I use either 224 AAC or --alt-preset standard (through an iTunes plugin) depending on use. The thing is I don't use 320 kbps because of the battery hit on the iPod so I want to take advantage of the presets for VBR. However just as it gets more difficult to clearly hear the advantages of Vorbis or AAC over LAME MP3 as you move up the bitrates, it likely is the same between MP3 encoders. Also why there's so few intra or inter formats tests at high bitrates. I agree bitrates aren't everything, but it might be problematic grouping all "mass market" encoders. Also if you accept the standard statement that Vorbis and AAC is capable of equal quality of MP3 (likely not LAME specific) at a 30% reduction in bitrate, saying LAME -aps is
significantly better than other MP3 encoders at 320 kbps would roughly calculate as LAME is better than AAC and Vorbis, right? And no one says that.
Course these are generalities, but I hadn't heard that dramatic of a comparison before and to be honest doubt that's the case. If I'm really going out on the limb, if there are
dramatic differences between 320 kpbs iTunes branched FhG MP3 encoder (for example) and 320 kbps/-api LAME MP3 encoder, and you can hear it, you probably should be using lossless. That is all said by someone who's never tested the various MP3 encoders against each other at 320 though.
As for Apple sabotaging their MP3 encoder to show off the advantages of AAC (partially because the branched FhG encoder performs worse than FhG it came from), I'm not sure. In their defense like iTunes and the iPod, Apple tends to take other things into account such as encoding speed and makes compromises. But again those comparisons tend to be around 128 kbps. I haven't heard many comparisons at 320, etc. except
this guys. He doesn't have an -aps comparison though. He seems to think 320 performs equally (at least in comparison to AAC and using the iPods DAC) which would likely indicate ~200 kbps VBR wouldn't sound better. Not the most scientific test though, but worth a read.