grawk
Itinerant Miscreant
- Joined
- Mar 14, 2005
- Posts
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- 38
Every studio I've ever seen uses mogami, canare, and belden cable pretty much exclusively.
Originally Posted by gregorio /img/forum/go_quote.gif I'm not sure where this comes from. Recording studios use relatively cheap cables. In general, studio professionals do not engage in the cable debate and do not believe they make any difference whatsoever. G |
Originally Posted by olblueyez /img/forum/go_quote.gif Like Grawk mentioned, why would the studios: A) care about sound quality when they will be screwing up every single copy they print. B) Notice a difference when they are all basically using the same crap. Try something recorded by Mapleshade and see how it sounds. |
Originally Posted by gregorio /img/forum/go_quote.gif So you've decided not to take my advice and are still replying like a spoilt child, out of complete ignorance. A. Ignorance level - 11 out of 10. Studios don't make copies, they make masters. Making copies is the job of the duplicating house! B. Ignorance level 10 out of 10. Have you ever even seen the inside of a recording studio? Obviously not, based on your ridiculous rantings. Anyone with even a basic level of intelligence would realise that like any other profession, there are world class studios/engineers and incompetent ones. The vast majority aspire to high quality rather than incompetence. How old are you oldblueyez, my guess would be around 10-12 years old. G |
Originally Posted by olblueyez /img/forum/go_quote.gif You ASSume way too much to be talking that way to anyone. Not once have you ever made a concrete connection from the average studio to any of these cable discussions. |