Thanks again to Trav for setting this whole thing up. It was great seeing the peeps I had met before, along with all of the new faces.
Anyways, this post will revolve around one topic: the Sony MDR-R10 (Purk - thanks again for bringing it along!). Nothing else I listened to at the meet stood out quite like these 20-year old goliaths.
Now, I'm not a fan of using superlatives, especially after less than 30min of combined listening (both on my system and Purk's), but the R10's combination of that gorgeous, luscious mid-range, along with the fairly large soundstage and well-balanced bass response, combined to create a listening experience that was the best I've
ever heard out of a headphone.
Simply put, I have never, ever heard voices and transients (especially on guitar notes) represented so clearly and accurately, without any hint of coldness or artificiality. At the same time, it seems to me that the R10's don't really strive for perfect musical accuracy and super-hyper-detail extraction, but rather focus on presenting an engaging, enveloping experience for the listener, and holy crap, does it work.
I've always been fascinated by the R10's ever since I got into this hobby around 10 years ago now, and it was awesome to not only hear them for the first time, but to also come to terms with the fact that all the hype is true, at least to my ears. It's also sad that no other Sony headphone I've ever heard (and I've heard all the big boys, CD3000, SA5000, with the exception of the 010's) comes anywhere near even touching the surface of the R10's sound signature.
Now, like Jeremy Clarkson after his review of the Bugatti Veyron, I must lament the fact that I will never experience this sound again, in my own home. I have the HD800's on pre-order, but from what I've read, I don't think they will be as engaging or fun to listen to as what I heard yesterday from the R10's. Well, I'll find out in a few weeks, hopefully