Zeebra
Head-Fier
- Joined
- Mar 1, 2012
- Posts
- 62
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- 13
Seen that hi-fi as a whole has a plenty of terms you might not be familiar with in your everyday life, I would love to have a few audible examples that make it very clear to the listener, what sort of a feature or flaw in the sound are they listening for. Another reason for this "reference library" would be, that some features are difficult to spot and learn by themselves even if they would be present, but an exaggerated example would make it much easier to spot them in the future, and it would act as a very good reference for newcomers into the audio world, in my opinion.
Some things I thought might be difficult actually understand what they sound like, without hearing them first:
few questions arise:
1. would this sort of a library actually make sense, what terms should it include?
2. what would be a good reference track, and who would actually feel like doing all this?
3. format? I suppose 24-bit/44.1KHz lossless but nothing less would do.
4. would it be most sensitive to stick to measurable terms, and not venture into the dark/warm/natural/neutral/analytical-terms?
Some things I thought might be difficult actually understand what they sound like, without hearing them first:
- intermodulation and harmonic distortion
- track fed through a tube (of course, heavily exaggerating the tube's distortion etc)
- compression and limiting
- aliasing
- bit depth (for example: gradually going down from 24 to 1 much akin to what bit crusher effects do but I don't know are they accurate)
- frequency response (recessed/emphasized low/mid/high)
few questions arise:
1. would this sort of a library actually make sense, what terms should it include?
2. what would be a good reference track, and who would actually feel like doing all this?
3. format? I suppose 24-bit/44.1KHz lossless but nothing less would do.
4. would it be most sensitive to stick to measurable terms, and not venture into the dark/warm/natural/neutral/analytical-terms?