Oriveti OH700VB

Orivetti OH700VB

• 10mm Dynamic Driver and 6 Balanced Armatures
• RRP: $699 (available HERE)

Introductions & Caveats

I love when a review comes along that I would consider to be ‘easy’ - that being, the subject of the review is simply easy to enjoy or indeed love, as such the words can flow with relative enthusiasm. The OH700VB is exactly that - hard to find much fault here, especially at $699. Orivetti are a brand I’ve seen mentioned over the last couple of years and always in a very positive light - it was only this year however that I finally took the plunge, jumping aboard the OD200 train - just in case you missed this one, it’s an excellent single DD selling for $199. Not long after I first tried the OD200, I read a lot of high praise for their flagship hybrid, the OH700VB, and was delighted to then have the opportunity to review this set - thank you to Marco at Orivetti. The OH700VB was provided to me free of charge in exchange for a review… as always, all words are my own based on my ears/music/sources… your journey may be very different, but I do my best to convey my experience in a way that can hopefully enlighten the reader as to the broad capabilities of any set.



A bit about me… (if you’ve read my previous reviews, you might just skip this - not much here has changed )

I worked in the consumer electronics industry for a large part of my career, and have been passionate about music and technology from as far back as I remember - even as a small child asking my Mum to put records on the turntable (Abba, Supertramp and Planxty if anyone is curious )

My music preferences are very varied - anything from classical to techno, indie rock to jazz and all in between. In my early teens I was a big fan of bands like The Cure and The Smiths (still am all these years later), and I was bitten by the dance music bug that arrived in the early 90s where I became hugely passionate about genres like techno, house, trance and IDM - I amassed a huge collection of records and CDs, DJing with the former at various parties and occasional pirate radio station slots - a hobby at the time that I never took further, but still own 1000s of records and my trusty Technics 1210 turntables are still going strong 30 years later, a testament to the Japanese engineering!

I am not a professional reviewer or anything remotely like it. I love music, and I love the methods by which we can listen to music - over the last few years, that has become an obsession with IEMs and related gear. I've bought and sold many, and held on to a select few - these have been anything from a $20 set like the Moondrop Chu, all the way up to kilobuck sets such as Aroma Jewel, the infamous 'Traillii' from Oriolus, UM Mentor, and a whole selection of my beloved single DDs. As part of this exploration, I like to share my thoughts on the various sets in my journey with the Head-Fi community, in the hope it might be useful to others. The massive caveat, is of course that 'your mileage may vary' - this is a highly subjective hobby.



About Orivetti (taken from their website)

ORIVETI is an innovative brand providing HiFi quality audio products for daily use by the most discerning listeners.

Founded in 2015, we started from a position of strength with years of engineering and design experience within the earphone/headphone industry.

In this tough and competitive market we feel there is still room for knowledgeable brands with new ideas to emerge. Because we understand the importance of sound, fit, comfort and reliability, we believe ORIVETI is ready to excite and impress listeners across the world.



Specifications

Driver: Exclusive 6BA driver (2 for high, 4 for mid) + 10mm Dynamic Driver (for low)
Impedance: 12 Ohm
Frequency Response: 20 - 20000Hz
Sensitivity: 112+-3dB/mW, 1000Hz
Distortion: <1%
Plug: Gold-plated 3.5mm Stereo / 2.5mm balanced / 4.4mm balanced Plug

Unboxing Photos













Design & Fit

These are an incredibly well designed IEM with what I would consider pretty much a perfect fit for my ears - that of course won’t be the case for everyone, but I’ve read many comments saying the same so I feel pretty confident Orivetti have designed these in a way that will suit most. There are no hard edges, or sharp corners - everything is smooth… the shape, finish and sound! I’ve been using Azla Crystals in large which provide excellent isolation. They are of course vented, and I’ve had no issues with pressure build, something I do regularly face problems with. They are a 2-pin format (which reminds me, MMCX seems to be further dropping away?) and while the sockets aren’t recessed, the supplied cable 2-pin plugs fit very securely. Oh and they are also very light so you barely feel them in your ears… plus taking them out in bed at night and putting on my bedside locker doesn’t disturb my wife, these are all ‘real world’ considerations in our hobby...







Cable

I love when I get an IEM and the stock cable can be wound up into a neat package, and doesn’t spring back out and sprawl in various directions as if it has an entire life of it’s own… a picture of course tells many words… The cable is light, supple, and has very low microphonics - I’m not aware of a cable as yet that has absolutely ‘no’ microphonics, and this is as good as it gets in that regard.



The modular system to switch between 3.5mm and 4.4mm is easy to use but doesn’t pop out by accident as has been the case with some others I've tried.





2-pin connectors with clearly marked 'right' and 'left' - probably an age/eyesight thing, but I often have to go hunting for a small red dot, or barely visible tiny L and R indicators!



The supplied case is well made and houses the IEM and cable with plenty of room to spare.



Listening Impressions

I've used a variety of DAPs with the OH700VB over the last few weeks, and find they are easy to drive and not fussy on the source. For the purpose of this review, my test tracks are via my LPGT Ti.

The overall tuning profile is smooth, engaging, immersive, captivating with a nice balance across the FR, starting out with deep, visceral sub-bass, impactful mid-bass, clear/articulate mids, and treble that while pushed a touch forward, isn’t harsh or in your face - it has a crisp execution that remains polite. They lean a lot more towards musical than technical, which of course may not suit everyone and again this really depends on what you are looking for… if you want more clarity, resolution, or more neutral tuning, this wouldn’t be the best choice. The bass switches are quite effective, obviously enhancing the low frequencies which in turn pull back on the overall sense of air, as such choosing to use or not will be highly dependent on the choice of music.





Bass

There is a sub-bass emphasis over mid, where it extends with a rumble that is still well controlled and never overwhelming or intrusive (possibly at times with the bass switches on if already bass heavy music), it has yet to disappoint me and I’ve had many, many hours of listening pleasure over the last number of weeks. While mid-bass steps back a bit, and I appreciate that is more common in a lot of IEMs, certainly no slouch either - you do get a good mid-bass kick when needed, and it’s obvious a DD at work here where you can almost feel the vibration of a solid kick drum impact. Timbre is nice, again you’ve got more of a smoothness and warmth so if looking for more ‘precision’ and clarity, this won’t be the best choice.

Mids

The theme continues with the mids whereby we’ve that smooth presentation, but still good clarity and detail. I’ve found both male and female vocals render well with good authenticity and in an appropriate central position. Upper mids don’t extend which is a bit of a double-edged sword in that from a positive perspective, there are no disturbing peaks for those who are sensitive to this region, but the trade-off in my opinion is where the likes of violin strings for example don’t quite hit the peaks I might expect. Overall though the mids are well done with plenty of emotive engagement and that overall ‘smooth’ and safe presentation, but can happily accommodate busier tracks with complex arrangements and portray in a more lively way.

Treble

There is a reasonable level of sparkle up top, but I would suggest maybe not a set that will fully satisfy those looking for more energy in this region. My ears are hitting half a century it must be noted, and I’m definitely less sensitive in this zone but nothing offensive in my experience over the last few weeks, and even with the treble being a touch subdued, there is still reasonable air and clarity that often aids in extending the impression of space on the stage.

Technical

These are absolutely not a set that focuses on the technical nuances that some may seek, the focus so much more on the overall musical experience. There is a still a large enough soundstage and while not a precise or microscopic level of attention to imaging or layering, you can still distinguish individual instruments and there relative position on stage, it just won’t be the focus or really grab your attention the way sets that are more competent in this area can do.



Test Tracks

DIIV - Horsehead (indie/shoegaze)

This is the opening track to the 2019 album ‘Deceiver’ from New York band DIIV. I first discovered DIIV from the excellent 2015 ‘Oshin’ which I really must revisit. Anyway, this is a pretty energetic track with almost chaotic climaxes of electric guitars, percussion, bass, and vocals - well handled here as nothing sounds too congested or harsh, however I’ve certainly heard better from a resolution perspective in pinpointing the various components. It sounds better with the bass switches turned on, providing more body even if slightly to the detriment of air.



DF Tram - A Thousand Knives (downtempo/dub/electronica)

An incredibly well produced album that has very clear influence from early ambient/dub masters, The Orb. This is a great track to really show off the bass prowess of OH700VB, where you really get to experience the deep sub rumble. It's not an overly complex track, everything is well rendered with plenty of air and space. There are a lot of samples that seem to pop up around the stage, sounding quite lifelike and giving an almost 3D sensation. Percussion is airy, intermittent vocals drift in and out of the centre and again nicely rendered. This is a fun track, from an excellent album and perfectly suited to this IEM… especially with the bass switches set to on.



Marconi Union - These European Cities (ambient/downtempo/guitar)

I discovered Marconi Union from the 2012 album ‘Distance’ and have been a fan ever since, buying all of their releases. This is the sort of music that really can sound good on any IEM but I would tend to prefer a set that allows more resolution and precision, that being something like Turii Ti which is my go-to for music like this. The OH700VB does a very nice job however, captivating and the mid bass impact which switches on is very apparent, a good solid pounding thud. The guitar sounding ethereal, but perhaps again lacking a bit of edge due to resolution



Steve Roach - A Circular Ceremony (ambient)

This track features on the classic ambient work ‘Dreamtime Return’ from 1988. It was remastered in 2018 for it’s 30th anniversary, and sounds absolutely wonderful - this is a great example of an album to get a sense for the original masters of ambient music. The smooth, warm profile of OH700VB works wonders on this track, and a reason why I often choose this set to chill in bed with ambient music before I sleep. Closing my eyes to this, I feel like I’m whisked away to a remote island, in a warm bliss of swirling sounds across a large landscape. I’ve chosen the off position for the bass boost here as I prefer it to open up to a more airy presentation.



GCOM - Ocean Dreams (electronica/downtempo/ambient)

This is a solo work from the legendary Tom Middleton of Global Communication fame and features on the 2019 album ‘E2-XO’. While not dance floor material, certainly more upbeat compared to the last couple of tracks, and an opportunity to test this set with the inclusion of drum programming along with more complex arrangements. It sounds ‘cinematic’ with lush synths, good speed and an overall immersive presentation that for me captures the mood of this track very well.



Ólafur Arnalds - 00:48/07:29 (modern classical)

This is where I crave more resolution, air and probably a preference for a dynamic driver delivering for the chosen instruments, especially strings and piano. It does still sound very pleasant, but I’m just missing some clarity, air and probably more ‘zing’ in the upper mids. While I can still enjoy this album, the OH700VB wouldn’t be my top choice to reach for. Bass switches best off here to again open it up.



Calibre - Badman (Drum & Bass)

A perfectly suited genre for this set in my experience, the combination of a smooth presentation, speed, and with not too much energy up top allows for drum programming to come off without any harshness. The vocals are central, and not pushed forward or back with good body to the tone. It again has that sense of being atmospheric and highly captivating.



Trentemøller - One Eye Open (indie/vocals/electronic)

Fantastic opening track to the absolutely stunning ‘Fixion’ from 2016. Very obvious influences here to the likes of The Cure, Siouxsie and the Banshees and others from that era in the 1980s - but fair to say a fresh take here. The female vocals are again nicely central, with good body and authentic sounding to my ears. A slowish paced track but with a reasonable amount of instruments but not sounding congested at any point, again very captivating and easy to just get lost in.



Gridlock - Song23 (IDM)

No idea how I got this far without trying some IDM, one of my favourite electronic genres and always fantastic to test the ability to handle detail and complexity. This is a classic from 2003 on the German Hymen label. OH700VB holds up well here, but I would probably like a touch more precision in the complexity, again I guess this is where some additional resolution would help. As per others though, it certainly wouldn’t stop me listening to this album, still a very enjoyable listen.



Conclusion

This is an easy recommendation when asked for a suggestion for a solid ‘fun’ and engaging all-rounder under $1,000, and probably even higher. I’ve had these now for about six weeks and even with other much more expensive sets within reach, I have found myself often grabbing these - as I said at the start, they are just so easy to love, with fantastic comfort, zero fatigue with many hours listening, a great stock cable, and all for $699 - they do fit that ‘generalist’ category for me where they play basically any genre at least very well, but will fall short for some where more resolution and detail is perhaps required.

The OH700VB is Oriveti's current hybrid flagship, which is equipped with a total of 7 drivers. One DD driver for the bass, 4 BA drivers for the mids and 2 BA drivers for the treble. Oriveti's aim was to develop a very neutral and detailed sound. The extent to which this has been achieved will be discussed below.



The workmanship of the OH700VB is really outstanding for the price of 699 USD. You can see that every single housing is made by hand and with attention to detail. I have never experienced such good workmanship and design in this price range. The shimmering purple plastic case with the integrated wooden faceplate looks fantastic. The golden nozzle fits in perfectly, as does the golden logo and label. There is an air hole in the housing which precisely regulates the internal air flow to produce a more detailed sound. A mini switch is integrated into the faceplates, allowing the user to choose between two sound settings. The good thing about the two switches is that they can be operated while wearing the IEMs in the ear without having to remove the IEMs. The lower position gives the OH700VB a slight bass shelf, while the upper position represents the "neutral" position.





An 8-core, hand-braided cable that is very flexible and soft is included in the scope of delivery. With the included adapters (3.5mm, 2.5mm and 4.4mm) it can be used with almost any source. I am pleased that more and more manufacturers are using the version with plugs instead of having to buy several cables. A round leather case and several pairs of different foam and silicone eartips are also included. All in all, a very well-rounded package for the price.

Now we come to the most important thing, namely the sound! I tested the OH700VB on my DX320 MAX Ti DAP. With an impedance of 12 ohms, the Oriveti is very easy to drive and I can barely get beyond gain level 1. However, the OH700VB is also very level-resistant and can handle a lot of power and can play very loudly without distorting at all. Its size and weight make it very comfortable to carry. I quickly found the optimum tips. The AZLA Clears fit like a glove. For me, it sounds best and almost perfect with the bass shelf switched on. The neutral tuning is a little too thin for me.



So how is it tuned? For me, the OH700VB, together with the FIBAE 7U and the Cadenza 12, are the most neutral IEMs I've heard so far. While a Cadenza 12 is tuned neutral/warm, the FIBAE 7U and OH700VB sound a little brighter. With the bass shelf, the OH700VB has about as much bass as a FIBAE 7U. Of the trio, the Cadenza 12 has slightly more bass.

This brings us to the OH700VB's most outstanding feature. The bass range is really successful and doesn't have to hide from much more expensive models, which is remarkable! There's enough punch, there's high quality, the bass really breathes and is very controlled. Nothing extends into other frequency ranges here. It goes down relatively far and has a small presence in the mid-bass range, which leads to a nicely springy bass whose impact you can feel. A DD driver is simply crisper in the bass than a BA driver. Although the FIBAE 7U is even more precise, it cannot deliver the punch of an Oriveti and Cadenza 12. The Cadenza 12 has a little more substance in the low bass range than the Oriveti. But it's great how well the Oriveti's bass works. You have to consider how much more expensive the FIBAE 7U and especially the Cadenza 12 are!

The OH700VB sounds very airy and transparent. The spatial imaging is not the widest, but it offers a very good depth graduation in which the voices are slightly foregrounded. This is because the mids are reproduced very neutrally without instruments or voices having a fuller character. Here, for example, a Trifecta that is not neutrally tuned sounds fuller, instruments seem gnarlier and sound elements have more physical impact.

The resolution is very good for the price range. Roughly on a par with the U4s, which is twice as expensive. The Oriveti does not achieve the instrument separation of a FIBAE 7U. With the IEM from Custom Art, I can concentrate on one instrument more easily, as all instruments are better separated from each other and are also easier to locate. With the OH700VB, the treble is reproduced without any peaks and there is no attenuation. However, the mic details are still not as easy to pick out as with a FIBAE 7U or Cadenza 12. It's something you don't miss when listening to the OH700VB alone, because its always involving and energetic playing style is so much fun that I don't even want the "acoustic magnifying glass" feature at that moment. And that wasn't Oriveti's intention at all. They wanted to create a neutral IEM, but one that would still be involving. And I think they've achieved that, even to the extent that bass lovers will also enjoy the bass switch!

In my opinion, the OH700VB is without competition in this price range! At least I haven't heard an IEM up to 800 USD that can hold a candle to the Oriveti. For this reason alone, I would say that the OH700VB is an absolute hit. For someone who doesn't want to or can't get into the TOTL IEM market, for a price of 699 USD you get a really top sound at a low price. I myself also asked myself in a direct comparison why the others are so much more expensive. It's the last few percent for which you have to put a lot of money on the table in the end. Even if the Oriveti cost 1299 USD, nobody would complain. My very clear recommendation to buy!

Review Of The Oriveti OH700VB​

Introduction​

Oriveti is a Chinese firm that was founded in 2015 and has since pursued a single goal: to innovate the sound with next-generation electro-acoustic products. To be honest, I just heard about Oriveti when I heard their IEMs in an Audio convention, which I felt quite good about at the time, but I recently heard they introduced new IEMs like OD200, OD100, and OH700VB. I was eager to try one, and I was fortunate to obtain the OH700VB, but before we go any further, I'd like to clarify a few concerns.

Disclaimer​

*I am appreciative to my fellow audiophile Pulkit Dreamz and Rohit Upadhyay for lending me this unit. And just as I've stated in every one of my assessments, this one is no different: every idea I've presented below is wholly original and entirely mine, uninfluenced by anyone else. Click on this link to show interest.
*I am not associated with the connection, and I receive no financial assistance from anyone.
*For the remainder of the review, I will refer to these IEMs as “OH700VB.”
*I am using different Ear-tips for convenience and better versatility.
*Finally, I will only evaluate the OH700VB based on their performance, even though I will explain how it feels and seems physically and aesthetically.

Specification​

The OH700VB has a multi-driver arrangement, with two balanced armatures handling the highs, four balanced armatures handling the midrange, and one dynamic driver handling the bass. All seven drivers are custom-made and equipped with a three-way crossover. The OH700VB Shell is composed of resin, with a faceplate featuring Oriveti's emblem on one side and the name itself on the other, as well as a tiny switch that boosts the bass. The faceplate has a wood-like pattern that is distinct on each side. The shells are large yet comfortably fit in my ears, however using them for extended periods of time caused some pain, which was alleviated by changing eartips.The cable that comes with the IEM features a two-pin connection to the IEM and an adaptable termination that terminates in either a 2.5, 3.5, or 4.4mm connector. The cable appears to be of higher quality and weighs less than expected. Other accessories include a selection of eartips, a carrying box, replaceable plugs, and a cleaning tool. Technical characteristics include an impedance of 12 Ohms and a sensitivity of 112dB.The frequency response ranges from 20Hz to 20kHz, and the overall harmonic distortion is less than 1%.

Sound​

The response of the OH700VB is one of the most natural and smooth-sounding IEMs I've ever heard in this price range. I've heard the Variations, Top, and IE600, but none of them sound as natural. The treble is broad yet smooth, with an actively involved midrange that sounds bigger and richer, and the bass draws you in with its warmth and presence, delivering a clean and clear response. For a hybrid driver-configured IEM, I find the sound silky and smooth resolving, with no timbre as one would anticipate from BA drivers. For the most part, I feel the response is well balanced, with a decent sub bass boost and forward midrange; it sounds near to neutral and not overly analytical. Let us explore further into sound.

Treble​

The treble is one of the most impressive aspects of the OH700VB; having a lot of BA and tuning them to sound smooth and lush rather than metallic takes a lot of work, which I find rare in IEMs like these; companies like Theiaudio were the only ones I found that could produce such a pleasant response. Well, the Oriveti did an excellent job adjusting the higher frequencies. The upper treble sounds expansive and fluid, and the singers and instruments have a strong presence that extends deep into the higher frequencies. In any case, the response changes when the tuning switch is activated, as I shall detail later. The lower treble has a lot of energy, which can be heard in the mix as the singers and instruments come across as upfront and full of presence. The voices have considerable staging, allowing for a sleek and relaxing reaction while remaining upfront and lively, never coming off as obnoxious but rather natural. One thing that impresses me is that even when it sounds upfront and full, it does not dominate any details, although it is not a particularly detailed sounding IEM, as I find the IE600 or SA6 Ultra to sound more polished and crisper. As a result, the overall presentation of the treble area is broad, smooth, and clean sounding.

Mid Range​

In the midrange, the quality and quantity are rich and clear, with no note coming off as unpleasant or suppressed. The tight and dense response, with just enough warmth to keep the notes sounding natural and as open as possible, gives it one of the mid-range sounds available at this price point. I feel that no other IEM in this price range can sound as upfront and genuine, with excellent note clarity. The upper midrange resonates with lower treble energy, resulting in a more dynamic and forward response.The vocals have a nice focus in the mix, and the instruments complement them, making the reaction fuller and richer in terms of both quantity and quality. The combination of tone precision and technical aptitude results in a non-fatiguing all-day listening set. The amount of bearing in such a coherent respond to provide a true and realistic response, which was lacking in my Variations. The lower midrange has strong note weight and richness, resulting in a warmer approach in the upper frequencies while without making the response sound objectionable. The thick and dense texture of the notes, along with a little mumbling, makes it an excellent response for me since it sounds calm in the details while still allowing the organic response to shine in terms of coherence. Whether it's the vocals or the instruments, I feel the reaction is more energetic and full-bodied. As a result, the overall presentation of the midrange sounds natural, upfront, and lively.

Bass​

When it comes to bass, I believe the FR graph is deceiving my ears since my ears detect a highly stimulating bass presence while doing so in such a way that the presence appears rather natural. I mean, the bass response is really strong, with decent note thickness, allowing for an exciting and pounding response. Bass guitars, for example, seem quite genuine and fluid, despite the fact that they are not very revealing. The emphasis is on the sub bass area, but the mid bass does not come in lean; instead, the sub bass goes deeo, allowing rumbling feelings to be perceived in the ears effectively. The notes strike forcefully and thumps rather than punching or sounding correct. The mid bass area has a lot of effect since the notes pound forcefully and the booming characteristic does not go out of hand. One thing I see is a lack of accuracy in the texture and intricacies of notes. The encompassing reaction makes it quite pleasant to hear. When it comes to tuning switches that primarily raise or lower the mid-bass presence, the 100-200Hz range provides for either a highly realistic and rich bass or a less strong and effective response. Overall, the bass area sounds real, heavy, and thumping.

Technical Performance​

The OH700VB's technical prowess may not be its strongest point, since the response would not be as rich and natural sounding. It's not that other IEMs, such as the Variation or the Top, don't sound natural, but the note weight and thickness provide a more genuine response while also improving clarity and attention on details. So being fairly technical. Let's get into the specifics.

Soundstage, Sound Imaging & Separation​

The response is not extremely far reaching, but it generates a greater surround sound than stereo. The holographic method makes it sound more interesting and immersive. The depth and height are excellent for generating a deeper and fuller response, with clean and clear imaging that sounds true. The gap between the notes is also excellent, since the different quality of the notes allows me to readily identify where the sound is originating from.

Speed & Resolution​

Finally, there is a solution. I find it on level with, if not better than, any other IEM; the details are quite clear and expressive, but the micro subtleties do not come across well in the mix. The assault and decay of the notes are decently timed, resulting in a more fluid and unified sound rather than an exact and analytical one.

Sound Impressions ​

Tuning Switch​

Overall, the switch elevates or tucks the midbass, giving the response a lean or thick sound, particularly in the midrange. With the switch in the upward position, the bass tucks away, allowing the treble to sound more expansive and airy, while the midrange sounds more light and open, and the bass sounds somewhat back in the overall mix. However, with the switch in the downward position, it sounds more full and rich in tone because the notes feel genuine, and the bass adds warmth and prominence to the mix. The differences are slight, but they make a difference.

Sources​

Sony WM1A - While listening to the OH700VB through the WM1A, the response sounded more spacious and expansive, with the bass notes playing a larger part. The bass notes sounded more defined and deep, while the top frequencies sounded controlled but sophisticated and organized. The reception with the WM1A was eye-opening.

Tempotec V6 - While listening to OH700VB on the V6, the reaction was closer and more fun than previously. The treble felt less accentuated, and as a result, the midrange became more effective and forward in the mix. The bass felt better regulated, but not really noteworthy. I believe the reaction was more intimate and delightful to listen to.

Tracks​

Luna Haruna - Glory days
Luna Haruna - Overfly
Rokudenashi - The Flame of Love
LMYK - 0 (zero)
ORESKABAND - Jitensya
Marina Horiuchi - Mizukagami no Sekai
RADWIMPS - Suzume
Indila - Love Story
Indila - Tourner dans le vide
Earth, Wind & Fire - September
Tom Petty - Free Fallin'
Fleetwood Mac - Everywhere
Nirvana - Smells Like Teen Spirit
Blue Oyester Cult - (Don't Fear) The Reaper
Guns 'N' Roses - Sweet Child O' Mine
The Police - Every Breath You Take
Gojira - Amazonia
TV on the radio - Wolf Like Me
Bring Me To The Horizon - Can You Feel My Heart
Bring Me To The Horizon - sTraNgeRs
Avril Lavigne - Dare To Love Me
Travis - Love Will Come Through
Gotye - Somebody That I Used To Know
DJ Shadows - Six Days (Remix) [feat. Mos Def]
Lady Gaga - Just Dance
Lil Wayne - Lollipop
Flo Rida - Low
Sebastian Lopez & Flug - Electronic Measures
Federico Mecozzi - Blue (Da Ba Dee)
Wayve - Not Enough
Kai Wachi & TeZATalks - Ghost
NGHTMRE, Zeds Dead & Tori Levett - Shady Intentions
Zeds Dead, DNMO & GG Magree - Save My Grave
Skrillex, Noisia, josh pan & Dylan Brady - Supersonic
Skrillex & Nai Barghouti - Xena
Skrillex, Missy Elliott & Mr. Oizo - RATATA
Kaifi Khalil, Eva B & Wahab Bugti - Kana Yaari
A.R. Rahman, Javed Ali & Mohit Chauhan - Kun Faya Kun

Conclusion​

To summarize my evaluation, I am completely enamored with the OH700VB, and it would not be surprising if it becomes a TOTL killer with a gorgeous and cohesive response that is the smoothest I have ever heard without sacrificing detail. I highly suggest this IEM for those seeking a true sounding experience that will never disappoint. Believe me when I say this is the second time I've felt this way after hearing the Monarch MKII.

Oriveti OH700VB

Disclaimer

The OH700VB is my first product from Oriveti, I did get this free for a review in trade for a review. All impressions are my own subjective thoughts after having used them for a good time. These are my thoughts at this moment, and as time moves I might change my opinion.
This is also a very subjective hobby where everything from experience, anatomy or age will affect what we hear. Also keep in mind that it is easy to use bold words when talking about differences, while it may be perceived as a small change for you.
While I can perceive something as natural sounding, I do believe we can never get a perfect performance similar to what is achieved live.

Ranking System:
1 Very bad or unlistenable
2 Listenable but not good
3 Average
4 Very good
5 Exceptional or having a special sauce

My rating system highly values what is musical, so my rating will always be a subjective opinion.



About me and my gear used for the review

My audio preference is neutral with increased low end, mids can be forward but not too much. I can also handle some treble spikes if it is not excessive. I am a believer in having different tuned IEMs for different genres or moods instead of chasing the single perfect one.
Main music genres I listen to are Metal, Electronica, Jazz, Indy rock/metal, R&B, Pop. I am a music lover, and can also listen to almost all the genres out there. I have been into music gear since the mid 90s, gifted some big speakers at an early age. Then moved more and more into headphones with the Koss Porta Pro and a Sony Discman and Minidisc.

I have also tried playing many instruments over the years from piano to sax and have a feel for what's a natural tone, but not the biggest patience in learning to play. My wife has also played many instruments from string to wind instruments and also piano.

My current standard in Headphones is ZMF Verite Open and Beyerdynamic T1 G2.

My current favorites in IEMs are AüR Audio Neon Pro, AüR Audio Ascension and 634ears Miroak-II. The NEON PRO has 10 BAs, and has a near perfect tonality for me on the brighter side. DTE900 is a tribrid with 1+5+2 config, tuned W shape being warm and natural. Miroak-II is my favorite single DD, it has a warm and bassy sound that is also very natural sounding.

Gear used in the main rig is Topping E70 DAC together with the Topping A90 Discrete headphone Amp. I also have a Schiit Lokuis I can swap in if I want to do a little analogue EQ.
Portable gear used during the review is HIBY R8 II, HIBY R6 Pro 2, Colorfly CMA M1P.
I have a good range of cables from Clan Audio, Penon, NiceHCK, XINHS, DUNU, Effect Audio and Gladiator Cables.



Who is Oriveti

https://www.oriveti.com/about-us

ORIVETI is an innovative brand providing HiFi quality audio products for daily use by the most discerning listeners.

Founded in 2015, we started from a position of strength with years of engineering and design experience within the earphone/headphone industry.

In this tough and competitive market we feel there is still room for knowledgeable brands with new ideas to emerge. Because we understand the importance of sound, fit, comfort and reliability, we believe ORIVETI is ready to excite and impress listeners across the world.



So what is the OH700VB

OH700VB is Oriveti’s new flagship hybrid IEM, using 1 Dynamic Driver in 10mm and 6 Balanced Armatures. Two of them for the highs and the last 4 for the mids.

The IEM is in a purple resin shell with a wood faceplate, it has a metal vent for ear pressure.
Many IEMs have tuning switches nowadays, but here it's only one that is positioned on the front for easy access. The shell is made fairly ergonomic and with an average size, could have had some more grooves for me to add comfort. But as it is more should have better comfort than just a few like me who prefer more curves. The nozzle is in metal and looks awesome, has also a tip ring to secure your tips.

The whole package and accessories are excellent, and show that they care about what they deliver. Plenty of tips in silicon and foam, a modular cable that is soft and little extra long. A IEM case that seems like real leather, it also has a nice lock to keep it closed.



Specification

Driver: Exclusive 6BA driver (2 for high, 4 for mid) + 10mm Dynamic Driver (for low)
Impedance: 12 Ohm
Frequency Response: 20 - 20000Hz
Sensitivity: 112+-3dB/mW, 1000Hz
Distortion: <1%

Plug: Gold-plated 3.5mm Stereo / 2.5mm balanced / 4.4mm balanced Plug
Package Includes
OH700VB Earphone body - 1pair
2 Pin Detachable Cable with 2.5mm balanced, 4.4mm balanced, 3.5mm stereo plugs - 1pc
Genuine Leather Carrying Case - 1pc
S, M, L Silicone Tips - 2pairs per size
S, M, L Foam tips - 1 pair per size
Cleaning Tool - 1pc



Timbre

First off, what is Timbre?
From the Wikipedia:
The Acoustical Society of America (ASA) Acoustical Terminology definition 12.09 of timbre describes it as "that attribute of auditory sensation which enables a listener to judge that two nonidentical sounds, similarly presented and having the same loudness and pitch, are dissimilar", adding, "Timbre depends primarily upon the frequency spectrum, although it also depends upon the sound pressure and the temporal characteristics of the sound"

First minutes of trying a new set of gear, what I always listen to is how natural and musical it sounds. Much of this goes down to how I perceive the Timbre.

This has been a very different experience, it took time getting accustomed to the sound.
It's interesting as it nails the part of being bassy, slightly dark midrange and also clear up top. Never heard anything similar before, as I wouldn't call it V shaped as mids are still very resolving even if it's on the darker side compared to the bass and treble. The lower mids have a more full and engaging soound while the upper mids are forgiving an slightly dark.

Then you turn off the switch and it's not as bassy anymore, mids come forth more and have a more neutral balance with the rest.

Going to use the ranges here in review:





Details and soundstage

Overall the Oriveti OH700VB has okay resolution for its price, while maybe not having the most micro details it has a quite large dynamic range.
The most resolving part of the Oriveti OH700VB is clearly the high range and air, but as a whole it does a decent job. I wouldn't use this for poor old rock reckonings, or electronica with brighter artifact elements in the treble.
The soundstage is a special one, it is very wide. Among the widest I have heard, depth is also fairly deep.The stage is rather oval and has quite good imaging cues, maybe not the best one on imaging but it's not bad at all. The other side of the soundstage is that it's not consistent, often voices and some instruments sound like they are coming from inside your head instead of projecting in front. Often this is also up to the recording, but on some tracks where I'm used to hearing the singer I positioned further out it's then heard in my head. So it's fair to say that the soundstage and imaging is a good one, but also a little weird and inconsistent.

Bass

The low end on OH700VB is tuned in the tuck style, meaning it doesn't glide into the mids and instead is decreased quite rapidly before the midrange. This goes for both switch positions, the switch just pushes the tuck even more back so you get less mid bass. This also means the sound is more lean with the switch turned off/up, my preference is with it on/down and will be my focus here.

The OH700VB bass reminds me a lot of a IEM I had some time back, the ISN EST50. Not exactly the same but more on how the bass blends with the rest of the tonality, it sounds more like a subwoofer is paired with the rest. For some that can be negative if you prefer smooth coherent transition, but it also makes it very fun and interesting. With the switch ON this effect is also increased, as it's much more coherent with it OFF. But then you sacrifice some warmth for the natural playback, and I will rather than use it as a subwoofer experience.

Sub bass reaches low and is really vibrant and present, and due to this you can sometimes hear bass in songs that you haven't heard on other sets as easily. And this sub bass presence happens on both switch positions, I love the amount of sub bass and find it perfect.

The mid bass is also quite impressive and has great punch with a slower decay, but due to the bass style it can be a little overpowering over the midrange. The amount is clearly warm, I still would not call it bass head. But with the right music it can please most bass heads in quality and amount, some of this due the mids being drawn back.

In fact with the correct music, like bassy electronica or hip hop the OH700VB is an epic bass experience. It can both slam really hard or vibrate with finesse, and the texture is excellent.



Mids

The midrange is what made me get lukewarm when I got the OH700VB, it's darker and more distant than what I'm used to. I'm often used to sets having both bass going into the midrange, and also a much more forward pina gain. But with some time and getting the brain adjusted to the sound I started to get quite addicted to the sound, different but also good.

Darker vocals are clearly better to have than brighter for me, brighter vocals can lack a little attack and presence. But it's more of adjusting to the sound, and then it's quite soothing and full. Soprano singers here will often be a little veiled or dark, also lacking in attack. But even so the brighter vocalists will have plenty of sparkle and air, it's an odd mix. So it's very much back to the artist or how it's recorded, many albums are excellent and I don't mind at all.

Acoustic guitars sound full and excellent, its rich and engaging with most instruments that are lower pitch.
Instruments like sax with higher pitch lack some clarity on OH700VB, and seem dark. But here the brain burn is strongly in play, after having listened for days I like the midrange. And even when swapping between sets I find it good, but different.

Listening to piano is always a good one to listen to after inconsistencies in the timbre, the sound is overall coherent but lacks a little presence especially when higher notes are played. You will not get as clear transients in the midrange, it's dampened to some degree. But also make it very relaxing and soothing, this also goes for a lot of brass instruments.

Treble

The treble range is forward and has a very good extension, it actually has more treble and air than what I prefer due to fatigue.
This is also why I tend to limit what I listen to, some albums clearly have a brighter top and are not as suited for OH700VB giving the sound a harsh tonality.

The low treble has never any sibilance, also not too relaxed where you lose some brilliance.

The treble has sharp and clear attack, so cymbals will have a spicy and natural bite to them. Never dull to say it like that, but cymbals are supposed to have great bite even if I prefer less. Violin also has clear and forward uppertones, that make it sound plenty airy and clear. I do find the air a little artificial, but again might just be back to my sensitivity for air.

Downside of the forward treble, is that I love the bass on OH700VB for electronica. Lots of electronica has plenty of treble energy or treble noise, often very tiresome. This almost never is the same with acoustic music, and comes back to the artificial side of electronica.



Synergies

A small part about what gear I have been enjoying the most with the Oriveti OH700VB.

Tips been straight forward, my usual Divinus Velvet sound correct and seal perfect. Tried also my Eletech Baroque but they didn't seal as good on this IEM as the Velvet.

Cable has been the stock cable for the most part, as I did find it more than good for a stock cable. It's both comfortable and full sounding, but I still swapped cable sometimes during the review. When changing over to the Effect Audio Eros S Anniversary the stage seemed clearer as the background got blacker, but overall the sound didn't change much.
I also tried a pure thick copper from Gladiator Cables that often increases warmth, but also this didn't really change the sound much. Tried a silver cable and a graphene mix. So my conclusion is that the OH700VB is not that sensitive to cable swapping.

As for sources, I got my new DAP HIBY R8 II during this review and it for sure increased my enjoyment factor over my dongles or R6 Pro 2. Especially the mids seemed to be richer and treble more controlled, for me a good thing as it helped me on the weakside of OH700VB.






Music

I will just talk about some of the music I like, the music I use here are some of my reference tracks and also just some I like. When I am listening to music and not evaluating, I prefer to listen to whole albums. When comparing OH700VB to other sets I have used the tracks listed here and more.





Men I trust - Show Me How

Electronic chill pop music, great atmospheric music where you can dream yourself away. She has a voice that's gentle on your ears, overall a very pleasing and soothing track.
Here the OH700VB is great, the more mellow side of the mids work well and just adds harmony to both her voice and the background instruments. The bass is also very addictive and does give the drums some good kick, and the open top end is never bothersome at all.





Oliver Patrice Weder - Breathe In

New album that came out recently, the genre is rather special and is a mix of many things: classical ambient, ambient electronic, atmospheric, cinematic, contemporary classical, experimental, electronic instrumental, minimalist, modern classical, neo-classical, Montreal.
The album sounds like a story being told, and the first track here does give good insight for the rest.

Opens up great with OH700VB with the switch ON, atmospheric and captures the emotions. The brass trio in the background is a little recessed compared to the other sets I have been listening to, also means the picture gets a darker vibe to it. It's not bad here, but does change the music away from what I think the artist wanted to portray.





Milk Talk - Velvet Line

Also a fairly new album, J-pop, city pop, synth pop and probably more. Very cool and addicting song or album for that matter, the vibes are strong here. The bass guitar is vibrant and the continuous kick throughout pushes you to dance along.

The OH700Vb has a good tonality for this, captures the beat like a boss. Her voice also has a great weight to it, she is also not totally inside your head and pushed more out. You also hear that the midrange is resolving on both her and the instrumental parts, the darker midrange is much less noticeable here.





FEATHERED SUN - Ocean Tree

Some downtempo electronic or deephouse, the vocals are dark and thick and very atmospheric.

Another banger for the OH700VB, the bass captures the vibe perfectly. It is such a great slow slam that it feels like it comes from something different than a small IEM. The singer and humming also take good use of the extra bass with the switch ON, sound forward and full.
I don't think I have anything to complain about here, it's just addictive and full sounding with the Oriveti.





Infected Mushroom - Vicious Delicious

First album I heard from Infected Mushroom was back in 2007 when this album came out. Been a big fan of them since, the track by same name Vicious Delicious is awesome on sets with good bass and good stage quality.

And yes the OH700VB is awesome here, but also shows that OH700VB sounds better played loud. As the sound get squirt dull and lifeless with low volume, so juice it up for some fun.
Bass is visceral and tactile, fast and textured. The overall tonality is excellent, and the more withheld midrange suite the song to not make it too fatiguing. There are some parts that are a little bright and tiresome, like the last part around 6 minutes. It's still not too bad, it helps that Infected Mushroom makes clean electronica without too many noisy digital artifacts.





Merkaba - Perception

Awesome electronica, addicting and fun. On the OH700VB the tonality doesn't work as well, its way too bright where I almost flinch but the sharp elements. It's too bad as the bass and mids suit the track perfectly, the stage is also wide and spacious. But if I use my dap plugin to reduce the treble it's perfect, but in stock it doesn't do it for me.





Snarky Puppy - Belmont

Jazz track from one of my favorite modern bands, lively and relaxing track. Has a great amount of detail and dynamic elements without sounding over the top, so it's easy to listen after details. The OH700VB is a little dark here, the sound is a little distant and away. Quite few of the instruments are lacking brilliance to give the music more energy, so the sudden cymbal crashes that are forward sound off from the rest of the track.

What is excellent is the drum kicks and the overall airy sound, makes up for the darker midrange. The kicks have a really good amount of punch to them, with what I would say is correct snappiness. Also the open top end makes the stage seem very large here, while also maybe a little veiled in the distance.





Cymande - Dove

The drum is intoxicating with OH700VB, the guitar also has an euphonic sound to it. Stage is also super wide with nice separation of the fewer instruments present here. Here the sound is just fun and engaging. This track is often good on many sets, but there is something special here.





Humanity’s Last breath - Labyrinthian

This is some heavy crap, not for everyone. Death metal or Death Core, there's a lot going on here. Distorted guitars, drums, bass and intense growling. What surprised me a lot is that I love OH700VB for heavy stuff like this, the bass helps give drums some visceral effect and it doesn't sound too slow. The upper mids also help mellow down the track, the growling sound thick together with the distorted instruments. And the space sounds huge and spread out.





Insomnium - Godforsaken (feat. Johanna Kurkela

I love this album, one of the best releases for me from 2023. The OH700VB is surprisingly good with metal, never sounding too busy or boring. Some parts can lack a little bite on electric guitars, but overall it's excellent. And the bass has great kick to the drums and the sharper cymbals and such sparkle bringing good energy into the music.





Francis Harris - Lost and Found

The track has a nice bassy sound, the kick is intoxicating on many sets. Same with OH700VB, the subwoofer-like bass gets shown for full here. The tonality is already relaxed in the mids, so the OH700VB masks some of the elements like the sax more than I prefer. But it's also about getting used to the amount, then I think it's fine. Her vocal is actually very balanced in the mix, not veiled like some artists can be with OH700VB. It's also good clarity in the upper treble, making it fairly airy and transparent.





YOUNHA - Stardust

An airy and brighter vocalist from Korea, nice track for listening after brilliance and sibilance.
OH700VB seems a little thin on her voice, also few parts of the track are a little veiled compared to what I'm used to. She still has airiness to her with OH700VB even with her sounding slightly thin, which is why I also said that OH700VB can be a little inconsistent compared to what I'm used to on vocals. Good thing there is no sibilance at all here.





YENA - WICKED LOVE

K-pop has been quite popular, catchy music like most hits from Korea. Most likely lots of mastering done to make the final cut, still a good track as there's a lot going on here. OH700VB is actually a little sharp or harsh here, the upper treble pushes it too far. Also the bass dont sound as big here, and would have helped the tonality if it was some mid bass bleed in the mix. So the whole track comes off a little bright and busy with the OH700VB, it's not a train wreck but just doesn't sound as full and open. Here vocals are mainly what can be a little harsh, it's not very bad but lacks some finesse and fullness.



Comparisons

When evaluating the sets I use experience from the past and also fresh comparing, it takes a long time and not done in one sitting. The most critical comparison is done on my desktop setup that is highly resolving, with volume matching.

The spider chart is slightly exaggerated on some points to show differences.





AüR Audio Aurora

This is a hybrid IEM from AüR, it has 2DDs and 6BAs. It is tuned to be neutral with a sub bass boost, also with a relaxing top end. Priced a little under OH700Vb at 570 usd, but with the current discount they are close to the same.
The OH700VB has way better presentation of the packaging and unboxing, with also better accessories. Comfort is great with both sets, maybe a small win to Aurora as it has slightly better grooves on the shell.

I find them similar in how resolving they are, of course some parts are better for each of them. Soundstage is much wider and spread out on OH700VB, Aurora is more 3D but much closer to my head. Busy and fast music seem more blended together on Aurora, and are more open and separated with OH700VB.

The sub bass reaches around the same amount in both sets, the difference is that Aurora is tighter and more reserved. OH700VB is not loose sounding, but looser than Aurora. Mid bass is similar in amount and depends on music. The big difference is that the OH700VB has a more separated bass from the midrange, so some music seems to have a stronger slam and impact. But then on the other side since the upper range is more relaxed on Aurora the bass gets a warmer tilt in the overall tonality, so which has the most bass depends on music also. But most often the OH700VB has more fun and visceral bass, and is my pick for bass quality.

Midrange is more natural on Aurora over OH700VB, it has a more coherent balance throughout.
The OH700VB sounds less coherent or even slightly dark on certain parts, but at same time OH700VB is as resolving. Darker vocals can be better on OH700VB with fuller sound, but again maybe more transparent on Aurora. More bright vocals are better on the Aurora, with better clarity. A few very airy artists can actually shine more on OH700VB, so it's not as straightforward.

String instruments like cello sound more vibrant on OH700VB, but can at times be inconsistent due the crossover into the bass. But then taking off the switch saves the OH700VB in most cases, so both can work well on string instruments like cello or double bass.
The Aurora has some unusual BA drivers for the midrange that make music more textured and slow, so some instruments like guitars can often be a little richer but also have less bite than OH700VB. Instruments like saxophone are relaxed on both sets, maybe slightly more on OH700VB. Both can seem a little too relaxed if used to more high energy sets with more upper midrange.
Treble is the biggest difference between the two, Aurora is much more relaxed. OH700VB is way more bright and airy, but also due to this amount it can seem forced compared to Aurora.
I bet for people that are not as sensitive as me, the OH700VB will be a clear winner in the treble and air.

Using the Lost and Found track, the bass here is actually close to the same in amount and quality. The bass kick has slightly more impact on OH700VB, it's not a big change but it seems more separated and suits the music.
Listening to the rest of the track it sounds less forward on OH700VB, this goes for different elements but not so much the vocal or the cymbals as they have more airiness to them on OH700VB. So here I could go both ways for what to pick, but I like that the OH700VB has more kick to it.

WICKED LOVE the K-pop track is good here to compare, her vocal is richer and more controlled on Aurora. Not slightly harsh and thin like how OH700VB is for me, the bass also seems larger on Aurora due to the midbass going more into the midrange. Overall a richer sound that is more fun and pleasing on Aurora.



Fatfreq Maestro Mini

This is the entry level IEM from Fatfreq, the Maestro models specializing in giving you a basshead experience that also separates itself away from mids as well as possible. The bass and tuning style remind me of OH700VB, but the latter does it better and has more balance.

Maestro Mini is a tiny IEM, the shell is ergonomic and should fit every ear out there. Here OH700VB is large in comparison, and won't fit everyone.
Maestro Mini does not have the same quality cable as the OH700VB, the rest of the accessories and tips are good. You get a hard pelican type case with Maestro Mini.

Sub bass is very similar in how the weight is compared to mid bass, slightly more amount on Maestro Mini. Mid bass slam hard on both sets, maybe slightly more in amount with Maestro Mini. Interesting thing is that the quality of OH700VB seems higher and more resolving and textured. The upper range balances out some of the bass weight, so in the end they sound almost similar bassy on some music.

Midrange of the Maestro Mini is not very good, I guess most people agree on this. It lacks both coherent sound and sound hollow, no contest between the two. The upper mids can also often sound sharp and harsh on the Mini.

Treble is quite forward on Maestro Mini, more than OH700VB. Comes at the cost of a sharp tonality, for me the upper range sounds unrefined.
It's also much less airy than OH700VB, with a much smaller soundstage.

Yeah I am not a fan of Maestro Mini, it's not that it's outright bad. But it's better bass head experiences out there.

Show Me How, is a mellow and nice track. It's brighter on maestro Mini, but not better as it's actually slightly harsh. Maestro Mini don't have a good vocal presentation and the drum kick takes over too much, the midrange is veiled by the bass and treble. The OH700VB is cleaner and more balanced. Her voice is more detailed and clear on OH700VB, and has much more emotion to it.

Perception is way too bright on Maestro Mini, and I thought the OH700VB was bright. It also seem less controlled in the bass and slightly hollow, and overall lacks some clarity.



TIMSOK TS-316

Except for the price being close, the two IEMs are quite different. Why I want to use it here is that I have had a few messages that ask about what to choose between the two. That depends on your taste, both are great IEMs.


The TS-316 is a single DD IEM priced 499usd at Musicteck, if your taste is like mine it's probably the best single dynamic IEM under 500usd now. And for me it's a straight upgrade from the Simgot IEMs with warmer tuning and better technicalities.

This is a tiny set, size is much smaller than the OH700VB. Ergonomics are not better than OH700VB, at least not for me. It is built more universally, the negative is the shorter length of the nozzle together with the stubby shell. Makes it much more prone to fall out, and some serious tip rolling is needed to find something that works. But once that is set I can use the TS-316 for a longer time than OH700VB.
As for build quality, the metal shell on TS-316 is more industrial and looks better built. But design is kind of boring, here the OH700VB has a much more refreshing design.

I find the presentation excellent from both on packaging, the stock cable is nicer on TS-316 but not as good due to microphonics. And you get modular on Oriveti that can be a big plus, the TS-316 is 4.4mm and an adapter to 3,5mm is in the accessories.

Soundstage is larger and everything is spread more out away from me on OH700VB, part of the reason why it also sounds darker. TS-316 also has a fairly large soundstage, but is more traditional like most IEMs. TS-316 is slightly more resolving with more clarity and microdetails, the only part that can be more present on OH700VB is the bass having some extra texture and the air being more forward.

Sub bass is great on both sets, close to the same amount of sub bass rumble. Mid bass on the other hand is quite different, the sound is more snappy and slam harder on TS-316. The OH700VB also slams hard, but it's softer and in return more textured. But this is more noticeable listening to bass guitar or double bass, truth be told they are very close in quality. One being faster and harder while the other being softer with a more natural speed.
Instead what's interesting is that the OH700VB more often makes music sound more bassy and I hear the bass kicks or subtle rumble of the sub range more often, I guess it's back to the bass tuck that separates the midrange. As the TS-316 glides into the mids blending better, so their weight between bass and midrange is more contrastful on OH700VB.

Midrange is more coherent on the TS-316, going from instruments with lower pitch to high it all sound clear and slightly forward. But I would pick the OH700VB when listening to bright recordings like jazz, even if they lack the clarity of TS-316. It helps relax down brighter elements of piano or brass, TS-316 is much more forward in comparison. Also an interesting thing is that listening to acoustic guitar the OH700VB have a denser sound, while OH700VB have a cleaner one.
Treble is clear on both sets, but it's no doubt that the OH700Vb has more upper extension and air. The TS-316 sounds more natural and forgiving, without sacrificing treble detail. But again I'm more sensitive than some.

In short it's a W shaped sound on the TS-316 with crisper midrange, and the OH700VB is more of a Neutral U shape with a more mellow sound that's still bright up top. If I was more new into this and wanted one good IEM I would pick the TS-316, but if you're like me and want something special besides your other sets the OH700VB is more interesting.

Snarky Puppy with Belmont can quite show that the bass has a stronger kick on OH700VB, and the rest have a more mellow sound to it. Changing over to TS-316 it all sounds a little crisper with more clarity, the sound is then more transparent instead of mellow. Soundstage also sounds more spacious and away from me with OH700VB.

The track Labyrinthian is a heavy one and has loads going on, the upper midrange of TS-316 works a little against it. As it can get fatiguing quite fast, OH700VB is more suited for this for me. And still can keep the sound open and clear, not like how the Aurora I compared before sounds too busy. But it's still the TS-316 that sounds the most clear and open here.



Conclusion

Always fun when you get something that exceeds your expectations. I was a little sceptical having watched the measurements of OH700VB and it may have contributed to my lukewarm start. I had some good brain burn in adjusting myself, then slowly changed into loving the OH700VB. It delivers something unique I have never heard before, and is highly musical and fun.
A good friend of mine calls it balanced sounding, another calls it a basshead IEM. In a way both are correct, it pretty much comes down to tuning switch or the music you listen to.

A standout feature for me is the switch ON and how the bass then sounds like you have a large subwoofer that is separated from the midrange, especially noticeable on music with more bass like electronica or hip hop. Then play something like smooth jazz and it sounds natural and rich, without being overlay bassy. And if it does sound too warm, flip the switch up to reduce some mid bass.

Another feature is the pina gain or upper midrange, it is not aggressive and is actually slightly dark. In return brighter instruments like brass are less aggressive, but music still retains great clarity since treble and air is forward and crisp.

I highly recommend the OH700VB, maybe more for the seasoned listener who wants something special and unique. This since the OH700VB is not an allrounder, but when music matches it is fun and euphonic.

What a fun and excellent set, for me this is a solid 4.5 star IEM. I am ready for more from Oriveti, and heard some interesting rumours about the year forward. Thanks for reading

Disclaimer & Courtesy
Oriveti was kind enough to send me a review unit just before the OH700VB’s official release. I am not affiliated with Oriveti, but I am enjoying a regular communication with Marco Lin. Nevertheless, I was not asked for publishing any dishonest/positive impressions against any incentive. All pictures taken are mine or from Oriveti’s official website. Keep in mind there is no absolute objectivity possible in the review/impression exercise. The reader is welcomed to cope with the writer’s potential (un)conscious biases and to try trusting him for the self-honesty he puts in his effort.

What follows are my concise impressions of the OH700VB after 3 months of intense listening. I did not make any listening with dongles and almost never with standalone DAPs. I strongly believe in the benefit of external amping, and this is how I am enjoying my music 80% of the time. The aftermarket cable I am using is a bespoke premium 8W copper cable from Clan Audio. My impressions take into account the stock cable and not the aforementioned upgrade.

Fact and figures
All information about the OH700VB (700) can be found here: ORIVETI OH700VB - HiFi 6+1 Hybrid IEM

Graph
A FR-Graph is always welcome. The first one below has been provided by Oriveti, showing curves with switches up and down. The second graph is provided by an audio buddy, Jason aka @ToneDeafMonk.




The OH700VB – A goosebumps vending machine?
The 700 are the latest effort from Oriveti. Priced at USD 699.-, they are delivering a big, bold, musical and unashamedly colored sound. What still strikes me after many weeks of listening is how the 700 manage to be entertaining, not fatiguing, decently detailed and 4D sounding at the same time. 4D? Yes, the goosebumps dimension is real . Do you like your music loud? No problem, you can pump up the volume as much as you want, your source/amping will give up first. Well, almost, but these IEMs show very little distortion (not “graphed” but felt) at high volume. Indeed, the 700 love power and sound at best with potent sources and recommended external amping.

Brown and purple shells, great combination of colors.


Source and amping
For those owning a Lotoo LPGT OG/Ti DAP, the aural experience with the “headphones” pre-defined EQ activated is nothing but mind-blowing. It expands the already wide/3D stage a little further, so that the whole presentation remains realistic yet truly impressive and immersive from a sound perspective. In any case, my advice is to add an external amp to the Lotoo DAP, to drain the maximal performance out of them. The Romi BX2-Pro and its bespoke PSU (USD 2K) do a fantastic job with outstanding results. This is how I like the 700 the most. Solid low-end, mellow vocals, silky highs, blackest background possible and realistic yet enveloping soundstage. A tour de force within the portable audio realm and this at a fraction of the cost of fancy/exotic DAPs with limited output power.

Power and finesse


Another device which does wonder with the 700 is the xDuoo XD05 Pro. In that beast, the op-amps have been replaced by the Sparkos SS3602 and the AKM4499EX DAC module is mounted (USD 1K). The whole presentation is a bit more energetic and brighter than the one from the Romi stack. I usually keep the switches down, no matter the music genre playing. The XD05 Pro balances out the darkish character of the 700 very nicely.

Transportable and full featured monster


The 700 deserve to be fed from the best source and amplification you have at hand. Allow stars to shine, you will be rewarded accordingly. Don’t need to break the bank, though. Less than USD 400.- already buys you a great sounding and competent set-up, which performs way higher than its price tag suggests. The Venture Electronic stack (VE Warp Core PSU, VE RA2B-FE Amp & VE Prime DAC) is a mix of both aforementioned setups, but with a tad less finesse. The 700 are more than properly driven and the dynamics remain excellent. Actually, this stack is so good, that it represents a tremendous value and I highly encourage anyone looking for such a solution to consider this stack as a legit option.

Small in size, huge in sound


Switches
Like their little brother (Oriveti OD200) with the interchangeable black & silver nozzles https://www.head-fi.org/showcase/oriveti-od200.26812/reviews#review-32176, the 700 target a wider audience by proposing a “variable bass” switch on the faceplates. Some reviewers already pointed out the potential fragility of these switches being exposed on the faceplate and their durability after hundreds or thousands back & forth movements from one tuning to another. Fair point. I don’t have any concern about that personally. I think that the switches are solid enough and won’t be at risk if you handle them with appropriate care. In any case, this is a relevant topic and I hope we won’t see any users experiencing switches failure or breaking anytime soon.

Wait. We are not done yet with the switches.

Time to talk about how they make the 700 an interesting set of IEMs for listeners with different signature tastes. In the lower position, the bass is not becoming boomy, but its physicality increases while remaining well-textured as it should be for such a set. The dynamics of sound is slightly taken down too, with a more laid-back presentation. Dynamics remain excellent and you are taken into a journey into sound. It’s like smoking a nice cigar while enjoying a glass of Hennessy XO in a wheelchair listening to John Coltrane played out of warmish Sonus Faber speakers under the porch. You are in the music and any attempt at analyzing technicalities of your transducers should irremediably fail.

The vocals are full sounding most of the time but can be a bit thinner too, if the recording calls for it. They occasionally lack a bit of clarity or contour. Still, I consider the 700 being more than competent in that register. The upper frequencies are smooth to me, with sufficient air, extension and details.

Switches up? Yes, my pleasure. You basically will experience less note weight in the mids, but your vocals or instruments will gain in clarity and extension. This is it. Both switches have been thoughtfully implemented to please a wider audience, as already stated before. Oriveti did an excellent job here.

Sound
While listening to the OH700VB, there are so many things going on, switches up or down. At first, the sense of spatiality. The music literally surrounds you. It’s not an intimate or closed-in listening experience. The paradox lies in the fact that I feel a tad more spaciousness with the switches down. It seems that fellow Head-Fiers having listened to the 700 feel differently and I can only respect that. Secondly, the sense of depth and height. Well-recorded tracks emphasize this feeling and it’s nothing but highly satisfying to listen to my favorite tunes in those playback conditions.

The lower end section is the star of the show. It pounds deep, it hits hard, sometimes clear, sometimes “wet”, it is a warmish kind of bass and it doesn’t bleed into the midrange too much. Long story short, a basshead’s dream.

I am surprised how female vocals sound through the 700. There is a sweetness and matter to them that is highly enjoyable. Not the last word in clarity maybe, but the vocals are nicely rendered overall. Male vocals are good too, but they are just a hint drier while keeping their organic/natural presentation.

Finally, the higher frequencies might lack a bit of extension, air, definition and the last word in refinement for trebleheads, listeners looking for a neutral signature or true V-shaped sound aficionados. For me, the uppermids and treble are tuned to my preferences with a non-aggressive approach, still with more than enough detail retrieval ability to not sound rolled-off.

Comparisons
The only comparison which makes sense to me, based on my collection or the IEMs I recently listened to, features the recently sold Sound Rhyme DTE900 (1DD, 4BA, 4EST) and the Penon Turbo (6BA). All IEMs sport switches. Their respective FR-curves below are the ones with the switch configuration I was using for each set.

Courtesy of ToneDeafMonk (SPL 90db)

The Penon Turbo is the most affordable set from the bunch, priced at USD 549.-, followed by the 700 at USD 699.- and finally the DTE900 at USD 749.-. I won’t go too far into details regarding ergonomics, shell design or built quality. All three are/were comfortable to me and the perceived built quality is about the same, namely good for their respective price tag. All IEMs have been released in 2023. All of them also have been fully burned-in, even though I personally don’t believe in the benefits from the burn-in of BA.

Three different technology and tuning at play here, but all can be considered “bassy” IEMs, but also can complement themselves due to their individual signature. I consider the Turbo as “balanced/engaging”, the DTE900 as “V-shaped/energetic” and the 700 as “darkish/full sounding”. Each of them will find their fanbase, but no one shall be regarded as allrounders among the community, due to their pronounced low end. You can play with switches to attenuate this attribute, but the market offers other alternatives for people looking for allrounders.

My personal ranking is 1) 700, 2) Turbo and 3) DTE900. All are good to excellent IEMs to me. I prefer the heftier low end and darker tone of the 700 over the thinner sounding DTE900 and more polished signature of the Turbo. The 700 match my definition of how a bassy, fun and musical set should sound at best. What we call “technicalities” in this hobby might not be as good as the ones from DTE900 or the Turbo, but the sense of being enveloped and inhabited by sound while listening to the 700 makes me forget about potential shortcomings from a pure technical perspective.

Jukebox (Local library, Bandcamp, streaming apps or YT)
I have selected some tracks below, which reflects my listening habits of the last three months with the 700 accurately. I am an Electronic child by definition, but I love many musical genres and have a sweet spot for songwriters, OST, Hip-Hop and 80’s pop.

Electronic and/or bass-infused tracks

Alva Noto – Uni Normal (Switches up & down)
My test track for sub-bass and bass in general. The recording quality is outstanding. Carsten Nicolai is the embodiment of perfectionism and I love most of his entire electronic work. No other track to my knowledge is able to provide such an accurate representation of a very deep, tight and full bass at the same time. The 700 passed the test with flying colors, switches up or down. Bassy IEM, yes, but there is more than bass at play here. The tridimensional sound reproduction ability of the 700 finds its meaning with that track.


Kraftwerk – Music Non Stop (Live) – (Switches down)
The last track from the 2005 cult “Minimum Maximum” live double album from Kraftwerk. The double album ideally should be listened in a row, so that you can experience the “drama” happening during this track, especially in the last 3 minutes. I would be hard pressed to find another set being able to plays back that tune with so much energy, accuracy and dynamism. High octane! The slightly forward midrange supports the work done by the bass and the controlled higher frequencies make sure that you can listen to this track repeatedly without fatigue.


Darkness – Pandemonia (Switches down)
Low-Fi vocal infused Electronics from Mexico. The intended muffled sound is rendered with grandeur by the 700. It makes you feel like you are in a middle of an abandoned warehouse with many gigantic speakers placed in circle unleashing these poisonous vibes at you. 3D sound experience with a highly satisfying height/depth sensation.


Supine – Weather Outlet (Switches up & down)
This ambient piece has been haunting me since its release, more than 15 years ago. Through the 700, I won’t say I am rediscovering it, but I thoroughly enjoy the smoothness and darkish flavor brought by the 700. It’s pure bliss and as hypnotic as it gets.


Vocal and/or instrumental focused tracks

Emiliana Torrini – Home (Switches up)
This is the kind of tracks I could listen to the whole day. Here, the 700 show what they are capable of in the mids section. They add an extra dose of soul in Emiliana’s voice and the delicate highs make this song a classic to be listened again and again. Goosebumps certified.


Propaganda - Duel (Bittersweet version) - (Switches down)
Cult track from 1985 in this “bittersweet” version, which has an extended instrumental intro and outro. It adds some “drama” to the song. The instrumental part standouts here, with the simple yet addictive melodies. The 700 show great dynamics in both instrumental and sung parts while taming the brightness of the recording with the safe tuning in the uppermids.


Francis Cabrel – Le Noceur (Switches up and down)
Definitely one of my favourite tracks from this renowned French songwriter. This song sounds pretty good out of many IEMs, and even if the 700 would not be my first choice to enjoy it to the max, the mellow vocals and textured low end make it soulful enough to close my eyes and getting lost into this lovely, warm ballad.


Lone Wolf – Wealth (Switches up and down)
Talk Talk’s Wealth remixed by Lone Wolf. At first, silence and then a clear and loud but controlled acapella breaks it. Later, a synth arises from the black background. The 700 unleash all their savoir-faire, from the bottom to the top of the frequency range. Superb vocal reproduction, with the right amount of crispness and matter. Low end adds additional weight to the song and texture to the synth. Finally, the immersive sense of height and depth can be felt all along the track. Magnificent!


End words
F700 loves the OH700VB priced at USD 700.-.

This set is one of the most enjoyable set I came across within my long-lasting portable audio journey. These are my rainbow IEMs, because you can spend the whole day listening to them without fatigue and you get your dose of goosebumps at unexpected moments. It’s like all the positive aspects of all my IEMs have merged into one. Stirred, not shaken, please . I would rate it 5/5 without a blink of an eye for my personal taste, but I just can give a 4.5/5 rating here, because of this unique and very specific tuning, which will polarize many listeners. From my end, I cannot praise Oriveti enough for releasing such a gem. Keep up the excellent work Marco and Co.

I remain at your disposal for any question in the comments section.

F700’s goosebumps score = 95%

The modern world is changing rapidly, and the favorites in both the affordable and mid-range price ranges are changing just as fast. So, sometimes, it turns out that some brands decide to make a big comeback without hype on their past merits. This happened to Oriveti, which used to be, if not in the tops, then clearly in the news. I didn't have a chance to evaluate their previous models, but I remember the favorable reviews of several friends who preferred the company's IEMs. And, what's also nice is that they didn't complain about the quality over time.

So today, we will talk about the top model Oriveti OH700VB.



It sells for $699, but the IEMs have a lot to offer for that price. Along with them, younger, more affordable models were released - OD200 and OD100. I'll talk about them later.

Technical Aspects

I'll easily skip the detailed specifications of the OH700VB because it's boring. I only have to mention that the model has 7 drivers – 6 BA and 7 DD.

Impedance is 12 ohms, and sensitivity is 118 dB. This means that the IEMs can be called rather sensitive. However, in fact, they are closer to average. They are well combined with various sources and do not require too much power to drive them properly. At the same time, I also did not notice an excessive tendency to pick up noise from the source.

I used devices from my own collection as sources for testing.

DAPs the Bit Opus #2, Acoustic Research AR-M2, Hiby R3, Hiby R6 pro 2, Lotoo Paw Gold Touch Ti, Luxury & Precision LP6Ti. As well as DAC/amps ALO Audio CV5 (Toshiba 6021 tube) and CDM (Tung Sol 6111 tube), Aroma A100 (with opamps and Sparkos SS2590 and Staccato OHS OPA) and Miu Audio Alpha Tube (HP 6DJ8 tube).

With all devices, the IEMs were quickly paired, retaining their own character well and conveying the character of the source.

Complete Set

The supercover has an interesting pattern that plays well with the company logo and the color of the faceplates. There are specifications on the back.

The main box is almost a regular black cube with a flap on magnets. It has the company logo and name on its surface. The embossing imitates wood, and it really looks good.

Right under the lid, the IEMs themselves are located in the cutouts and a box with accessories slides out to the side. The envelope with the same name contains tips in the cutouts (2 sets of 3 sizes of silicone with different stiffness and base diameter and one set of 3 sizes of foam), a cleaning tool and two interchangeable jacks - 3.5 and 2.5 mm. One more - 4.4 – is already attached to the cable.



There is a round case under the envelope, which is made of natural leather (at least, it has such embossing on the bottom). However, it opens not with a ziplock but simply with a button. The inside is lined with microfiber. It looks really nice and is quite comfortable. The sewing appears to be machine-made since the seams are smooth and neat. Nevertheless, they are excellent. It's a nice little puck. It's not very pocketable but quite suitable for a bag or backpack. It also holds IEMs with a cable.

The cable is inside the case. It is woven with a familiar cross of 8 dark blue and gray conductors. There is a proprietary system of interchangeable connectors on the source side. Without additional fixation, you just need to disconnect the base from the jack. They are made with metal cases with different textures, so this will not be a problem. I'm a little worried about reliability, but time will tell.

On the IEMs side, there are 2-pin connectors and default molded earpieces. The connectors on the IEMs are not recessed adequately into the case; they are only partially suspended. So, the fit is somewhat unaesthetic. However, the connection does not look unreliable. Instead, the cable holds in the sockets well.

All accessories, including a compact splitter and a length-fixing tie, have metal shells. It looks good, and the splitter is not too massive. It is neat and does not get in the way.

The cable is comfortable and soft. In addition, it is not heavy. Therefore, I did not have any problems while using it.

IEMs

The shell is a universal version of custom acrylic resin in purple with partial transparency. If you want, and there is enough light inside, you can see the drivers, their layout, etc. There is a small compensation hole with a metal rim.



The faceplate is made of gray-brown material, forming an abstract pattern and looking like stabilized wood. So, the pattern on the left and right earbuds is different. I've seen photos of other units, which also look slightly different.
The right shell has the company's name on the faceplate, and the left has the logo. Also, there is a small, neat toggle switch on the front opposite the sound nozzle. It is the VB from the model’s name – Variable Bass. It has two positions, which can be conditionally defined as off and on. At that, the toggle switch works quite accurately; it adds about 3 dB from the bottom to the midbass, falling higher in the range so that the influence of the toggle switch does not directly affect the midrange. I speak about the direct influence because the additional bass changes the general sound balance.

At that, the model is well, reliably and qualitatively assembled, and the external varnishing of the shells makes them one whole, creating essentially a seamless construction.

The weight of the cases is quite small, and the cable is also convenient. So, ergonomics is quite well. For me, prolonged wearing of headphones did not cause discomfort. The only thing is that the fit feels a little deeper than average. However, the sound cable is placed at a convenient angle.



So, the stock tips that came with the IEMs from the start worked well for me. I didn't have to adjust the headphones or look for the correct placement in my ears. Thus, I can give 5 stars for this item because the model deserves it.

Sound

First of all, let's talk about the sound with the additional bass turned off. For me, this sound was the closest. It reproduces the Harman curve well, successfully emphasizing what is needed. So as a result, the sound feels well-balanced and also coherent. It has good conviction, smoothness and musicality. The bass creates the necessary punch and expressiveness with a slight accent. It doesn't attract too much attention, but if you like an utterly neutral setup, this is the seasoning you'll notice. When it comes to most modern models, this is a universal setting that will suit most people well.

At the same time, the IEMs have good sound fullness and weight. They are not overloaded with excessive density or fat; they are organically combined in the overall sound, and the balance is well maintained.

Thus, the model does not deviate too far from the conventional reference and, therefore, responds well to changes in recording, its mixing, etc. At the same time, it remains quite musical. However, good macro hides a good technicality.

The additional bass changes the rules of the game a bit. The fact is that with the off option, it is already a bit accentuated. The thing is that with the offsetting, it is already a little bit accentuated. The additional 3 dB does not turn the model into a bass-heavy one – I have dealt with more accentuated low frequencies – but the low frequencies attract more attention, so the sound becomes more energetic, more driving, and more percussive. At the same time, it is even more coherent and compact. The detail is somewhat reduced due to the shifted accents, and the overall frequency control is slightly weakened, which gives additional musicality but, in my opinion, loses versatility. Middle frequencies play a lesser role in the overall sound. The bass does not overwhelm them but attracts more attention. The same goes for high frequencies. There are no less of them, but the model is perceived as somewhat darker since the emphasis on high frequencies does not balance the additional bass.



Therefore, let's return to the sound with the additional bass switches off.

Bass

The bass is expressive and slightly accentuated, creating the necessary recording foundation. The model as a whole adheres to the holistic sound and does not emphasize individual details too much. The same applies to the bass. It is solid, embossed, punchy, with good, but somewhat smoothed variability. It does not emphasize textures but presents them with broader strokes without losing the overall accuracy and control. The overall sound is coherent and smooth, so there is often a sense of relaxation. However, it may seem so only at first glance.

It may not be the fastest bass, but its good control allows it to be accurate, not smeary, and keep a great tempo even on complex polyrhythmic recordings.

In addition, there is a good gradation of strokes in terms of character and dimension, as well as the accuracy of strokes. Of course, the nature of the model somewhat generalizes the sound of low frequencies, but it is worth noting that the headphones cope well with the peculiarities of the recording, where necessary, creating good mass and scale with the correct pressure. This is especially effective on recordings with really low bass, and its slight accentuation sounds pleasant. However, when we talk about heavy music, the headphones also create the necessary effect.

And if there are some drawbacks here, it's more a matter of taste. You can achieve a more accurate and technical bass, but it will either be drier or/and harsher, and the model will have a higher price tag. But the headphones manage the available means and skills well.

Middle frequencies

Despite the emphasis on the bass, it does not overshadow the middle. So much so that I would call it the main gem of the sound; it's very coherent, smooth and musical. But at the same time, it is expressive and convincing. Behind the integrity is a good reproduction of the nuances and details of the recording. The headphones are fast and have a convincing sound in the middle, reproducing the nuances of the recording well but leaving the details in their places and not emphasizing them further.

A noticeable warmth and sweetness or moisture goes well with the same character of the bass. The light fat allows instruments and vocals to sound with sufficient expressiveness and conviction, emphasizing the emotions of the recording well but still not making them excessive. In this way, the headphones convey emotions first and foremost, relegating the audiophile component with textures and the like to the background. At the same time, when dealing with instruments in the foreground, everything sounds with the necessary expressiveness and accuracy.

It is the middle that is unmistakably in the center of the recording. The vocalist takes a step forward, and together with his characteristic vocals and charisma, it is enough to get applause.

On the other hand, the male and female vocals are well-balanced. They do not overpower each other too much, creating the necessary convincing duet.

This also works well on live recordings where the vocalist moves away or closer to the microphone, etc. This creates that necessary layering and adds realism to the recording.

High Frequencies

I noticed that the highs of the model are quite careful and accurate. The headphones work well in this range, but the necessary work has been done to maintain the atmosphere and emotions. So, despite the necessary detail and a good amount of air, the headphones are still not harsh. This can vary slightly depending on sources and recordings – some add sharpness and contrast, but the model still remains solid, musical, and a bit warm.

I didn't detect any hints of sibilance or excessive treble harshness with any source or recording.

At the same time, the model cannot be called overtly dark. The sound of cymbals, percussion, etc., is clearly audible but does not attract much attention. The model is an interesting example of comfortable tuning at high frequencies, which preserves good expressiveness and necessary details but does not emphasize them.

Of course, the disadvantages here are a bit of simplified decay and weakened attacks. However, this fits into the overall tuning of the model, so if fast, sharp, airy, and high frequencies with majestic layering are your preference, then this is probably not your cup of tea.

As with the low frequencies, I can't say that they are record-breakingly extended somewhere beyond human perception, but at the same time, the headphones rely on the middle, and the relatively short extension of frequencies downward as well as upward fits well into this paradigm, so it rarely attracts attention unless it is something critical for the listener.

Sound Stage

The sound stage may be considered one of the model's weakest points unless you need something with a penchant for integrity. Probably, the fact that I am used to the sound of IEMs of a slightly higher level makes a difference here, but I still can't help but notice a certain chamberiness of the model. Again, this is a general setting, so I can't say that this is a significant disadvantage – these are the taste features, the kind of rules of the game that can agree to or not. Therefore, when compared with more budget models, the tendency to compactness can be overlooked.

The width is closer to average. The edges are not very visible, but still noticeable. However, they do not press. At the same time, the depth is proportional to the width, which makes the scene well-balanced.

At the same time, there is still a gradation of the scene size depending on the recording. Some tracks sound really compact and intimate, while others sound quite spacious, with plenty of air and energy.

As you might guess, the size of the images is somewhat enlarged. And their outlines are slightly blurred. This gives the scene a pleasing fullness. In addition, the instruments interact well with each other. Thanks to this, some components of the recording are well-readable. For example, the rhythm section has a somewhat more expressive combination with each other than with the vocals, and so on.

The separation of plans is at a reasonable level. The main part always remains well-expressed and convincing. At the same time, it is in the middle that the separation of the plans is most noticeable. However, the second and other plans remain where they should be, and the headphones do not emphasize everything that remains there. This is approximately how additional expressiveness and convincingness of the first plan are created. And yet, as I have already said, the integrity and organicity of the recording is not violated.

Conclusion

We are looking at an openly tasteful model, which can be called melomaniacal. Despite minor shortcomings, competent tuning levels their value, leaving emotions in music for the sake of which we all listen to it.

Please note that I am not connected to the manufacturer in any way, all of the above is my personal opinion and does not claim to be the truth in the last resort. Do not take the above as a general verdict or advice. No review can replace personal experience. Therefore, I would recommend listening to the IEMs before buying them to make your own decision.

TONALITY: 8.5/10
TECHNCALITIES: 8.2/10
TIMBRE: 8.8/10
SOUNDSTAGE: 8.5/10
IMAGING: 7.5/10
MUSICALITY (subjective): 8.8/10
CONSTRUCTION: 8.2/10
ACCESSORIES: 8.5/10
SOUND VALUE: 7.5/10


INTRO

Oriveti is an IEM company from Hong Kong that specialize in hybrid, multi-BA and single dynamic drivers earphones since 2015.
Their IEMs get good feedback on Headfi and it seem they offer a diversify type of musicality, yet never forget the bass should in the mix.

Today I will review their latest hybrid flagship, the OH700VB.

Priced 699$, the OH700VB is a 1DD+6 knowles BA's hybrid with One single switch for ''variable bass'' thus the VB model.

It promise a natural and balanced musicality.

Since these are at the top of mid tier price bracket, we can expect competitive technical performance as well as as stated a balanced sound, let see in this review if Oriveti deliver good sound value enough.

CONSTRUCTION&ACCESSORIES



The construction of OH700VB is made of high grade resin plastic with a metal nozzle and wooden face plate.
The nozzle is very big yet not very long, so it's thinked for shallow fit and people with very small ear canal might have issue (I don't).
The housing is chunky and quite big too, but very light, it have an ergonomic shape and very smooth finish that i find personal very comfortable.
At the side their a venting hole, so we have some sound leakage and isolation while OK isn't extreme.
Then their the switch which is positioned on back of housing and have a long but quite loose design, this is a con in term of design since you can trigger the switch easily if you move the IEM in or out of your ears. As well, as a canadian with hardcore winter, the switch can get stock and trigger in a toque or hood. Its nitpicking since it only happen one time that i trigger it by error, at they end i would just put it at the side under the venting hole and perhaps make it harder to pull.

All in all, i find the IEM very beautiful and comfortable.



The included cable is fabulouse too, and this is very welcome. Its a 8 wires braided modular cable that include 3 plugs type: 2.5mm and 4.4mm balanced, 3.5mm single ended. I don't know why but lately we rarely got a 2.5mm plug included with modular cable which is a bit problematic for those audiophile with multiple DAP or dongles source like me. I'm happy to enjoy the OH700VB with Questyle QP2R which have a 2.5mm balanced output. The cable is very flexible and smooth and plugs hold steadily, it look great and non recessed 2pin connector permit wide use with different IEM including those with recessed 2pin female connector.



While i'm insensitive to packaging box and presentation, which is quite well done for OH700VB, im demanding in term of accessories quality and we are well served in that regard. As noted, the cable is excellent and very practical.
We have a good variety of 8 pair of 3 model of eartips, including memory foams and wide bore. The black wide bore are the more adequate for nozzle size and soundstage openess for my need.
As well, we have a great quality leather carrying case, its unique and in that regard it's exciting to own.
Then we have the little cleaning tool.

All in all, nice packaging and accessories, worthy of it's price tag.


SOUND IMPRESSIONS



The OH700VB might use 7 drivers, but it’s not at all a ‘’technical’’ sounding IEM, it’s a fun and laid back one that aim for a smooth yet bassy balance. For audiophile purist, these will be consider basshead IEM, while for basshead, It might be consider warm neutral.

To my ears, I consider the tonality as warm bassy U to L shape with thick lean lush mids and dark but full sounding treble. It’s not a crisp U shape à la Harman, but it’s sub bass dominant that offer plenty of slam without going hard thumpy way. Everything is lush with the OH700VB even the bass.

Some can wonder why Oriveti doesn’t boost resolution with so much BA’s, one thing sure, it’s nt to add air or sparkle they use those balanced armature, it’s to permit an holographic effortless sound layering that is vast in presence layer, surround the listener and immerse it in a cozzy way.

Then we have this big switch, in all honnesty, I expect greater impact on bass response so don’t bet on a 10db extra bass boost since when the switch is UP you get this slightly cleaner U shape presentation where it’s all about sub bass and more mellow mid bass punch, then when the switch is up it gain in mid bass punch, slam get thicker and warmer, rumble more vibrant and excited, we are more into guilty pleasure and this extra warmth thicken male vocal too, add low harmonc density, yet blur a little bit more separation of bass and mids.

The bass is more sub boomy than mid bass thumpy, it’s not very fast and the sub bass is very boosted, surely about 10db, but depending of switch choice it can go from mellow organic boom to wide vibrant slam that never create ear fatigue due to too much mid bass impact. It’s the kind of bass I call ‘’pillowy’’ in the sens if feel creamy and warm in resolution but has enough tactility and weight for chill headbanging.
This isn’t a thin bass, nor a very textured one, the presence of bass line and kick drum are a bit dark and bass line will tend to be better extracted.
The rumble can be very joyfull: vibrant in sustain, lush in presence and wide but not resonant in headroom.
The transition into mid range will be thick and warm with extra boost, a bit cleaner with stock tuning.
Yet, don’t expect an edgy definition of kick, toms or even double bass. We are into colored guilty pleasure where physicality of tone is more focus, it’s a meaty bass that benefit slow beat heavy music like pop, soul, R&B and rap more than fast rock, for jazz it can be good too but not in a referene way, it will be a laid back rendering where youll struggle to follow double bass line.
When it come to solo instrument like cello, it can be very rewarding, the thickness and lushness favor this instrument which gain in vibrancy and tone color, but don’t have a lot of attack bite, the lead of attack is creamy which make it even more intimate and cozzy to listen too yet can deliver the euphonic grunt when needed.
Fans of warm bass with wide headroom slam will love these, but those that need sharp definition of low range instruments will find it too dark.
In simple words, switch UP=balanced sub bass boost, mellow organic punch, liquid texture with good transparency, well controlled and soft bass line.
Switch down: Warm sub bass with extra ‘’oomph’’, vibrant euphonic rumble, more opaque mids transiton.

The mids are one of main highlight to my romantic ears, they are warm, lush and lean but not very recessed. The timbre is quite natural for multi BA, it’s velvety and thick. The instrument definition has polished edge.
The piano tone is natural and while the note have weight, it’s polisthed in definition, we can’t see delimitation of note nor the attack sustain and release articulation since attack lead is warmed and release blossom in warmth which don’t permit clean natural resonance to blossom in they air with gradual loudness atenuation which make it hard to understand which pedal the pianist press.

The mids benefit mostly wind instruments and vocal, which don’t need as sharp attack lead.
Male vocal are fully bodied with well extracted presence and lush timbre, while female vocal can be a bit more transparent and loud, still very lush and pleasant, with more airy presence.

The OH700Vb are vocalist maestro in a colorfull and musical way, it’s nt about bright presence boost and insane texture info here, we are not in monitoring approach at all.
It’s luscious and gourmand mid range that focus on vocal fullness with a good balance of low and high harmonic, the listener isn’t far from it’s singer yet don’t get agressed by a too in your face upper mids boost screamy presence, it’s all smooth with just a minimal dynamic edge bump to feel it’s alive, and the immersivity get magnify even more due to this holographic warm tapestry of sound layers floating in vast and thick macro dynamic soundscape.

Saxophone sound sublime, again with wide stretched presence, since no instrument sound compressed or thin.

The violin too have a lush rendering free of abrasive edge or harshness, we have minimal attack bit which avoid the rendering to go too blend.

The OH700VB are master of timbre and a vocal specialist too, mids are very natural and dense in rendering, well layered in an organic whole that isn’t heterogeneous. It’s not cleanest or crispest mid range, but musicality and immersivity are very rewarding.


Then the treble is the most understated part of audio spectrum and we can just call it: well balanced. It doesn’t attract attention nor deliver high amount of micro details, yet when the listener focus on percussions they are very realist, fully boldied, with a hint of snappy crunchy that don’t go loud, splashy or trebly at all.
It’s a rather lean treble with just a slight extra energy that permit to render snare drum dynamic well without going shouty.
Guitar sound full, don’t lack low harmonic which are in fact coloring the timbre with density, the attack release isn’t very brilliant or spakly, a bit scooped in extension in fact but the presence is bodied and pleasant.
So, yes, even if OH700VB use 6 balanced armature, it’s not a technical or analytical set at all, upper treble isn’t adding air, it’s more the bass that stretch spatiality as well as spacious hologaphic layering.
I do feel it lack a bit of sharp attack snap that will permit better readibility of each instrument definition, I’m never satisfy with level of sparkle BA can deliver and Oriveti is no exception, yet the soundsignature doesn’t aim for this and in that regard the treble is refined in balance, a bit like it is for Final E4000 or E5000 balance.

The Soundstage is quite impressive, very tall and wide, it can go deep when bass don’t add fog to noise floor. It’s surrounding you in a immersive way where you feel in middle of the band, or with 2 speakers stereo way and one in front of you at slightly lower volume. You are melting into the music with OH700VB, your not a passive contemplator.

Imaging while not plain bad isn’t favor by soundsignature choice which isn’t crisp, nor neutral and do have warmth going in. Yet the 7 drivers permit well articulated if not edgy layering, it will be easier to pull off all sound layers with slow music.

SIDE NOTES

At 12ohm with a sensitivity of 113db+3DB/MW and rather high distortion rate of 1%, the OH700VB are a bit capricious to drive and will go distorted with source that have too high output impedance, so I suggest lower than 0.5ohm impedance for those, a clean source in whatever flavor will do good. My Ibasso DX90 have very low impedance but slightly V shape tonality so I get a more vivid and brighten presentation with hint of extra punch, clean way, while for Xduoo X20 which have 0.1ohm, it’s more neutral L shape, with timbre that is boosted in transparency, both are very good matching.

Then, these are sensitive to eartips too, because they have very wide and big nozzle I suggest short wide bore than will not block any of 3 nozzle hole. Soundstage will greatly open with the right ear tips, layering too will be better articulare, bass will add less warmth as well.

Then for cable, I don’t find those particularly sensitive, so the stock one is enough. But I did enjoy the Simgot LC7 a lot with them, which permit improve a bit overal clarity, it certainly don’t add extra bass or warmth.



COMPARISONS



VS KINERA NORN (1DD+4BAs)

Norn is brighter, more V shape yet less bassy.
Bass is opposite of the OH700VB, it’s all about mid bass fast textured punch with notable sub bass roll off which make the OH700VB feel notably bigger and rumblier in slam, as well as thicker and warmer in tone.
Mids are way more aggressive, bright, textured and more prompt to shoutyness and sibilance with the Norn, It’s more compressed and centered which make the OH700VB more open sounding, smoother and lusher in vocal and mids, it have more bodied male vocal too and a more holographic spatiality.
Timbre of Norn is more grain, fuzzy and prompt of BA harshness while OH700VB feel buttery smooth.
Treble has greater boost too with the Norn, it’s more crunchy for electric guitar and violin attack lead, strangely, the layering is inferior and treble is more compressed, thinner, more fuzzy. It sound rougher, cheaper, more excited and less linear and natural in balance than less energic yet better articulate treble of OH700VB which put less forwards the percussions, but have fuller definition of them in the background.
Soundstage is way bigger, wider, taller and deeper with OH700VB, cant compare here.
Imaging is about on par since both aren’t cleanest in sound layering, yet, due to more spacious stage it’s less muddy in macro dynamic with OH700VB so I can dig more freely in soundscape.

All in all, I can’t find any place where the NorN feel superior, and that even if signature of OH700VB is warmer and darker.

VS SOUNDRHYME SR7 (1DD+6BAs+2 tuning switch)

OH700VB is warmer and more U shape, smoother and more laid back, with less BA timbre presence.

The bass slam in a more mellow vibrant way, with wider hazier headroom while SR7 feel balanced warmish W shape with more mid bass focus, it punch harder and tighter so i feel bass is faster too.
OH700VB offer greater rumble, thicker and has more ‘’omph’’ than round thumping. Bass line are more tactile with OH while presence is more boosted with SR7 (especially with treble boost ON)

Mids are lusher and thicker with the OH700, both male and female vocal are smoother and moe colored. SR7 have cleaner, hint brighter and more intimate and centered mids.


Soundstage is notably wider and taller with OH700, mids are lusher darker, bit more fowards and energic with SR7, same for treble, apart a slight peak with OH700VB that boost snare presence i can pick up more sound info with SR7 that have more textured timbre and less bass warmth.


I tremondesly enjoy both, OH700VB being more laid back with longer and more vibrant rumble, tone and timbre are a bit more even too, while SR7 sound a bit better balanced and more resolving but not as open, more in your face in dynamic.

The sound value win goes easily to SR7 though.

CONCLUSION



The Oriveti OH700VB are master of musicality and achieve their goal of ''balanced natural sound'' experience gloriously.

Sure, since they aren't the most technicaly competent IEM, the sound benefit in term of high fidelity resolution, attack control and imaging isn't the greatest, but I could say this with 75% of 500-1000$ i've tested in the past too. And i've hear way way worst in term of tonal balance, so it's to the audiophile to put it's priority, for me it's musicality and timbre as well as immersive dynamisc that don't pull out of my music but in the middle of it and in that regard the OH700VB is a champ.

If you like lush bassy musicality that can go from open yet full sounding U shape to warmer thumpier chunky V shape, the OH700VB is a safe bet. This switch might not add 10db radical basshead boost, but it does thicken vocal and add this euphoric ''oomph'' for beat driven music.

As a lush female vocal fan as well as dense rumbly bass lover, the OH700VB hit my sweet spot and is highly recommended for laid back music lover that dont feel guilty to share some reslution sharpness for extra warmth naturalness.

Highly recommended (for non budegt audiophile!)


-------------------------------------


PS: I want to thanks Oriveti for sending me this review sample. As always, i'm not participating to affiliated program that will make me earn $ for sharing a positive review. And I will never do.


You can order the OH700VB for 699$ here:
https://www.oriveti.com/product-pag...d-hifi-iem-with-mini-switch-on-the-faceplates

Intro:

The Oriveti OD200 was a real surprise for me. I have loved it thoroughly, and it is my daily driver. It’s one of those beautiful IEMs that you would like to keep forever. After it, I was very intrigued by the 700. I even asked the folks at Oriveti to send me a sample unit that I could review, but they declined, saying they had run out of samples. Nevertheless, I have a couple of friends here in India who have the OH700VB. I borrowed my unit from @Ace Bee. This review is going to be very honest and unbiased.

The OH700VB retails for $699 and is available for purchase on their website.

Rating Criteria:

I want to lay out my rating criteria before we start off. For me, the primary criterion for evaluating audio gear is its intrinsic value rather than its price tag. A higher price doesn't always correlate with superior quality, and similarly, a low-priced product can give enough listening pleasure for it to be called outstanding. I consider the build, features, and, most importantly, the impact on the listening experience. I think the fundamental purpose of audio gear is to enhance the listening experience. So for me, this degree of enhancement in the listening experience is a key determinant in rating a product.

Rating below 4: I really won't be posting reviews of such items unless someone has asked for them.
Rating of 4: The product is good, and some users may find it more satisfactory, but it does come with a few caveats.
Rating of 4.5: The product is excellent and comes with an easy recommendation, reflecting its high quality and overall positive attributes.
Rating of 5: This product can be deemed groundbreaking, a trendsetter, and an eye-opener and deserves a spot on everyone's list due to its exceptional features and outstanding performance.

Design and build quality:

The IEM shells are made of resin. They are not too big; they are very lightweight, and they fit really well. Fit should be an issue for anyone. One can put them in their ears for a very long time without feeling an itch to remove them. Most of the accessories are the same as with the OD200. I really hoped that with OH700VB, because of its price, I would ask for some better treatment. There is nothing much to complain about.

The nozzle on the IEMs is on the wider side. Azla Light tips (L) are the ones that I use and find to be the best fit. Azla Light is my saviour for so many IEMs; I cannot thank them enough. These eartips provide a very decent level of isolation, which enhances the listening experience on the IEMs.


Sound Quality:

Right out of the box, the 700 is quite likeable. It’s easy to drive, and it sounds good, irrespective of source. It has very fun tuning, and it is a bass lover's delight. It works with almost all genres and can easily cater to various musical preferences. The switch on the face plate is the real deal. It will take you on a very different joy ride. There are a lot of details in the sound. There is a sense of spaciousness. Overall, it has a very immersive sound; it has everything, which does not let you put off the iems. Let’s talk more about how it handles different frequencies.

Sources:

Bass:

Bass, bass, more bass. As mentioned, these iems are a bass lover's delight. Both the quantity and quality are just too good. The bass has good layering and texture. With the best switches on, they become real monsters, still very controlled and disciplined. The bass becomes so vast and massive with so much punch and that subbass. The subbass gets a lot of body and prominence when the switches are on, and that’s the most fun part about these IEMs. Going by the FR graph, I was really surprised to see how much of a difference 3 dB can make. There is a great extension in the bass, which reaches deep into the lower frequencies. The bass with such good quantity is surprising well balanced. It never bleeds into or touches other frequencies, and that is where I think Oriveti has done a wonderful job.

Mids:

The mids are well-balanced, clean, clear, sweet, and very enjoyable. Despite the fact that these IEMs have a heavy bass, the mids are never shadowed. They are as forward-thinking as one would like them to be. Female vocals feel extremely sweet and soft, something that is very lifelike. The male vocals are also equally good. There is a touch of warmth, providing richness and fullness to vocals and instruments without compromising clarity. The emotional essence of midrange is well conveyed. The upper mids can be a bit sharp at times with some sources. All in all, I think ORIVETI deserves praise for how beautifully they tune their mids; for reference, the mids in the OD200 are also too good. With such good bass and such good mids on the OH700VB, the IEM is already a winner.

Treble:

For me, the treble is very natural and airy, with good extension. There is no sibilance or any sort of harshness. Even with one of my brighter sources, I did not find the treble to be too hot to handle. This gives me the feeling that this is very safe. While it may not be perfect for treble-heads, for me, it is just enough to enjoy. It captures the shimmers of cymbals on songs such as The Chain by Fleetwood Mac quite nicely.

Soundstage:

There is a good sense of height and a lot of depth in the soundstage, which makes it very enjoyable. There is a good sense of spaciousness and a holographic sound experience. The instruments do not overlap with each other, and there is no congestion at all. With a good source such as Astell&Kern SP3000, the sound stage becomes very wide, and there is a lot of improvement in dynamics. Listening to something like Sinnerman by Nina Simone is such a delight.

The resolution of these IEMs is something that can surprise people. They are really good at retrieving intricate details in the music, but let’s not expect those details to be as good as TOTL IEMs. The OH700VB provides a consistently smooth listening experience while still preserving ample detail and offering a notably expansive soundstage. In a nutshell, I find 700 to be a technically efficient IEM.

Cable:

The cable is the same as the one that comes with the OD200, so that's the only major gripe I have with these IEMs. Even with this cable, I think the IEMs work quite well. For the sake of cable rolling, I tried it with a good-quality copper cable, and there was a good improvement in the tonal weight. With this cable, there was some improvement in the upper mids too, and there was more weight to the mids, which I really liked.



Conclusion:

Oriveti deserves another round of applause for the OH700VB. It’s really amazing to see them deliver one hit after another. They really know how to tune their IEMs. The OH700VB iems are one of the easiest recommendations that I can give to fellow audiophiles. These IEMs are full of fun and excitement. With an impressive combination of deep, impactful bass and clear, detailed mids, this IEM offers a rich and balanced sonic experience. It's quite surprising how its tuning is totally different and unrelatable from that on the OD200. I also think that the company has priced the OH700VB really well. It can give a really good fight to the other good iems in the price range, such as SoundRhyme DTE900 and SR8. No matter what your preference is - technicalities, or deep bass, or whatever - these IEMs will deliver. It certainly cannot disappoint anyone.

Oriveti OH700VB Finally another IEM that's not afraid of stepping off of the Harman Tuned Path and it does so I'm such a wonderful way.

I couldn't stop wanting to listen to this IEM and nothing else it was so effortless and natural.



While I am not saying this competes with the most amazing IEM I have ever heard the FATfreq Grand Maestro it certainly borrowed some of its DNA, right down to the tuning switch and frequency response curve.



Same as the AFUL where I found that one dull , lifeless and boring , I found the Oriveti tuned the OH700VB with bumps and curves in all the right places to make it a more than engaging listen, it made it down right fun and addictive.

Watch my full review here for a deeper dive into this unique and wonderfully IEM.

I'd just like to say upfront I believe we are all biased when giving our subjective thoughts about IEMs be it a particular type of signature that works with our music library or how an IEM looks and feels in our ears. On the subject of ears everyone's ear anatomy is different and this effects fit and seal which in turn effects the perception of bass response so I recommend finding the right ear tips that suit your ears to get the best of any IEM.

The Oriveti OD200, which I bought for full asking price of $199, introduced me to the brand with a bang! So I thought it was time to see what else they had to offer and see if lightning could strike in the same place twice.

Disclaimer
Oriveti was kind enough to send me a sample set of OH700VB (variable bass) to review. I am not affiliated with Oriveti and of course was not asked for any copy checking before publishing, they are seeing this the same time as you. All pictures taken be me or taken from the Oriveti website. ALL opinions shared in this review are my subjective thoughts.
Make sure to research any iem before you buy!

The OH700VB retails at $699 and are available for purchase from their website see the non affiliated link below

Oriveti website click here

I more than happy to say that the OH700VB a 1DD +6ba did not disappoint! A superb example of a V shaped IEM done right.

I'm getting a little head of myself as per usual I'm going to leave all the technical details to Oriveti so this is what they have to say


"Hybrid IEMs are always popular in the audio industry because they combine the strengths of different driver technologies to produce a more balanced and detailed sound. The use of multiple drivers allows for a wider frequency range and better separation between different frequencies, resulting in a more natural and immersive listening experience.

From the 1st ORIVETI model, PRIMACY, which is 2+1 hybrid IEM. We keep developing the Hybrid model. OH700VB is based on the idea of creating a hybrid IEM that offers the best of both worlds. By combining six balanced armature drivers with a dynamic driver, OH700VB is able to deliver a rich and detailed sound with excellent clarity and accuracy across the entire frequency spectrum.

The mini switch on the faceplates allows users to switch between two sound tunings, giving them the flexibility to choose the sound signature to their liking

Precise Airhole for Internal Air Control The stainless airhole was designed to control the OH700VB Internal Air Flow precisely at the top of OH700VB. So that can provide the perfect sound for the users.

OH700VB combines 6 balanced armature drivers ( 2 for high, 4 for mid) and a dynamic driver (for low), all drivers are selected, designed and screened for the best sound. As a result, OH700VB delivers a rich and detailed sound with excellent clarity and accuracy across the entire frequency spectrum.

Specification
Driver: Exclusive 6BA driver (2 for high, 4 for mid) + 10mm Dynamic Driver (for low)
Impedance: 12 Ohm
Frequency Response: 20 - 20000Hz
Sensitivity: 112+-3dB/mW, 1000Hz
Distortion: <1%
Plug: Gold-plated 3.5mm Stereo / 2.5mm balanced / 4.4mm balanced Plug
Package Includes
OH700VB Earphone body - 1pair
2 Pin Detachable Cable with 2.5mm balanced, 4.4mm balanced, 3.5mm stereo plugs - 1pc
Genuine Leather Carrying Case - 1pc
S, M, L Silicone Tips - 2pairs per size
S, M, L Foam tips - 1 pair per size

Cleaning Tool - 1pc"

Back to me.
The OH700VB (Variable Bass) are very well constructed of resin with beautiful faceplates (see photos) a medium sized shell that fit my ears very comfortably for hours on end.

The included ear tips didn't really work with my ears seal wise so I ended up using Sedna earfit light large they are a large bore tip which worked well, Dinius Velvets also worked well but they slightly softened the dynamics. The include cable is the same cable that comes with the OD200 with changeable terminations. I'm not a huge fan of non locking terminations as I tend tug on the cable separating them mid song. While I used this cable for evaluation purposes I upgraded to a fixed 4.4mm bespoke copper/silver hybrid from CLAN Audio for long listening sessions. This was purely for aesthetic and practicality reasons due to my clumsy cable handling.

What do they sound like?
Around the hifi forums I've heard the description "Fun" in relation to this IEM, to me, fun means the iem I reach for, when I want to really enjoy my music. Something that releases the full scope of what the artist created in the studio. The OH700VB certainly does that with that special something that was at the centre of the OD200s USP Placing you in the music, even though they don't remotely share the same sound signature. The OH700VB is unabashedly a V signature with big bass in both of its switch configurations the bass is textured, dynamic and layered, digging out details on songs I've not heard before. I'm used to IEMs exposing details in the mids and treble to have it in the bass region is a first. Hybrids can have coherence issues the OH700VB sounds like a single driver no trace of Ba timbre just everything working together as one.

Graph from Tone Deaf Monk.

Now V signatures usually mean recession in the mids, this is where Oriveti's masterful tuning comes into play. Vocals don't take a step back they are there front and centre with instruments placed exactly where they should be showing impressive depth to the stage with natural unforced width. What do I mean by unforced width? Some IEMs give an impression of super wide stage which sounds unnatural throwing instrument placement off.

The mids are natural and organic slightly warm with just enough edge to add excitement to vocals and guitars causing me to be drawn into the music, A very engaging musical experience.

The Transition from upper mids to lower treble is smooth completely sibilance free, even with Whitesnake's Still of the night, a song that is the ultimate sibilance test for any IEM.
While the overall signature is slightly dark there's still lots of detail. The upper treble has a pleasing amount of air and sparkle, without straying into fatigue levels.

The timbre of drums, strings, guitars and brass instruments is sublimely natural. Vocals both male and female are reproduced with every delicate nuance exposed, if a voice has gravel you feel it. Pure female vocals like Montserrat Caballé are imbued with emotion and sweet rounded clarity making an overall very satisfying vocals experience.


When it comes to switches on IEMs I'm not usually a fan as they are fiddly, awkward to change, often with little or no effect. The implementation here is super easy to use, want a touch more bass? easy just flick the faceplate mounted switch with your finger and the bass elevation is applied and this bass hits hard. with the switch in the up/off position it gains extra energy and definition. It has more air between instruments. Bass gets tighter and slightly less punchy. Making it a detail oriented IEM with good dynamics. I found myself using the switches to adjust the sound signature to suit the production of albums I was listening to while the IEMs were in my ears. No need to break off from listening, marvellous!

The sound signature as a whole is of big bass with clear clean mids with a little edge and smooth treble, an overall holographic feeling of immersion in the music.

When I'm evaluating IEMs I have a play list of roughly 100 songs of mixed genres. With the OH700VB I found myself listening to songs then hitting pause to go find the album to listen to it in its entirety just loosing myself in the music. I found they worked across most genres both smooth and aggressive.

Muse - 2nd Law album sounded Immensely grandiose with thunderous bass the guitars and vocals cutting through to great effect.

Lorde - Royals with its throbbing and droning subass was vibrating my head like being close to floor standing speaker her crystalline voice dancing sibilance free above just magnificent!

Joni Mitchell - Blue was a lovely intimate rendition the acoustic guitar particularly sounding detailed with the strings resonances from pluck to the decaying of the notes perfect. Joni's vocals can sound a bit shrill on lesser iems not here the roundness to her upper register was very pleasing.

Steely Dan's - Aja, one of the best produced albums in my opinion was just perfect, hi-hats and cymbals were natural with excellent decay staging was the best I've heard with good height, depth and width enabling me to pick out each instrument with precision.

Peter Gabriel - live album with the New Blood Orchestra. The full orchestra reproduced with amazing clarity and separation really placing me front and centre of the stage with strings floating around outside my head Gabriel's voice intimate detailed always perfectly placed.

Lady Black Bird - Blackbird the subtleties of the interplay between vocals and instruments are played to such a high standard that it became intoxicating the space around each component of the song really placed me in the room. Another example of listening to one song leading me to put the whole album on. Black acid Soul is superb Acid jazz/soul mix produced and mastered to perfection and the OH700VB really makes the most of it.

Iron Maiden -Rhyme of the ancient Mariner - boy the dynamics of this track are amazing and are reproduced with pin point accuracy , I did not perceive any congestion in the guitars, bass and drums Bruce's vocals were on point and unveiled just good headbanging fun

The Oriveti OH700VB is very easy to drive and I had no issues using them with Daps, Dongles even with my Sony Xperia 1 mk4 phone using the 3.5mm headphone jack.

They pretty much sounded good with all my sources, but they really came alive with a good source especially with the Sony Nw-WM1A where the synergy was strong. When using brighter sources I found myself using the tuning switches to boost the bass and add a little warmth to great effect. This is not an iem that needs an expensive source but it does scale impressively. When used with the Cayin RU6 and my phone I was in heaven it was such a lovely analogue hifi rendering of my music I listened till the battery drained out of my phone.

I'm not a fan of analytical sounding IEMs that force details into your ears like a photograph with HDR and sharpening set at max a decidedly digital representation. I'm more Vinyl on a turntable, Leica manual focus, sumptuous colours on kodak colour gold film, kinda guy, where if you look really close all the details are there but it's the whole image you appreciate rather than just how sharp it is. The OH700VB gives me this feeling no matter which source I use.

Sources used:
IBasso dx170
Shanling H5
Shanling M6 Ultra
Sony Zx507
Sony Nw-WM1A
HiBy R6 111
HiBy R8
HiBy RS2
CAYIN N3PRO
CAYIN RU6
IFI GO BLUE
FIIO BTR7

FIIO M15

Comparisons to other IEMs

I don't own many quality hybrids but my favourite till now has always been the Fiio FH9 also a 1DD 6ba configuration.

The FH9 has a different tuning, the bass is not quite as quick the bass quantity is similar, with less texture and detail the OH700VB sounds more "full". The mids on the OH700VB are sweeter with just that extra level of detail, the sense of engagement that is lacking in the FH9 (something I wasn't aware of before) the treble is more coherent with the OH700VB, less "apart" from the mids with more air, a more holographic experience. The decay of cymbals and hi-hats was pretty much perfect to my ears. the OH700VB is a level above the FH9.

My next comparison is not really fair. The IMR Acoustics Titan a 1DD + Quad estats + Bone Condction which retailed at £1800 Inc Tax.
The amazing thing that shocked me was the OH700VB kept up with bass and mids only losing out on treble extension where the Titan pulled away by a good 10%. The bass on the Titan is amazing, detailed and textured but didn't have the quantity exhibited by the OH700VB which also has just a touch more extention into the subass. The Oriveti tuning of mids is masterful on both the OD200 and OH700VB there's just something organic and wonderfully anologue yet very detailed with excellent resolution. This is also something the Titan excels at making the mids a draw any differences would be about taste rather than one being better than the other.
Considering the price point of the OH700VB I think its a win for Oriveti!

Conclusion

I might seem over effusive about the OH700VB spouting hyperbole but these iems took me on an emotional Rollercoaster in a similar way the OD200 did. While having a very different sound signature I would argue they are great companion sets where its worth having both. I can see some people preferring OD200 and vice versa. Whatever Oriveti was doing in the few years they've been away its been very much worth the wait. If you are in the market for an IEM with a balanced analogue organic sound with big bass and have the budget I recommend you find a way to get to listen to them. Another hearty recommendation from me!