No, it’s me again, and I still know pretty much nothing.
@sunjam is another entity altogether. As if anyone who is curious about different approaches to the recreation of soundstage in digital reproduction of music must be such a rare bird that there can only be one. LOL
I am sincerely curious what readers and contributors in this forum think of Watts “logic” in discussing his techniques and his new product. If this is snake oil, there is probably a much cheaper way than his claim of spending years developing and honing a new approach to bilk hifi snobs out of their capital gains. Maybe he is delusional. Maybe he is flat-out lying. Or maybe he is onto something real.
FWIW, I have tried upsampling digital files in PCM to 352.8 kHz or 384 kHz using JRiver on my laptop and USB out to several different DACs, and I did not care for the outcome. With that upsampling implementation in my system, the music sounded smoother, but lost some bite and immediacy. I did not notice an improvement in soundstage reproduction.
Watts new product, as with the current Chord Hugo M-Scaler, as I understand it, is optimized to use with dual BNC out for upscaling to 705.6 up to 768 kHz. This would make the Chord DACs that Watts also helped design with their dual BNC inputs and 768 kHz capability the logical partnering equipment. In my limited experience, Chord DACs have excellent reproduction of soundstage when used on their own.
As discussed in another thread in this Forum - to death - there is no current equipment or method available to measure soundstage reproduction, which I am sure in objectivist views would make this subjective element of reproduction fertile grounds for marketing abuse.
kn