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Hello, how are you?
Reading this thread, seems like both the LCD-3 and the TH-900 are both great for electronic music. So, are they the best headphones in production for electronic music?
A quite time ago I started to really enjoy this genre, and now, looking to my music library, I'd say that it's the genre I listen most, and by a big step.
Maybe I will get the LCD-3 pretty soon, but if my plan goes wrong, I wont be able to buy a expensive headphone like this without a couple of months of waiting.
Thank you.
Huge, huge electronic music fan here. I listen to everything from dubstep, electro, house, trance, ambience/instrumental techno, progressive, psytrance, EDM, trap, DNB, and whatever else is out there. Now, I haven't heard the TH-900, so I'll leave that for someone else. Although I've heard it's very good, which I won't doubt as I have their older model D2000.
Both LCD-3 and LCD-2 are really good for music production. If you haven't heard the Audeze's before, maybe try out the LCD-2 first. Both are quite good. LCD-2 might actually satisfy more of your needs, depending on preference.
The LCD-2/LCD-3 are similar to my KRK KNS 8400. They are really good for monitoring. LCD-2 and especially LCD-3 are quite good for mixing. However, I won't trust the final mixdown on either of them. Speakers are the way to go for me and majority of the people out there. However, the LCD-2/3's bass "tightness" will give actually give you a good indication of how that bass will be translated to on a club system. For example, with Mackie's, if I'm ever working with them in an environment I'm not sure of, I always put my hand on the woofer to get a sense of the kick by comparing it to other reference tracks and match it. I mainly use mainstream tracks for this as they are mastered in a way to sound "good" on most systems. If the kicks sound equally as good on your sample as they do on your reference, then you're doing something right.
So what I'm saying is that LCD-3 will make gauging your kick and bloom much easier. Although where soundstage and transients are concerned, I'll still go speakers whenever I can.
Forgive me as I don't know your situation. Now I don't know if you already have a speaker monitor setup, but if you don't there are two things you can do:
1) Buy LCD-3 and mix as much on them as possible. When you think they are quite good, take it to a friend's place with decent setup to finish it or rent out a proper studio for a day and get it perfect.
2) Get LCD-2 and maybe pick up some speakers like Mackie HR824 mk1 or mk2. Either will do. You can use the LCD-2 for a lot of your recordings and then finish the final tweaks and soundstage and depth on the speakers. Also, remember the difference in treble between speakers and a headphone, especially the LCD-2 and LCD-3. While the Mackie don't provide the tonality as good throughout as the LCD-2, they do however image and present very nicely. This renditioning is very critical for electronic music. A good speakers mix will translate good on other speakers and headphones. However, I haven't always found a good mix on a headphone to always be a good mix on speakers.
Both options will cost you roughly the same. Again, not sure of your current equipment, budget and whether this is for fun/on the side or actually serious.