Dear stmpjmp,
You have some excellent, very practical points that sometimes in pursuit of perfection get lost along the way.
Quote:
Originally Posted by stmpjmp
I will conceed that the ER4 > the IM716 in the catagories of SQ, accessories, and looks
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First of all, SQ is subjective. All components are designed around compromises. The ER4P is considered fuller (more bass and mid-bass) and less detailed than the ER4S. This slight shift is accomplished via higher in-line resistance in the 4S (thus the P to S converter cable). The iM716 is considered to have a bit more bass and mid-bass still over the ER4P, again at the possible expense of upper end detail. Another slight shift in freq response.
For me, this is a good trade-off. The iM716 gives me plenty of detail in the treble (I really don’t see how anyone can say the symbols are rolled off- they shimmer to my ears- and with digital audio cut-off at 16K, well... good enough), without being overtly analytical and with a pretty good balance through the freq range. I’ve been experimenting with DIY foamies to actually get a better low-end response. Tipping the balance further up the freq range would not be productive, at least not for me.
Music lovers and audiophiles do not generally look at the same cues.
Importantly, you have to ask yourself, where will I be primarily using these? If you were using these primarily for your home audiophile Hi-Fi, the ER4S would clearly be a better choice. However, I would prefer full sized cans, not IEMs at home for serious listening in a quiet environment. If you are to use these in portable applications, such as on an airplane, bus, in the gym, etc, with a noisy environment, a fuller bass response, not treble detail, is preferable. At least that has been my experience, and why the damned little HD/Bass pod can come in handy, in spite of how much I disdained it at first.
Besides, portability means a DAP, ie, an iPod of sorts. These are the McDonald’s of audio. They are really good for what they are; fun, convenient, portable. But they are
NOT Hi-Fi. Sorry. Not even mid-fi. Using an iPod to evaluate differences in portable headphones certainly has its merit, as that is where these phones will be primarily used. But keep in mind, most of the phones discussed on Head-Fi probably show up the limits of the DAP, and not the other way around. Also, phones designed specifically for this application will try to compensate for some of the deficiencies of DAPs and may sound less than optimal plugged into a home system.
Take a look at these graphs and you'll see what I mean:
http://home.comcast.net/~machrone/pl...playertest.htm
This would be completely unacceptable in home system, of any price above that of a boom-box.
Quote:
Originally Posted by stmpjmp
Of course, some people need the top flight IEM so the IM716 doesnt really enter into the equation as it doesnt meet the bare need. However, anyone looking towards their first IEM or a backup should not pass on this deal IMO.
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Again, I think the 'need' for a top flight IEM really depends upon where you will use it, and whether your ego has any say in the matter.
Quote:
Originally Posted by stmpjmp
....but if the ER4 would run you $185 whereas the IM716 is only $70 at Amazon right now, it would have to sound $115 better and I just dont see that being the case.
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Excellent point!!!!! (although such talk is heresy in these parts)
Is the ER4 worth ~2.5X the price of the iM716? Considering the the depreciation of value as you move up the audio chain, I would tend to say yes, at least for those who 'need' the ER4s. Those who own them feel they may be better constructed, and the wires alone could theoretically account for the vast difference in price. But for my applications, and more importantly for the phones being driven by an iPod, probably not.
Well, at least, not yet.
I suspect my ego will debate this 'practicality aesthetic' in a future post.
'till then-