Quote:
Originally Posted by bangraman
Lindrone,
You always get worked up about the battles that rage here over which is best, etc propagated by iRiver fanboys, iPod fanboys, Ety fanboys, Shure fanboys, UE fanboys, etc. Chill out and let the misguided air their own opinions and ignore them if they get up your nose. Control of unreasonable posting is what the mods are for.
I'm interested, plenty of other people who're just reading this post instead of posting are interested and not fanboys.
I'm particularly intrigued due to austonia's post saying that the 4G was equal to the iHP-140 in terms of audio quality. While he has a definitive edge of DAP experience than both of us, I'm positive that we have a definitive edge in headphone/amp experience. So a comparison between the 3G and 4G would be very welcome.
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First off, thanks Lindrone, for a review that's useful, clear, and informed!
As for the fanboy stuff, I just have to add here...ummm
As a 44 year old consultant, film maker, DV (actually, D1 and HD) and Audio Editor with a long freakin' time in the biz as a pro, I just want to say that *sigh*... I run G5 dual Macs in the shop, run 'em at home, run PowerBooks on the road, and work with professional musicians and sound crews as a matter of course going on 20 years now.
I respect anyone's preference of tools and toys, and I don't expect anyone to change their mind because of what I say/do/recommend. I respect XP Pro, love Windows 2000 Server, use Mac OS X 10.3 and 10.3 Server, 3 flavors of Linux, 2 of straight up Unix and 4 of Windows every_damn_day, 24/7. I network 'em, break 'em, fix 'em, and spec 'em for clients- from a guy in his den who needs to step up from his PII, to a 700 million company with operations on 3 continents that needs my IT and hardware consulting for a year... my personal preference is what works best for the job(s) at hand. That's it. For me, it's Macs, because Avid turnkey solutions can no longer keep up with Final Cut Pro and a few Mac workstations for my high-end HD work. Does that mean I would try to talk someone who's happy and productive with XP into buying a Mac? Um,... no. I'd rather help them get the most out of XP and their hardware if they asked, but why preach?
I believe in results. Which brings me back again to an ON TOPIC point, *finally*... as far as portable consumer audio goes, I listen to everything I can: before, during, and after owning and using 1G through 4G iPods, and, frankly, nothing I've heard is as good (as a road rig, anyway), to these battered ears, as good digital source via L/O from a 4G iPod through a Gilmore L. (and there are other portable amps that will do the job differently, and as well), then on to either ye olde Ety 4S's or my HD 650s... YMMV.
I find that the 3G has issues, particularly, as Lindrone mentions, at the headphone out with Bass and EQ that the 4G addresses pretty well. I want a SuperMono hooked up to this 4G's L/O asap, though! And maybe, just maybe, I can bring myself to use the iPod's H/O to the (new) Total Airhead and put the entire mess into the GigaBag that's collecting dust... something to use as the 'flyweight' rig until the SuperMono arrives...
The 3 things I'd most like to see in iPods asap: a) gapless, b) no buffer 'hiccups' on lossless files, c) a NO SURGERY user-replaceable battery.
Thanks again, Lindrone... and sorry, all, for the OT OS filler... couldn't resist...