CanJam NYC 2023 Impressions Thread (February 25-26, 2023)
Mar 3, 2023 at 1:30 AM Post #751 of 961
I had a fantastic time at this year's CanJam New York! It was easily one of the busiest shows I've attended in a long time, so busy it would seem the Hi-Fi police had to be called in to keep things under control! I still can't believe those guys tried to arrest me... and for the silliest of reasons; regardless, I managed to escape and get back to our Ballroom Booth and spend two unforgettable days showcasing some fantastic gear, answering your questions, and enjoying music together!

First and foremost, I'd like to give a shoutout and thank you to all of our show organizers and staff who help things run smoothly, @third_eye @warrenpchi @joe @AxelCloris @jude and so many others who have helped grow our community over the years and create a space for all of us to come together within and share our collective love for headphones, music and everything in between!

Before digging too deep into impressions, I want to share my go-to test tracks:
Daft Punk's - "Get Lucky,"
Eva Cassidy's - "Oh, Had I a Golden Thread"
"Angel Eyes" featuring Rob Wasserman and Cheryl Bentyne

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For me, this year's show highlight should come as no surprise; the all-new HeadAmp Grand Cayman Electrostatic Amplifier is breathtaking! Despite having worked with @justin w. for a little while now, this was my first time sitting down and listening to it. Like many, I remember when the concept was first announced, and I can confidently say it's been well worth the wait. Even more so to listen to it sourced from the fantastic Mytek Empire Streamer; this system is easily one of the most unique, jaw-droppingly incredible playback systems I've ever heard.

Between the STAX SR-X9000 and Hifiman Shangri-La Electrostatic headphones, I lacked nothing. Grand Cayman added heft, power, and a life-like weight to the Shang-Sr, unlike anything I've heard previously. With Grand Cayman, I finally found the Shangri-La's massive, detailed, and beautifully layered presentation firmly planted in reality.
What I love about "Oh, Had I a Golden Thread" is how much of the room acoustics within Blues Alley are preserved within the recording. Most systems I've demoed Shangri-La with struggle to balance the immediacy of Eva's powerful voice and the band alongside the nuance and depth of the space she's performing within. I either got a well-layered presentation with a slightly thin tone or a full-bodied sound with some slight congestion and overlapping of elements. However, with Grand Cayman, the balance was perfect... easily the best I've ever heard the Shangri-La!

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"Angel Eyes," as performed by Rob Wasserman and Cheryl Bentyne is a beautiful duet; while its composition is simple, the performance of each individual is explosively stunning... the STAX SR-X9000 is still my favorite for enjoying this track. Having found myself impressed many times while listening on the HeadAmp Blue Hawaii Special Edition, I was pleasantly shocked by the improvements Grand Cayman brought. Most apparent were improvements to the lows, not just simply hearing more body & reverb, but feeling more tangible power and immediacy, experiencing the tactile sensation of that gorgeous double bass. I also discerned sharper, more vivid transients within both Cheryl's voice and Rob's performance on double bass. Grand Cayman and the Mytek Empire together allowed me to dig even deeper into this track; it was mesmerizing!

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For my first listen to the all-new Dan Clark Audio Corina Reference Electrostatic Headphone, I decided to listen with the BHSE sourced from the Mytek Empire. This is a system I've heard many times with a variety of great electrostatics, I felt these two together would give me the most precise picture of DCA's new Corina, an if I had to pick a single word to capture the essence of Corina it would be... engaging! Reminiscent of the STAX SR-007mk2 but with notable improvements to both sound-stage size and precision, alongside more vivid details and a sharper transient response. From that funky bass line, the sweet twang of the guitar, and Pharrell's beautiful voice, alongside the splash, crash, and sparkle of the drums, the DCA Corina pulled me in! I found my toes tapping, my head bobbin, and shoulders-a-rockin. Not to say that its presentation was "fun" or "v-shaped" in any way, but simply that each element of the composition had a rich full-bodied tone, with great texture and detail all placed within a spacious and cohesive sound-stage. I definitely feel that Corina offers a clear improvement over the VOCE while maintaining that stunning DCA fit, finish and build quality making it a fantastic daily driver back by the support of an outstanding company.

This wraps up part one of my CanJam New York 2023 coverage! While I continue to work on part 2 I'll attach a few shots from it as a little sneek peek... so stay tuned!
Did Ev go to the show? Which ETA is it?
 
Mar 3, 2023 at 1:34 AM Post #752 of 961
Did Ev go to the show? Which ETA is it?
He did, and it's a prototype that likes a LOT of power, one of the few headphones where I felt we needed Hi-Gain on the GS-X Mini, it sounded fantastic on the amp tho! Can't wait to hear more of it!
 
Mar 3, 2023 at 1:36 AM Post #753 of 961
He did, and it's a prototype that likes a LOT of power, one of the few headphones where I felt we needed Hi-Gain on the GS-X Mini, it sounded fantastic on the amp tho! Can't wait to hear more of it!
Fantastic! My GSX mk2 is ready to spank that bad boy.
 
Mar 3, 2023 at 1:37 AM Post #754 of 961
Mar 3, 2023 at 2:22 AM Post #755 of 961
It would be news to me that the HE1 cost 40.000 euros at the beginning 😆

🤪



NOMAX

PS.lol


...... bad camera work, this is no way to make a promotional video :wink:
 
Mar 3, 2023 at 5:12 AM Post #756 of 961
What a spectacular show! I'm sitting here in my room at the Marriot completely exhausted but simultaneously overwhelmed with the excitement and emotion of the previous two days trying to gather my thoughts into words. This was only my second CanJam but I can already see how each succesive experience becomes richer due to all the connections made and fellowship with all involved. I'm exceedingly grateful for everyone who made the last two days happen.

Compared to SoCal CanJam NYC was a vastly different experience in many ways due to the sheer excitement of the venue. Anaheim has its charm but what can compare with the bustle and energy of Times Square New York-- it's positively exhilarating to be here and this just added to the excitement and atmosphere of the show.

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A couple caveats before getting going:

1) My interest is primarily IEMs so that is where I spent pretty much all of my time. I did get to hear a couple very hice headphones though-- more on that later.

2) When I talk about "in show highlights" and rankings I will confine myself to IEMs/sources that I heard for the first time this weekend, so stuff like the Trifecta, Annihilator and FatFreq Maestro SE won't factor into my rankings here.

3) As people who know me from the Watercooler thread probably already know my preference leans strongly towards musicality and DD driven sets. YMMV and all that.

4) As epic and wonderful as CanJam is the underlying excitement of the show and rapid fire pace of the demos make the conditions less than ideal to get comprehensive fully rounded impressions. Take everything with an appropriate grain of salt.

Top 3 IEMs of the Show

In no particular order:

1) Fir Audio Radon 6

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This was one of the show stoppers for me. Radon 6 is the new IEM from Fir Audio which will be a limited batch of 300 released sometime within the next couple weeks. It's got the same driver config as the Xe6 and to me it's best understood as almost an evolute of the best of the Fronier Series. When I talked to Bogdan about it I told him that I really liked the vocal forwardness and clarity of the Kr5 but preferred the top end clarity and detail of the Xe6 and found that the Radon was something of a best of both worlds between the two and he said this is exactly what they were going for. it's got the vocal forwardness and clarity of the Kr5 and the lush & detailed top end of the Xe6-- with a more balanced bass response (quantity wise, it's still the same great quality) than both. With the (stock) silver module it was a bit light on bass for me but with the red module (pictured above) it was "chef's kiss". I listened to this multiple times over the two days and was more taken with it each time. Also they're going to release a video explaining how to remove and insert the modules because apparently most people couldn't figure it out.

It was really nice to meet Vlad and Bogdan-- two visionaries in this hobby who are always pushing boundaries and trying new things. I really enjoyed talking to Vlad, who gave me a history lesson. I grew up in Vancouver BC and always assumed that we were the OG Vancouver and that Vancouver, Washington (where Fir is based) came later. Vlad explained to me that Vancouver Washington came first and it not ideally situated as a political centre caused the British to move on and later establish the Vancouver I know and love.

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2) Subtonic Storm

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This artisan IEM from boutique Singaporean IEM company Subtonic caught me by surprise in a very good way. The Storm has been much discussed in my audio circles lately and given that it's marketed as the "ultimate reference IEM" I went in expecting that I would appreciate it but that it wouldn't really be my thing since I don't really go for purely reference sets and I love my DDs. I wasn't expecting to like it as much as I did. Superb technicalities, coherence and balance. I didn't want to take it out of my ears and kept looking for more songs to try...which is possibly the highest complement I can pay an IEM. A little plain at first but it is beguiling over time with the depth of sonic tapestry that it reveals. The passion of its makers comes out in the listening experience. Great BA bass but it's definitely BA bass. The quality of the bass is something that sets it above the similarly configured Traillii to my ears. People who took issue with the Bird's bass response will find a lot to love here.

3) Vision Ears' "pink" prototype

VE had two prototypes with undisclosed driver configurations, one being pink and the other blue. Both had their charms but the pink model-- which clearly had a DD in it-- positively took my breath away. Similar gestalt as the VE8-- rich seductive mids-- but with some of the most epic DD bass I've ever heard. Incredible bass response that manifested with a thunderous gutteral rumble. Perfect balance between mid-bass and sub-bass. This IEM leaned a touch dark but highs were refined, luscious and sweet, and the imaging superb. Many of us have been craving an IEM with VE's peerless mids and a bit of an indulgant not-qute-basshead-but-leaning-there bass response. This ticked that box and some. I really hope this one goes into production as I will be all over it.

Some other highlights and notables...

Campfire Audio Solaris Stellar Horizon


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Massive and holographic with superb imaging-- very clean and precise. Bass is not dominant but it never has been in any Solaris. I don't get any of the "metallic timbre" suggested by the Audio 46 review. This has a bit of an aggressive "in your face presentation" that is characteristic of CFA IEMs. A great IEM and definitely a step up from the 2020. Better mids than the OG and better treble than the SE...tempted to consider this a "best of all worlds" Solaris. If nothing else the Stellar Horizon preserves much of the spirit of earlier models and addresses most if not all of the criticisms-- fans of previous Solari will find lots to love here. To me this new model is exactly what you'd expect if you took two of Trifecta's DDs and swapped in (4?) BAs-- you lose the full bodied analogue coherence, keep the 3d holographic stage and add a hefty dose of top end sparkle, resolution and clarity. I went back and heard the Solaris a few times and it really is fantastic. I prefer this Solaris to both Ragnar (too much top end energy for me) and Blanc.

Vision Ears Phonix LE

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The Phonix LE is a knockout. I got to hear the storied Erlkonig finally this weekend and preferred its more transparent sound to that of the OG Phonix. The Phonix LE closer in sound to the Erlky to my ears. This is possibly my favorite BA set of all time. Classic VE midrange romance and excellence.


Noble Ronin

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The Noble Ronin was also excellent, though for me as a BA set it falls in the towering shadow of the Phonix LE...mostly because I just jive with VE's tuning compared to Nobles which tends to lean a little brighter as a rule.

All of that said...

Noble Viking Damascus

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I managed a demo of @wazzupi's Viking Damascus and it was simply excellent. Greater perceived bass impact and presence than the Ragnar, which comes off a little bright and fatiguing to me.


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@Chang, a rep from Subtonic, had a few prototype projects of his own that he is working on and this single DD, soon to be released as the "Singularity" is positively excellent. Great bass reponse and full spectrum detail and clarity. I'll definitely be buying one of these and will certainly be keeping up with (and hopefully putting on tour) some of his IEMs.


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L -R: LP6, P6 Pro, Cayin N7

Old news in many respects but I finally got to hear the Luxury & Precision LP6 and P6 Pro and both are hands down two of the nicest sources I've ever heard. LP6 in particular is so much better sounding than anything-- so full bodied and muscular yet transparent, detailed and technical at the same time. The LP6 just puts out a sound that flows over you like a blissful analogue river. I quite like the new Cayin. It's a bit of a chunk but it's got a nice R2R character and isn't as bright (or, conversely, as revealing) as the n8ii...which works very well for my tastes. On that note all 3 DAPs above have a similar character to my ears. The P6 Pro is more transparent and not as full bodied as the other 2. The N7 is something of a baby LP6 with a better UI. LP6 still wins for sound but N7 is damn good for like 1/3 the price and more functionality.

On that note...

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Trifecta + LP6 is currently my personal high bar benchmark for IEM excellence right now-- full bodied analogue perfection.


The one and only Oenaryo Traillii

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I finally got to hear the legendary black and red bird. Same Traillii greatness but I think the Bird may have been finally been eclipsed by the Storm for me. Great involving tuning in both cases but the Storm's bass response pulls it ahead imho.


UM MEST Mkiii

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The MEST III may be my favorite MEST-- I think UM finally nailed natural sounding mids in their MEST line here.


FatFreq Grand Maestro

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I was pleased to check out the Fatfreq Grand Maestro at the Musicteck table. A more refined-in-the-mids and less bass dominant presentation than the the Maestro Mini or the SE. Possibly the best "all rounder" of the Fafreq lineup.


A couple disappointments...

Campfire Andromeda Emerald Sea


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Surprisingly the new Andromeda was a ilttle "meh" for me. I think they're trying to make it sound a little like the analogue Trifecta-- which imho just doesn't work with BAs. I think it's even darker than the 2020 and lacks a bit of the transparency and clarity I love from that model and the top end sparkle of (what is still) my favorite incarnation of the Andromeda-- the OG. Also for only a bit more you can get the Elysian Diva which absolutely blows this Andro out of the water.


64 Audio Fourte Blanc

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This one didn't do much for me-- feels kind of 2-d, a little veiled and with blunted treble coming from the Solaris, which I much preferred and which is $1000 cheaper.

Off the beaten path...


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I got to hear this magnificent setup. Unfortunately the open design combined with the very busy loud and crowded room in which I was listening made the demo less than ideal. Also I think fundamentally am not really a headphone guy-- I'm to used to the "nudged right up to your brain" intimacy that IEMs give.


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The new Jomo prototype. Nice in-offensive tuning. Great bass. Mids were a touch recessed and vocals sounded a little glossy or something to me.


Other highlights...

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Connecting with Lee Quan Min from Elysian via. Zoom and getting to "meet" him. @Natesdailies is picking his brain for info on upcoming Elysian flagships. I put in a word for our tour program and we will be connecting via email set to that up with upcoming releases. Exciting!


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Was nice to finally meet the one and only @twister6.


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Love these group photos with Watercooler legends. Much gratitude to @HiFiHawaii808 for the nametags.

Pictured (L-R): @goldwerger @Zachik @HiFiHawaii808 @Frankie D @RTodd @Sifo @Rockwell75 @twister6 @wazzupi @Natesdailies @Skyediver


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Post-show IEM sesh.

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Enjoying the local culture.


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Forming friendships and sharing fellowship-- the true value of CanJam.


Was an epic show. I'll be experiencing some post-partum CanJam depression for the next few days I'm sure.
Fantastic impressions @Rockwell75 🤝 I had no idea some of these IEMs were present at the show and subsequently, I missed them - bummer. It was my first go at a CanJam, and I rushed through it a bit too quickly. There’s always next year! 🤝
 
Mar 3, 2023 at 9:02 AM Post #757 of 961
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A big thank you to all of the attendees & exhibitors at CanJam NYC last weekend...

Our team had an amazing experience meeting the attendees, discussing & demoing dCS Lina, and learning more about your listening preferences, favourite gear, and of course - your music!

You can now check out our full image gallery from the show: CanJam NYC 2023
 
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Mar 3, 2023 at 9:47 AM Post #758 of 961
Well the M21 functions as a Roon Endpoint already; it's just visible as the M12 to Roon but more or less works as intended. I imagine you could manually rename it to M21 in Roon but I don't believe there is a loss or lack of function, @kilkil has more insight with regards to roon than I
Yes, Roon sees it as an M12 and in Roon, Settings-Audio, you click on the Pencil and rename the device as desired.
There is full Roon functionality. I use the M21 with network for music and BNC from HTPC. When I start music with Roon, the Bricasti auto-switches input and starts playing. And when i switch Bricasti input to HTPC, Roon auto-pauses.

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Mar 3, 2023 at 10:54 AM Post #759 of 961
Yes, Roon sees it as an M12 and in Roon, Settings-Audio, you click on the Pencil and rename the device as desired.
There is full Roon functionality. I use the M21 with network for music and BNC from HTPC. When I start music with Roon, the Bricasti auto-switches input and starts playing. And when i switch Bricasti input to HTPC, Roon auto-pauses.

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You are correct. Full Roon functionally with the M21. It is because the network card and firmware are the same across all
Bricasti DACs.
 
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Mar 3, 2023 at 1:07 PM Post #762 of 961
I can't find it now, but did someone mention a possibility of an upcoming ZMF x Decware collab in this thread?
It's been underway since at least CanJam Socal.
 
Mar 3, 2023 at 1:30 PM Post #764 of 961
Thank you Head-Fi for highlighting my impressions from my earlier post (#175) on today's home page. I am a bit embarrassed since I only barely saw and experienced the vast amount of wonderful gear there. I'm looking forward to more CanJams and may make it to the one in Dallas later this year!
 
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Mar 3, 2023 at 2:36 PM Post #765 of 961
Did anyone try the Axel Grell Heavys metal headphones? I backed it in Kickstarter just out of curiosity . They said that they were at CanJam and I’m wondering if anyone had any impression of them
Yes, and it was definitely worth a listen. The driver placement makes them extremely interesting and it will impress most at the price range they were aiming for. Of course, it was a 3D-printed prototype, but oh boy was it fun to hear.

I think Axel still has his Midas touch with these headphones.

A lot of Metal music struggles with the mid-range being very busy, but the acoustic space allows the separation of instruments so it doesn't have that problem when presented with the challenge.

IMO.
-Dylan
 
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