute [Mojo] with any dac or amp of your choice:
The [Mojo] seems to be a very well balanced [dac] in every aspect of its sonic presentation. By this I mean its frequency presentation seems to be equally consistent throughout the entire spectrum from the very low bass all the way throughout the upper treble. This consistency gives the [dac] a very smooth, even and natural tonal balance. This well balanced tonal character gives the amp a smooth, almost liquid sense, a somewhat silky feel. Never is there a hint of artificial or electronic reproduction taking place. When I say silkiness and smoothness I do not mean to infer a lack of detail or leading edge blurriness but quite the contrary, there is plenty of inner detail and resolution.
There is also an overall warmth to this [dac] but not too much, not overly present or in any way intrusive. This warmth does not seem to be a manifestation of any undue or excess mid bass emphasis, its just there in the presentation in a beneficial way rather than detracting and does not obscure the the dac detail or compromise definition. Personally I find this warmth pleasant, inviting and gratifying. [if you are aiming for clarity, change accordingly.]
The [dac] has the ability to unravel a complex sonic landscape with ease and confidence. Musical lines and rhythms are kept straight and coherent. Nothing is sonically tripping over itself or obscuring the detail of another instrument. Even in the most complex passages you can distinctly hear every instrument in detail. This is the consequence of the [dac]'s ability to resolve and present the smallest amounts of inner detail and micro dynamics. Instruments are clearly defined and focused and separated across the soundstage. Bass extension is deep and controlled with excellent definition, impact and tonality. Treble is extended and smooth without any sense of edginess or harshness. The slight overall warmth to the [dac] gives the midrange the seduction needed to draw you into the music and get you involved. Listening to the [dac] I never once thought I was listening to a digital file. It is not an in your face kind of [dac]. It seems so well balanced in so many regards that it doesn't need to have any particular overbearing characteristics to give it its overall magic. It simply does its job in every area with confidence and respect and disappears from the sonic equation in an effortless way.
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Reviews without critical comparisons with similarly priced and TOTL gear (>$10k) are utterly useless.
According to Rob Watts, it will charge from anything that will output .5A (500mA), but fastest if you have a 2A capable charger (eg: An old iPad charger).Weird question, how do you charge the Chord Mojo 2? Power brick from Apple? Connect to a PC USB port? How?
My Chord Mojo 2 is live, versus the Gryphon & Xduoo XD05 BAL. The Xduoo has upgraded op amps, a pair of Burson V5i-D. Happy to answer any questions .
Ha haa, so true. I feel like I’m reading reviews these days that go on about a ‘neutral’ and ‘natural’ sound, which is perfectly balanced and uncolored, and then I have no idea how it sounds any different to the hundreds of other products with the same description
My Chord Mojo 2 is live, versus the Gryphon & Xduoo XD05 BAL. The Xduoo has upgraded op amps, a pair of Burson V5i-D. Happy to answer any questions .
I imagine the people who do get the hypercar analogies would just buy both the gryphon & mojo and not fret lolYour review is excellent except I have one small complaint which is that I hate car analogies. I don't know how a Ferrari differs from another supercar. Thank you for the great review!
This made me chuckle. I've noticed the prominent audio review sites don't seem to give bad reviews, and more often than not they were given the equipment. It's a bit like politics and journalism here in the UK - they started out with good intentions but have basically merged into the same industry.Here is a generic review you all can use - feel free to substitute [Mojo] with any dac or amp of your choice:
The [Mojo] seems to be a very well balanced [dac] in every aspect of its sonic presentation. By this I mean its frequency presentation seems to be equally consistent throughout the entire spectrum from the very low bass all the way throughout the upper treble. This consistency gives the [dac] a very smooth, even and natural tonal balance. This well balanced tonal character gives the amp a smooth, almost liquid sense, a somewhat silky feel. Never is there a hint of artificial or electronic reproduction taking place. When I say silkiness and smoothness I do not mean to infer a lack of detail or leading edge blurriness but quite the contrary, there is plenty of inner detail and resolution.
There is also an overall warmth to this [dac] but not too much, not overly present or in any way intrusive. This warmth does not seem to be a manifestation of any undue or excess mid bass emphasis, its just there in the presentation in a beneficial way rather than detracting and does not obscure the the dac detail or compromise definition. Personally I find this warmth pleasant, inviting and gratifying. [if you are aiming for clarity, change accordingly.]
The [dac] has the ability to unravel a complex sonic landscape with ease and confidence. Musical lines and rhythms are kept straight and coherent. Nothing is sonically tripping over itself or obscuring the detail of another instrument. Even in the most complex passages you can distinctly hear every instrument in detail. This is the consequence of the [dac]'s ability to resolve and present the smallest amounts of inner detail and micro dynamics. Instruments are clearly defined and focused and separated across the soundstage. Bass extension is deep and controlled with excellent definition, impact and tonality. Treble is extended and smooth without any sense of edginess or harshness. The slight overall warmth to the [dac] gives the midrange the seduction needed to draw you into the music and get you involved. Listening to the [dac] I never once thought I was listening to a digital file. It is not an in your face kind of [dac]. It seems so well balanced in so many regards that it doesn't need to have any particular overbearing characteristics to give it its overall magic. It simply does its job in every area with confidence and respect and disappears from the sonic equation in an effortless way.
.
.
.
Reviews without critical comparisons with similarly priced and TOTL gear (>$10k) are utterly useless.