drtturnip
100+ Head-Fier
- Joined
- Dec 3, 2011
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At least you can change a room and move speakers around to find the sweet spot. Not so much the shape, size and neural response of the ear which is the "room" for headphones.
Binaural recordings does help a bit with the headphone sound stage after all. Actually, I think it is a bit unfair to compare headphones and speakers using recordings, that are made for speakers. Just saying
I have the HS80M as well as Genelecs and Adams... All those studio monitors sound like crap for audiophile listenning. Very nice for producing a good sounding mix but very bad at sounding musical and audiophile!
I used my HS80M for a year or so with a Adam subwoofer as my music system and I was listenning less and less music. My previous pair of audiophile bi active speaker just broke and I thought that those speaker HS80M would be perfect subsitute! Boy I was wrong. Sure at the begining the dynamic sound was there but the musicality was not. After one year, I happen to not like any of my old time favorite FLACS, I was hearing so much flaws in records, it made the listenning sessions like brain torture after more than an hour...
So I decided to sell those and all my studio monitors, and I took the plunge and sank a large bit of my saving in a Meridian Digital speaker setup from source to speakers...
Man I was in love with music again!
If you think that your Yamaha is the end of game, listen to some Meridians!
Oh and headphones sound very nice for the money! You can get first class amplification and with the single driver nature of headphone, you got yourself some very clean and musical sounding transducers!
After that you can be nit picky about your sound signature preference, but the single driver nature of headphones, makes them very distorsion free transducers to begin with, and with the right source and amp , you have such a beautiful sound for not so much bux.
Of course with headphone you got ZERO soundstage, as all happens between your ears, but this drawback is compensated by the intimate and convenient nature of headphones.
Believe me, I really wanted to love the HS80M! On the paper and at first when I got used to their signature they were sounding very nice! More accurate than many expensive setup out there for sure. I am a strong believer that passive filter in speakers are a big part of their non transparency.
It is just that I used to have an old pair of Meridian M2 growing up. It was the first pair of good speakers I bought. I grew to love that sound presentation which is relaxed profound and so very lifelike!
I don't know what Meridian does to their speaker to sound how they sound, but they have a special presentation that just works for me, I'm really immerse in the music, and each recording sound so true (I mean they have all their own personnality soundwise).
It is just that the Yamaha while being analytical are ear fatiguing to me. Maybe you are not so sensible as my brain, but I was really getting really strained by their sound.
One thing that you surely know, is that studio monitor are voiced negatively respectively to the mix they are intended to produce.
A grossly simplified example, the Genelecs are slightly bass shy and treble shy, so when you mix on them you unconsciously tend to had slightly more subbass and treble to the mix, which result in a mix that sound very lively with warm bass and extended trebles. That is the way studio monitor works, they are not judge so much on how they sound like, they are ultimately judge on how good a mix will sound produced working on them.
And of course a trademark of any good studio monitors is that it is going to reveal every flaw in the recording, in order for you, the sound master, to correct the flaw. Like sibiliants and such. This is the everyday job of the Professional sound studio everywhere on the globe.
If you add that flaws retrieval ability, and the negative sound signature, it doesn't add up as a very musical sounding speaker system!
If you think of it that way, a studio monitor which is sounding already very good, it the worst tool for the Professional, because it will sound so good, that the pro won't correct the flaws and will believe the mix is correct sounding while it is not on other conventional speaker system.
YMMV, but it has been the findings of me, and some other audio pro friends who are long time audio professionals working with more than 20 brands of studio monitors.