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Originally Posted by Meyvn /img/forum/go_quote.gif
It's funny how whenever there's a HUGE amount of support for a headphone, and then a few people come out with negatives, people automatically assume the negatives are 100% the truth, when headphones are subjective anyway. I can assure you, completely, that the K81DJ shares NOTHING sonically with the MDR-V700DJ, being intimately acquainted (unfortunately with regards to the Sony) with both headphones. Even the MDR-V6, which is a MUCH better sounding "version" of the Sonys, is still significantly more bassy than the K81DJ. It's all a matter of taste. Some people think the K501 has enough bass. Some people don't think the DT770 Pro has enough. Completely changing your mind about something because of a couple bad reviews (one of the early comments in here being from someone who's apparently never heard the headphone) is a bit closed-minded. I'll bet if someone posted a thread saying 'Am I the only one to hate the MDR-R10?' and six people agreed, the new forum consensus would be that the headphone was horribly overrated.
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After several months of listening to my K81DJ's with widely-differing music and amps, I would have to agree that Meyvn has nailed it.
My initial reaction was one of huge disappointment with these phones. As a certified bass-head, I was/am/still astonished at anyone who describes these phones as boomy/bassy, etc. Meyvn is right. The bass in a Sony V6 blows these away. For that matter the KSC75 blows them away, too.
However, decently amped, they reveal a detail that's astounding. They have a miraculous soundstage for a closed phone - something I've never heard before. The combination of the deep/wide/fluid soundstage with very good isolation is something everyone deserves to experience - it's not very common, perhaps singular - certainly at this price.
As for the bass - not boomy or punchy to my ears, but it reproduces more notes. Let me explain that: upon repeated changes from KSC75 to the K81DJ with the same passages of music, it's a fact that the K81DJ will play lower bass notes - <50Hz - that the KSC75 completely ignores.
Without amplification, it's impedance is still 32 ohms, which puts it well within the realm of portable power. It's not as efficient as a Grado, but out in public with the isolation - it doesn't have to be.
I confess that I am truly a convert. The AKG offers enough of a unique headphone experience compared to other brands, that I am now busily comparing price points on their higher-end models as well.