My main music preference is progressive rock (Steven Wilson, TOOL, King Crimson, O.R.Lopez, The Mars Volta etc.) and with some sax and violins it got "too much" for my ears.
Pretty amazing for its low price. Obviously can't expect it to compete with higher end models but for an everyday work beater it's fantastic. By the way I've been using it for 3+ hours per day for 5 days now. Check out that battery!
I was thinking of Daps like DX90 and Fiio X5 or anything on this level. I'm saying I wish I spent a more even amount of money on a good DAP as I spent on iems. Looking back I think I would have been better off.
Some of these new daps might be really nice, I dont know but if I was gonna buy a $100 DAP I can't see I wouldn't be better off with a $250 balanced DAP like the Aune M1s or similar. Which takes the sound to another level above Fiio X5
10 years ago when I started out a portable balanced DAP would have cost sooo much more.
I would rather listen to a $30 iem through a $250 DAP than a $250 iem through a $30 DAP.
(Generally speaking).
I was thinking of Daps like DX90 and Fiio X5 or anything on this level. I'm saying I wish I spent a more even amount of money on a good DAP as I spent on iems. Looking back I think I would have been better off.
Some of these new daps might be really nice, I dont know but if I was gonna buy a $100 DAP I can't see I wouldn't be better off with a $250 balanced DAP like the Aune M1s or similar. Which takes the sound to another level above Fiio X5
10 years ago when I started out a portable balanced DAP would have cost sooo much more.
I would rather listen to a $30 iem through a $250 DAP than a $250 iem through a $30 DAP.
(Generally speaking).
Frankly to my own experience (still a noob, I started from a Benjie S5, then Fiio X3, then DX90 and now the Opus #1), I feel that the IEMs have a more direct impact on the sound signature delivered to you, as compared to DAPs. My KZ IEMs do not sound as good in terms of a step up, as compared my LZ A4, which scales up more.
Frankly to my own experience (still a noob, I started from a Benjie S5, then Fiio X3, then DX90 and now the Opus #1), I feel that the IEMs have a more direct impact on the sound signature delivered to you, as compared to DAPs. My KZ IEMs do not sound as good in terms of a step up, as compared my LZ A4, which scales up more.
Depends on the type of head-fier you are. If you have a collection of phones, a great dap makes everything better but a great IEM limits you to it only for the better experience.
I Urbanfun HiFi and are super.
How is Sound Quality: LZ A3 vs Urbanfun HiFi?
How is Sound Quality: LZ A3 vs MusicMaker TK12 / TK13?
LZ A3 or MusicMaker TK12 / TK13 - are they worth it to replace Urbanfun?
Can anyone answer me? Please help.
Depends on the type of head-fier you are. If you have a collection of phones, a great dap makes everything better but a great IEM limits you to it only for the better experience.
Every DAP I've used has some compromise in terms of usability. I've found the best solution for me is to combine a phone (in my case an iPhone) with a decent DAC. You retain the easy of use and ability to use streaming services without WiFi. There's no shortage of decent sub £200 DACs now.
One downside though is the ability to minutely control the volume is compromised.
Every DAP I've used has some compromise in terms of usability. I've found the best solution for me is to combine a phone (in my case an iPhone) with a decent DAC. You retain the easy of use and ability to use streaming services without WiFi. There's no shortage of decent sub £200 DACs now.
One downside though is the ability to minutely control the volume is compromised.
I've been using LG V10 lately which for me negates the need for a dac. But I do agree that every dap has it's compromises. Although, I haven't found it yet with the Opus #1, except lack of capability to stream Tidal.
I've been using LG V10 lately which for me negates the need for a dac. But I do agree that every dap has it's compromises. Although, I haven't found it yet with the Opus #1, except lack of capability to stream Tidal.
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