gregorio
Headphoneus Supremus
- Joined
- Feb 14, 2008
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Lock - At $400 for amps and speakers, there may be some small benefit to using active near-fields but you're going to get much better quality at that price point from cans or even IEMs and decently encoded MP3s.
When we get to higher price points, say $1500 or so and up, then I maintain my previous argument. For this still relatively small outlay, you could buy a good pair of say AE Aelite 3s. Kef IQ7s can be had for £400 ($700), the IQ9s are about double. If this is still beyond the budget I'd advise buying used ones. I've heard other good consumer manufacturers in this price range but I'm most familiar with AE and Kef.
These speakers are not going to give you as much accuarcy in the mids as near-fields but you will get better sound overall, which conform more closely to producers' and masterers' intentions. When we get to the high end of the market I don't have very much experience with consumer products but we would be looking at full range systems rather than near-fields anyway.
Careful, quite a lot of studio equipment is sold on name too. The budget end of the pro-market is very similar to the consumer market. There are fashions and reputations just the same. The old Yamaha NS10s are a classic example of this. Most commercial studios around the world had NS10s in the 80s and 90s, even though everyone agreed they were utter rubbish!
By the way Warpdriver, one of my ex-students in now an engineer at Abbey Road, would it help if I got him to send you an email?! tsk
When we get to higher price points, say $1500 or so and up, then I maintain my previous argument. For this still relatively small outlay, you could buy a good pair of say AE Aelite 3s. Kef IQ7s can be had for £400 ($700), the IQ9s are about double. If this is still beyond the budget I'd advise buying used ones. I've heard other good consumer manufacturers in this price range but I'm most familiar with AE and Kef.
These speakers are not going to give you as much accuarcy in the mids as near-fields but you will get better sound overall, which conform more closely to producers' and masterers' intentions. When we get to the high end of the market I don't have very much experience with consumer products but we would be looking at full range systems rather than near-fields anyway.
Careful, quite a lot of studio equipment is sold on name too. The budget end of the pro-market is very similar to the consumer market. There are fashions and reputations just the same. The old Yamaha NS10s are a classic example of this. Most commercial studios around the world had NS10s in the 80s and 90s, even though everyone agreed they were utter rubbish!
By the way Warpdriver, one of my ex-students in now an engineer at Abbey Road, would it help if I got him to send you an email?! tsk