Oriveti OD100: A Sonic Journey with a Twist
Pros:
- Technical Prowess: The OD100 flexes its muscles in the technical arena, showcasing precision and agility.
- Melodic Intensity: Prepare for a musical journey that tugs at your heartstrings—it's a symphony of contrasts.
- Generous Accessories: Oriveti doesn't skimp; the OD100 arrives with a treasure trove of extras.
Cons:
- Harshness Lurks: Brace yourself—the OD100 isn't afraid to bare its teeth. Its sharpness can border on the edge of discomfort.
- Thin Male Vocals: The OD100's male vocals lack the robustness we crave. They emerge frail, like a fading echo.
Sound Analysis:
Bass:
The OD100's bass isn't a warm embrace; it's a calculated strike. Precision reigns here, with lightning-fast articulation. The low-end frequencies hit like a rapier—sharp, incisive, and unyielding.Midrange:
Step into the OD100's midrange, where male vocals duel with intensity. But alas, they're not the seasoned crooners we hoped for. Instead, they're thin, struggling to find their resonance. Female vocals fare better, but the imbalance persists. This isn't an orchestra; it's a swordfight—a clash of timbres.Treble:
The treble is a double-edged blade. It extends boldly, slicing through the air. Yet, beware—it can nick your senses. Airiness takes a backseat; instead, you get a relentless pursuit of detail.Hex Filter Modification (Extra Section):
Now, imagine a twist—a Moondrop hex filter slipped into the OD100's chamber. Suddenly, the sound thickens, like honey drizzling from a spoon. The treble gains a velvety layer, and the midrange blooms with newfound warmth. It's as if the OD100 donned a richer cloak, inviting you to linger in its sonic tapestry.Conclusion:
The Oriveti OD100 (Enhanced Edition) invites you to a radiant symphony—one that balances on the edge of brilliance. Close your eyes, let the warmth envelop you, and savor the delightful auditory experience.
Introduction
Oriveti. They are a Hifi company that’s founded in 2015, so they can be considered as an old player in the game. In the past, they’ve release several high quality iem like the OV800 (8BA) and O400 (4BA) yet they didn’t have much traction into the market. That is, until now.
At the end of 2023, they suddenly make a grand come back with 3 new back-to-back iem at three different price range: The OD100, OD200 and OV700. These iems, in such short amount of times, have received a lot of love and being talked about from many audiophiles accross the globe.
I’ve finished my review of the OD200 recently. Today’s turn will be the OD100
Packaging
Different from its brother the OD200, the packaging of the OD100 is smaller and relatively simple. The inside content of it is quite basic. They consists of the iem itself, a cable, a small carrying case and 9 pairs of tips
I think this the the bare minimum you can ask for from a 70$ iem.
Design/Build quality/Comfort
The OD100 shell is made out of CNC aluminum. The finishing was nicely done and there’s no rough edge around it. The overall built quality feels really sturdy. You can confidently throwing this iem around without having to worry about breaking it.
Design wise, the OD100 has a similar DNA to a bullet shaped shell due to its size rather than a more ergonomic shape. The nozzle is at a slight angle to the body, which is why it’s not a true bullet iem.
The cable is a SPC 4 cores cable. I think this is the highest quality cable i’ve seen coming from a sub $70 iem. It’s light, supple and has no memory to it. That being said, since the iem was too light as well as being a near bullet shape, pairing that with the stiff earhook of the cable, it makes this iem not very comfortable to wear. Truth be told, i can’t fit the OD100 with any stock silicone tips. I have to use the stock foam tips to have a decently secure fit.
Sound impression
Tonality: Bright W shaped
Bass: 7.25/10
The bass of the OD100 is actually quite decent once you manage to get a good fit with it. The bass is not too overly boosted. Subbass extention is only around average. Kick drums does pack a punch to it, but feels bit mellow and was drawn out by the rest of the frequency. It does sounds clean and quick in its decay nonetheless.
Guitar rift in AC/DC’s songs sound a bit light and overly boosted in its presense, making it sounds a bit unnatural and not enough bite. It was more easily heard than felt.
Mids: 5.75/10
Put the OD100 into your ears, the first thing that pops out is how bright and forward the vocal was. On one hand, it’s bright and energetic; on the other hand it’s way too harsh and shouty.
Male vocal is not too recessed, but it’s definitely on a leaner side, as opposed to a lush and hefty sounding vocals. Female vocal is way more emphasized and priorities with the OD100. It’s way more vibrant and energetic than male vocals, more forward compared to other instruments. Celine Dion's "All by myself" sounds lively. Her voice was definitely stands out the most, hence the shouty characteristic, when listening with the OD100
Talking about instruments, violin and piano's noteweight feels a bit too light and too dry.
One thing i would like to mention. The fit matters greatly with the OD100. With such a high pinna gain region, if you don’t have a great fit, for example if you’re wearing the OD100 with a shallow fit, the pinna gain region will sound even louder, which in turn will make the iem sounds harsher and shoutier. I would advise you to go down a size on your usual tips and fit the OD100 deeper than usual.
It did not save the midrange region entirely, but it definitely sounds better when deep fitted.
Treble:7.25/10
The treble is highly resolving, above average compare to its peers. It’s airy, well extended and leaning towards bright. It sounds slightly metallic and sibilant especially in higher volume. There’s a peak above 10khz which boost the treble presence, making percussions intruments sounds crisp, but almost sounded too sharp. Cymbals and hihats has this edginess or graininess to its attack and decay.
Treble head would be able to enjoy this due to how standout it was compared to the bass and low mids.
Tech: 6.5/10
The OD100 only has around average technical capabilities. It has more width and height compared to depth. Layering is quite blurry, not very distinct. Imaging is also not great.
Timbre was not the best either, mainly affected by how the uppermids was done
Comparison:
Vs Simgot EA500LM
Since these 2 are in the same price bracket, it’s only logical to compare these 2 to each other.
Right of the bat, the EA500LM is way easier and more comfortable to fit due to its ergonomic design. The OD100 on the other hand has this bullet-ish type of design. I’d have to use foam tips or Spinfit CP100+ in order to get a better fit and seal.
The cable on the OD100 is more well built and looks nicer
As for the sound, i like the EA500LM more.
The EA500LM has more bass slam with deeper subbass extension. The OD100 bass feels more pillowy, like it has a “poof” sensation to it. Note weight is a touch heftier on the OD100.
Vocal on the OD100 feels way less refined. Compared to the EA500LM, it’s a bit honkier, more nasally. With louder volume, you can feel the shoutiness coming through.
Treble is less sparkly and airy on the OD100. EA500LM just has better treble extension and detail retrieval. Percussion instruments have more shimmering to it on the EA500LM. I think the OD100 has crisper and sharper treble, but not by much.
Soundstage is wider on the EA500LM. Layering and imaging are also better on the EA500LM due to how well its bass and mids was done.
Vs Blon BL-03
When comparing against the old legend, the Blon BL-03 does show its age. The BL-03 has a warm-bassy-dark tonality.
The bass on the Blon is noticably boomier and looser, where as the OD100’s bass is way tighter with better texture.
The midrange of the Blon BL-03 is of higher quality, where it sounds more naturally and easier on the ear than the OD100. Female vocal sounds less harsh, although it can sound too mellow at times. Live instruments has a better timbre with heavier note weight on the Blon.
There is more treble quantity on the OD100 than the BL-03, but it does sound more splashy and less refined, where as the treble on the BL-03 has a darker edges.
Soundstage is around average on both. There are more detail retrieval with the OD100.
Fit wise, both iems are equally hard to fit. The BL-03 due to its short nozzles and the OD100 due to its bullet shape. Coincidentally, i have the best fit with these two using the Spinfit CP100 Plus.
***Mod***: Hidden gem
As much as i want to enjoy it, the bright uppermids is simply too much for me unless i turn down the volume. I have a close friend Tzennn, a fellow head-fier who truly enjoy this iem because his usual listening volume is only around 60-65db
So in order to make the OD100 more suitable for me, i did these two simple mods:
First, use a metal squeezer and carefully take of the metal guard over the grill.
Second, use a 400-500 mesh filters from the Simgot DIY kit or Aliexpress and apply it over the existing filters.
This right here will bring the uppermids region down by a few db, as well as smoothen out the treble a little bit. The harshness and shoutiness feeling was not as great, the metallicness is almost gone too. Vocal will sound smoother. The bass is now more easily felt, almost like it was brought to life, since it was easier to perceive the bass when the uppermid was lowered.
Although this may void the warranty, as well as erase the intended tuning from Oriveti, these two mods have turned the OD100 into something more of an all rounder, more compatible and easier to enjoy with my library and listening volume. The drivers inside of the OD100 are more than capable, it’s just that it wasn’t in its best form right out of the box.
Conclusion
For $70, the Oriveti OD100 does have a struggle against many of its competitor in the same price bracket. If you’re someone who’s looking for a robust, small build iems with a bright W shaped tuning and usually have a low listening volume, the OD100 might be what you’re looking for.
Since the raw material a.k.a the drivers and the build quality are already there, if you’re willing to do some light mods, the OD100 will raise to an even higher level.
That’s it for my review and thank you for reading.
Oriveti. They are a Hifi company that’s founded in 2015, so they can be considered as an old player in the game. In the past, they’ve release several high quality iem like the OV800 (8BA) and O400 (4BA) yet they didn’t have much traction into the market. That is, until now.
At the end of 2023, they suddenly make a grand come back with 3 new back-to-back iem at three different price range: The OD100, OD200 and OV700. These iems, in such short amount of times, have received a lot of love and being talked about from many audiophiles accross the globe.
I’ve finished my review of the OD200 recently. Today’s turn will be the OD100
Packaging
Different from its brother the OD200, the packaging of the OD100 is smaller and relatively simple. The inside content of it is quite basic. They consists of the iem itself, a cable, a small carrying case and 9 pairs of tips
I think this the the bare minimum you can ask for from a 70$ iem.
Design/Build quality/Comfort
The OD100 shell is made out of CNC aluminum. The finishing was nicely done and there’s no rough edge around it. The overall built quality feels really sturdy. You can confidently throwing this iem around without having to worry about breaking it.
Design wise, the OD100 has a similar DNA to a bullet shaped shell due to its size rather than a more ergonomic shape. The nozzle is at a slight angle to the body, which is why it’s not a true bullet iem.
The cable is a SPC 4 cores cable. I think this is the highest quality cable i’ve seen coming from a sub $70 iem. It’s light, supple and has no memory to it. That being said, since the iem was too light as well as being a near bullet shape, pairing that with the stiff earhook of the cable, it makes this iem not very comfortable to wear. Truth be told, i can’t fit the OD100 with any stock silicone tips. I have to use the stock foam tips to have a decently secure fit.
Sound impression
Tonality: Bright W shaped
Bass: 7.25/10
The bass of the OD100 is actually quite decent once you manage to get a good fit with it. The bass is not too overly boosted. Subbass extention is only around average. Kick drums does pack a punch to it, but feels bit mellow and was drawn out by the rest of the frequency. It does sounds clean and quick in its decay nonetheless.
Guitar rift in AC/DC’s songs sound a bit light and overly boosted in its presense, making it sounds a bit unnatural and not enough bite. It was more easily heard than felt
Mids: 5.75/10
Put the OD100 into your ears, the first thing that pops out is how bright and forward the vocal was. On one hand, it’s bright and energetic; on the other hand it’s way too harsh and shouty.
Male vocal is not too recessed, but it’s definitely on a leaner side, as opposed to a lush and hefty sounding vocals. Female vocal is way more emphasized and priorities with the OD100. It’s way more vibrant and energetic than male vocals, more forward compared to other instruments. Celine Dion's "All by myself" sounds lively. Her voice was definitely stands out the most, hence the shouty characteristic, when listening with the OD100
Talking about instruments, violin and piano's noteweight feels a bit too light and too dry
One thing i would like to mention. The fit matters greatly with the OD100. With such a high pinna gain region, if you don’t have a great fit, for example if you’re wearing the OD100 with a shallow fit, the pinna gain region will sound even louder, which in turn will make the iem sounds harsher and shoutier. I would advise you to go down a size on your usual tips and fit the OD100 deeper than usual.
It did not save the midrange region entirely, but it definitely sounds better when deep fitted.
Treble:7.25/10
The treble is highly resolving, above average compare to its peers. It’s airy, well extended and leaning towards bright. It sounds slightly metallic and sibilant especially in higher volume. There’s a peak above 10khz which boost the treble presence, making percussions intruments sounds crisp, but almost sounded too sharp. Cymbals and hihats has this edginess or graininess to its attack and decay.
Treble head would be able to enjoy this due to how standout it was compared to the bass and low mids.
Tech: 6.5/10
The OD100 only has around average technical capabilities. It has more width and height compared to depth. Layering is quite blurry, not very distinct. Imaging is also not great.
Timbre was not the best either, mainly affected by how the uppermids was done
Comparison:
Vs Simgot EA500LM
Since these 2 are in the same price bracket, it’s only logical to compare these 2 to each other.
Right of the bat, the EA500LM is way easier and more comfortable to fit due to its ergonomic design. The OD100 on the other hand has this bullet-ish type of design. I’d have to use foam tips or Spinfit CP100+ in order to get a better fit and seal.
The cable on the OD100 is more well built and looks nicer
As for the sound, i like the EA500LM more.
The EA500LM has more bass slam with deeper subbass extension. The OD100 bass feels more pillowy, like it has a “poof” sensation to it. Note weight is a touch heftier on the OD100.
Vocal on the OD100 feels way less refined. Compared to the EA500LM, it’s a bit honkier, more nasally. With louder volume, you can feel the shoutiness coming through.
Treble is less sparkly and airy on the OD100. EA500LM just has better treble extension and detail retrieval. Percussion instruments have more shimmering to it on the EA500LM. I think the OD100 has crisper and sharper treble, but not by much.
Soundstage is wider on the EA500LM. Layering and imaging are also better on the EA500LM due to how well its bass and mids was done.
Vs Blon BL-03
When comparing against the old legend, the Blon BL-03 does show its age. The BL-03 has a warm-bassy-dark tonality.
The bass on the Blon is noticably boomier and looser, where as the OD100’s bass is way tighter with better texture.
The midrange of the Blon BL-03 is of higher quality, where it sounds more naturally and easier on the ear than the OD100. Female vocal sounds less harsh, although it can sound too mellow at times. Live instruments has a better timbre with heavier note weight on the Blon.
There is more treble quantity on the OD100 than the BL-03, but it does sound more splashy and less refined, where as the treble on the BL-03 has a darker edges.
Soundstage is around average on both. There are more detail retrieval with the OD100.
Fit wise, both iems are equally hard to fit. The BL-03 due to its short nozzles and the OD100 due to its bullet shape. Coincidentally, i have the best fit with these two using the Spinfit CP100 Plus.
***Mod***: Hidden gem
As much as i want to enjoy it, the bright uppermids is simply too much for me unless i turn down the volume. I have a close friend Tzennn, a fellow head-fier who truly enjoy this iem because his usual listening volume is only around 60-65db
So in order to make the OD100 more suitable for me, i did these two simple mods:
First, use a metal squeezer and carefully take of the metal guard over the grill.
Second, use a 400-500 mesh filters from the Simgot DIY kit or Aliexpress and apply it over the existing filters.
This right here will bring the uppermids region down by a few db, as well as smoothen out the treble a little bit. The harshness and shoutiness feeling was not as great, the metallicness is almost gone too. Vocal will sound smoother. The bass is now more easily felt, almost like it was brought to life, since it was easier to perceive the bass when the uppermid was lowered.
Although this may void the warranty, as well as erase the intended tuning from Oriveti, these two mods have turned the OD100 into something more of an all rounder, more compatible and easier to enjoy with my library and listening volume. The drivers inside of the OD100 are more than capable, it’s just that it wasn’t in its best form right out of the box.
Conclusion
For $70, the Oriveti OD100 does have a struggle against many of its competitor in the same price bracket. If you’re someone who’s looking for a robust, small build iems with a bright W shaped tuning and usually have a low listening volume, the OD100 might be what you’re looking for.
Since the raw material a.k.a the drivers and the build quality are already there, if you’re willing to do some light mods, the OD100 will raise to an even higher level.
That’s it for my review and thank you for reading.
Here's my review of Oriveti OD100 (Stock - Divinus Velvet)
If you're interested in graph comparision, here's the link
- Bass (6/10): Bold bass with good elasticity, quite fun and have a lot of dynamic, still lacking in detail and extension.
- Mid (5/10): Uncomfortable due to high pinna gain which masked detail in uppermid / lower treble, while sounding good with some particular instrument i don't think it's justify for that high peak
- Vocal (6,5/10): Slightly nasal vocal, but quite realistic and robust, male vocal come thin and unfun, however with modern song these actually sound good
- Treble (5,8/10): Slight sibilance (high volume), realist percursion rendering, lack air, sound a little metallic
- Detail (5,3/10): Macro detail (6/10), Micro detail (4,5/10)
- Soundstage (7/10): Consistent orchestra staging with good wildth and height, lack depth
- Imaging (5,5/10): Lack layering back to front, lack microspacing left to right, better than average iem but that about it
Bias (8/10): W shape
Overall: 5,8/10
If these are 50$ i would recommend these instantly, these are much better value than Ikko OH10 (imo), IEM have evolve so quickly that these fun iem kinda like a gem that you might missed the sound of them!
Introduction
Oriveti is a Chinese audio company, originating in 2015 and based in Hong Kong.
TheOD100 IEM has been provided free of charge to the Audio Reviews Downunder Australian tour group for a honest and considered review. We thank Oriveti for this opportunity.
TheOriveti OD100 is the baby of the company’s range with a price of approx. $70 usd. It features a steel milled body that is small and compact for ease of use on the go and a diamond-like coated single dynamic driver. It is provided with a 4-core silver plated cable anda selection of eight ear tips and includes a solid and roomy carry case.
Because of their small size they are light weight and can be used with cable over ear or hanging down bullet style. The shells have vent holes, so no driver flex was experienced and isolation from outside noise is just average.
Thesound
Firstly the OD100 is being auditioned with FLAC tracks from my Hiby R3 SaberDAP using TRN T tips (Vocal and soundstage enhanced) and today, a NiceCKH BlackCat Zinc Copper Alloy Oil Soaked Cable ( bass enhancement ).
I think I have discovered a synergy between my DAP and these IEMs because instantly the sound I am hearing is impressive to say the least. Listening to “Kingdom of rain” by The The. I am in the middle of a thunderstorm, with rumbling thunder and rain on foliage and the acoustic guitar cuts in with complete fidelity. Electric guitars howl left and right then the bass guitar and vocals enter. The vocals are quite forward and the midbass has excellent punch and impact. The upper midrange and lower treble are emphasized giving a vibrant and energetic sound. Overall, the sound has a mild warmth which makes vocals engaging and conveys emotions well. The bass goes deep when asked but generally has a lighter more neutral feel when compared to more sub bass centric IEMs.
Left and right sound elements are spaced nice and wide, and depth and height are quite adequate. The audio is nice and airy and uncongested. Imaging is very good. Placement of instruments and backing vocals is easy to ascertain.
Can I say that I really enjoy the vocals on this set. Never has Taylor Swift quite had this ability to melt my heart! Male vocals too! Tone is organic and natural and presented nice and forward and sucks you in.
Conclusion
So where does the OD100 sit in the sub $100 market, an area that is hotly contested.
Well, it’s not a basshead IEM and its not a technical detail monster.
But it is an extremely accomplished single dynamic driver design that gives a balanced, mildly warm, energetic, and fun sound. It’s small, comfortable, durable and a very engaging listen. I was impressed with the Oriveti OD100.
TONALITY: 7/10
TECHNICALITIES: 8/10
TIMBRE: 7/10
IMAGING: 8/10
SOUNDSTAGE: 7.5/10
MUSICALITY (subjective): 6.5/10
CONSTRUCTION: 8.5/10
ACCESSORIES: 7/10
SOUND VALUE: 8/10
INTRO
Oriveti is a Chinese earphones company founded in 2015.
I've review and adore their flagship balanced basshead IEM call OH700VB.
Today I will review their entry level IEM call OD100.
Priced only 70$, the OD100 is a single dynamic driver IEM promising high sound value and using a 9.2mm DLC (diamond-like-coated) dynamic driver.
Let see in this review if this is an IEM that can truely compete in most unforgiving price range of them all: sub-100$ hypertrophy chifi IEMs market.
CONSTRUCTION&ACCESSORIES
The construction of OD100 is all made of high grade CNC milled metal which is polished and glossy, very smooth in hands, small in size and seems tremendously sturdy for long time durability.
The 2pin connector feel sturdy but their are slightly recessed and has oval shape which will create mini gap with some cable.
The Nozzle is short and since the desgin is thinked for around hear, i find the fit a bit problematic and prompt of falling from my ears.
The included cable is a 4 cores silver plated cable of good quality. It's well built and feel sturdy, it's above average cable for a 70$ IEM.
Rest of accessories are minimal, but again of good quality. The carrying case is very good, it's solid and thick and has enough space for 2 cables and some extra IEMs. This is a very welcome accessory. Other one are 8 pairs of eartips including 3 pairs of memory foams. Again, very good.
SOUND IMPRESSIONS
The tonality of OD100 can be summarized as balanced V shape to bright neutral with slight mid bass boost and a main focus on treble, it’s near analytical and highly resolved with boosted presence of instruments that are loud. It isn’t suggested for those that are sensitive to lower treble and female vocal loudness since this is quite forward, upper treble too is upfront and quite impressive in extension past 10khz, which is something very rare in the sub-100$ price range.
The bass isn’t for basshead at all, it has a warmish punch to it that feels mellow, not hard hitting nor very high. The bass line presence is more boosted than their body which is a bit thin but it’s well textured and their this much needed attack bite for double bass or electric bass that add a sense of energy to the bassist playing while not offering proper rumble or dense resonance release of infra bass.
This makes bass line definition brighter than kick drum which is more about physical presence, about gentle ‘’oomph’’ hitting without the best separation with lower mids.
Due to the whole treble being more upfront of bass and mids, the drum dynamic is understated and a bit distant while its percussions feel detached and more upfront as if we have 2 different drummers in different positions of the stage.
When I say mid bass is boosted, it’s in the sub bass lead too, which means we can have a good slam especially with modern pop music that uses digital instruments, the issue is mostly for acoustic music. So, this is a niche bass, not a versatile and natural one.Don’t expect hard clean thump nor a perfect definition.
All in all, this isn’t bad bass per se, but sub bass is rolled off and lacks natural release and the dynamic feel overly damped in attack.
The mid range is bright and transparent, open sounding but leaner in dynamic than the rest of the spectrum, apart from upper mids which are quite boosted and favor female vocals in terms of immediacy and loudness. This can cause fatigue and some sibilance too, depending on source matching, this is problematic with neutral bright source like Xduoo X20 while with a warm dongle like Penon Tail the sibilance isn’t invasive but vocals are still very upfront.
The piano on the other hand feels a bit recessed and thin and light in note weight, yet its resolution is good, tone wise it lacks a bit of low harmonic fullness and sound dry to crisp depending on pitch range.
For saxophone, we have the same treatment as female vocalists. Due to the lack of low harmonic, it can feel a bit over centered and compressed, as well, it can be borderline shouty when the saxophonist goes loud and high pitch.
Timbre wise, it’s not the most natural and tends to lack warmth to glue together texture details and air vibrancy.
All in all, I'm not a fan of this mid range which is the main qualm for me with this IEM. I've heard way worse but upper mids emphasis is too much and sense of fullness isn’t there. Male vocalists are more favored in presence brightness and can feel too hot at times, we miss the baritone lush deep tone as well.
Now for the treble it’s both the highlight and ‘’sword of Damocles’’ of OD100, in the sense it’s what impress the most in term of technical prowess and high resolution achievement, but it’s the type of highs that can go unbalanced when it come to percussions, putting it too forwards to the point of distracting the listener from main instrument.
For example, in a jazz trio i'll be able to track double bass line and percussions more easily than kick drum and piano, it’s its saxo, it will feel a bit better balanced in loudness and dynamic, but the extremely snappy, sparkly and speedy percussions will still force my focus to follow their rhythm section to the detriment of full harmonious composition.
Nonetheless, the wow effect is there and the treble head will be impressive for sure. The highs are airy, it has a lot of shimmer, it’s cleanest part of the spectrum and has a sharp attack with boosted brilliance.
When it comes to instruments like violin, presence is notably more favored than harmonic density, it’s edgy in attack which can deal with fast playing yet it’s not a lush tone and can feel a bit grainy.
For acoustic guitar, harps or Kora instrument of Ballaké Sissoko, this kind of treble is magnifying crispness of instrument presence, permit sharp attack lead with an airy sparkly release but it can feel a bit thin and overly metallic too, depending of your musical appreciation this can go from wow to What appreciation.
This means that OD100 is generous in micro details too, thus the near analytical musicality I perceive.
All in all, this isn't the best treble in terms of balance but in terms of performance It's good for it's price.
The Soundstage isn’t bad but nothing really impressive, it’s deeper and taller than wider so it can feel a bit in your head.
The Imaging is quite good for the price, but not very realistic so it’s not suggested for monitoring purposes when it comes to mixing but for stage musicians like female vocalist, saxophonist or classical guitarist it can be a good entry level choice.
COMPARISONS
VS SIMGOT EA500LM
The LM is crisper, more transparent and open sounding as well as leaning more to smooth U shape signature, which make the OD100 sound brighter balanced V shape.
LM bass offer wider slam with more sub bass resonance and extension, it’s more mellow in mid bass punch which is warmer and more rounded with OD100. Bass separation is better layered with LM, bass lines are more textured and less ‘’one toned’’.
Mids are more recessed and less crisp with the OD100, female vocals are more upfront and prompt to shouting and sibilance, their presence is less open and transparent, texture grain is more boosted with OD100. LM mids are a bit thinner and colder.
Treble is notably superior with LM both in micro details retrieval and attack control, which is more snappy, speedy. It extended further so it’s more sparkly and airy. OD100 is more edgy and crunchy in attack, treble is brighter but dryer and rolls off faster. It gets congested faster too.
Soundstage is notably wider and deeper with LM.
Imaging is from another league: more accurate and clean, positioning is sharper and layering more transparent.
All in all, Simgot EA500 is from another league in terms of technical performance and offers a more cohesive and balanced musicality too, which extends further both in bass and treble.
VS Whizzer HE01
HE01 is basically a warmer-darker V shape version of OD100, with more open and natural musicality.
Bass punch is similar but has more sub bass extension and release which is thicker and less compressed, more vibrant and wider in headroom too, thus the slightly warmer tonality.
Then mids are notably smoother yet vocal presence opens up more, embraces the listener with more grandeur, female vocals are less aggressive and shouty and has lusher thicker timbre. Note weight is greater too with HE01 as well as timbre is ultimately more pleasant and less boosted in presence brightness.
Treble is less edgy, less crisp and clean with the HE01, definition of percussion feels more hazy and violin lacks proper attack edge, so overall highs are darker and more colored, sound info are greater with OD100.
Soundstage is wider and taller with HE01, while slightly deeper with OD100.
Imaging of both these IEM is average, so on par here.
Overall performance is similar here but the tonality is better balanced, more musical and natural with the HE01. OD100 sounds a bit more technical and is less warm and bassy-rumbly than HE01.
CONCLUSION
Coming from Oriverti OH700VB, listening to OD100 is quite a shift in terms of musicality which is brighter and less lush and bassy.
Here I'm not talking about the technical performance of 8x pricier OH700VB but the tonal balance which is notably smoother and even if more bass, it feels more mid centric too, and for me both bass and mids are the Achilles heel of OD100.
It doesn't trigger fun even if slightly V shape, nor impress with details retrieval even if pumped up in brightness.
Those OD100 are certainly not for upper mids sensitive listeners which will find high pitch instrument and vocal release too aggressive, then it might be a good choice for treble head but the quality isn’t really there since it’s a bit splashy.
While not plain bad, OD100 is an IEM that struggle to compete in extremely prolific sub-100$ price range, so for me it’s:
Half recommended!
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PS: I want to thanks Oriveti for sending me this review sample.
You can order the OD100 for 70$ from official Amazon store here (non-affiliated link): https://www.amazon.com/ORIVETI-OD100-Detachable-Ear-Headphones/dp/B0CK5WB42G
DISCLAIMER
I would like to thank Oriveti for providing the OD100.
It can be gotten here: https://www.oriveti.com/product-page/oriveti-od100-single-dynamic-driver-hifi-iem (no affiliate links).
SPECIFICATIONS
ACCESSORIES
Other than the IEM, these are included:
- 3 pairs of wide-bore silicone eartips (S/M/L)
- 3 pairs of narrow-bore silicone eartips (S/M/L)
- 3 pairs of foam eartips (S/M/L)
- Cable
- Carrying case
For a sub-$100 USD set, the accessories are pretty premium, can't complain much about this aspect.
3 variants of tips are included.
Firstly, we have the foam tips, which increase isolation, though they may tame treble sparkle. We next have 2 types of silicone tips - the narrow-bore ones boost bass though with some compression of soundstage; the wide-bore ones increase treble and air.
Do tip-roll to see what suits your preferences.
There's no info on the stock cable material, but this cable is pretty well-braided with minimal tangling. Microphonics are also negligible, and there's a chin cinch for added grip. I appreciate that it comes in a 2-pin termination, which is generally less prone to failure than MMCX.
Lastly, we have an elegant semi-rigid ovoid carrying case. It is quite resistant to compression, with a velvety interior to cushion the contents. There is webbing internally to to store some accessories too.
The rest of this review was done with the stock cable and stock narrow-bore silicone tips. No aftermarket accessories were used, so as not to add any confounders to the sound.
BUILD/COMFORT
The OD100 is fashioned from CNC-milled metal, and comes in a bullet-shaped design analogous to the Tin T2 series. It is literally build like a tank, and is extremely solid.
Ergonomics are meticulously designed, with no awkward protrusions to poke the ears, coupled with a light chassis. Additionally, this IEM can be worn cable-down or over-ears, which increases fit permutations.
Isolation is bang average, as a result of venting, though thankfully, I did not find any driver flex (which is once again a sign of a well-designed acoustic chamber).
DRIVABILITY
I tested the OD100 with the following sources:
- Apple dongle
- Cayin RU7
- Fiio K11 DAC/amp
- Fiio KA13 dongle
- Hiby R3 Pro Saber 2022 DAP
- Khadas Tone Board -> Schiit Asgard 3 amp
- Questyle M15 DAC/AMP dongle
- Sony Walkman NW A-55 DAP (Walkman One WM1Z Plus v2 Mod)
- Sony Walkman NW A-55 DAP (Walkman One Neutral Mod)
- Sony Walkman NW WM1A DAP (Walkman One WM1Z Plus v2 Mod)
- Smartphone
This IEM is easily driven from weak sources, though it may scale with amplification (in terms of bass tightness and dynamics).
SOUND & TECHNICALITIES
Graph of the Oriveti OD100 via IEC711 coupler. 8 kHz is a coupler peak.
The OD100 can be described tonally as having a "fun-sounding" bright U-shaped profile.
The mid-bass is the predominant frequency band amongst the bass, with a visceral thump heard on bass heavy tracks. There is just a tinge of sub-bass extension, and it isn't the most rumbly set. Bass is however, clean and relatively fast, with just a hair of mid-bass bleed. Sadly, texturing is average - on very complex bass tracks, the OD100 may come across as one-noted on occasion.
The lower midrange is a tinge recessed, though not overly so. This region is quite transparent without bass encroachment. Unfortunately, the upper mids are an area of contention, with a 14 dB ear gain. As such, vocals may sound slightly shouty, especially at louder volumes (Fletcher Munson curve). This area can be mitigated somewhat with source and eartip pairing, in addition to perhaps using the OD100 at lower volumes.
The lower treble continues on from the augmented upper mids, peaking at 5 kHz. This area is quite clear with decent resolution, though with some smattering of sibilance. Treble extension and sparkle is quite moderate, with high hats and cymbals not overly splashy.
In keeping with its single DD roots, timbre is quite natural for acoustic instruments, though vocals are a bit nasal due to the boosted upper mids.
Technically, the OD100 is probably above average when compared against other sub-$100 USD single DDs. Soundstage is above average in all 3 dimensions, furnishing a spacious soundscape. Instrument separation is quite well rendered, with adequate micro-detailing. Imaging is a tinge fuzzy though, and is not exactly pinpoint.
COMPARISONS
Comparisons were made with other sub-$100 USD single DDs. Pure BA, hybrids and planars were left out of the comparisons as the different driver types have their pros and cons.
Simgot EA500
The EA500 has 2 tuning nozzles to provide more versatility - it can be tuned between a neutral bright lilt on the black nozzle, or a warmer Harmanish tone on the red one.
The EA500 has a more natural timbre, and has improved soundstage, imaging and micro-detailing. It is however, brighter than the OD100 in the treble, and the EA500 may display sibilance and fatigue for longer sessions.
Moondrop Aria 2
The Aria 2 follows the virtual diffuse sound field (VDSF) signature - which is essentially Moondrop's in-house variant of the Harman curve.
The Aria 2 is not as bassy, with a less pronounced upper midrange. The Aria 2 has a smaller soundstage, and a hair less precise imaging, with similar instrument separation.
DUNU KIMA Classic
The Kima Classic is a V-shaped IEM, with more bass than the OD100. It isn't as extended in the treble as the OD100 however.
The Kima Classic has a less natural timbre. In technicalities, it fares worse than the OD100, with inferior instrument separation, imaging and soundstage.
CONCLUSIONS
The Oriveti OD100 is a decent entrant to the cut-throat sub-$100 single DD ocean. It imparts a "fun-sounding" signature for head-bopping listening sessions. Additionally, this set brings excellent accessories, solid build and comfortable ergonomics to the table, and is also easily driven.
Timbre is quite organic, with above average technicalities and a spacious and transparent soundscape. The OD100 also scores a bonus point in the area of fit - it can be worn cable-down or over-ears, which makes fitting a breeze!
There are some areas for improvement though. Firstly, we have an overly-zealous 14 dB ear gain, which can add to some shoutiness. Bassheads may bemoan the lack of texturing and sub-bass roll-off, and imaging is not pinpoint per se. Some sibilance is present, though there are worse offenders for sibilance when other rival single DDs are compared.
In the big scheme of things, the OD100 would probably be considered as an average budget single DD, and it does more things right than wrong. It is suited as a daily beater set, or perhaps as a gift or introductory pair for folks new to the IEM hobby.
I would like to thank Oriveti for providing the OD100.
It can be gotten here: https://www.oriveti.com/product-page/oriveti-od100-single-dynamic-driver-hifi-iem (no affiliate links).
SPECIFICATIONS
- Driver configuration: 9.2mm DLC dynamic driver
- Impedance: 16 Ω
- Frequency response: 20 Hz - 20 kHz
- Sensitivity: 105 dB/mW
- Cable: 2-pin, 0.78 mm cable; 3.5 mm termination
- Tested at $69.90
ACCESSORIES
Other than the IEM, these are included:
- 3 pairs of wide-bore silicone eartips (S/M/L)
- 3 pairs of narrow-bore silicone eartips (S/M/L)
- 3 pairs of foam eartips (S/M/L)
- Cable
- Carrying case
For a sub-$100 USD set, the accessories are pretty premium, can't complain much about this aspect.
3 variants of tips are included.
Firstly, we have the foam tips, which increase isolation, though they may tame treble sparkle. We next have 2 types of silicone tips - the narrow-bore ones boost bass though with some compression of soundstage; the wide-bore ones increase treble and air.
Do tip-roll to see what suits your preferences.
There's no info on the stock cable material, but this cable is pretty well-braided with minimal tangling. Microphonics are also negligible, and there's a chin cinch for added grip. I appreciate that it comes in a 2-pin termination, which is generally less prone to failure than MMCX.
Lastly, we have an elegant semi-rigid ovoid carrying case. It is quite resistant to compression, with a velvety interior to cushion the contents. There is webbing internally to to store some accessories too.
The rest of this review was done with the stock cable and stock narrow-bore silicone tips. No aftermarket accessories were used, so as not to add any confounders to the sound.
BUILD/COMFORT
The OD100 is fashioned from CNC-milled metal, and comes in a bullet-shaped design analogous to the Tin T2 series. It is literally build like a tank, and is extremely solid.
Ergonomics are meticulously designed, with no awkward protrusions to poke the ears, coupled with a light chassis. Additionally, this IEM can be worn cable-down or over-ears, which increases fit permutations.
Isolation is bang average, as a result of venting, though thankfully, I did not find any driver flex (which is once again a sign of a well-designed acoustic chamber).
DRIVABILITY
I tested the OD100 with the following sources:
- Apple dongle
- Cayin RU7
- Fiio K11 DAC/amp
- Fiio KA13 dongle
- Hiby R3 Pro Saber 2022 DAP
- Khadas Tone Board -> Schiit Asgard 3 amp
- Questyle M15 DAC/AMP dongle
- Sony Walkman NW A-55 DAP (Walkman One WM1Z Plus v2 Mod)
- Sony Walkman NW A-55 DAP (Walkman One Neutral Mod)
- Sony Walkman NW WM1A DAP (Walkman One WM1Z Plus v2 Mod)
- Smartphone
This IEM is easily driven from weak sources, though it may scale with amplification (in terms of bass tightness and dynamics).
SOUND & TECHNICALITIES
Graph of the Oriveti OD100 via IEC711 coupler. 8 kHz is a coupler peak.
The OD100 can be described tonally as having a "fun-sounding" bright U-shaped profile.
The mid-bass is the predominant frequency band amongst the bass, with a visceral thump heard on bass heavy tracks. There is just a tinge of sub-bass extension, and it isn't the most rumbly set. Bass is however, clean and relatively fast, with just a hair of mid-bass bleed. Sadly, texturing is average - on very complex bass tracks, the OD100 may come across as one-noted on occasion.
The lower midrange is a tinge recessed, though not overly so. This region is quite transparent without bass encroachment. Unfortunately, the upper mids are an area of contention, with a 14 dB ear gain. As such, vocals may sound slightly shouty, especially at louder volumes (Fletcher Munson curve). This area can be mitigated somewhat with source and eartip pairing, in addition to perhaps using the OD100 at lower volumes.
The lower treble continues on from the augmented upper mids, peaking at 5 kHz. This area is quite clear with decent resolution, though with some smattering of sibilance. Treble extension and sparkle is quite moderate, with high hats and cymbals not overly splashy.
In keeping with its single DD roots, timbre is quite natural for acoustic instruments, though vocals are a bit nasal due to the boosted upper mids.
Technically, the OD100 is probably above average when compared against other sub-$100 USD single DDs. Soundstage is above average in all 3 dimensions, furnishing a spacious soundscape. Instrument separation is quite well rendered, with adequate micro-detailing. Imaging is a tinge fuzzy though, and is not exactly pinpoint.
COMPARISONS
Comparisons were made with other sub-$100 USD single DDs. Pure BA, hybrids and planars were left out of the comparisons as the different driver types have their pros and cons.
Simgot EA500
The EA500 has 2 tuning nozzles to provide more versatility - it can be tuned between a neutral bright lilt on the black nozzle, or a warmer Harmanish tone on the red one.
The EA500 has a more natural timbre, and has improved soundstage, imaging and micro-detailing. It is however, brighter than the OD100 in the treble, and the EA500 may display sibilance and fatigue for longer sessions.
Moondrop Aria 2
The Aria 2 follows the virtual diffuse sound field (VDSF) signature - which is essentially Moondrop's in-house variant of the Harman curve.
The Aria 2 is not as bassy, with a less pronounced upper midrange. The Aria 2 has a smaller soundstage, and a hair less precise imaging, with similar instrument separation.
DUNU KIMA Classic
The Kima Classic is a V-shaped IEM, with more bass than the OD100. It isn't as extended in the treble as the OD100 however.
The Kima Classic has a less natural timbre. In technicalities, it fares worse than the OD100, with inferior instrument separation, imaging and soundstage.
CONCLUSIONS
The Oriveti OD100 is a decent entrant to the cut-throat sub-$100 single DD ocean. It imparts a "fun-sounding" signature for head-bopping listening sessions. Additionally, this set brings excellent accessories, solid build and comfortable ergonomics to the table, and is also easily driven.
Timbre is quite organic, with above average technicalities and a spacious and transparent soundscape. The OD100 also scores a bonus point in the area of fit - it can be worn cable-down or over-ears, which makes fitting a breeze!
There are some areas for improvement though. Firstly, we have an overly-zealous 14 dB ear gain, which can add to some shoutiness. Bassheads may bemoan the lack of texturing and sub-bass roll-off, and imaging is not pinpoint per se. Some sibilance is present, though there are worse offenders for sibilance when other rival single DDs are compared.
In the big scheme of things, the OD100 would probably be considered as an average budget single DD, and it does more things right than wrong. It is suited as a daily beater set, or perhaps as a gift or introductory pair for folks new to the IEM hobby.
The Oriveti OD100 surprise with their highly dynamic, crystal clear, and wide-open presentation.
Thank you to Oriveti for providing the OD100 for review.
Oriveti had a fair market presence back in the day. They had some nice hybrid models like OH300 and OH500 that were somewhat positively received by the audiophile community. Some years back they released some full BA iems, O400, O800, and a variable bass option of O800 named OV800.
Only recently they came out with some single DD and premium hybrid models. Among them is their first budget single DD offering - the OD100.
Design and Build
The OD100 get full marks from me in terms of design and build. The cylindrical shape body has a CNC milled full metal build which feels sturdy and yet surprisingly light (only 4g). The size is quite small so it never becomes uncomfortable. The spiral pattern on the backplate and the etched brand and model names add a premium touch.Although it seems to be a bullet style, the nozzle is not straight, it is placed at an angle - which makes them difficult to wear cable down and makes them invariably fit for only over-the-ear wearing.
Cable
The cable of the OD100 feels quite premium. It is a 4-strand cable, presumably made of silver-plated oxygen-free copper from the visual depiction. The cable is of the right thickness - not too thin to feel cheap, not too thick to become uncomfortable. Overall it is very soft and pliable with no memory effect, and minimum tangle-prone. The aluminum hardwares are properly branded, well-made, and lightweight.
Comfort
The small cylindrical shaped body along with the angled nozzle is very ergonomic and ensures a comfortable and easy fit. In my ears they are totally a flush fit depending on the eartips used. There are no oddly protruding edges that might cause pain. The 2-pin connectors fit snugly and tightly.The cable however has tight ear hooks that cause pain after a while for my ears. I had to partially remove them for a more comfortable fit.
Under the Hood
The OD100 employ a single high-quality 9.2mm DLC (Diamond-like carbon) dynamic driver to deliver the sound.
How Do the OD100 Sound?
The OD100 have a w-shaped sound. Bass, midrange, and treble - all three of them sound appropriately boosted to create a very lively and fun sound. Tonality is warm and balanced, which makes it all the more enjoyable.I tested the OD100 with Hiby R3 II and Tanchjim Space Lite, with stock narrow and long bore eartips.
Bass
The midbass slams quite hard and fast. The notes are thick and very well-textured. The subbass is slightly rolled-off so that physical reverberation cannot be felt to that degree. Still, the subbass is quite decently powerful and can be heard clearly. The textures are very prominent.Oriveti has gone for a bass that is strong yet clean. The slight subbass roll-off helps to make the stage a bit clearer. The midbass punch enhances the fun and macro-dynamics. The wonderfully sculpted notes bring refinement to the mix. Altogether, this is a very unique tuning pulled off quite skillfully.
Midrange
This is the real delight. The midrange is forward, full, transparent, highly detailed, and vibrant, with crisp notes. The life of music is in its midrange, and the OD100 provides a very rich one.The lower midrange puts a smile on my face. This area sounds organic yet very nicely resolving. The male vocals have a beautiful throaty tone with excellent edge definition. The same goes for string instruments - acoustic guitars and cellos sound natural, full-bodied, and sometimes appropriately gritty.
The upper midrange has plenty of energy to bring out the soul. Despite the energy, there is a slight dip in the 4-6kHz that keeps the sibilance mostly in check. Hence the female vocals and the violins flow freely, and the electric guitars scream with no restraints. The slight warmth along with the unbridled energy brings out the emotion in its entirety.
Treble
The excellence of the midrange is rightly complemented by a similarly exhilarating treble region.Frankly, I am at a loss of words. This region sounds so effortlessly detailed that it takes my breath away. The lower treble emphasis is just the perfect amount where it sits right behind the midrange but not any further. The cymbal strikes are strikingly clear but never feel pushed forward. The notes feel tactile and highly articulated.
The upper treble is another level of delicacy. It is very well extended and superbly resolving. Even the finest amount of details are brought forward without any uncomfortable peak. The airy presentation is moderated by a controlled amount of energy and enhanced by distinctly defined notes.
The treble here in my opinion is at the pinnacle of refinement.
Soundstage, imaging, and details
The soundstage is very wide and creates a nice out-of-the-head presentation. The depth and height are good as well, but not proportionate with the width. Hence, the stage is very enveloping from both sides, but not spherical.The forward presentation slightly compromises the depth, but the first-class layering makes up for it. Imaging is pretty good - I never felt anything is blurry. The separation is very good with each note having its own field to play.
Bar the subbass, the whole spectrum has very delicately designed notes with a high degree of palpability. There is an excellent balance between the macro and micro-dynamics. The sound is abundantly exuberant all the while carefully extracting the finer details.
Comparisons
Vs. Hiby Hela
The Hiby Hela are an entry-level single DD offering from Hiby. The shells are the classic semi-custom shape, semi-transparent resin made, and of dark brown color. They have 10mm PU+PEEK diaphragm and dual chamber dynamic drivers powered by dual magnets.Comfortwise both are identical. Even though the shells of Hela are slightly larger than the OD100, the shape is such that it provides a very comfortable fit. Although the OD100’s full metal build feels more sturdy than the Hela.
The Hela have a more pronounced V-shaped sound compared to the OD100. The subbass is deeper, the midbass is almost similar (maybe slightly bolder), and the notes are thicker. The midrange is a bit pushed back compared to OD100, and sounds slightly thinner and edgier. The treble is a bit more forward with sharper notes. The presentation is a tiny bit more holographic.
The OD100 feel more mature in comparison. The midrange feels fuller and more organic. The treble is more controlled yet with a similar technical performance. The midbass is dynamic and the subbass supports it well. The presentation is sufficiently spacious. Nothing to complain really.
Where to Buy
Who Should Buy This?
Anyone who is interested in dynamic yet refined sound from an easy-to-drive pair of earphones should buy this. They should also have a tolerance for slightly bright midrange.Final Thoughts
The Oriveti OD100 is the surprise of the year for me, especially considering they are priced at around 70 USD. Very rarely a iem comes around with good sound paired with classy looks - and OD100 is exactly the same. The sturdy and compact metal shells scream quality, along with the well-built cable and carrying case.And then when you put them into your ears, you are greeted with a bold and beautiful sound, that shakes your core and makes you tap your foot along with the rhythm. The strong and dynamic bass starts the party, the lush and charming midrange woos the heart, and the phenomenally exhilarating treble gives an exquisite finishing touch while maintaining an excellent separation and immersive stage.
I love the OD100. They are my daily carry iems when I want a casual listen straight from my phone without wanting to compromise on the quality. Their robust build ensures safety while being carried in pockets while the light weight means zero ear fatigue. Frankly, I cannot ask for anything more for their asking price.
Company Overview
Oriveti was founded in 2015. The founders had years of engineering and design experience in the earphone industry. They are based out of Hong Kong.Their initial releases were more or less warmly received by the audiophiles. Their all BA offerings like O800, O400, and OV800 garnered numerous praises as well.
What’s in the Box
- OD100 iems
- 2-Pin silver plated OFC cable with 3.5mm single-ended plug
- Carrying case
- 3 different types of eartips (S, M, L)
The carrying case is superb. Very robust design with thick shells and the insiders are soft and velvety, with an elastic strap on the bottom lid to secure the iems and a netted pocket on the top lid to house any accessories.
Technical Specifications
- Form: IEM
- Driver: 1 x 9.2mm Diamond Like Carbon diaphragm
- Impedance (Ohm): 16 Ohm
- Sensitivity (dB): 105+3dB/mW
- Weight (g): 4g (per IEM)
- Frequency Response (Hz): 20Hz - 20KHz
- Removable Cable: Y/N
- Source Jack: 3.5mm
- Cup/Shell Jack: 2-pin
- Mic: N
Attachments
ORIVETI is a Hong Kong-based audio company that specialises on engineering and designing HiFi earphones for both sophisticated and casual listeners. They are a company known for striving innovation on their products since the introduction of the Primacy series in the mid-2010s.
As I did a review on their ORIVETI OD200 before, I have another set from them and this one is their latest model for the entry-level segment. This is the ORIVETI OD100, like the OD200, it has a single transducer configuration IEM but its form factor is quite different as it uses a cylindrical bullet-type shell casing rather than a typical UIEM-style shell chassis.
The driver that was implemented here is a 9.2mm dynamic driver with DLC (Diamond-Like Carbon) coated diaphragm. DLC materials are known to have a tensile strength, resistance to wear and better friction that makes the membrane more responsive to deliver a more robust bass response and bright treble response with good clarity and better resolution on sound quality.
The drivers were encased in a CNC-milled aluminium alloy shell chassis in a cylindrical bullet-style form factor for durability and better protection on transducers. The shell design actually reminds me of TINHIFI T2 and its derivatives that makes it more minimalist yet elegant, and these shells underwent some treatment to make it more hypoallergenic so that allergic reactions in ears will not occur. ORIVETI did a good job on using a 2-pin connector for its interlocking mechanism as it is the most stable and proven to be more durable among the connector types.
The stock cable of OD100 is somehow of a good quality on how it was built as it is quite sturdy, supple and flexible without any microphonic issues at all. It is made of silver-plated copper wirings grouped into 4-core sections and on its end, it has a gold-plated 3.5mm termination plug.
When it comes to fitting and comfort, the OD100 provides a good sealing as it isolates some external noises from the outside surroundings and it sits well into my lugholes without any issues as I can wear them for a long listening session due to its rounded and smooth surface. You can wear them in either in an typical IEM fashion or let it hang like an earbud (just replace the cable with no guiding ear hooks).
As for product packaging, ORIVETI OD100 is quite loaded with accessories and how it was well-organised and presented inside on its square-shaped box. The illustration and product specifications on box cardboard casing are well exhibited and printed pretty well.
Here are the following contents inside of ORIVETI OD100's packaging box:
● Pair of ORIVETI OD100 IEMs
● Stock cable
● Oval-shaped zippered IEM storage case
● 3 pairs of white-coloured narrow bored ear tips in different standard sizes.
● 3 pairs of black-coloured wide bord ear tips in different standard sizes.
● 3 pairs of memory foam ear tips in different standard sizes.
The ORIVETI OD100 fares well on power scaling and amplification as it is easy to drive and it will also benefit other better sources with better power output to amplify this set in a more dynamic and full-range sounding.
Regarding its tonality, this set has a U/V- shaped (depends on ear tips, more of a V on white-coloured and memory foam tips) sound profile. It has more noticeable elevation on both low frequency and high frequency, while the midrange is on the neutral presentation across the frequency spectrum.
(Graph was provided by @baskingshark , credits to his effort)
LOWS/BASS:
The bass quality is undoubtedly one of the highlighted frequency ranges here. It has a punchy and tactual bass response that will be quite satisfying to hear in some bassline tracks but this one will be still considered as lacking to most basshead stalwarts.
It more focuses on the mid-bass than the sub-bass but on the latter, we will still feel a rumbling and reverberating response generated by instruments such as low tuned bass guitars, octabasses, synthesisers and drum machines from certain genres like, electronica, synth-pop,rock, Rn'B and old school hip-hop. Mid-bass appears to have more texture to give that slam and thump in general bass response of OD100. Bass kick drums have some sort of authoritative impact on them as they sound pounding and full with some hint of resonance, bass guitars have its roar as it sounds broad and rasping while cellos have warm and sensuous sound with a dark tone on them. Bass and bass-baritone vocals have a heft, rumbling and sufficient depth on their vocals as they sound dense and dusky to my ears.
References:
Bass Kick Drums
● Led Zeppelin - When The Levee Breaks
● Marduk - The Blond Beast
● Dark Angel - Death Is Certain (Life is Not)
Bass Guitars
● Metallica - Motorbreath
● Sister Of Mercy - Lucretia My Reflection
● Primus - My Name is Mud
Cellos
● Yoyo Ma - Bach cello suite no.1
● Strings section on Mozart's Ein Kleine Nachtmusik
● Apocalyptica - One (Metallica cover)
Bass & Bass-baritones
● Bryn Terfel
● Andrew Eldritch
● Barry White
MIDRANGE:
The midrange on this one is fairly recessed on the overall presentation of its frequency range. But due to mid-bass emphasis that added some warmth and texture on its note weight, it makes vocals sound more natural particularly male vocals, a ponderous sound on brass instruments and a bit resonant and round sound on some percussives. Female vocals appear to have an ample sheen on their voices and strings have enough crispness but it seems that they sound less energetic, less vivid and a bit smoothen but they are still able to convey an expressive and pleasing sound.
On male vocals, baritones are quite organic and have an almost accurate tonal colour on them as they sound lush, rich and smooth sound from milder and sweet on light baritones to lyric baritones, and then on a steely, fuller and smooth vocalisations on kavalier baritones, verdi baritones and noble baritones. Tenors have these brassy, dazzling and spiciness on their vocals on delivering some thrilling high notes on male vocals and shimmering timbre whether it is leggero, lyric, spinto, dramatic and helden tenor types. Countertenors have their tender, sensitive and smooth vocals that I noticed that it sounds a bit more of a contralto rather than mezzo-sopranos that they have similar range and sound characteristics to my ears. On the other hand, female vocals have diverse tonal responses that affect the timbre and tonality of their respective voice quality. Contraltos sounds well-modulated as they have a rich, husky and smoky sound on them, Mezzo-sopranos have fiery, velvety and warm sound on them as they give that luscious vocals on my ears, and then on sopranos, some soprano types like soubrette, lyric and dramatic ones have a silky, crystalline and silvery vocals on them but on the coloratura sopranos they sounds a bit limited on their range and energy as they sound less glimmering to execute their florid vocal passage that reaches the limits of a human voice.
As for instruments, strings like guitars, harp and violin sounds have a sufficient crisp and glint sound on them as acoustic guitars are sound between buttery and balanced with an ample sustaining sound, harps have blurring and splashing sound, and then violins have introspective and lustrous sound in them. On percussion, tom-toms have a warm and ringing sound on them, snares have a hard and clattering sound on every stroke, field drums sound sonorous and a bit boomy, and kettledrums have a booming and powerful sound. Pianos have warmish-balanced tones that make them more pleasant to listen to. Brass instruments like trumpets, horns and trombones, trumpets have full and rounded sound while horns have warm and velvety with a tad muffled sound while trombones have full and dramatic sound. On woodwinds, flutes have rich and mellow sound, piccolos have delicate and graceful sound, clarinets have warm and round sound and saxophones sound earthy and mild with their distinct reedy sound.
References:
Baritones
● Eddie Vedder
● Dmitri Hvorostovsky
● Robert Merrill
Tenors
● Robert Plant
● Placido Domingo
● Luciano Pavarotti
Countertenors
● King Diamond
● Philippe Jarrousky
● Andreas Scholl
Contraltos
● Kathleen Ferrier
● Tracy Chapman
● Annie Lennox
Mezzo-Sopranos
● Cecilia Bartoli
● Dolores O' Riordan
● Sharon Den Adel
Sopranos
● Diana Damrau
● Tarja Turunen
● Allison Krauss
Instruments
● Eagles (Live, Hell Freezes Over) - Hotel California (Guitars)
● Felix Ayo/Vivaldi - Summer III. Presto: Tempo impetuoso d'Estate (Violins)
● Jethro Tull - Living In The Past (Flute)
● George Michael - Careless Whisper (Saxophone)
● Berlin Philharmonic Orchestra/Wagner - Die Walküre (Trumpets)
● The Specials - A Message To You Rudy (Trombone)
● The Ventures - Hawaii Five O (Drums)
● Yiruma - River Flows In You (Piano)
HIGHS/TREBLE:
It seems that OD100's treble is more on a balanced side as it has acceptable brightness on it while maintaining a smooth response. It has accented upper-mids that gives definition and attack on vocals and instruments, clarity is rather decent as nothing to scoff regarding the lucidity of its notes. Sibilance is well-controlled and not a hint of harshness although there are some instances that some female vocals might be shrill to some treble-sensitive folk out there.
On the brilliance part of the treble region, it has a satisfactory amount of sparkle but the airy extension seems to be on the modest side. Cymbals strikes have a glistening sound while hi-hats have a shortened buzzing sound with their distinguishable chick-y sound. Celestas have a shimmering sound and glockenspiels sound bell-like and lustrous.
References
● Celtic Frost - Visual Aggression (Cymbals)
● Ottoman Mehter - Ceddin Deden (Cymbals)
● Cologne New Philharmonic Orchestra/Tchaikovsky - Dance Of The Sugar Plum (Celesta)
● Orchestre philharmonique de Radio France/Saint-Saëns - Danse Macabre, Op. 40 (Glockenspiel)
SOUNDSTAGE, IMAGING AND OTHER TECHNICALITIES:
The sound/speaker stage appears to be rather moderately spacious as it has an above average width span from left to right, an average height reach with satisfactory depth from front to rear that gives me an acceptable spatial dimension within my perceived headroom.
Stereo imaging is a bog-standard two-dimensional stereo presentation where I can perceive the placement of instruments and singers in a soundscape but not in the most accurate way. Separation is decent but its layering aspect appears to be more of an average as it performs not-so well defined on determining the arrangement of the tonal and frequency layers of specific instruments in a sonic canvas. It appears that it can take some complex tracks but for orchestra tracks, it is quite challenging.
Coherency of its driver seems to perform pretty well as it is quite responsive to deliver a fast transient response and well-done decay. Resolution capabilities are more of a mixed bag on this set as it has quite solid macro-dynamics in its note density but its micro-detail definition is a bit blunted to extract some nuances and details from an audio track that I consider as inadequate.
PEER COMPARISON:
TINHIFI T2 DLC
● Both OD100 and T2 DLC are closely similar from DLC dynamic drivers up to the shell form factor, but T2 DLC's stock cable is of a lesser quality compared to OD100's good quality and more supple cable.
● T2 DLC is more of a U-shaped sounding set that it focuses more on sub-bass, a clean, transparent but leaner midrange and then, brighter, energetic and a bit airier treble response. Technicality-wise, T2 DLC have similarities with OD100 in sound/speaker stage, imaging, , layering and coherency but on microdynamics, This set is a bit way better than the OD100.
DUNU KIMA
● Another set that also has a DLC dynamic driver and it was enclosed in a metal alloy shell. Unlike OD100, its shell form factor takes more of typical IEM-style and it has a bit more inclusions of accessories like adapter , cleaning tool kit and more premium ear types.
● KIMA has a mild U-shaped sound signature that sounds almost neutral and well-balanced sounding. It has more focus on mid-bass than sub-bass but compared to OD100, its bass response sounds tighter and less texture on the mid-bass, a clean, neutral and slightly more energetic on the midrange, and last but not the least, the treble response sounds quite a bit bright with good sparkle but the airy extension is rather modest. On technical capabilities, it has an average to above-average sound/speaker stage, but it has a 3D-like stereo field presentation on its imaging, good separation and better layering. It has a bit better resolution capability.
SIMGOT EA500
● Considered as the gold standard of a single DD IEM in under $100 and a forefront of SIMGOT revolution which is happening this year. It also has a DLC dynamic driver and is also encapsulated in a solid metal chassis. It has a detachable nozzle with tuning filters on it.
● As it has detachable nozzles with tuning filters, it offers two types of sound signatures based on Harman target curve in which all of them are U-shaped sounding. The black one is an in-house SIMGOT tuning based on Harman target curve while the red one is more of typical Harman target curve tuning. The black one has a more solid bass, clear and detailed midrange, bright and crisp treble at the expense of instances of sibilance, while red one is more sub bass focus, a leaner and cleaner midrange and smoother treble response it sounds less detail, less vocal definition and less airy treble response. On technicalities, it has better technicalities especially in part of separation and layering, and resolution capabilities are a bit better as it has solid macro-dynamics with a bit sharper micro-detail retrieval definition.
As I conclude my assessment on this product, it still comes to my thoughts as to what will be the relevance of this set given the stiff competition against the established sets in the under $100/£80 segment? If we observe properly, the majority of the sets in this particular price range are following a certain popular tuning target curve which makes them so common nowadays that they become stale and less appealing as they sound too safe as they are just conforming with this particular type of tonality in the audio market. And ORIVETI OD100 is trying to be a standout set among its peers as it is flouting that established kind of sound profile that permeates on some sets nowadays that ORIVETI as an innovative company will disregard that kind of notion by simply offer an alternative tuning, a tuning that will be likeable for both casual and audio enthusiasts if they just want an enjoyable and engaging on a fun and musical type of tuning.
ORIVETI OD100 is now available at ORIVETI's official online store, check out the unaffiliated link below that I've provided.
LINK: https://www.oriveti.com/product-page/oriveti-od100-single-dynamic-driver-hifi-iem
Also, check out my previous product review on their ORIVETI OD200.
● ORIVETI OD200
SPECIFICATION:
MODEL: ORIVETI OD100
IMPEDANCE: 16Ω
SENSITIVITY: 105B
FREQUENCY RESPONSE: 20Hz – 20KHz
CABLE LENGTH: 1.2M
PIN TYPE: 2-PIN CONNECTOR (0.78mm)
PLUG TYPE: 3.5mm
DRIVER UNIT(S): (1) DYNAMIC DRIVER
Some Tracks Tested: ( * = 16-bit FLAC, ** = 24-bit FLAC, *'* = MQA, '*' = DSD, *'= .WAV)
Alison Krauss -When You Say Nothing At All *
Jade Wiedlin - Blue Kiss**
Led Zeppelin - When The Levee Breaks **
Mountain - Mississippi Queen *
Queen - Killer Queen **
Guns N' Roses - Patience *'*
Eric Clapton - Tears in Heaven '*'
Sergio Mendes- Never Gonna Let You Go '*'
Pearl Jam - Daughter **
Roselia - Hidamari Rhodonite *
Assassin - Fight (To Stop The Tyranny)*
Celtic Frost- Visual Aggression *
New Order - Blue Monday *
The Corrs- What Can I do (unplugged version) *
Jimi Hendrix Experience - Voodoo Child *
The Madness- Buggy Trousers *
Metallica - Motorbreath **
Mariah Carey- Always Be My Baby *
Destiny's Child - Say My Name *
Malice Mizer- Au Revoir *
Mozart - Lacrimosa *
New York Philharmonic Orchestra - Dvorak- Symphony 9 " From the New World." *
Eva Cassidy - Fields of Gold (Sting cover)*
Michael Jackson - Give In To Me *
Exciter - Violence and Force *
Diana Krall - Stop This World **
Debbie Gibson - Foolish Beat *'*
The Sisters of Mercy – Lucretia My Reflection**
Suzanne Vega – Luka **
Lauren Christy – Steep *
Ottoman Mehter - Hucum Marsi *
Diana Damrau - Mozart: Die Zauberflöte*
Type O Negative - Black No.1 *
Felix Ayo - Vivaldi: Presto **
Three Tenors - Nessum Dorma *
Mercyful Fate - Witches' Dance *
P.S.
I am not affiliated to ORIVETI nor receive monetary incentives and financial gains as they provide me a review unit for an exchange of factual and sincere feedback from yours truly.
Once again, I would like to send my gratitude to MARCO of ORIVETI for providing this review unit. I truly appreciate his generosity and trust towards me and other reviewers.
ORIVETI OD100
Introduction: -
Oriveti is a China-based brand providing Hi-Fi quality audio products for daily use by the most discerning listeners. Founded in 2015, Oriveti started from a position of strength with years of engineering and design experience within the earphone/headphone industry.
Well, Oriveti as a brand is close to us as we started our Audiophile journey around 2016 when Oriveti launched their first product Oriveti Primacy which was a hybrid-based IEM featuring a dual-balanced armature and an 8.6 mm dynamic driver design. We still remember the craze for Oriveti Primacy as they were one of the first to enter the hybrid IEM category. Fast forward to 2023, Oriveti has revamped its product offering keeping in mind the intense competition with three new models ORIVETI OD100, OD200, and ORIVETI OH700VB priced very competitively. Today we are reviewing Oriveti OD100 earphones which are equipped with a high-quality 9.2mm DLC (Diamond-Like Carbon) diaphragm coil dynamic driver. The global price for the item is US $69.90.
Specifications: -
- Driver Configuration: Exclusive single 9.2mm DLC Dynamic Driver
- Impedance: 16Ω ± 10%
- Freq Response: 20Hz-20Khz
- Sensitivity: 105dB/mW ± 3dB at 1000Hz
- Distortion: 0.08%
- Plug: Gold-plated copper + Carbon fiber plug accessories
ORIVETI sent us the ORIVETI OD100 IEM for this review, free of cost. All thoughts and experiences with the product are naturally our own and reflect our honest opinions. We’re thankful to them for their support.
Packaging & Accessories: -
Well, we are surprised to see an IEM for that price come in such fancy packaging. Although we don’t care about the packaging, when you get a USD 69.90 IEM with such clean packaging it shows the brand’s dedication to each of its IEMs irrespective of the price. Along with the IEM units, the package contains a detachable two-pin SPC cable which is quite supple and decent for the price. The package also contains a solid carrying case, and pairs of silicone and even foam tips.
IEM Fit & Design: -
According to Oriveti Audio, the prime objective while designing the OD100 was to make a lightweight IEM that can be used on a day-to-day basis while commuting without compromising on sound quality. The OD100 earphones feature an ergonomic and tiny body design that is intended to provide a comfortable and secure fit for use with above-average isolation. The small size of the earphones makes them easy to carry and wear, while the ergonomic design ensures that they fit comfortably in the ear without causing discomfort or fatigue. The use of aluminium alloy in CNC machining for OD100 not only results in a sturdy and durable earphone body that can withstand daily use and potential impacts while maintaining its aesthetic appeal, but the IEMs are surprisingly super light in weight and comfortable to wear for longer usage.
Sound Analysis: -
Credit: @aftersound
- Tonality: - The Oriveti OD100 comes with a borderline balanced and warm tonality across the frequency. It is a mid-bass focused IEM with just a tinge of crisp treble. The focus is purely on the mid-bass thus the IEM sounds very fun and engaging while retaining a clear midrange and decent detail presence in the treble area.
- Lows: - The bass on Oriveti OD100 is tight and well-controlled to keep up with the subtly warm tonality of the IEMs. The bass, although full-bodied, offers just an average amount of punch. The warm mid-bass hump makes the IEMs fun to listen to, but the punch is just average while listening to “HEARTLESS” by the Weekend. The subbass extension is miniscule to say at very best. Here we would also like to add that the bass does interfere with the lower mids while listening to bass-heavy songs.
- Mids: - The mids are slightly forward and dynamics in Oriveti OD100 with above average clarity. The highs and the lows are beautifully tuned making the IEMs vibrant and fun. The mids have good bodies and sound very natural without any shouting. The vocals are forward while the instruments take the backstage. The vocals have superb clarity for the item at this price range. The female's vocals especially sound sublime. Details rendering is above average for the price range. The mids on Oriveti OD100 have soul displaying the emotions beautifully.
- Highs: - The treble on Oriveti OD100 is neutral and balanced in nature. It reproduces the treble range with slight softness and the presentation here is kind of controlled without any kind of fatiguing peaks. The frequency response here is slightly rolled off just like the extension in bass. The good thing here is the relaxed and spacious approach makes it feel natural and consistent. However, the definitions are very good and fundamental harmonics are presented with above-average precision. Percussions have a nice crisp note attack, all thanks to the use of the DLC dynamic driver.
- Soundstage & Imaging: - The soundstage is wide, but the depth is where the OD100 lacks. Although the soundstage is intimate in nature, there is a sense of air across the frequency. The staging performance is fair for the price with decent air and separation between the instruments. However, the limited bass depth and the treble extension make the sound feel too focused on the mid-range despite this the OD100 still manages to sound spacious with decent clarity and separation. The transient response is surprisingly above average when we consider similar-priced items. The IEMs perform well with complex tracks. We would have loved if the imaging had been a bit better and there would have been more clarity across the frequency.
- Source Matching & Pairing: - The OD100 is subtly warm and dynamic across the frequency spectrum, as it matches well with a neutral DAP, wide bore tips and high-quality SPC cables. In our test with DAPs such as Dethonray DTR1 & DTR1+, Astell & Kern SP1000m, Aune M1p, Hiby R3 II and dongles such as Aune Yuki, Tanchjim Space and Space Lite. We felt it went well with Aune M1p, Hiby R3 II and DTR1 DAPs, Linum DualBaX SPC, Hisenior White Whale cable and pure silver cables. The clarity and air improved across the frequency thus making the sound more engaging. The wide bore tips help with the soundstage and for dongles, it went really well with the Tanchjim Space Lite. Although the IEM sounds decent across the different genres, we enjoyed it more with electronic and blues genres of music.
Conclusion: -
The Oriveti audio with its OD100 is back in the super competitive price range of sub-US $100. It can be considered if you are in the market looking for a compact lightweight item with mid-focused frequency response. High-quality CNC machined housing and included accessories are overwhelming considering the retail price of the Oriveti OD100 which is just US $69.90. It can especially be considered by a person just entering the audiophile hobby as it can give you a few sweet hints of high-fidelity music. The best part of the Oriveti OD100 lies in its vocals. On the flip side we feel that the OD100 could have done better is the clarity and air across the frequency. Oriveti Audio has tried to give their best with a US $69.90 OD100 and come up with a solid EDC IEM.
Non-Affiliated Link: -
- https://hifigo.com/products/oriveti-od100
- https://www.amazon.com/ORIVETI-OD100-Detachable-Ear-Headphones/dp/B0CK5WB42G/
General/Packaging/Build/Comfort
A week ago, I reviewed Oriveti OD200, also a single dynamic driver IEM, and it performs quite well at the price range that it’s competing with. For those who are not familiar with Oriveti, you may check out this section in their website to learn more. Today’s review is about the OD100, a single dynamic driver IEM that’s priced significantly lower than its bigger brother. The unboxing experience with OD200 is very good, so a standard/bar has been set, OD100 does not disappoint either, sporting similar packaging style, two types of silicone eartips and also foam tips, bundled cable looks very good in terms of overall aesthetic as well as build quality. The shape is quite similar to TinHifi’s T2 which I have tried back then, but the OD100 seems to have better ergonomics and fit.
Gears used for this review
- Earmen Colibri
- Earmen Tradutto -> Earmen CH-Amp
- Hidizs S9 Pro Plus
- Macbook Air M2 3.5mm
- OD100 Stock Cable and Eartips
My review is solely based on what I hear via my equipment and I never consider my reviews to be objective in any way rather a subjective approach. Do take into consideration that everyone’s ear anatomy is not the same, so the psychoacoustics perception might be different as well, but i believe it will not stray too far
Sound Impression
The OD100 sounds like a mild V shape tuning to my ears. Timbre is natural as well, which is to be expected since it is an IEM with dynamic driver. Note weight has a good body overall and doesn’t sound thin. Let's take a look at the breakdown below:
Bass
- Sub bass has good rumble when the track calls for it, not bass head level kind of quantity, but clean and tight bass
- Mid bass has a good punch to it, when listening to tracks like Slipknot’s Duality, People=crap!, the speed drumming part doesn’t sound muddy and bloated, instead it is clean and tight, speed is very good as well
- Due to the design and shape of the IEM, it is very crucial that you obtain a good seal in order to get the best bass performance, otherwise, it will sound thin and lean
- Mids are not overly recessed nor overly forward,
- Male vocal has good texture and body, it doesn’t sound thin which some would define it as “dry” sounding
- Female vocal such as Faye Wong, Na Ying, Chantal Chamberland sounds full and very enjoyable, emotive to my ears, especially when you push the volume up
- Lower to upper mid range are very lush and enjoyable, even at high volume, it doesn’t get harsh nor shouty, listening straight out of the 3.5mm jack from my Macbook Air M2
Treble
- Treble is smooth and not fatiguing, energetic enough but not excessive to the point where it is harsh and sibilant
- A little lacking in terms of extension, but for the asking price, i am merely nitpicking
- Detail retrieval is good for the asking price, micro and macro details can be heard easily
- For soundstage, eartips does play a role in the perceived soundstage, as mentioned earlier, i am using the stock eartips, hence i will be describing what i heard with the stock setup
- Soundstage for OD100 is slightly out of your head, good depth but slightly lacking in terms of the perceived height, but is quite good overall, doesn’t sound narrow or “in your head”
- Instruments can be pin pointed easily, perceived HRTF is relatively good
- OD100 is very easy to drive, however, it does benefit from extra power (better dynamics and bass control)
- It does scale with sources based on my testing with various dongles/dac-amp, i personally find uncolored source such as Earmen’s Tradutto,
Moondrop Aria 2
- Harman-ish sounding in terms of tuning
- Mid bass slightly lacking in terms of punch
- Treble has a bit more energy compared to OD100
- Soundstage is slightly within your head
- Imaging performance is more or less similar to OD100
- Overall, i would say Aria 2 is what i personally would label it as “safe sounding” whereas OD100 is slightly more fun to listen to
Having tested Oriveti’s product for the 2nd time. It's safe to say they are definitely on the right track. OD100 is certainly the underdog in its category in terms of the price range. It offers a balanced and fun sound with good enough technicalities for the asking price, other than that, you are also getting a well built IEM with solid build quality. If “fun” is what you are looking for, OD100 is highly recommended and worth checking it out, definitely a rising star in my book.
If you are interested in grabbing a pair, head over to the following link:
Oriveti OD100 - Non affiliated
Oriveti OD100 Product Page
*Received the review sample from Oriveti, however, i am in no way influenced by them in producing this review, all thoughts are of my own, big thanks to them for the support and opportunity
