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I think DAC is 2nd most important for easier to drive headphones (most Grados, Beyers), where amp is 2nd most important for difficult to drive or picky headphones (HD650, K701, GS1000).
I feel that DACs are the 2nd most important component after headphones as well. From my experience, all the DACs I've tried made all my headphones sound better but that's not the case with trying different headphone amps.
Team Source First.
I hear a much larger difference jumping from a $100 DAC (uDac) to a $300 DAC (Gamma 2) than moving from a $200 amp (Little Dot MkIII) to a $500 amp (M^3). That's not to say that the amp doesn't make a difference in the chain, because it definitely does. To purrin's point above, a harder to drive headphone will definitely benefit from decent amplification if you have don't have any. But once driven to a sufficient level, I think you get much better gains from upgrading the source. The saying is tacky, but I've become a firm believer in "garbage in, garbage out."
Team Source First.
I hear a much larger difference jumping from a $100 DAC (uDac) to a $300 DAC (Gamma 2) than moving from a $200 amp (Little Dot MkIII) to a $500 amp (M^3). That's not to say that the amp doesn't make a difference in the chain, because it definitely does. To purrin's point above, a harder to drive headphone will definitely benefit from decent amplification if you have don't have any. But once driven to a sufficient level, I think you get much better gains from upgrading the source. The saying is tacky, but I've become a firm believer in "garbage in, garbage out."
I used to think amps are more important than DACS until I bought a DAC. I never realized how artificial the piano sounded till I heard it through a DAC--as Currawong said the instruments sound more natural.
I don't imagine that the Headfive will be resolving enough for a DAC greater than the 0404
I don't imagine that the Headfive will be resolving enough for a DAC greater than the 0404, so I wouldn't bother personally.
You mean a "standalone DAC". Any time you are listening to digital audio, it goes through a DAC, whether it's on a soundcard or in your iPod. The digital must be converted to analog, hence the word DAC (Digital to Analog converter).
You know that's not true. It's not only about detail but the timbre of the instruments as well. I doesn't matter what the quality of your amp is (unless it has severe distortion), you can always (at least I can) hear differences in some areas between DACs.