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Rick, the last edition of the UHC looks far better than the shabby prototype you've once reviewed, and it even provides the headphones /speakers switch you've asked for.Nevertheless it was obviously too cheap/low profile for the market. |
I actually have the original prototype and made some "mods" to bring it up to speed and address what i considered weak areas.
1-Total mass/hard feet : Way too light so I popped off the hard rubber feet and bolted a 1 inch thick hardwood board to the bottom of the chassis in the holes formerly occupied by the feet screws.To this "pedestal" I attached stick on soft rubber feet.The unit now has some actual "heft" and no longer slides.
2-Replaced the toggle switch with a Mil-spec toggle
3-Replaced the nasty spring clips (only found on my version) with feed-through barrier strips.
total cost about $25.Total satisfaction level priceless.will beat the pants off the average so called headphone amp at the same price point IF the power amp it is attached to also is a quality unit.As i said in the review you pretty much get out what you put in.
Garbage In=Garbage Out
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When you mention an "adaptor box", I'll assume that you are talking about something I would make myself, and not the UHC device. Correct? |
Yes.
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My K-1000 cable is equipped with an inline XLR to 1/4" plug that will let me choose between the UHC's headphone jack or speaker terminals. Are you saying that, for example, if I have the UHC's switch set to "headphone" I should still keep the UHC's speaker terminals connected to speakers while I'm using the UHC headphone jack? Or vica-versa? If so, what is the purpose of the UHC's switch? |
I like the idea of the XLR plug/jack combo because it is
impossible to have a dead short condition on the amplifier output when plugging in or unplugging headphones unlike a TRS phone jack which not only can but mostly does have a momentary short of ground to hot.
This is no big deal with tube gear unless it is an OTL design but can be a very real problem with solid state equipment which is not nearly as bullet proof without the addition of protection circuitry that invariably impacts on the sound of the amp in a negative way.Shot out some output stages and you have a blown amplifier unless it has multiple parallel output devices (generally).
I feel even when the amp is protected it does no good to have a loud [size=x-small]
POP[/size] in your headphones due to the short circuit (and is the reason i build all my amps with turn on delay muting relays AND a manual muting switch).These pops are actually a zero power to momentary FULL POWER condition that no way are good for something as delicate as a high end consumer level headphone (back to the 600 ohm load of the original studio cans).
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My K-1000 cable is equipped with an inline XLR to 1/4" plug that will let me choose between the UHC's headphone jack or speaker terminals. Are you saying that, for example, if I have the UHC's switch set to "headphone" I should still keep the UHC's speaker terminals connected to speakers while I'm using the UHC headphone jack? Or vica-versa? If so, what is the purpose of the UHC's switch? |
Since your headphones were pretty much designed to connect directly to an amplifier not only is there no need for a device such as the UHC in your case but adding it in can only detract from the signal purity.
ANYTHING added between two devices (in this case the amp and the headphoners) has sonic consequences so it is desireable to eliminate not add to the signal path whenever possible.
Yes the ASL device is fully passive as is any resistor networks but must have some audible consequnces which in this case are easily avoided.
The switch ?
Mine formerly just turned off the loudspeakers while leaving the headphones connected all the time.Something I did not like considering the possible damage that could happen to the cans AND the load always being in parallel with the speaker load.Not wanting to unplug the cans with an active amp (see earlier on shorts) meant either turning off the amp of leaving the headphones connected which could actually be
heard as the volume was turned up for the speakers !
Nothing worse than having a "scratchy" upper end,trying to correct it,being baffled then realising it was just the headphones being overdriven enough to be audible !
This condition was fixed in mine by me and in any production models by ASL (as were my other concern areas
).as far as I know i have the only "original" version though my mods mean even mine is not as the prototype.
If I was in your position and wanting to check the AKG K-1000 with various amps I would whip up an adapter box :
Box Description :
I would mount the speaker binding posts on a piece of 3/4 birch plywood on an angle brackets.Either all across the back or amp in on the left side and speaker out on the right side.
On the front of this board another angle bracket would have the XLR and/or TRS jacks plus a heavy duty shorting (make before break) rotary switch.To keep down the cost I would check a surplus dealer of military surplus for the switch.Since I would at this time have a blank canvas I would most likely add a couple of speaker positions so the end device would be a combination speaker selector and speaker/headphone selector though this not essential.
I personally would toss in a couple of "load resistors" just in case the headphones ever came loose from the jack (like from tripping on the cord
).These would do not harm being in parallel with the headphone load and at 10 ohms/10 watts the combination of the 150 ohms & 10 ohms miniscule.
With this type of interface you could listen to any speaker amplifier and still have speaker capability at the flip of a switch.
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Dude I like your attitude. |