Initial impressions of my newly received AT-W1000X's, courtesy of khatch who was absolutely wonderful to deal with. Apparently these weren't his cup of tea and he only spent 90 minutes on them, meaning I basically got NIB AT-W1000X's for a steal
. And let me tell you, I definitely understood where he came from the first time I plugged it in straight into my laptop for some serious listening. (At this point my audio-gd Sparrow is still being shipped
)
Anyways, here comes the impressions. When I first plugged in the headphones, I cringed. One of my favorite songs features female vocals and a solo violin accompaniment and the high E on the entrance note from the violin at the beginning was almost harsh and sibilant. I definitely wasn't used to a bright signature, seeing as how my previous experience involved veiled Sennheisers and the Mid-centric ESW9's, so I was fairly surprised by the brightness of the W1000X. The AT signature house sound, the "forward mids" were still there, although not as forward as I remembered them being on the W1000X's.
Cymbals and drums were prominent and again my ear couldn't handle the sharpness of the high notes. Thankfully the tight and punchy bass sort of balanced the rest of the song out, but I was already having buyer's remorse. I skipped ahead to test soundstage and detail on Chopin's "Tristesse", and Mozart's Alla Turca, and wow! The W1000X truly began to shine, seperating notes cleanly and placing the piano in an exact location, something I didn't know headphones were capable of. I noticed that there truly was a "soundstage" rather than a "distance" at which instruments operated, and more importantly, that the Steinway had distinguished itself from the Yamaha or Kawai I had imagined it being. For the first time, I felt like I enjoyed the W1000X's.
However, with other songs of the rock, pop, and techno genre the W1000X's seemed like a bust. The "naturalness" of the sound seemed to fatigue me quicker on poorly recorded or encoded songs. At this point, I could almost
feel the potential of these headphones on certain songs, but for the rest I felt like I could care less and regretted the purchase. Feeling a bit exhausted after a long audition, I rolled onto bed for a short and uneasy rest.
When I awoke, I wasn't feeling any better, but I decided to try the W1000X's with some Norah Jones to calm my nerves. And immediately, a difference! Just like that, I felt like everything had become balanced with the W1000X: the highs stopped being harsh, the mids seemed to really bloom, and the bass was just the right mix of punchy and tight. I'd thought that maybe the W1000X simply had synergy with the Jazz genre, but when I went back to the other songs I had previously tested, the sound seemed to balance itself out... Suddenly, the W1000Xs truly seemed to be "balanced", or as balanced an Audio-technica headphone can become. I don't know what happened over a quick three hour nap, maybe placebo or something set in, but I couldn't be happier. The highs were bright, but not as piercing, the mids just a bit forward but not overbearing, and the bass as punchy and tight as I remembered them being. Soundstage and detail are amazing and bring out instrument seperation like no other headphones I've heard before. At this point, the W1000X was well worth the money.
This impression is, of course, just an impression. It's my first real full-sized headphone and I want to point out that my impressions are likely influenced by placebo, which means you must take this with a bucket of salt. I can tell that these headphones need a better source and maybe some extra juice from an amp, but right now it seems to run smoothly on my laptop alone - maybe when an amp is connected the highs will smooth out some more and the bass will gain more presence. When my Sparrow arrives I hope to further detail the synergy of these particular headphones and audio-gd amps, but until then I think I appreciate these ravishing cans a bit more, or at least until the sun begins peeking in my shades.
Edited: Way too long and boring, so I crushed up the fluff in favor for more analysis.