Wynnytsky
500+ Head-Fier
That was 5 years ago. By now he's fat and jolly with a full white beard.
It's use-them-or-lose them December and all I've got to preoccupy me are these QRD panels (2 more coming today)
Also listening to a lampi antlantic. 2 days ago a PSAudio Direct Stream visited to be compared to the atlantic. For that reason we only gave the psaudio the spdif and both the psaudio and lampi sat on dining room chairs.
I found the comparison between my r2r7 and the psaudio more interesting because they had similar gravitas on the XLR outs. With the r2r7 having a clear home court advantage (i2s, brass footers into maple, better cords) the r2r7 delivered a bit more slam, "light", and an analog feel. Also the r2r7 had a rawness that is more engaging and critical of the stuff it's connected to. Compared to other dacs you might say the r2r7 overreacts to upstream changes, and that's what I want in this hobby.
The lampi was very different. It's brought a speed+density than nails the human voice and reveals texture in places you thought were just smooth (with a very fancy power cord and good RCAs). It also has a spooky low noise floor that delivered natural dynamics even without the XLR gravitas. My preamp is passive so higher voltage sources tend to work better for me, yet I didn't hear any penalty to cranking the volume louder on the lampi to close the XLR/RCA gap.
I look forward to repeating the r2r7 vs lampi next year with a broken in di20he and my electrical service replaced, which I hope will be a bigger improvement than my lovely Niagara 1200.
It's use-them-or-lose them December and all I've got to preoccupy me are these QRD panels (2 more coming today)
Also listening to a lampi antlantic. 2 days ago a PSAudio Direct Stream visited to be compared to the atlantic. For that reason we only gave the psaudio the spdif and both the psaudio and lampi sat on dining room chairs.
I found the comparison between my r2r7 and the psaudio more interesting because they had similar gravitas on the XLR outs. With the r2r7 having a clear home court advantage (i2s, brass footers into maple, better cords) the r2r7 delivered a bit more slam, "light", and an analog feel. Also the r2r7 had a rawness that is more engaging and critical of the stuff it's connected to. Compared to other dacs you might say the r2r7 overreacts to upstream changes, and that's what I want in this hobby.
The lampi was very different. It's brought a speed+density than nails the human voice and reveals texture in places you thought were just smooth (with a very fancy power cord and good RCAs). It also has a spooky low noise floor that delivered natural dynamics even without the XLR gravitas. My preamp is passive so higher voltage sources tend to work better for me, yet I didn't hear any penalty to cranking the volume louder on the lampi to close the XLR/RCA gap.
I look forward to repeating the r2r7 vs lampi next year with a broken in di20he and my electrical service replaced, which I hope will be a bigger improvement than my lovely Niagara 1200.