Quote:
Originally posted by Orpheus
this is the only place in the world that i have ever heard of a person paying $1800 for a new amplifier, then personally having to "fix" a problem by disabling another feature. and ASL is the only company i have ever known to ask such a thing of a customer.
what should ASL have done?--recall all the amps. and.... if you cannot wait for yours to be repaired, the least they can do is send you a new amp immediately and wait for yours to be returned. that's the least a company can do that's selling such hella-expensive pieces. have you ever heard of another company with such nerve!?
you're not a technician.... you weren't even sure what a resistor looked like. why fudge around with one of the most expensive headphone amps ever made?, when it's totally Antique Sound Lab's responsibility to give you an amp worthy of your $1800.
(get ready for my next ASL ass-kicking thread. i just received my 4th ASL amp, and NONE of those 4 operated correctly out of the box... gave ASL 4 chances.... i think that's plenty.) |
EXACTLY my thoughts!!! If you have read my thread titled, "ASL Twinhead MkII To Buy Or Not To Buy you will see this kind of thing is EXACTLY why I am in such a quandary. The pre-production CES Twinhead Mk II that Jude was kind enough to provide at the Michigan Meet last week offered simply incredible sound quality. It stole the show, which included many, many outstanding amplifiers. No less than Tuberoller was of the opinion that it is the single best headphone amp that he has heard. However, and its a HUGE however, none of the delivered "production" amps apparently equals this sound, including Kierans. If the problem is just the resistor issue, fine, but who knows if that the extent of it? Much less as you point out, the fact that someone who has paid essentially $2000.00 for an amp is being asked to service it himself. To say nothing of the long noted ASL reliability issues as well as their apparent inability to maintain quality control from one unit to the next.
I never imagined I would say this, but I am seriously starting to regret ever listening to that amp. I may well never hear such magnificent sound from any other amplifier. I was willing to pay, what is for me, a LOT of money to have it simply because nothing else could match or even come close to equalling it.
It appears that the chances of me ever having an opportunity to feel secure in purchasing a Twinhead Mk II that I could reliably trust to produce the same sound quality or even work, out of the box, are very slim. What a terrible, regrettable shame.
Now, due to these circumstances, I am being put in a place where I will have to settle for something that is a distant second to that remarkable amp that we were so fortunate to hear at the meet. Knowing that my only viable, safe option may be to spend a lot of money on another manufacturer's amp that will never satisfy me in comparison to that one is equally depressing.
According to everyone who has met him, Joe Lau is a great guy, and obviously a very gifted amplifier architect, but ASL appears to have terrible production problems. I have three e-mails in to him to discuss the Twinhead MkII and what guarantees he could offer me, but have heard nothing yet. I am not hopeful.
JC