CanadianMaestro
Headphoneus Supremus
-edit- You and Gould have at least one thing in common, you both like to exaggerate your point, is that a Canadian thing?![]()
Not really.
![biggrin.gif](http://files.head-fi.org/images/smilies/biggrin.gif)
-edit- You and Gould have at least one thing in common, you both like to exaggerate your point, is that a Canadian thing?![]()
Interesting story about the only living harpsichordist who's name I can recall... an Iranian, who recently got booed in Köln for not speaking German at a performance: http://www.independent.co.uk/news/world/europe/iranian-musician-forced-to-stop-cologne-concert-after-audience-members-jeer-and-shout-speak-german-a6909066.html
Interesting story about the only living harpsichordist who's name I can recall... an Iranian, who recently got booed in Köln for not speaking German at a performance: http://www.independent.co.uk/news/world/europe/iranian-musician-forced-to-stop-cologne-concert-after-audience-members-jeer-and-shout-speak-german-a6909066.html
I don't know why your age has come in on this discussion? Likewise I was born and raised among musicians. I also never said that decline isn't due to multifaceted factors, but I was addressing canadianmaestro's point about keeping top of the pile and I know that pianists even at most conservatoires i've been/visited tend to practice longer hours, and can't 'wing it' during classes but other instrumentalists can often pull that off.
In concerts or competitions you do not get the luxury of playing on the same violin you have been practicing on for many years. Each piano is different and the technique you have used to produce a certain tone on one piano may have to be changed on a piano with a different tone, lighter or heavier key action, the list goes on. Many people think all pianos are the same. This is not true at a professional level if we are comparing difficulties with mastering an instrument. If we could all bring our favourite piano everywhere we performed, it would be a lot easier to perform with precision and not need to adapt to different pianos.
Easier to learn the notes? on string and wind instruments you are dealing with predominantly one line of music. On the piano when it gets very contrapuntal and complex, you are dealing with the interweaving of multiple lines of music. I have played both the violin/viola and the clarinet (to a relatively high level), and for these instruments, I don't need to practice to memorise the music off by heart, controlling for the period and difficulty of the repertoire. Whereas for the piano/organ I struggle to internalise the music without physically coding the information and even then it's quite difficult. Not to mention that the piano requires both close and wide reaching coordination that can go horribly wrong.
Pitch is obviously difficult to get 'precise' but at advanced levels, you don't see violinists 'hitting the wrong notes'. Maybe something might be slightly sharp or flat, but you don't see 'wrong notes' being hit by string instrumentalists. Whereas on the piano it sticks out horribly even if you clip an adjacent note. Similarly, intonation is key for the piano as well.
And the tuba, isn't that just apples and oranges? We were talking in the context about Yundi a solo concert pianist. Do you see a proliferation of tuba soloists in this day and age like you do with pianists?
First of all old people are sexy.![]()
Other than that I`m not at all convinced the piano lives in some higher echelon of complexity that make soloists more rarefied an individual and more commonly susceptible to demise and such.
Just saying.
I don't know why your age has come in on this discussion? Likewise I was born and raised among musicians. I also never said that decline isn't due to multifaceted factors, but I was addressing canadianmaestro's point about keeping top of the pile and I know that pianists even at most conservatoires i've been/visited tend to practice longer hours, and can't 'wing it' during classes but other instrumentalists can often pull that off.
In concerts or competitions you do not get the luxury of playing on the same violin you have been practicing on for many years. Each piano is different and the technique you have used to produce a certain tone on one piano may have to be changed on a piano with a different tone, lighter or heavier key action, the list goes on. Many people think all pianos are the same. This is not true at a professional level if we are comparing difficulties with mastering an instrument. If we could all bring our favourite piano everywhere we performed, it would be a lot easier to perform with precision and not need to adapt to different pianos.
Easier to learn the notes? on string and wind instruments you are dealing with predominantly one line of music. On the piano when it gets very contrapuntal and complex, you are dealing with the interweaving of multiple lines of music. I have played both the violin/viola and the clarinet (to a relatively high level), and for these instruments, I don't need to practice to memorise the music off by heart, controlling for the period and difficulty of the repertoire. Whereas for the piano/organ I struggle to internalise the music without physically coding the information and even then it's quite difficult. Not to mention that the piano requires both close and wide reaching coordination that can go horribly wrong.
Pitch is obviously difficult to get 'precise' but at advanced levels, you don't see violinists 'hitting the wrong notes'. Maybe something might be slightly sharp or flat, but you don't see 'wrong notes' being hit by string instrumentalists. Whereas on the piano it sticks out horribly even if you clip an adjacent note. Similarly, intonation is key for the piano as well.
And the tuba, isn't that just apples and oranges? We were talking in the context about Yundi a solo concert pianist. Do you see a proliferation of tuba soloists in this day and age like you do with pianists?
First of all old people are sexy.![]()
Other than that I`m not at all convinced the piano lives in some higher echelon of complexity that make soloists more rarefied an individual and more commonly susceptible to demise and such.
Just saying.
Beethoven: Symphonies 5 & 7/ Kleiber/VPO (DG)--definitely on my top twenty list.
Interesting story about the only living harpsichordist who's name I can recall... an Iranian, who recently got booed in Köln for not speaking German at a performance: http://www.independent.co.uk/news/world/europe/iranian-musician-forced-to-stop-cologne-concert-after-audience-members-jeer-and-shout-speak-german-a6909066.html
I remember reading once, a long time ago, in an article on brain research, that piano playing was regarded by neurologists as the most demanding of all mental activities, even more than, say, chess. If this is true then it comes not as a surprise if there are more cases of burn-out among pianists than among other musicians.
Interesting story about the only living harpsichordist who's name I can recall... an Iranian, who recently got booed in Köln for not speaking German at a performance: http://www.independent.co.uk/news/world/europe/iranian-musician-forced-to-stop-cologne-concert-after-audience-members-jeer-and-shout-speak-german-a6909066.html
He's good. If he speaks German, as he claims, why didn't he just switch to German? They'd have loved him for it.
But I can sympathize with the crowd even if I disagree. I'd be irked if I were at a concert here and a German soloist addressed us in German without a translator. That's just clueless. And--unlike Cologne--thank God my city hasn't just been the victim of a mass sex crime.
He's good. If he speaks German, as he claims, why didn't he just switch to German? They'd have loved him for it.
But I can sympathize with the crowd even if I disagree. I'd be irked if I were at a concert here and a German soloist addressed us in German without a translator. That's just clueless. And--unlike Cologne--thank God my city hasn't just been the victim of a mass sex crime.
Everybody speaks English in the Netherland..Germany should switch to bloody subtitles on TV and movies, so they can join the rest of the world in English as second language..
Personally I would never sympathize with anyone who uses a mass sex crime or nationalistic sentiments as an excuse to be an ass to anyone who, I'm pretty sure, had nothing to do with any of it..it's bloody ignorant to say the least..
He's good. If he speaks German, as he claims, why didn't he just switch to German? They'd have loved him for it.
But I can sympathize with the crowd even if I disagree. I'd be irked if I were at a concert here and a German soloist addressed us in German without a translator. That's just clueless. And--unlike Cologne--thank God my city hasn't just been the victim of a mass sex crime.
Everybody speaks English in the Netherland..Germany should switch to bloody subtitles on TV and movies, so they can join the rest of the world in English as second language..
Personally I would never sympathize with anyone who uses a mass sex crime or nationalistic sentiments as an excuse to be an ass to anyone who, I'm pretty sure, had nothing to do with any of it..it's bloody ignorant to say the least..
I remember reading once, a long time ago, in an article on brain research, that piano playing was regarded by neurologists as the most demanding of all mental activities, even more than, say, chess. If this is true then it comes not as a surprise if there are more cases of burn-out among pianists than among other musicians.
I remember reading once, a long time ago, in an article on brain research, that piano playing was regarded by neurologists as the most demanding of all mental activities, even more than, say, chess. If this is true then it comes not as a surprise if there are more cases of burn-out among pianists than among other musicians.
I`m quite eager to be proven wrong.
Proof please?