mrarroyo
Headphoneus Supremus
- Joined
- Jul 27, 2005
- Posts
- 19,073
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- 43
At 2:00 pm I called my building concierge from the office. He informed me I had a package
Well I rushed home (45 minutes to drive 34.6 miles in the middle of the Miami and Fort Lauderdale rush hour).
As I picked up the package I got worried. The idiots at Customs had used a razor blade to open the top and had barely used enough scotch tape to properly seal the box. As you can imagine I was worried they had scratched the unit or similar. The good news is that S/N 24 arrived without any blemishes.
The first thing that struck me when I unwrapped the amp was the overall quality of the unit. Housed in a silver anodised case with screenprinted graphics, the amp looks like it's built to last. The front fascia is fitted with a source selector switch, a volume knob and a headphone socket. The fit and finish is superb. There is an obligatory LED indicating On / Off.
The rear panel of the amp is fitted out with gold plated quad PCB mount phono socket assemblies and the power in is a 2.5mm SWC (switchcraft) DC socket. . The feet are small transparent sorbothane types and I feel these could be a lot thicker / wider as they really don't provide a firm footprint for the amp, especially when using heavy interconnects. This is a small gripe and it's easy enough to replace the feet with something a bit more substantial.
Here are some pictures, please click on the thumbnail to view them full size.
The dimensions / physical appearance of the Green Solo are identical to the Solo 2007 but the specifications have changed:
Specifications
- Power Consumption: Max. 3.6 watts; Average. 1.5 watts; No signal. 0.6 watts; PSU only. 0.3 watts
- Headphone impedance range: 8 to 2,000 ohms - 30 to 300 ohms preferred.
- Power output: (RMS, both channels fully driven) 32 ohms - 125mW / channel; 600 ohms - 35mW / channel.
- Distortion: (THD plus noise, ref 1kHz) 0.02%
- Frequency response: (-3db, 32ohm load) 10Hz - 75kHz
- Output Noise: (20Hz - 20kHz, CCIR quasi peak) -83db
- Output impedance: (driving impedance) 33 ohms
- Input sensitivity: (for specified power output) 775mV rms
- Gain: 15db
- Channel balance: better than 1db
- Crosstalk: Left to right -57db; Input to input -68dB
- Quiescent current: (output stage) 7.5 - 10mA per channel
- Supply Voltage: 24V DC
- Size: w: 107 x H: 50 x D: 185 (mm) inc. controls
- Complies with: ROHS, WEEE, E-Waste, CEC, CE, CSA, UL (cUL and UL listed power supply), TUV
- Weight: 600 grams
Warranty: Standard 2 year warranty against defective parts or workmanship.
It took me a few minutes to decide which song and method to play it. Also I had to decide what cans to use for that initial "performance". As many of you know I listen mostly to Jazz. To that effect I chose Waltz for Debby by Bill Evans Trio.
I made a choice to feed the amp via my Apple Losses files in iTunes. I fed this via an optical cable to the Musical Fidelity X-Dac V3 (stock) then I used a pair of RCA to RCA cables by Blue Jean Cables to feed the Green Solo #24. For that initial "performance" I chose the AKG K501.
Why the K501, well since a lot of its owners complain about the bass I kind of use it as my "litmus test" when I test the bass output of an amp. I also read the bass out of the box needs time to improve. Heck the instruction sheet included says so (at least I interpreted it as such).
Frankly I do not agree, I find the bass out of the box to be there and very clear/detailed. Of course it will improve with "burn in" or so I expect. The highs are clear, and detailed. For example when the drummer hits the hi-hat you can hear the impact as well as the closing/opening of the hi-hat.
I will say that to me the best attribute is the amps soundstage. It is very easy to spot the instruments and most importantly the people talking and laughing in the background. For those who have never listened to Waltz for Debby it was a live recording and you can indeed listen to the clapping, laughing, coughing, etc. This amp makes it very easy to place them.
Next I chose Body and Soul by Billie Holiday.
Not only do I continue to be amazed by the placement of the instruments but most importantly that sweetness and intonation in the voice of Billie Holiday comes right through.
As you can surmise I can only expect this amp to get better and better with burn in. Do not be surprised if I start selling some of my favorite amps.
Of course I will let it burn in over the next few days to see how much better it gets. As I understand it Graham Slee recomends 3 weeks of burn in as optimum. I will keep you all informed.
Before I stopped writing tonight I switched over to the Grado RS-1. Very few SS amps can drive the Grado's with authority and wile retaining their liveliness. I am happy to report the Green Solo is one of them.
Note: The term "green" is because this amp is built using lead free solder and it meets the European RoHS (See: http://en.wikipedia.org/wiki/RoHS)
As I picked up the package I got worried. The idiots at Customs had used a razor blade to open the top and had barely used enough scotch tape to properly seal the box. As you can imagine I was worried they had scratched the unit or similar. The good news is that S/N 24 arrived without any blemishes.
The first thing that struck me when I unwrapped the amp was the overall quality of the unit. Housed in a silver anodised case with screenprinted graphics, the amp looks like it's built to last. The front fascia is fitted with a source selector switch, a volume knob and a headphone socket. The fit and finish is superb. There is an obligatory LED indicating On / Off.
The rear panel of the amp is fitted out with gold plated quad PCB mount phono socket assemblies and the power in is a 2.5mm SWC (switchcraft) DC socket. . The feet are small transparent sorbothane types and I feel these could be a lot thicker / wider as they really don't provide a firm footprint for the amp, especially when using heavy interconnects. This is a small gripe and it's easy enough to replace the feet with something a bit more substantial.
Here are some pictures, please click on the thumbnail to view them full size.
The dimensions / physical appearance of the Green Solo are identical to the Solo 2007 but the specifications have changed:
Specifications
- Power Consumption: Max. 3.6 watts; Average. 1.5 watts; No signal. 0.6 watts; PSU only. 0.3 watts
- Headphone impedance range: 8 to 2,000 ohms - 30 to 300 ohms preferred.
- Power output: (RMS, both channels fully driven) 32 ohms - 125mW / channel; 600 ohms - 35mW / channel.
- Distortion: (THD plus noise, ref 1kHz) 0.02%
- Frequency response: (-3db, 32ohm load) 10Hz - 75kHz
- Output Noise: (20Hz - 20kHz, CCIR quasi peak) -83db
- Output impedance: (driving impedance) 33 ohms
- Input sensitivity: (for specified power output) 775mV rms
- Gain: 15db
- Channel balance: better than 1db
- Crosstalk: Left to right -57db; Input to input -68dB
- Quiescent current: (output stage) 7.5 - 10mA per channel
- Supply Voltage: 24V DC
- Size: w: 107 x H: 50 x D: 185 (mm) inc. controls
- Complies with: ROHS, WEEE, E-Waste, CEC, CE, CSA, UL (cUL and UL listed power supply), TUV
- Weight: 600 grams
Warranty: Standard 2 year warranty against defective parts or workmanship.
It took me a few minutes to decide which song and method to play it. Also I had to decide what cans to use for that initial "performance". As many of you know I listen mostly to Jazz. To that effect I chose Waltz for Debby by Bill Evans Trio.
I made a choice to feed the amp via my Apple Losses files in iTunes. I fed this via an optical cable to the Musical Fidelity X-Dac V3 (stock) then I used a pair of RCA to RCA cables by Blue Jean Cables to feed the Green Solo #24. For that initial "performance" I chose the AKG K501.
Why the K501, well since a lot of its owners complain about the bass I kind of use it as my "litmus test" when I test the bass output of an amp. I also read the bass out of the box needs time to improve. Heck the instruction sheet included says so (at least I interpreted it as such).
Frankly I do not agree, I find the bass out of the box to be there and very clear/detailed. Of course it will improve with "burn in" or so I expect. The highs are clear, and detailed. For example when the drummer hits the hi-hat you can hear the impact as well as the closing/opening of the hi-hat.
I will say that to me the best attribute is the amps soundstage. It is very easy to spot the instruments and most importantly the people talking and laughing in the background. For those who have never listened to Waltz for Debby it was a live recording and you can indeed listen to the clapping, laughing, coughing, etc. This amp makes it very easy to place them.
Next I chose Body and Soul by Billie Holiday.
Not only do I continue to be amazed by the placement of the instruments but most importantly that sweetness and intonation in the voice of Billie Holiday comes right through.
As you can surmise I can only expect this amp to get better and better with burn in. Do not be surprised if I start selling some of my favorite amps.
Of course I will let it burn in over the next few days to see how much better it gets. As I understand it Graham Slee recomends 3 weeks of burn in as optimum. I will keep you all informed.
Before I stopped writing tonight I switched over to the Grado RS-1. Very few SS amps can drive the Grado's with authority and wile retaining their liveliness. I am happy to report the Green Solo is one of them.
Note: The term "green" is because this amp is built using lead free solder and it meets the European RoHS (See: http://en.wikipedia.org/wiki/RoHS)