xnor
Headphoneus Supremus
- Joined
- May 28, 2009
- Posts
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Sure, 24 bits during multitrack recording is obviously advantageous but recording at higher sample rates does not necessarily mean better sound.
Quote:
So you apply less effects to 24/96 files and say it sounds better than heavier processed files that happen to be sampled at 44.1 kHz? Isn't that dishonest to the customers?
Also, check if your nonlinear plugins/devices are broken (for example if they don't oversample).
That reminds me of the files that Linn offered for format "comparison" quite some time ago. The 24/96 files had a clearly visibly different waveform (my guess was less compression, EQ ...) than the 16/44.1 file. The different processing is what made the 24/96 file sound better, not the delivery format, but of course the 24/96 files are more expensive. Is constraining oneself to do less processing so hard that it justifies a higher price?
Quote:
When recording in 24/96 we are at mix down using less equalization and the reverb tails just sound so much better,than at 16/44 or 24/44.
So you apply less effects to 24/96 files and say it sounds better than heavier processed files that happen to be sampled at 44.1 kHz? Isn't that dishonest to the customers?
Also, check if your nonlinear plugins/devices are broken (for example if they don't oversample).
That reminds me of the files that Linn offered for format "comparison" quite some time ago. The 24/96 files had a clearly visibly different waveform (my guess was less compression, EQ ...) than the 16/44.1 file. The different processing is what made the 24/96 file sound better, not the delivery format, but of course the 24/96 files are more expensive. Is constraining oneself to do less processing so hard that it justifies a higher price?