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Originally Posted by DarkAngel /img/forum/go_quote.gif
Bunny
While I am hot on Beethoven sonatas have you heard any of the Komen/Globe series using various forte pianos?
Does he play at the same elite level as Brautigam?
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I have all five volumes of Komen's Beethoven sonatas, and they are also excellent. The first volume is paradoxically, Beethoven's last 3 sonatas (Opp. 109, 110, 111) and it's a beautiful cd. The sound quality is not as fine as the Bis, but the instrument is a Conrad Graf (Vienna - c.1830) that Beethoven might have played not a reproduction such as that used by Brautigam. Of course the repro (Paul McNulty after Conrad Graf - 1819) used by Brautigam is a fantastic instrument with great sonority and beautiful timbre -- definitely the costar of that series. Unfortunately, Komen has only recorded about half of the sonatas. However, those recordings are well worth having if, as you say, you have become a fan of the period instruments. I believe that Vol 1 - The Last Sonatas is available as an itunes plus download, so try a track or two to sample them. I always hesitate to mention these because they have become very rare and expensive in the USA. Another volume is available as an Amazon download. Try a track or two and decide whether you find these recordings essential. His Diabelli Variations is something that you have to order from Beethoven-Haus, and at €19.90 plus the German postal shipping (about $13.00) it can get a bit pricey.
I only wish you could hear Komen's Waldstein which is played so very beautifully. The Graf he plays seems to have a slightly more compressed sound than the McNulty-Graf used by Brautigam, but that may be a fault of the engineering. Certainly Komen's playing is as fiery, if nuanced slightly differently. In any event, I like Komen's work very much.
If you like the Komen piano sonatas, then be sure not to miss the Sonatas for Cello and Fortepiano he recorded with Peter Wispelwey; I think that's also available as a download from Itunes plus as well, and well worth having -- Wispelwey is a genius! The only other period instrument cello sonatas worth considering are those of Anner Bijlsma (usually spelled Bylsma for the USA market) and Jos van Immerseel, and Bijlsma, I believe used the Servais Strad from the Smithsonian for those, which is not precisely a period instrument because it was altered in the 19th century.