tinyman392
Be nice to noobs, we were all noobs at one point in our life.
- Joined
- Apr 27, 2011
- Posts
- 8,707
- Likes
- 1,698
Quote:
It's hard to envision a signature when everyone is EQing them to get them to sound like Y rather than X. It's another reason I don't EQ. Also, the fact that tips make such a difference on these, as well as fit. Everyone is using a different tip, modding it differently, etc as well.
As for the praise vs hate, it's a matter of preference. This signature will not work for everyone. If you are looking for an IEM with a v in the center, don't go barking up the Aurisonics tree (yet, the AS-2s, based on Dale's description, sounds like it'll have a slight V). If you're trying to get a bass monster, you're barking up the wrong tree still, these aren't bass monsters. Many of the reviews I read made it seem like the bass was overblown. Instead, it's at a balanced level with the midrange (slightly recessed in comparison at times), but has excellent quality.
These headphones were designed for stage use, but then again, so were the UM series Westones, which many seem to also praise, as well as the VSonics that have been mentioned and compared to so many times as well as the SM3 (to my understanding can also serve that purpose). It's not a matter that audiophiles won't like a stage monitor, we actually like a lot of them and regard them highly. I think many of the members who hate the IEM don't like it due to its signature, rather than its quality. Even looking at the OP's list of IEMs, many of them represent bass-heavy phones, some with deep Vs. That is certainly not what the ASG-1 is.
To help you picture a signature better, I'll do my best to describe the entire spectrum. First, a basic idea of what the signature is like. Think rolled off highs on an Etymotic IEM with deeper, more-present lows with better texture and punch. That is the ASG-1 in a nutshell (to my ears anyways):
Please note that these impressions were made with UE single flange silicone tips as they sealed the best with my ear using the Sensaphonics seal test. The stock tips do change much of the spectrum: lows a bit lowering the texture a tad while lowering the punch a little more. They signature also gets more airy as a whole as well.
With all this said, I think you would actually like these IEMs since you do like mid-forward sound. Be warned that these do offend. I've heard so many IEMs that aren't offensive at all (PFE 232 being the biggest name). These IEMs will offend you if you don't like the signature that is given. It's hard to determine that is when everyone is EQuing, filtering, etc.
Why does it seem like the ASG-1's are the only headphone where I cannot envision the sound signature. I can't even begin to fathom or create a mental idea of the sound due to the mixed reviews. Some people praise them. Some hate them. I'm actually afraid to receive these headphones due to the wide spread reviews. I don't see how adding a user-controlled filter to the package could "EQ" the sound signature when its directly inside the headphones. As it has been stated, weren't these headphones specifically designed for stage production? not audiophiles? Perhaps were all missing what music is actually supposed to sound like. But comparing a $299 dollar pair of headphones to a pair of beats by dre... well its just plain ridiculous. Exaggeration is one thing, but that guy really took it to the next level. We all have sound signatures we don't like. I personally love upfront mids, so im sure I wont have a huge deal with these IEM's. They are a very new company. Options for upgrading, customization, so on so forth in the future, really makes me feel like these iems are a good buy?? Perhaps some comply foams could tone down the "awful" mids.
I notice how you apparently are highly critical on the SE535. I infer that you don't like those either??? Perhaps because they are notorious for upfront mids? Before you bash the heck out of a new headphone and immediately shut the idea of other people purchasing the headphones. Perhaps say. "I really couldn't enjoy them, as I was not a big fan of the sound signature, mainly the upfront mids."
It's hard to envision a signature when everyone is EQing them to get them to sound like Y rather than X. It's another reason I don't EQ. Also, the fact that tips make such a difference on these, as well as fit. Everyone is using a different tip, modding it differently, etc as well.
As for the praise vs hate, it's a matter of preference. This signature will not work for everyone. If you are looking for an IEM with a v in the center, don't go barking up the Aurisonics tree (yet, the AS-2s, based on Dale's description, sounds like it'll have a slight V). If you're trying to get a bass monster, you're barking up the wrong tree still, these aren't bass monsters. Many of the reviews I read made it seem like the bass was overblown. Instead, it's at a balanced level with the midrange (slightly recessed in comparison at times), but has excellent quality.
These headphones were designed for stage use, but then again, so were the UM series Westones, which many seem to also praise, as well as the VSonics that have been mentioned and compared to so many times as well as the SM3 (to my understanding can also serve that purpose). It's not a matter that audiophiles won't like a stage monitor, we actually like a lot of them and regard them highly. I think many of the members who hate the IEM don't like it due to its signature, rather than its quality. Even looking at the OP's list of IEMs, many of them represent bass-heavy phones, some with deep Vs. That is certainly not what the ASG-1 is.
To help you picture a signature better, I'll do my best to describe the entire spectrum. First, a basic idea of what the signature is like. Think rolled off highs on an Etymotic IEM with deeper, more-present lows with better texture and punch. That is the ASG-1 in a nutshell (to my ears anyways):
- Bass: the bass is light, it's not heavy as many make it out to be. This is certainly the first thing that got me when I got the ASGs. They were bass light, while all the impressions made them seem like bass monsters comparing them to FutureSonics and other bass-heavy IEMs. This is not the case. The bass has amazing presence, but is on the leaner side. The body is there, but isn't large. The texture is the beauty of these as they are truly engolfing. The sub-bass does have a good emphasis on these, but is slightly (and I mean only slightly) less emphasized in comparison to the mid-bass. This combination creates a nice punch that gives an impact when needed. I'd say that this bass is more accurate than it is fun.
- Mids: many complain about the spike at the 1.2k range (I've seen way too many people say it's the 12k range... 12k is treble, at least I'd hope). The spike is a lot smaller than they put it. Etymotics (HF2) give a slight increase from the 1k through to the 2k by about 2 dB. The Aurisonics' spike is less than, or equal to that of the Etymotic. As I've said many times, this is after burn in (both brain and driver for sure). The areas in the midrange around this spike is slightly lower in loudness as the vocals were made to be boosted. But again, only slightly (1-2 dB max). In direct comparison to the HF5, the instrumentals are recessed in comparison to the Etymotic (the difference is so small though that you'd have to AB them to figure this out).
- Highs: rolled off, like many have said. They do come in better with burn in (both brain and driver) and do have a sparkle, but isn't up front. It has problems keeping presence, and can seem hidden at times. The highs are hardest to describe since they aren't as present, nor do they speak out as much. High hats can sizzle well and create the main energy. They are dominated by the mids and lows though. There is some slight sibilance in the highs in certain sibilant tracks.
Please note that these impressions were made with UE single flange silicone tips as they sealed the best with my ear using the Sensaphonics seal test. The stock tips do change much of the spectrum: lows a bit lowering the texture a tad while lowering the punch a little more. They signature also gets more airy as a whole as well.
With all this said, I think you would actually like these IEMs since you do like mid-forward sound. Be warned that these do offend. I've heard so many IEMs that aren't offensive at all (PFE 232 being the biggest name). These IEMs will offend you if you don't like the signature that is given. It's hard to determine that is when everyone is EQuing, filtering, etc.