boozcool
1000+ Head-Fier
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- Aug 21, 2008
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Not to say that more complicated necessarily means a better sound, but there definitely a difference when comparing the internal photos
Originally Posted by moonboy403 /img/forum/go_quote.gif Sometimes, you can't just look into the design and say this one is gonna sound better. You have to hear it yourself and decide whether it's good or not. |
Originally Posted by olblueyez /img/forum/go_quote.gif More parts dont equal better sound. |
Originally Posted by tomb /img/forum/go_quote.gif <snip> Further, those huge film capacitors in the input stages at right imply that the input is filtered, probably a prudent measure in a commercial amp/preamp, but they will definitely have a sound signature. That's a lot of conjecture, admittedly, but I think that's the way the circuit is setup from appearances. |
Originally Posted by boozcool /img/forum/go_quote.gif In terms of the quality of components, perhaps this is a flawed or oversimplified assumption, but maybe others may agree It seems you'll be able to achieve a significantly better sound to have fewer, higher quality components (i.e.- KICAS, HP100, M^3) than a larger variety of components which are of a lower quality (i.e.- some (NOT ALL) Chinese-made amps) |
Originally Posted by boozcool /img/forum/go_quote.gif Beefy, could you elaborate a bit more. Compared to the HP100 (or Caliente), what did you particularly like about the M^3 to make a FAR better value for the money? |
Originally Posted by K3cT /img/forum/go_quote.gif Thanks, beefy. |
Originally Posted by boozcool /img/forum/go_quote.gif Not to say that more complicated necessarily means a better sound, but there definitely a difference when comparing the internal photos |
Originally Posted by boozcool /img/forum/go_quote.gif Not to say that more complicated necessarily means a better sound, but there definitely a difference when comparing the internal photos |
Originally Posted by boozcool /img/forum/go_quote.gif Very very interesting to hear the M^3 would be considered superior for the above reasons mentioned. However, its especially surprising that a superior circuit does not offer a superior sound |
In a previous thread, people were comparing the HP100 to the GS-1, and soundwise, they were said to perform very similarily. Based upon the circuit, would you say the M^3 circuit is also superior to a Headamp GS-1? |
Originally Posted by bada bing /img/forum/go_quote.gif I appreciate some aspects of tube amps but the often reported "magic" of tube amps is partly the coloration added by the necessary evil of output caps in OTL tube amps and has nothing to do with tubes at all. I often wonder what some reviewers would hear and report if a high-zoot blocking cap was hidden in the otherwise clean signal of an amp like the M^3. I strongly suspect that in at least some cases it would raise the reviewers opinions quite a bit. |
But if you have two amps of different designs that sound at least similar, I would still be inclined to buy the better designed amp that runs at thinner (or non-existent) profit margins. That is the very definition of value for money. |
Originally Posted by boozcool /img/forum/go_quote.gif Now that I use the HP100 with a Pico for the DAC and the Audio Technica ATH-AD2000 as my primary cans |
Originally Posted by boozcool /img/forum/go_quote.gif That is definitely a possibility |
Originally Posted by bada bing /img/forum/go_quote.gif The second effect that is seldom, if ever mentioned is that if a direct coupled amp like a M^3 is used with a source with poor but "usable" offset on the outputs, it will effect sound quality by DC loading the voice coils of the headphones. I strongly suspect that this second effect of direct coupling is part of the reason that some reviews and comparisons of the M^3 sometimes don't match with others. A M^3 compared with an inferior but DC-filtered design won't fare to well if the source used has poor offset characteristics. How many reviewers verify the offset of their source(s) and report it ? It is a wise precaution to take 20 seconds to measure the DC voltage on a source before plugging into any DC coupled amp. |
Originally Posted by Shahrose /img/forum/go_quote.gif Once again, I urge you to try different opamps. You have definitely not tried the best recommended ones (with the exception of the OPA637). The differences you mentioned between both amps was mainly in soundstage, treble harshness and bass quantity/tightness right? Well the main differences among changing opamps in the M^3 IMO happen to be soundstaging, transient response, and the way treble/midrange is presented. For example, I found the OPA637 to have bass that was quite loose and flabby, but there was more of it than any other opamp (except the AD843 perhaps). However, the OPA gave a rich, warm and smooth sound in my setup which seemed a bit wet (harmonics maybe), thus giving a pleasing effect of a large soundstage. The OPA627 was similar to the 637, but with a smaller soundstage, and a brighter yet warmer sound. The AD8610 and AD8065 had much tighter bass and faster transient response than any of the aforementioned opamps, a drier sound, brighter treble, and were more transparent/accurate (truer to the source). |
Originally Posted by boozcool /img/forum/go_quote.gif As always, these are personal conclusions based upon my experiences with both amps. Anyone who is interested should definitely try each for themselves |