Greetings
Yes the title is exactly what I am looking for
So many great bands recorded their best albums in the 80's and boy the sound quality of those recordings are terrible on some of top of the line headphones
So maybe there is a headphone that is magical with such bad recordings, and that headphone is so messed up that it suits those crappy recordings
. As much as I liked those bands in the 80's but its torture to my ears listening to them on my totl headphones
Bands with terrible recordings
1- Depeche Mode -- such as Songs of faith and devotion
2- Eurythmics
3- The cure
4- Tears for fears
5- Europe
6- Bon Jovi
and the list goes on and on
So lets have some fun here and just see where this thread will lead us
I don't have the energy for this hobby to get into a discussion, but I'll try to give my thought process and suggestions.
In my experience since I built the most transparent without a sound signature CIEM chain, the CD mastering and pressing plays a big role because GIGO (Garbage In, Garbage Out).
I prefer West German CD pressing plants and then Japanese CD pressing plants. Target pressings are my favorite because it is straight up from the Master Tapes and no EQ processing because processing wasn't a thing yet. Shout out to Black Triangle pressings too.
For:
1- Depeche Mode -- such as Songs of faith and devotion. I need to test over the Summer, but I think I usually go for the Japanese pressings here.
2- Eurythmics. I believe you can only find a good mastering / pressing on a compilation CD such a Time-Life.
3- The cure. I need to test over the Summer, but I think I usually go for the Japanese pressings here.
4- Tears for fears. Mercury Atom / Atomic pressings. Preferably West German. I think MFSL mastering for SOF is still the go to, but for seeds Mercury Atomic. Mercury Atomic SOF is said to be warmer than the MFSL. Summer Test.
5- Europe. I believe you can only find a good mastering / pressing on a compilation CD such a Time-Life.
6- Bon Jovi. Mercury Atom / Atomic pressings. Preferably West German. Note the bottom label of the CD "MADE IN W. GERMANY". Note the Center which looks like a Atom. Most Bon Jovi albums have the West German option.
Others:
Prince. Target Pressings, either West Germany or Japan
Rush. Mercury Atom / Atomic only. Almost all Rush have the Mercury Atomic option.
Since I run a Hugo₂TT not a HugoTT₂ which unlocks Soundstage Depth, Talking Heads Live has been so fun (Note the "Target" CD Design and "Made In Japan"):
It's a rabbit hole, but I label my Genre Tag "Masters" for the good stuff. The Generic stuff I don't distinguish.
You can find more here including recommended compilations:
There are actually a whole lot of ways for a mastering engineer to screw up the sound of a CD. I’ll list these in descending order of seriousness, in my opinion.
1. Making the sound as loud as possible.
2. Using exaggerated equalization (EQ).
3. Using inferior source tapes.
4. Using noise reduction.
5. Applying additional compression/limiting at the mastering stage.
6. Remixing from the multi-track tapes.
7. Truncating the fade-outs.
8. Using a non-hit version of the song.
9. Making the disc too quiet.
Unfortunately, the same cannot be said about most of the CDs released after about 1996, many of which compete in the so-called “loudness wars.” (The Time-Life CDs are the exception, although most of the their CDs released after about 1999 feel like retreads of earlier Time-Life CDs.)
TIme-Life mentioned.
https://crapfromthepast.com/compactdiscs/index.htm
Time-Life:
https://crapfromthepast.com/compactdiscs/timelife.htm
Sorry, I can't play anymore. It's like pickup Basketball. I wish I could play with you guys, but I just don't have the energy anymore. But if I stumble upon Depeche Mode and The Cure over the Summer, I'll post.
Xennial