@Jaywalk3r
Are you suggesting that this track (or 320mp3) is impossible to ABX? So any positive result must be due to a dirty lying scumbag?
Because that would be treason against the very concept of lossy encoding itself.
Anyway, I can see it's just a misunderstanding, but wouldn't you agree that an opinion posted with an ABX log carries more weight than a one liner?
A person who even considers faking the log must have at least done the ABX properly a few times, and if that person is reasonable, they'd also jump on the 'failing bandwagon'. Because, there's nothing to lose, and lets face it, you're supposed to fail.
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see
let's all be good head fi samaritans here
we shold have a mass blind test thread..but with many different music genres like 3 songs in each genre. and then average the results and see which genre is easier to tell apart from lossless and lossy. im voting on..........modern rock/metal
I tried to find a correlation between genre and the ability to be able to successfully ABX lossy, and I've failed thus far.
I'd also think that modern rock/metal should be easier, but it doesn't seem so from my limited testing, because with a lot going on, it makes it even more difficult to pick out the artifacts. On the other hand, some simpler tracks seem downright impossible because the encoder has more bits to throw at whatever's there.
The only thing I've found is that tracks with very sharp transients or lots of electronic sound effects seem to be the easiest. Killer tracks, as they say.
And in my experience, loud listening is absolutely critical (I usually ABX at 90db with my super accurate pain-o-meter), as is proper selection of a slice from the track to test (few seconds max + small soft lead in), because sudden transients can appear to sound very different due to yo' ears trying to compensate/save themselves.
kn19h7 said it best, practice makes perfect, because we are automatically accustomed to listening for differences in 'tone' in our day to day lives, and not hunting for barely audible artifacts/differences in attack.
All for naught it would seem, because even with the tracks I successfully ABX, the differences practcally vanish under normal listening.