NF Audio NA2+
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Introduction
There is little or nothing left for me to say about NF Audio that I haven't said in my many previous reviews of their products. So I will now introduce the new model, the subject of the current review. These are the NF Audio NA2+, siblings of the NM2+ and cousins of the NA2. Or the other way around. In my opinion they are more similar to the NM2+, both in sound profile and construction. This new model uses a dynamic driver called the MC2L-1OM, which uses a dual magnetic circuit design. Two high-performance neodymium-iron-boron magnets provide a magnetic flux of more than 1 Tesla. It also uses a higher precision integrated tuning printed circuit board, which is more stable and reliable and has a better tone. The dynamic unit has two cavities, to control air pressure more precisely, resulting in smoother diaphragm movement and greater detail. And speaking of the diaphragm, it is made of 5μ polymer, lightweight, medium rigidity and high molecular content. As usual, the NA2+ comes standard with a silver-plated, oxygen-free copper wire in Litz structure, with up to 280 cores. If the NM2+ had a blue top, the NA2+ comes with an orange top, giving an idea about a warmer profile than its sibling. Do they achieve this, are there differences between the two, what do these new NA2+ look like? In the following review I will try to answer all these questions and many others.
Disclaimer
Penon Audio Store, offered me this model, in exchange for writing an honest review. I want to make it clear that all my opinions written in this review have not been conditioned by this fact, nor will I ever write anything that I do not really think or feel here. I will only write about my personal opinion in relation to the revised product.
Specifications
Packaging
Admittedly, NF Audio's packaging is not very varied. Except for the colours, you could say that it is pretty much the same as for the NM2+, NM2 and NA2. Once again, it is the classic cube-shaped box that opens in two halves and the interior is clearly inspired by a Compact Disc. Its dimensions are 145x128x83mm and its weight is 300g. The external colours vary from the darker grey of the case to the off-white of the top and the lettering. On the top there is a real photo of the capsules, with their cable, on the front side. The orange dot with the NF Audio logo is in the lower right corner. On the back, at the top, is the model name, in large print, which belongs to the "Music Series". Below, on an orange background, are the specifications, in Chinese and English. The box is completely sealed in clear plastic. Once the cardboard is removed, the inside opens in two halves. On the right side is the CD, the mould containing the capsules. Underneath, there is the round blister containing the silicone tips and, finally, the cable. On the left side, there is the manual and underneath, the zippered carrying case, to which NF Audio has become accustomed, made of a strong, dark grey fabric, with the logo screen-printed in black in the centre of the upper side. In summary, the complete contents are as follows:
There are some slight differences between the NM2+ packaging: the inside has changed sides and what was on the right is now on the left and upside down. The lettering is still large, the external design has different colours and the Bass tips have disappeared to make way for the Atmosphere tips. Otherwise, the rest of the accessories are the same. I should comment that there is little variation in this respect in the NF Audio packaging.
Construction and Design
Again, both the design and construction of the NA2+ are very similar to its NM2+ sibling. Its external colour is darker grey and the top with the brand's logo is orange.
The NA2+ is constructed from aircraft-grade aluminium, painted in a dark, but glossy, grey. For their machining, a 5-axis CNC has been used, giving the capsules a more precise, stronger and lighter construction, thanks to the quality of the aluminium used and its alloy.
The nozzles have a height of 3.5mm, a smaller diameter of 4.75mm at the base and a larger diameter of 5.35mm at the outer rim. Both are covered by a perforated metal grid.
The surface of the capsules is micro-textured and the separation of the two faces can be seen, without implying any degree of weakness. The outer face has two levels, the outer part protruding, while the central part is slightly depressed. The NF logo is inscribed in the centre. At the top of the edge of the capsules is the 0.78mm two-pin connection. This is a rigid, transparent, shallow, oval-shaped plastic plate. This means that it is desirable that the cable pins have a female sleeve, which is compatible with this shape. Very close to the connector there is a hole and following downwards, along the same edge, you will come to the orange dot, a small inscribed circle, inside which is also the NF logo, surrounded by that orange ink. On the other side of the connector, also following the edge, the letters indicating the channel (L and R) are inscribed. Finally, on the lower edge, the words "NA2+ MUSIC" are inscribed. Finally, there is another small hole on the inside, at the foot of the nozzle column.
Internally and on this occasion, the dual-circuit magnetic driver used is called MC2L-1OM. It uses two high-performance neodymium-iron-boron magnets to provide a magnetic flux of more than 1 Tesla. The diaphragm, made of 5u polymer, is light, of medium stiffness and has a good elasticity which improves its performance. The dynamic unit has two cavities, to control the air pressure more precisely, resulting in smoother diaphragm movement and more detail. The cable is the same as that used for the NM2+: a silver-plated oxygen-free copper cable with a Litz structure, with up to 280 cores. It consists of 4 tightly wound strands, resulting in a smooth, black cable, with a very adequate thickness and very manageable, yet not very windable. The sleeve of the plug is unchanged from the other models, being cylindrical and grey, except for the flat part where the brand name is inscribed. The dividing piece is a black plastic medal, with the logo on both sides. The pin is metal, with two holes inside. The two-pin connector is covered by a rigid, transparent plastic sleeve. The sleeve is angled and has the classic vertical axis spacing. The cables coming out of these connectors are protected by a semi-rigid and transparent sheath, which gives them an over-ear shape.
Very little variation on its brother NM2+, only the darker grey colour of the capsule, the orange taupe and the black cable. Successful model, not to be changed.
Adjustment and Ergonomics
Same shape, same ergonomics. This will be a cut and paste from the NM2+ review. The fit is very good, with insertion ranging from shallow to medium. Ample possibility of "Tip Rolling". Durable fit, remarkable hold and no discomfort. Hardly any rubbing against the ear parts. The slightly deeper insertion, depending on the tips, increases the level of isolation (according to the manufacturer, up to 25dB). The comfort and fit are as good as those of the NM2+.
Regarding the cable, the connectors have the same shapes and the detail that separates them from the head. Although the cable is a different colour, it is still very manageable.
Excellent comfort.
Sound
Profile
The profile follows that neutral/bright trend, with a clear enhancement in the upper mids and first highs. The bass is quite linear, with a slight accent in its centre. The audible top end is very well represented, with a large extension. The sound is not as analytical as that of its NM2+ sibling, but neither could it be described as warm. But it is actually a bit more musical and not as cold as the NM2+. Nevertheless, it still retains a high degree of precision and resolution. It also remains clear, transparent, with more air, even, fast and with a remarkable texture.
Bass
The low end of the NF Audio is almost canonical. In the + series its emphasis is more controlled, presenting a rather lower sub-bass, with the band being more linear and slightly accentuated in its centre. In the overall sound, the incidence of the lower range is slightly higher than neutral, but its quality and performance cannot be overlooked. The speed and rapidity of the decay are the sections that make the range canonical, at the level of control and execution. The level of precision, together with a very realistic and musical sonority, make the bass qualitatively excellent. And even with such high levels of technicality and soft dominance, the texture is still perceptible, as is its descriptiveness and expressiveness.
In no case do the basses take precedence over other musical strips, but this does not imply that their presence is residual. The only pity is that their predominance is not superior, because it limits their enjoyment and when you want to enhance them, it is necessary to resort to volume, but with care, as the rest of the ranges are more protagonists.
The bass is not so cold, it has a more neutral tendency in its colour and timbre, without any colouring whatsoever. Pure notes sound realistic, although the sub-bass below 40Hz is lighter. The punch is dry, restrained and tight, very controlled, with a medium but obvious depth. There is no aftertaste or contamination towards the midrange. So this is a reference low end, with a certain level of musicality, a lot of technical quality, totally audiophile grade.
Mids
Continuing with the characteristics of the + series, the midrange continues to stand out, although this time its performance is not as analytical. A slight hint of musicality has been added, but it still displays a high degree of transparency and clarity, the result of those enhanced high mids. In my opinion, the splendour of the mid-range is somewhat more restrained and not as explicit in detail, nor in analytical ability, but the representation is softer compared to the other NM2+ model. This makes the mid-range an enjoyable and less demanding range for our ears, giving them a break by not providing as much explicit information. In this aspect, the micro-detail is not as evident, but comes across as more natural, playing to create a less strict ambience. The elements are still concise, but less penetrating. In this way, vocals feel with a point of sweetness, within their specific light and spice. The sense of ultra-definition is not as apparent, and despite the concise drawing, there is a final relaxation in all elements. The edges are not so straight, nor the spaces so defined. There is no blending but the silence is not so absolute. The prominence of the notes persists and they are absolutely perceived, but they are faintly threaded together. Their placement still stands out but they don't remain as focused, but possess a little more life and movement, a hint more soul and passion.
The body of the instruments and voices is a little thicker, but never dense. Their space in the sound spectrum is still thin, but with more flesh. The descriptive effort still allows for a very democratic and equal level, when it comes to showing instruments, voices, details and nuances. In this way the elements are shown on fairly close, but not mixed or overlapping, levels of planes. All of them enjoy their real protagonism and their space is that which corresponds to them, but they are neither omitted, nor hidden, nor delayed or overexposed. Once again, the virtue of the NA2+ is still the maximum representation of all the elements, without losing coherence or overwhelming, occupying as much space as possible, so that they can be distinguished individually, but with a touch more musicality.
Treble
The high end is the pinnacle of the NA2+'s technicality. Their timbre is bright, though not out of realism as their speed tones down their echo. They feel shimmering and crisp, but not very persistent, which also helps to create a cleaner, less saturated space in the high notes. They don't feel as penetrating and the added musicality makes them less cutting. They are not as dry, but still retain prominence and virtuosity, which performs a dual function: expressing the purely high notes with great definition, resolution and naturalness, as well as helping to provide a much richer, more nuanced and harmonic ride on the other elements.
The upper zone is extended, airy and protagonist. Its presence is undeniable and may be excessive for delicate ears. But it's a very high quality range, excited and present, which expresses itself with vehemence, but without losing an iota of technique.
Soundstage, Separation
The level of separation is large, with a clean background. The placement of the elements is precise and well spaced from each other. The sound is very clear and transparent, with a defined reconstruction. The music feels present and close, there are few distant elements and there is no high depth. The musical distribution is eminently frontal and with good height. The sense of laterality is prominent and the stereo recreation also stands out. The sound is not very enveloping or ethereal, though, despite the noticeable sense of air and surrounding separation.
Comparisons
NF Audio NM2+
Externally, they are very similar, with a different colour, clear grey for the NM2+, blue top and white cable. Internally, the driver used for the NM2+ is the MC2L-10II, while for the NA2+, it is the MC2L-10M. The specifications change from 18Ω, 108dB/mW for the NM2+, to 32Ω, 107dB/mW for the NA2+. You can see that the NM2+ is more sensitive and actually quite noticeable when connected to a source, less power is needed to move them.
On paper, the NA2+ are a more musical version of the NM2+. And in reality, they are. The NM2+ have a more analytical and cooler profile, within a very similar profile and frequency response.
The low end of both is very similar, but I find that there is a point of greater texture and roughness in the NM2+, something that adds extra appeal. On the other hand, the bass timbre of the NA2+ is slightly warmer and deeper, with less colour, darker and also a bit wider.
In the mid-range, it becomes more noticeable which way each is going. While the NM2+ excels in its coolness and analytical ability, as well as its great separation, detail and level of resolution, the NA2+ replaces some of that technicality with a delicate, thin blanket that envelops the music, bringing a hint of softness and musical continuity. While even silence is more descriptive on the NM2+, that background is untextured and not as clearly perceived on the NA2+. One of the great virtues of the NM2+ is the power to shred a great deal of detail on the surface of instruments and voices, something that is not true of the NA2+. In that sense, the NM2+ are more critical of recordings as they are able to strip any composition bare, extracting all the detail and nuance, being sharper and more thorough than the NA2+, which are slightly more permissive and melodious. The cooler, more excited timbre in the treble is also more clear in the NM2+. The notes also reach higher, being thinner, sharper and crisper, with a sparkle superior to the NA2+. The timbre is also warmer on the NA2+, as is generally the case, and its flare is more muted and dry. The treble shines brighter on the NM2+, especially in the first half.
I find more separation in the NM2+ as the notes are thinner and thinner, giving more space to the silence and the gap between them. Its higher level of dissection gives it this advantage, although the sense of air seems more evident, everything has an influence. The subtly more nuanced sound of the NA2+ is less expansive and seems to take up less space and spread out to a lesser degree. The technical evidence of the NM2+ seems to give it a superior and somewhat more enveloping sense of scene, flooding the listener with more detail and nuance, vaporising more of the soundstage. It also feels more precise and concrete when it comes to placing elements three-dimensionally and it is easier to guess where they are coming from in the scene.
Conclusion
Individually, the NF Audio NA2+ are very good IMS. But their great enemy is in the family itself. Coming from a technical powerhouse like the NM2+, whose capabilities are above and beyond its tuning, the NA2+ brings little change in this regard and adds a hint of smoothness to the sound. If NF Audio is not going to offer superior technicalities to the NM2+, it could have enriched the NA2+ with a different tuning, adding, for example, a little more meat in the low end and upper mids. But it hasn't and has created a very similar curve, but with a slightly warmer timbre and a smoother, more musical presentation. Those looking for a bit of smoothness to the NM2+'s crystalline, analytical presentation are in for a treat. While those who were looking for a little more juice, some real musical difference, will be a little more disappointed with the end result. And it's all the "fault" of its NM2+ sibling, because it's not easy to make IEMS with the technical and musical qualities of the NA2+. But...
Sources Used During the Analysis
Ratings
Purchase Link
https://penonaudio.com/nf-audio-na2-plus.html
You can read the full review in Spanish here:
https://hiendportable.com/2021/12/05/nf-audio-na2-review-2/
There is little or nothing left for me to say about NF Audio that I haven't said in my many previous reviews of their products. So I will now introduce the new model, the subject of the current review. These are the NF Audio NA2+, siblings of the NM2+ and cousins of the NA2. Or the other way around. In my opinion they are more similar to the NM2+, both in sound profile and construction. This new model uses a dynamic driver called the MC2L-1OM, which uses a dual magnetic circuit design. Two high-performance neodymium-iron-boron magnets provide a magnetic flux of more than 1 Tesla. It also uses a higher precision integrated tuning printed circuit board, which is more stable and reliable and has a better tone. The dynamic unit has two cavities, to control air pressure more precisely, resulting in smoother diaphragm movement and greater detail. And speaking of the diaphragm, it is made of 5μ polymer, lightweight, medium rigidity and high molecular content. As usual, the NA2+ comes standard with a silver-plated, oxygen-free copper wire in Litz structure, with up to 280 cores. If the NM2+ had a blue top, the NA2+ comes with an orange top, giving an idea about a warmer profile than its sibling. Do they achieve this, are there differences between the two, what do these new NA2+ look like? In the following review I will try to answer all these questions and many others.
Disclaimer
Penon Audio Store, offered me this model, in exchange for writing an honest review. I want to make it clear that all my opinions written in this review have not been conditioned by this fact, nor will I ever write anything that I do not really think or feel here. I will only write about my personal opinion in relation to the revised product.
Specifications
- Driver Type: Dual-cavity dynamic driver
- Frequency Response: 9-40kHz
- Sensitivity: 107dB/mW
- Impedance: 32 Ω
- Max SPL: 125dB
- Distortion Ratio: <1% Distortion Ratio: <1% Distortion Ratio: <1
- Acoustic Isolation: 25dB
- Jack Connector: 3.5
- Capsule Connection Type: 0.78mm
- 5N silver plated OFC cable.
- Box Dimensions: 145x128x83mm
- Net Weight: 300g
Packaging
Admittedly, NF Audio's packaging is not very varied. Except for the colours, you could say that it is pretty much the same as for the NM2+, NM2 and NA2. Once again, it is the classic cube-shaped box that opens in two halves and the interior is clearly inspired by a Compact Disc. Its dimensions are 145x128x83mm and its weight is 300g. The external colours vary from the darker grey of the case to the off-white of the top and the lettering. On the top there is a real photo of the capsules, with their cable, on the front side. The orange dot with the NF Audio logo is in the lower right corner. On the back, at the top, is the model name, in large print, which belongs to the "Music Series". Below, on an orange background, are the specifications, in Chinese and English. The box is completely sealed in clear plastic. Once the cardboard is removed, the inside opens in two halves. On the right side is the CD, the mould containing the capsules. Underneath, there is the round blister containing the silicone tips and, finally, the cable. On the left side, there is the manual and underneath, the zippered carrying case, to which NF Audio has become accustomed, made of a strong, dark grey fabric, with the logo screen-printed in black in the centre of the upper side. In summary, the complete contents are as follows:
- The two capsules of the NA2+.
- The Litz 5N silver-plated, oxygen-free copper cable with 3.5mm Audio plug.
- Three pairs of black SxMxL Balanced silicone tips.
- Three pairs of white silicone tips SxMxL Atmosphere.
- Zippered carrying case.
- Adapter for 6.35mm jack.
There are some slight differences between the NM2+ packaging: the inside has changed sides and what was on the right is now on the left and upside down. The lettering is still large, the external design has different colours and the Bass tips have disappeared to make way for the Atmosphere tips. Otherwise, the rest of the accessories are the same. I should comment that there is little variation in this respect in the NF Audio packaging.
Construction and Design
Again, both the design and construction of the NA2+ are very similar to its NM2+ sibling. Its external colour is darker grey and the top with the brand's logo is orange.
The NA2+ is constructed from aircraft-grade aluminium, painted in a dark, but glossy, grey. For their machining, a 5-axis CNC has been used, giving the capsules a more precise, stronger and lighter construction, thanks to the quality of the aluminium used and its alloy.
The nozzles have a height of 3.5mm, a smaller diameter of 4.75mm at the base and a larger diameter of 5.35mm at the outer rim. Both are covered by a perforated metal grid.
The surface of the capsules is micro-textured and the separation of the two faces can be seen, without implying any degree of weakness. The outer face has two levels, the outer part protruding, while the central part is slightly depressed. The NF logo is inscribed in the centre. At the top of the edge of the capsules is the 0.78mm two-pin connection. This is a rigid, transparent, shallow, oval-shaped plastic plate. This means that it is desirable that the cable pins have a female sleeve, which is compatible with this shape. Very close to the connector there is a hole and following downwards, along the same edge, you will come to the orange dot, a small inscribed circle, inside which is also the NF logo, surrounded by that orange ink. On the other side of the connector, also following the edge, the letters indicating the channel (L and R) are inscribed. Finally, on the lower edge, the words "NA2+ MUSIC" are inscribed. Finally, there is another small hole on the inside, at the foot of the nozzle column.
Internally and on this occasion, the dual-circuit magnetic driver used is called MC2L-1OM. It uses two high-performance neodymium-iron-boron magnets to provide a magnetic flux of more than 1 Tesla. The diaphragm, made of 5u polymer, is light, of medium stiffness and has a good elasticity which improves its performance. The dynamic unit has two cavities, to control the air pressure more precisely, resulting in smoother diaphragm movement and more detail. The cable is the same as that used for the NM2+: a silver-plated oxygen-free copper cable with a Litz structure, with up to 280 cores. It consists of 4 tightly wound strands, resulting in a smooth, black cable, with a very adequate thickness and very manageable, yet not very windable. The sleeve of the plug is unchanged from the other models, being cylindrical and grey, except for the flat part where the brand name is inscribed. The dividing piece is a black plastic medal, with the logo on both sides. The pin is metal, with two holes inside. The two-pin connector is covered by a rigid, transparent plastic sleeve. The sleeve is angled and has the classic vertical axis spacing. The cables coming out of these connectors are protected by a semi-rigid and transparent sheath, which gives them an over-ear shape.
Very little variation on its brother NM2+, only the darker grey colour of the capsule, the orange taupe and the black cable. Successful model, not to be changed.
Adjustment and Ergonomics
Same shape, same ergonomics. This will be a cut and paste from the NM2+ review. The fit is very good, with insertion ranging from shallow to medium. Ample possibility of "Tip Rolling". Durable fit, remarkable hold and no discomfort. Hardly any rubbing against the ear parts. The slightly deeper insertion, depending on the tips, increases the level of isolation (according to the manufacturer, up to 25dB). The comfort and fit are as good as those of the NM2+.
Regarding the cable, the connectors have the same shapes and the detail that separates them from the head. Although the cable is a different colour, it is still very manageable.
Excellent comfort.
Sound
Profile
The profile follows that neutral/bright trend, with a clear enhancement in the upper mids and first highs. The bass is quite linear, with a slight accent in its centre. The audible top end is very well represented, with a large extension. The sound is not as analytical as that of its NM2+ sibling, but neither could it be described as warm. But it is actually a bit more musical and not as cold as the NM2+. Nevertheless, it still retains a high degree of precision and resolution. It also remains clear, transparent, with more air, even, fast and with a remarkable texture.
Bass
The low end of the NF Audio is almost canonical. In the + series its emphasis is more controlled, presenting a rather lower sub-bass, with the band being more linear and slightly accentuated in its centre. In the overall sound, the incidence of the lower range is slightly higher than neutral, but its quality and performance cannot be overlooked. The speed and rapidity of the decay are the sections that make the range canonical, at the level of control and execution. The level of precision, together with a very realistic and musical sonority, make the bass qualitatively excellent. And even with such high levels of technicality and soft dominance, the texture is still perceptible, as is its descriptiveness and expressiveness.
In no case do the basses take precedence over other musical strips, but this does not imply that their presence is residual. The only pity is that their predominance is not superior, because it limits their enjoyment and when you want to enhance them, it is necessary to resort to volume, but with care, as the rest of the ranges are more protagonists.
The bass is not so cold, it has a more neutral tendency in its colour and timbre, without any colouring whatsoever. Pure notes sound realistic, although the sub-bass below 40Hz is lighter. The punch is dry, restrained and tight, very controlled, with a medium but obvious depth. There is no aftertaste or contamination towards the midrange. So this is a reference low end, with a certain level of musicality, a lot of technical quality, totally audiophile grade.
Mids
Continuing with the characteristics of the + series, the midrange continues to stand out, although this time its performance is not as analytical. A slight hint of musicality has been added, but it still displays a high degree of transparency and clarity, the result of those enhanced high mids. In my opinion, the splendour of the mid-range is somewhat more restrained and not as explicit in detail, nor in analytical ability, but the representation is softer compared to the other NM2+ model. This makes the mid-range an enjoyable and less demanding range for our ears, giving them a break by not providing as much explicit information. In this aspect, the micro-detail is not as evident, but comes across as more natural, playing to create a less strict ambience. The elements are still concise, but less penetrating. In this way, vocals feel with a point of sweetness, within their specific light and spice. The sense of ultra-definition is not as apparent, and despite the concise drawing, there is a final relaxation in all elements. The edges are not so straight, nor the spaces so defined. There is no blending but the silence is not so absolute. The prominence of the notes persists and they are absolutely perceived, but they are faintly threaded together. Their placement still stands out but they don't remain as focused, but possess a little more life and movement, a hint more soul and passion.
The body of the instruments and voices is a little thicker, but never dense. Their space in the sound spectrum is still thin, but with more flesh. The descriptive effort still allows for a very democratic and equal level, when it comes to showing instruments, voices, details and nuances. In this way the elements are shown on fairly close, but not mixed or overlapping, levels of planes. All of them enjoy their real protagonism and their space is that which corresponds to them, but they are neither omitted, nor hidden, nor delayed or overexposed. Once again, the virtue of the NA2+ is still the maximum representation of all the elements, without losing coherence or overwhelming, occupying as much space as possible, so that they can be distinguished individually, but with a touch more musicality.
Treble
The high end is the pinnacle of the NA2+'s technicality. Their timbre is bright, though not out of realism as their speed tones down their echo. They feel shimmering and crisp, but not very persistent, which also helps to create a cleaner, less saturated space in the high notes. They don't feel as penetrating and the added musicality makes them less cutting. They are not as dry, but still retain prominence and virtuosity, which performs a dual function: expressing the purely high notes with great definition, resolution and naturalness, as well as helping to provide a much richer, more nuanced and harmonic ride on the other elements.
The upper zone is extended, airy and protagonist. Its presence is undeniable and may be excessive for delicate ears. But it's a very high quality range, excited and present, which expresses itself with vehemence, but without losing an iota of technique.
Soundstage, Separation
The level of separation is large, with a clean background. The placement of the elements is precise and well spaced from each other. The sound is very clear and transparent, with a defined reconstruction. The music feels present and close, there are few distant elements and there is no high depth. The musical distribution is eminently frontal and with good height. The sense of laterality is prominent and the stereo recreation also stands out. The sound is not very enveloping or ethereal, though, despite the noticeable sense of air and surrounding separation.
Comparisons
NF Audio NM2+
Externally, they are very similar, with a different colour, clear grey for the NM2+, blue top and white cable. Internally, the driver used for the NM2+ is the MC2L-10II, while for the NA2+, it is the MC2L-10M. The specifications change from 18Ω, 108dB/mW for the NM2+, to 32Ω, 107dB/mW for the NA2+. You can see that the NM2+ is more sensitive and actually quite noticeable when connected to a source, less power is needed to move them.
On paper, the NA2+ are a more musical version of the NM2+. And in reality, they are. The NM2+ have a more analytical and cooler profile, within a very similar profile and frequency response.
The low end of both is very similar, but I find that there is a point of greater texture and roughness in the NM2+, something that adds extra appeal. On the other hand, the bass timbre of the NA2+ is slightly warmer and deeper, with less colour, darker and also a bit wider.
In the mid-range, it becomes more noticeable which way each is going. While the NM2+ excels in its coolness and analytical ability, as well as its great separation, detail and level of resolution, the NA2+ replaces some of that technicality with a delicate, thin blanket that envelops the music, bringing a hint of softness and musical continuity. While even silence is more descriptive on the NM2+, that background is untextured and not as clearly perceived on the NA2+. One of the great virtues of the NM2+ is the power to shred a great deal of detail on the surface of instruments and voices, something that is not true of the NA2+. In that sense, the NM2+ are more critical of recordings as they are able to strip any composition bare, extracting all the detail and nuance, being sharper and more thorough than the NA2+, which are slightly more permissive and melodious. The cooler, more excited timbre in the treble is also more clear in the NM2+. The notes also reach higher, being thinner, sharper and crisper, with a sparkle superior to the NA2+. The timbre is also warmer on the NA2+, as is generally the case, and its flare is more muted and dry. The treble shines brighter on the NM2+, especially in the first half.
I find more separation in the NM2+ as the notes are thinner and thinner, giving more space to the silence and the gap between them. Its higher level of dissection gives it this advantage, although the sense of air seems more evident, everything has an influence. The subtly more nuanced sound of the NA2+ is less expansive and seems to take up less space and spread out to a lesser degree. The technical evidence of the NM2+ seems to give it a superior and somewhat more enveloping sense of scene, flooding the listener with more detail and nuance, vaporising more of the soundstage. It also feels more precise and concrete when it comes to placing elements three-dimensionally and it is easier to guess where they are coming from in the scene.
Conclusion
Individually, the NF Audio NA2+ are very good IMS. But their great enemy is in the family itself. Coming from a technical powerhouse like the NM2+, whose capabilities are above and beyond its tuning, the NA2+ brings little change in this regard and adds a hint of smoothness to the sound. If NF Audio is not going to offer superior technicalities to the NM2+, it could have enriched the NA2+ with a different tuning, adding, for example, a little more meat in the low end and upper mids. But it hasn't and has created a very similar curve, but with a slightly warmer timbre and a smoother, more musical presentation. Those looking for a bit of smoothness to the NM2+'s crystalline, analytical presentation are in for a treat. While those who were looking for a little more juice, some real musical difference, will be a little more disappointed with the end result. And it's all the "fault" of its NM2+ sibling, because it's not easy to make IEMS with the technical and musical qualities of the NA2+. But...
Sources Used During the Analysis
- HiBy R3 PRO.
- Tempotec Sonata E35.
- Earmen Sparrow.
- Earmen TR-Amp.
- Hidizs DH80S.
- Hidizs S9 Pro.
- E1DA #9038D.
- Qudelix-5K.
- Burson Audio Playmate.
- S.M.S.L Sanskrit 10th MKII + iFi ZEN CAN.
Ratings
- Construction and Design: 87
- Adjustment/Ergonomics: 92
- Accessories: 83
- Bass: 88
- Mids: 89
- Treble: 88
- Separation: 89
- Soundstage: 89
- Quality/Price: 87
Purchase Link
https://penonaudio.com/nf-audio-na2-plus.html
You can read the full review in Spanish here:
https://hiendportable.com/2021/12/05/nf-audio-na2-review-2/
NF audio NA2+
NF audio need no introduction as I feel most know about these folks by now and the outstanding earphones they make. I have seen a steady progression of their dynamic designs ever since reviewing the NA1. These guys are masters of the technical sound and all their earphones shows this particular aspect in sound design as a strength to their tunings for all of their dynamic earphones.
I am now seeing what has become consistent with how NF audio likes to tune their earphones. Their designs do not stray too far from a neutral angle for sound tunings so you can say most of their earphones have an analytical edge to the sound. These folks are used to tuning stage monitors so precision seems to be of the utmost importance for their house sound.
The NA2+ is an ongoing continuation of their dynamic series which all incorporate some highly refined sound tuning utilizing a very resolving, code named MC2L- 10mm dynamic driver to conform to the level of sound tuning they are looking for. A Tesla rated dual magnetic circuit with a dual cavity housing design helps the NA2+ and its siblings with some of the most cleanly defined sound for your music listening. The NA2+ here is touted to be made for music listening vs being a more monitor focused counterpart tuning of the NM2+.
What is interesting about NF audio sound is it seems all these dynamics are slight tweaks of their original NA1 design/sound signature and does not depart too much from that original tuning philosophy. So the consistency of how these earphones sound are all there. You will never mistake one of their dynamic earphones in sound to another in the price range.
Standarly disclaimers. I would like to thank Penon audio and NF audio for the review sample. The NA2+ was provided for the purpose of a review. If you want to get yourself a set you can check them out here. I have burned in the NA2+ for a week and for sound analysis I am using my sources. Fiio M15, Shanling M6pro, M5s, M3s, Ibasso DX160, ZX300, Pioneer XDP-30r, Ibasso PB3 and IFI Black Label for amping.
What comes in the box is their standard silver plated OFC cables in single ended. Which I think was a good choice as it is NF audio saying you need to upgrade this cable. It is in the good enough category of cables to check out your earphones but by no means does it optimize the sound of the NA2+. 2 sets of silicones a fairly small clam shell round case barely big enough to fit the earphones, and a stereo adapter. Nothing fancy in other words.
What makes the NA2+ more music infused vs the more monitor/ analytical NM2+? For fans of the NM2+ precision. This aspect is very similar for how the NA2+ is tuned. The sound tweak comes in the form of lesser upper mids and a smoother treble performance and in doing so also emphasizes a slight uptick for the bass end as well. This minor tweak in the sound tuning enables the NA2+ to sound a touch less rigid and a bit smoother sounding vs the NM2+ adding a balancing tweak more so than anything.
The NA2+ sound roots are still very highly technical in approach and for enthusiasts that have never heard an NF audio tuned earphone. The NA2+ seem to be a fine tuning of many aspects of their previous earphones all in one. To put it simple your really not gonna find too many earphones that has the technical edge of an NF audio dynamic earphone and there is no mistaking that crystalline like sound quality from the NA2+
Treble has a fine line of precision, with a slight touch of edgy involved. Not so much as to ruin your music but I can understand how some folks that might be a bit treble sensitive might not take a liking to NF audio earphones. NA2+ has a high level of detail in all parts of the sound, nicely executed clarity and air which make the sound overall have a certain intense precision of imaging that is crucial for more complex music that requires it. While not as analytical as their NM2+ I can see why the tuners of NF audio decided to tone down the lower trebles by a few dbs here but does not lose any detail or transparency from the treble end. It is just better balanced. In accordance the upper mid range is not as pronounced as it is on the NM2+ but still has a healthy amount roughly 12dbs of pinna gain in the upper mids.
Clarity has always been another house sound trait for NF audio and as such has an overall glass like clarity working together with it’s imaging for how the sound is portrayed. This type of transparency and clarity you can associate with much higher end reference like tunings in the headphone industry and certainly something you don’t get on a sub $200 level earphone.
That transparent sound signature of the NA2+ has mids that sees a slight uptick in texture with some added depth. Upper mids are more pronounced but has good balancing overall for the mid band. Note weight is not thin and it certainly is not thick which helps maintain a very precise imaging of your music added a stage that has excellent proportions wider than deep or in its height of sound. Imaging for the most part is actually done better with BAs but the NA2+ shows an amazing ability to chop socky your tunes every little layered portions with an imaging that is really second to none for single dynamics especially at the price range.
Its resolving ability is a clear stand out, It now seems to be a house tuning aspect for NF audio. I do believe their NM2+ was their most successful earphone and their follow up in the NA2+ is actually closer to the NM2+ sound design than I would have liked and on careful thought why change too much of what was a success for you right?
If they were going for a musical touch on the NA2+ I would have liked to have seen a touch less upper mids still and more sub bass authority vs being a slight tweak on the NM2+ sound signature.
Mids tuning on NF audio earphones all have a clarity and are more neutral in performance than overly colored or saturated in any way. Mids this time around is less neutral in tone and adds a slight smoother sound quality which is welcomed while still maintaining that high level of technical sound tuning that serves as a basis for their tunings. When I did my previous review of the NM2+ I posted there that I didn’t feel their specialized cable was a real benefit to the sound tuning of the NM2+ and so they went with their standard silver plated OFC cable here. Again they should have included a good copper cable instead but the stock cable is good enough to hear what these are about but I do recommend a good resolving copper cables to really bring out the best in the NA2+. They went for clarity for the mids but in doing so is not as musical as I would have liked. I would still categorize the tuning to be more analytical in approach than musical what they are supposed to be.
Bass is good here but nothing that is award winning. Bass perception is better than their previous NM2+ but only very marginal and it is due mostly from the upper tuning reduction more so than being more emphasized in the region. It has good presence, tightness, speed and digs deep for subs but still sounds more monitor like in presentation than what I consider musical. As they sound the bass end plays more of a supportive role than being featured in the presentation. This aspect is helped out the most with the mids with a good copper cable which was a 100% necessity on their previous earphone NM2+. My point is the tuning has not really changed so much where the base tonality is fairly similar in execution. Hence the need for a better copper cable for better tonality on the NA2+ as well.
NA2+ does sound to my ears better tuned than the NM2+ but again it is such a minor rework of their previous NM2+ I can’t help but think they are trying to piggyback on the success of the NM2+. I think for a first time buyer of NF audio phones these are the ones to get over their previous offerings but for fans of NF audio line of dynamics that own their previous offerings. The NA2+ should have been a bit more.
If you're a fan of the technical approach to sound, these earphones are amazing in what they do, as you will be getting a highly resolving earphone with great detail, separation, stage and imaging but for previous owners, I can’t say these are an actual upgrade to what you already own. It is more like a side dish with a slight different flavor. Taken for what they are, there is absolutely no mistaking that precise sound signature from the NA2+. But this time around I feel they could have done just a bit more to really bring a musical full bodied sound signature that would have given a greater reason for the NF audio fan to shell out their hard earned cash to get a greater music focused earphone that is more different than being a slight balance tweak.
The design is solid as usual in an all metal build and the accessories are adequate but the tuning, while better for music listening as it claims. I feel it is a bit of a lost opportunity for NF audio to bring out something that sounds even more musical than what they are. To be fair These are clearly worth their asking price to get a set and I do believe these are actually tuned better than the NM2+ for music versatility, especially if you have never heard a NF audio earphone. I would recommend the NA2+ without reservation.
NA2+ has a neutral tone with a highly detailed resolving nature to its sound foundation, its timbre performance is clean, its stage very nicely imaged with a wider sideways oval shaped imaging. It is a clean sounding earphone but somehow NF audio's prior monitor design roots shows to be more similar than not and I hope on their next offering they try something a bit different. Something a bit bolder with greater note weight fullness and better dynamics. Maybe my expectation of what set the NF audio made earphones was now at such a high level it was difficult to reach after the NM2+. There is no question the NA2+ adds the sound tweaks necessary for music listening its just that it is not exactly all that different from the NM2+ I appreciate you taking the time to read my thoughts. As always happy listening.
NF audio need no introduction as I feel most know about these folks by now and the outstanding earphones they make. I have seen a steady progression of their dynamic designs ever since reviewing the NA1. These guys are masters of the technical sound and all their earphones shows this particular aspect in sound design as a strength to their tunings for all of their dynamic earphones.
I am now seeing what has become consistent with how NF audio likes to tune their earphones. Their designs do not stray too far from a neutral angle for sound tunings so you can say most of their earphones have an analytical edge to the sound. These folks are used to tuning stage monitors so precision seems to be of the utmost importance for their house sound.
The NA2+ is an ongoing continuation of their dynamic series which all incorporate some highly refined sound tuning utilizing a very resolving, code named MC2L- 10mm dynamic driver to conform to the level of sound tuning they are looking for. A Tesla rated dual magnetic circuit with a dual cavity housing design helps the NA2+ and its siblings with some of the most cleanly defined sound for your music listening. The NA2+ here is touted to be made for music listening vs being a more monitor focused counterpart tuning of the NM2+.
What is interesting about NF audio sound is it seems all these dynamics are slight tweaks of their original NA1 design/sound signature and does not depart too much from that original tuning philosophy. So the consistency of how these earphones sound are all there. You will never mistake one of their dynamic earphones in sound to another in the price range.
Standarly disclaimers. I would like to thank Penon audio and NF audio for the review sample. The NA2+ was provided for the purpose of a review. If you want to get yourself a set you can check them out here. I have burned in the NA2+ for a week and for sound analysis I am using my sources. Fiio M15, Shanling M6pro, M5s, M3s, Ibasso DX160, ZX300, Pioneer XDP-30r, Ibasso PB3 and IFI Black Label for amping.
What comes in the box is their standard silver plated OFC cables in single ended. Which I think was a good choice as it is NF audio saying you need to upgrade this cable. It is in the good enough category of cables to check out your earphones but by no means does it optimize the sound of the NA2+. 2 sets of silicones a fairly small clam shell round case barely big enough to fit the earphones, and a stereo adapter. Nothing fancy in other words.
What makes the NA2+ more music infused vs the more monitor/ analytical NM2+? For fans of the NM2+ precision. This aspect is very similar for how the NA2+ is tuned. The sound tweak comes in the form of lesser upper mids and a smoother treble performance and in doing so also emphasizes a slight uptick for the bass end as well. This minor tweak in the sound tuning enables the NA2+ to sound a touch less rigid and a bit smoother sounding vs the NM2+ adding a balancing tweak more so than anything.
The NA2+ sound roots are still very highly technical in approach and for enthusiasts that have never heard an NF audio tuned earphone. The NA2+ seem to be a fine tuning of many aspects of their previous earphones all in one. To put it simple your really not gonna find too many earphones that has the technical edge of an NF audio dynamic earphone and there is no mistaking that crystalline like sound quality from the NA2+
Treble has a fine line of precision, with a slight touch of edgy involved. Not so much as to ruin your music but I can understand how some folks that might be a bit treble sensitive might not take a liking to NF audio earphones. NA2+ has a high level of detail in all parts of the sound, nicely executed clarity and air which make the sound overall have a certain intense precision of imaging that is crucial for more complex music that requires it. While not as analytical as their NM2+ I can see why the tuners of NF audio decided to tone down the lower trebles by a few dbs here but does not lose any detail or transparency from the treble end. It is just better balanced. In accordance the upper mid range is not as pronounced as it is on the NM2+ but still has a healthy amount roughly 12dbs of pinna gain in the upper mids.
Clarity has always been another house sound trait for NF audio and as such has an overall glass like clarity working together with it’s imaging for how the sound is portrayed. This type of transparency and clarity you can associate with much higher end reference like tunings in the headphone industry and certainly something you don’t get on a sub $200 level earphone.
That transparent sound signature of the NA2+ has mids that sees a slight uptick in texture with some added depth. Upper mids are more pronounced but has good balancing overall for the mid band. Note weight is not thin and it certainly is not thick which helps maintain a very precise imaging of your music added a stage that has excellent proportions wider than deep or in its height of sound. Imaging for the most part is actually done better with BAs but the NA2+ shows an amazing ability to chop socky your tunes every little layered portions with an imaging that is really second to none for single dynamics especially at the price range.
Its resolving ability is a clear stand out, It now seems to be a house tuning aspect for NF audio. I do believe their NM2+ was their most successful earphone and their follow up in the NA2+ is actually closer to the NM2+ sound design than I would have liked and on careful thought why change too much of what was a success for you right?
If they were going for a musical touch on the NA2+ I would have liked to have seen a touch less upper mids still and more sub bass authority vs being a slight tweak on the NM2+ sound signature.
Mids tuning on NF audio earphones all have a clarity and are more neutral in performance than overly colored or saturated in any way. Mids this time around is less neutral in tone and adds a slight smoother sound quality which is welcomed while still maintaining that high level of technical sound tuning that serves as a basis for their tunings. When I did my previous review of the NM2+ I posted there that I didn’t feel their specialized cable was a real benefit to the sound tuning of the NM2+ and so they went with their standard silver plated OFC cable here. Again they should have included a good copper cable instead but the stock cable is good enough to hear what these are about but I do recommend a good resolving copper cables to really bring out the best in the NA2+. They went for clarity for the mids but in doing so is not as musical as I would have liked. I would still categorize the tuning to be more analytical in approach than musical what they are supposed to be.
Bass is good here but nothing that is award winning. Bass perception is better than their previous NM2+ but only very marginal and it is due mostly from the upper tuning reduction more so than being more emphasized in the region. It has good presence, tightness, speed and digs deep for subs but still sounds more monitor like in presentation than what I consider musical. As they sound the bass end plays more of a supportive role than being featured in the presentation. This aspect is helped out the most with the mids with a good copper cable which was a 100% necessity on their previous earphone NM2+. My point is the tuning has not really changed so much where the base tonality is fairly similar in execution. Hence the need for a better copper cable for better tonality on the NA2+ as well.
NA2+ does sound to my ears better tuned than the NM2+ but again it is such a minor rework of their previous NM2+ I can’t help but think they are trying to piggyback on the success of the NM2+. I think for a first time buyer of NF audio phones these are the ones to get over their previous offerings but for fans of NF audio line of dynamics that own their previous offerings. The NA2+ should have been a bit more.
If you're a fan of the technical approach to sound, these earphones are amazing in what they do, as you will be getting a highly resolving earphone with great detail, separation, stage and imaging but for previous owners, I can’t say these are an actual upgrade to what you already own. It is more like a side dish with a slight different flavor. Taken for what they are, there is absolutely no mistaking that precise sound signature from the NA2+. But this time around I feel they could have done just a bit more to really bring a musical full bodied sound signature that would have given a greater reason for the NF audio fan to shell out their hard earned cash to get a greater music focused earphone that is more different than being a slight balance tweak.
The design is solid as usual in an all metal build and the accessories are adequate but the tuning, while better for music listening as it claims. I feel it is a bit of a lost opportunity for NF audio to bring out something that sounds even more musical than what they are. To be fair These are clearly worth their asking price to get a set and I do believe these are actually tuned better than the NM2+ for music versatility, especially if you have never heard a NF audio earphone. I would recommend the NA2+ without reservation.
NA2+ has a neutral tone with a highly detailed resolving nature to its sound foundation, its timbre performance is clean, its stage very nicely imaged with a wider sideways oval shaped imaging. It is a clean sounding earphone but somehow NF audio's prior monitor design roots shows to be more similar than not and I hope on their next offering they try something a bit different. Something a bit bolder with greater note weight fullness and better dynamics. Maybe my expectation of what set the NF audio made earphones was now at such a high level it was difficult to reach after the NM2+. There is no question the NA2+ adds the sound tweaks necessary for music listening its just that it is not exactly all that different from the NM2+ I appreciate you taking the time to read my thoughts. As always happy listening.
Dsnuts
Yup absolutely. Excellent detail retrieval for dynamics at this price range
ttorbic
Thanks! I'm a bit table sensitive, and people are saying this is a somewhat bright set. I'm thinking of Hana 2021, Yuan Li, or this set. Would you mind sharing your advice?
Dsnuts
Its got upper mid emphasis which gives a clean clear tone but I wouldnt say they are bright. The older NM2+ has even more upper mids and those can sound a bit brighter.
the NA2+ with a copper cable and it sonds clean but not bright.
Never heard the others so I have no idea about them.
the NA2+ with a copper cable and it sonds clean but not bright.
Never heard the others so I have no idea about them.
Introduction: In an industry characterized by ever-increasing driver counts — not to mention novel driver types such as piezoelectrics and ESTs — the past several years has nevertheless seen a welcome renaissance of single-DD IEMs. Last fall NF Audio made one of the more widely-praised contributions to this renaissance with the NM2+, a bright-neutral monitor with astonishing technicalities for a sub-$200 IEM. Now they are back with the NA2+ — this time in their “Audio” series rather than the “Monitor” series of the NM2+, denoting a focus on musical enjoyment rather than analytical prowess. Though apparently the NA2+ has been selling well in Asian markets, it has garnered significantly less attention elsewhere than its older brother. How does it compare to the NM2+? Read on to find out.
I would like to thank Penon Audio for supplying a review unit of the NA2+ in exchange for my honest opinion. The NF Audio NA2+ can be purchased here.
The MSRP remains at the same $169 as the NM2+. Specifications are as follows:
Packaging & Accessories: NF Audio continues their compact disc-inspired packaging theme, but this time in a smart black/orange color scheme that denotes the “fun” presentation to which the NA-series aspires (in contrast to the silver/black scheme of the NM2+’s packaging). After removing the slip cover from the relatively large box, it opens book-style to reveal the IEMs in round CD-shaped foam on the right side, while the left side presents us with an informational booklet. Underneath the booklet is a round hard shell carry case, while underneath the CD-style foam are accessories including a wheel of tips and the stock cable.
Altogether the included accessories are as follows:
NF Audio continues to impress with its attention to detail in both packaging as well as accessories. Everything one needs is included in the box, and the quality of everything is quite satisfactory (aside from the somewhat tangly nature of the cable). I conducted my review using the stock cable and black “balanced” tips, although I did try various third-party cables and tips as well before settling back on the aforementioned stock options as providing optimal sound quality and comfort.
Build & Comfort: One of the major improvements from the NM2 to NM2+ was the transition from resin shells to aluminum housing, and the same upgrade has been made in the case of the NA2+. The build quality of the IEMs is superb, I have absolutely no complaints here and expect them to hold up without issue for a long time to come. Comfort is likewise excellent despite the medium-long nozzles, even over very long listening sessions. There is no driver flex at all, however the isolation of double-vented shells is merely average.
One caveat however is that, like the NM2+ before it, the NA2+ is very sensitive to insertion depth and angle. While I often use straight 2-pin cables even with QDC-style IEMs for reasons of comfort, in the case of the NA2+ this resulted in a lot of glare in the upper mids which went away entirely when I switched back to the stock cable, with its QDC connectors and rather tight ear guides ensuring that the IEMs retained optimal insertion. While individual ear anatomy is of course highly variable, I strongly recommend experimenting thoroughly with fitment for this IEM.
Initial Impressions: Although unfortunately the NM2+ was sold on earlier this year in order to fund another purchase, it was my daily driver for the better part of a year and so of course is the main reference for my impressions of its younger brother. And all in all, the two have far more similarities than differences, most notably sharing some of the best technicalities in the sub-$200 price bracket — even holding their own against very competent $300 hybrids like the LZ A7. While both are tuned quite closely, there are a few slight differences: the NA2+ has a slightly more linear bass response, just a touch more warmth and body in the lower mids, and slightly tamed upper mids. In addition it has noticeably more soundstage depth, leading to a more 3D-holographic presentation and an accompanying reduction in congestion as compared to the NM2+.
Signature: The NA2+ can be somewhat chameleon-like when it comes to identifying a sound signature, and I think this will greatly depend on each individual’s frame of reference for neutrality. I could see it being categorized as anything from “U-shaped” to “mildly V-shaped” to “bright neutral” to “neutral with bass boost”. Personally I would probably call it U-shaped, with a modest amount of linear bass boost along with a moderate elevation in the upper mids descending into slightly accented lower treble. The graph indicates a pinna gain nearly as massive as that of the NM2+, but (given proper fitment as noted above) I never heard the glare on the NA2+ that I sometimes did on its older brother — though the upper mids remain unquestionably energetic.
Bass: I recall the biggest surprise of the NM2+ for me personally being its astoundingly high-quality bass, and thankfully this is retained in the NA2+. This is definitely a case of quality over quantity, since the NA2+ hews far closer to neutral in the lower registers than do nearly all other IEMs. The bass is exceedingly tight and fast for a dynamic driver, and is quite well-extended. I would even say that it is more textured than its older brother, and indeed is perhaps the best-textured bass I have heard, period. The linearity of the bass response means that is is not quite as prominent in the overall presentation as the NM2+ was with its mid bass bias, despite sharing a similarly light overall quantity. I would personally have preferred a bit slower decay in order to attain greater musicality, but for those seeking an analytical presentation the low end of the NA2+ is just about as good as it gets.
Mids: The lower mids are similar to the bass in that they are quite close to neutral but with a hint of warmth and added body, a bit more so than on the NM2+ leading to a slightly more intimate presentation than on the latter IEM. Texture and detail are once again superb, and the midrange overall is still quite open despite the bit of added warmth. The upper mids are (as previously mentioned) definitely elevated, although again not quite to the same degree as the NM2+. And to reiterate, after achieving proper fit and insertion I never found the upper mids troublesome in any way, although the NA2+ will never fall into the category of “laid back and relaxing.” Female vocals remarkably are not significantly emphasized over male vocals, and despite the copious pinna gain there was no sibilance whatsoever due to a rather massive scoop around 7k. This scoop does mean that certain harmonics seem to be lacking at times, leading to the occasionally flat voicing of an instrument here or there which is somewhat out of place given the overall energy in the region. Yet I do not know if there was any other way to avoid the fatigue that the upper mids would otherwise have induced.
Treble: The treble continues with the energetic theme set by the upper mids, but in a decidedly even and non-peaky manner which retains plenty of detail and sparkle without becoming harsh. Extension is quite good, especially for a single-DD, and there is a lot of air in the presentation. However, the extremely rapid decay leads to an overly dry presentation which at times prevents the treble from maintaining the kind of naturality that I like to hear in the best dynamic drivers — cymbals, for example, often take on a brittle air, being robbed of proper reverb.
Soundstage & Technicalities: I have not heard any dynamic driver in the price range achieve anything close to the level of technical prowess of the NA2+, and in fact I think it plays on the same technical level as the $660 Oriolus Isabellae. The soundstage depth has increased relative to the NM2+, ameliorating the only real deficiency in the latter’s staging. Combined with excellent imaging, the presentation is now nearing 3D-holographic levels, an astounding feat for a budget-to-mid-tier single dynamic driver. Resolution is quite high, again especially given that it is working with only a single driver. Layering and instrument separation are likewise quite well done, standing up effortlessly to anything I threw at it. As a technical IEM the NA2+ continues on the path blazed by its forebear the NM2+, and despite its being a single DD it nevertheless plays with the best of the hybrids at its price bracket and beyond.
Conclusion: I think it is fairly clear that every change made from the NM2+ to the NA2+ is indisputably an improvement. Yet herein lies the rub: in the grand scheme of things they are all fairly minor changes, and in my opinion this IEM is much more an “NM2++” than it is an “NA2+”, especially as the overall presentation is still far more analytical than musical — despite the changed moniker. I think this is a fairly significant missed opportunity for NF Audio, and even if they had simply retained the tuning of the original NA2 while incorporating the significant upgrades in technicalities and build quality of the “Plus” series I think they would have had a real hit on their hands.
As it is, I would recommend the NA2+ over the NM2+ in basically every instance. Those looking for a superbly technical single DD at an astonishingly reasonable price need look no further than the NF Audio NA2+.
I would like to thank Penon Audio for supplying a review unit of the NA2+ in exchange for my honest opinion. The NF Audio NA2+ can be purchased here.
The MSRP remains at the same $169 as the NM2+. Specifications are as follows:
- Driver: dual cavity dynamic driver
- Frequency response: 9Hz-40kHz
- Sensitivity: 107dB/mW
- Max SPL: 125dB
- Impedance: 32Ω
- Sound insulation: 25dB
- Distortion: <1%
- Connector: 3.5mm
- Cable: 2pin 0.78mm 5N silver-plated OFC
Packaging & Accessories: NF Audio continues their compact disc-inspired packaging theme, but this time in a smart black/orange color scheme that denotes the “fun” presentation to which the NA-series aspires (in contrast to the silver/black scheme of the NM2+’s packaging). After removing the slip cover from the relatively large box, it opens book-style to reveal the IEMs in round CD-shaped foam on the right side, while the left side presents us with an informational booklet. Underneath the booklet is a round hard shell carry case, while underneath the CD-style foam are accessories including a wheel of tips and the stock cable.
Altogether the included accessories are as follows:
- 2-pin 0.78mm (QDC) to 3.5mm cable
- 3.5mm to 6.35mm adapter
- 4 pairs white “atmosphere” silicone tips (SS/S/M/L)
- 3 pairs black “balanced” silicone tips (S/M/L)
- Hardshell carry case
NF Audio continues to impress with its attention to detail in both packaging as well as accessories. Everything one needs is included in the box, and the quality of everything is quite satisfactory (aside from the somewhat tangly nature of the cable). I conducted my review using the stock cable and black “balanced” tips, although I did try various third-party cables and tips as well before settling back on the aforementioned stock options as providing optimal sound quality and comfort.
Build & Comfort: One of the major improvements from the NM2 to NM2+ was the transition from resin shells to aluminum housing, and the same upgrade has been made in the case of the NA2+. The build quality of the IEMs is superb, I have absolutely no complaints here and expect them to hold up without issue for a long time to come. Comfort is likewise excellent despite the medium-long nozzles, even over very long listening sessions. There is no driver flex at all, however the isolation of double-vented shells is merely average.
One caveat however is that, like the NM2+ before it, the NA2+ is very sensitive to insertion depth and angle. While I often use straight 2-pin cables even with QDC-style IEMs for reasons of comfort, in the case of the NA2+ this resulted in a lot of glare in the upper mids which went away entirely when I switched back to the stock cable, with its QDC connectors and rather tight ear guides ensuring that the IEMs retained optimal insertion. While individual ear anatomy is of course highly variable, I strongly recommend experimenting thoroughly with fitment for this IEM.
Initial Impressions: Although unfortunately the NM2+ was sold on earlier this year in order to fund another purchase, it was my daily driver for the better part of a year and so of course is the main reference for my impressions of its younger brother. And all in all, the two have far more similarities than differences, most notably sharing some of the best technicalities in the sub-$200 price bracket — even holding their own against very competent $300 hybrids like the LZ A7. While both are tuned quite closely, there are a few slight differences: the NA2+ has a slightly more linear bass response, just a touch more warmth and body in the lower mids, and slightly tamed upper mids. In addition it has noticeably more soundstage depth, leading to a more 3D-holographic presentation and an accompanying reduction in congestion as compared to the NM2+.
Signature: The NA2+ can be somewhat chameleon-like when it comes to identifying a sound signature, and I think this will greatly depend on each individual’s frame of reference for neutrality. I could see it being categorized as anything from “U-shaped” to “mildly V-shaped” to “bright neutral” to “neutral with bass boost”. Personally I would probably call it U-shaped, with a modest amount of linear bass boost along with a moderate elevation in the upper mids descending into slightly accented lower treble. The graph indicates a pinna gain nearly as massive as that of the NM2+, but (given proper fitment as noted above) I never heard the glare on the NA2+ that I sometimes did on its older brother — though the upper mids remain unquestionably energetic.
Bass: I recall the biggest surprise of the NM2+ for me personally being its astoundingly high-quality bass, and thankfully this is retained in the NA2+. This is definitely a case of quality over quantity, since the NA2+ hews far closer to neutral in the lower registers than do nearly all other IEMs. The bass is exceedingly tight and fast for a dynamic driver, and is quite well-extended. I would even say that it is more textured than its older brother, and indeed is perhaps the best-textured bass I have heard, period. The linearity of the bass response means that is is not quite as prominent in the overall presentation as the NM2+ was with its mid bass bias, despite sharing a similarly light overall quantity. I would personally have preferred a bit slower decay in order to attain greater musicality, but for those seeking an analytical presentation the low end of the NA2+ is just about as good as it gets.
Mids: The lower mids are similar to the bass in that they are quite close to neutral but with a hint of warmth and added body, a bit more so than on the NM2+ leading to a slightly more intimate presentation than on the latter IEM. Texture and detail are once again superb, and the midrange overall is still quite open despite the bit of added warmth. The upper mids are (as previously mentioned) definitely elevated, although again not quite to the same degree as the NM2+. And to reiterate, after achieving proper fit and insertion I never found the upper mids troublesome in any way, although the NA2+ will never fall into the category of “laid back and relaxing.” Female vocals remarkably are not significantly emphasized over male vocals, and despite the copious pinna gain there was no sibilance whatsoever due to a rather massive scoop around 7k. This scoop does mean that certain harmonics seem to be lacking at times, leading to the occasionally flat voicing of an instrument here or there which is somewhat out of place given the overall energy in the region. Yet I do not know if there was any other way to avoid the fatigue that the upper mids would otherwise have induced.
Treble: The treble continues with the energetic theme set by the upper mids, but in a decidedly even and non-peaky manner which retains plenty of detail and sparkle without becoming harsh. Extension is quite good, especially for a single-DD, and there is a lot of air in the presentation. However, the extremely rapid decay leads to an overly dry presentation which at times prevents the treble from maintaining the kind of naturality that I like to hear in the best dynamic drivers — cymbals, for example, often take on a brittle air, being robbed of proper reverb.
Soundstage & Technicalities: I have not heard any dynamic driver in the price range achieve anything close to the level of technical prowess of the NA2+, and in fact I think it plays on the same technical level as the $660 Oriolus Isabellae. The soundstage depth has increased relative to the NM2+, ameliorating the only real deficiency in the latter’s staging. Combined with excellent imaging, the presentation is now nearing 3D-holographic levels, an astounding feat for a budget-to-mid-tier single dynamic driver. Resolution is quite high, again especially given that it is working with only a single driver. Layering and instrument separation are likewise quite well done, standing up effortlessly to anything I threw at it. As a technical IEM the NA2+ continues on the path blazed by its forebear the NM2+, and despite its being a single DD it nevertheless plays with the best of the hybrids at its price bracket and beyond.
Conclusion: I think it is fairly clear that every change made from the NM2+ to the NA2+ is indisputably an improvement. Yet herein lies the rub: in the grand scheme of things they are all fairly minor changes, and in my opinion this IEM is much more an “NM2++” than it is an “NA2+”, especially as the overall presentation is still far more analytical than musical — despite the changed moniker. I think this is a fairly significant missed opportunity for NF Audio, and even if they had simply retained the tuning of the original NA2 while incorporating the significant upgrades in technicalities and build quality of the “Plus” series I think they would have had a real hit on their hands.
As it is, I would recommend the NA2+ over the NM2+ in basically every instance. Those looking for a superbly technical single DD at an astonishingly reasonable price need look no further than the NF Audio NA2+.
Introduction
NF Audio is the Chinese company founded in 2014, they are specialized in the CIEM and recently they were focus on the UIEM products that is more affordable price. In this review, I am taking a look at the NA2+, which is the successor of the NA2, and it is currently the flagship of their single DD IEMs lineup along with the NM2. The retail price is $169USD, and the driver configuration is single DD.
Disclaimer
I would like to thanks Yihua Chen form Aoshida Hifi for given this opportunity, and the review will be based on my honest opinion through the music I listen to.
Package & Accessories
The NA2+ come with the moderate sizes box, there are the brand name, model name and IEMs illustration located at the front cover, whereas the specifications at the button. There is the black box with the brand logo in the located at the middle removed the cover. After the box is opened, one side of it has the IEMs sited in the foam, with the ear tips contained underneath. Moving on the other side, the user manual with the carry pouch underneath, which contains the cable and other accessories.
Accessories list:
1 pair x NF Audio NA2+ In-Ear Monitor
1 pcs x Detachable Cable with 0.78mm 2-Pin Connector
4 pairs x Silicone Atmosphere Ear Tips
3 pairs x Silicone Balanced Ear Tips
1 pcs x Carry pouch
1 pcs x 3.5mm to 6.3mm Headphone Adaptor
The accessories come with the NA2+ is pretty good for its price. The hard shell carry pouch it come with is well build and feel solid, there is the brand logo located at the front.
The NA2+ come with two different types of ear tips, which are balanced-black ear tips; amto-white ear tips respectively to provide the best sound and fit. There are also the nicely made 3.5mm to 6.3mm headphone adaptor included.
The NA2+ come with the 4 core twisted cable, it has 3.5 mm straight connector in matted metal finished with branded logo. It features the 0.78mm 2 pin connector with L&R to indicated left and right. The Y-splitter are in silver metal shell in matted finish, where the 2 pin connector are finished with plastic housing. There are cable slider in transparency plastic shell finished. It is overall solid and flexible cable.
Design & Build & Comfort
The NA2+ has semi-custom shells design. The shell and faceplate are in the gray color which is fuller made with metal. There are NF audio branded logo engraving on the faceplate, while the word “NA2+ Music” are located at the bottom of the IEMs. There are left and right indicators sported at the rear side of the shells. The vent are located on the top of the shell, along with the orange dots that have the NF audio branded logo next to it.
The build quality on the NA2+ is outstanding. The IEMs are made with two pieces of metal, the faceplate and the shell. There are all made with Aeronautical-grade Aluminum alloy cavity material and processed by High-precision 5-axis CNC machine. There are no shape edges or glue around the gap of the shell. The filter on nozzle are made with metal to prevent from the ear dust. The 2 Pin female connectors are tight, and the connector do not have sign of wear and tear after I swapped few times of cable.
The fits on the NA2+ is outstanding, thanks to its semi-custom shell design. The nozzle has moderate length, so it can fit pretty stable in your ears. The isolation is above average, and thanks to the vents there are no pressure build up after a long listening.
Technical specifications:
Frequeney response range: 9-40kHz
Maximum SPL: 125dB
Sensitivity: 107dB/mW Distortion:<1%
Impedance: 32Ω
Sound isolation: 25dB
Sound
Paring
I pair up with the stock cable and atmosphere ear tips, as the balance ear tips sound a little bit harsh in the upper midrange, and run through my music library on the Fiio M11 and Topping E30.
Overall tonality
The NA2+ has a mildly U shape tonality, it is presented in vividly yet clear, and smooth manner.
Bass
The bass is slightly warmer than neutral and it is well controlled. It has good levels of sub bass extension with moderate decay speed, which is more pronounced than mid bass. The bass has above average impact and punch with moderate amount of rumble. On the other hand, the bass has good level of speed and control, while the detail retrieval and clarity are really well. It is overall clear yet well textured bass.
Mids
The midrange has a slightly warmer than neutral tonality. There is an clear yet vividly presentation. The lower midrange has moderate amount of bodies presented in clear yet clean manner. The upper midrange has great emphasis and slightly more pronounced than lower midrange. The upper midrange sound vividly with good levels of transparency and without sounding harsh (but a bit edgy).The detail retrieval and clarity are both great.
Treble
The treble is towards the bright side, it sound generally smooth, but it still can cause fatiguing for long listening sessions. The lower treble has good amount of energy and brightness, there is also good levels of control. The upper treble is well extend, there are good amount of airiness and sparkle on the top end. The detail retrieval and clarity are really good.
Soundstage and imaging
The soundstage is pretty wide with good levels of depth.
The imaging is 3D holographic.
Comparison
Audiosense AQ3 ($169USD)
Bass
There are more sub bass and slightly more mid bass on the AQ3. The bass has warmer and fuller tone in AQ3, where the NA2+ has clearer and relatively cleaner tone. There are clear sense of punchy and slam on the NA2+, while the AQ3 sound life less in comparison. The NA2+ provide better sense of control and has tighter presentation, where the AQ3 has heavier weight and sound thicker. The detail retrieval and clarity is better on NA2+
Mids
The midrange on both has fairly neutral tone, but the NA2+ has brighter tonality. The lower midrange sound fuller and warmer on the AQ3, where the NA2+ sound leaner and clearer. The upper midrange sound smooth and relatively more laid back on AQ3, where the NA2+ sound more vividly and lively. The detail retrieval and is better on NA2+.
Treble
The treble has brighter tonality with better sense of extension on the NA2+. The lower treble has more energy and sound brighter but edgier on NA2+, while the AQ3 sound smoother and laid back-ier. The upper treble has more airiness and sparkle on the NA2+, where the AQ3 is rolling off and sound bit life less. The detail retrieval and clarity is better on NA2+.
Soundstage and imaging
The soundstage is wider and deeper on he NA2+.
The imaging is better on NA2+.
IKKO OH10 ($189USD)
Bass
There are more sub bass and mid bass quantity on the OH10, which has fuller rumble in presentation and extra sense of extension. The bass on the OH10 has thicker tone and provide extra sense of slam and punch, where the NA2+ has clearer tone and provide better sense of tightness and control. The bass has more weight on the OH10, where the NA2+ has less impact. The detail retrieval and clarity is tad better on NA2+.
Mids
The midrange on both has fairly similar V shape tonality, both sound clear and vividly with great upper midrange emphasis. The lower has slightly more texture on the NA2+, where as the OH10 has less lushness and has extra sense of clarity. The upper midrange both sound vividly and lively, the OH10 is tad more spacious in comparison, on the other hand, the NA2+ sound tad more intimate and slight fuller. The detail retrieval and clarity are both great.
Treble
The treble on both has again fairly similar tonality, both are well extend and sound vividly and spacious. The lower treble has extra sense of energy on the NA2+, which make it sound brighter but edgier compare to smoother OH10. The upper treble both have good levels airiness and sparkle, but the OH10 feel more spacious on the top end. The detail retrieval and clarity is tad better on OH10.
Soundstage and imaging
The soundstage is wider on the OH10, but deeper on the NA2+.
The imaging is tad better on the NA2+
NF audio NM2+ ($169USD) Just a brief comparison, as I sold it already.
They both sharing extreme identical tonality, which are well tuned V shape with a tad warmer than neutral tone, also have a same characteristics on the upper midrange area. The bass has slightly more weight with tad more texture on the NA2+, where the NM2+ sound clearer with extra sense of tightness. The midrange has fairly similar tonality, the NM2+ sound relatively brighter and more open, where the NA2+ sound relatively less vividly and feel more intimate. The treble area has not different between both of them in term of extension and airiness. The NM2+ has slightly more emphasis on the lower treble region, which has edgier sound compare to relatively smoother NA2+. The detail retrieval and clarity is tad better on NM2+, which take more emphasis on upper midrange. The soundstage is wider on NM2+, but tad deeper on NA2+. The imaging are on par.
Conclusion
The NF audio NA2+ has a class leading build quality, and the design of it is pretty cool as well. The sound of it inherit their house sound signature with fairly vividly upper midrange and boosted lower treble in the presentation. The technical performance is outstanding on the NA2+, especially the soundstage and imaging, I am truly impressed by how well it done in this price. But, the sound of NA2+ just not for everyone. Thank you for reading. Happy listening as always!!
NF audio official website: http://www.nfaudio.cn/en/index.html
NF audio NA2+ product page: https://www.aoshida-audio.com/products/nf-audio-na2-1
NF Audio is the Chinese company founded in 2014, they are specialized in the CIEM and recently they were focus on the UIEM products that is more affordable price. In this review, I am taking a look at the NA2+, which is the successor of the NA2, and it is currently the flagship of their single DD IEMs lineup along with the NM2. The retail price is $169USD, and the driver configuration is single DD.
Disclaimer
I would like to thanks Yihua Chen form Aoshida Hifi for given this opportunity, and the review will be based on my honest opinion through the music I listen to.
Package & Accessories
The NA2+ come with the moderate sizes box, there are the brand name, model name and IEMs illustration located at the front cover, whereas the specifications at the button. There is the black box with the brand logo in the located at the middle removed the cover. After the box is opened, one side of it has the IEMs sited in the foam, with the ear tips contained underneath. Moving on the other side, the user manual with the carry pouch underneath, which contains the cable and other accessories.
Accessories list:
1 pair x NF Audio NA2+ In-Ear Monitor
1 pcs x Detachable Cable with 0.78mm 2-Pin Connector
4 pairs x Silicone Atmosphere Ear Tips
3 pairs x Silicone Balanced Ear Tips
1 pcs x Carry pouch
1 pcs x 3.5mm to 6.3mm Headphone Adaptor
The accessories come with the NA2+ is pretty good for its price. The hard shell carry pouch it come with is well build and feel solid, there is the brand logo located at the front.
The NA2+ come with two different types of ear tips, which are balanced-black ear tips; amto-white ear tips respectively to provide the best sound and fit. There are also the nicely made 3.5mm to 6.3mm headphone adaptor included.
The NA2+ come with the 4 core twisted cable, it has 3.5 mm straight connector in matted metal finished with branded logo. It features the 0.78mm 2 pin connector with L&R to indicated left and right. The Y-splitter are in silver metal shell in matted finish, where the 2 pin connector are finished with plastic housing. There are cable slider in transparency plastic shell finished. It is overall solid and flexible cable.
Design & Build & Comfort
The NA2+ has semi-custom shells design. The shell and faceplate are in the gray color which is fuller made with metal. There are NF audio branded logo engraving on the faceplate, while the word “NA2+ Music” are located at the bottom of the IEMs. There are left and right indicators sported at the rear side of the shells. The vent are located on the top of the shell, along with the orange dots that have the NF audio branded logo next to it.
The build quality on the NA2+ is outstanding. The IEMs are made with two pieces of metal, the faceplate and the shell. There are all made with Aeronautical-grade Aluminum alloy cavity material and processed by High-precision 5-axis CNC machine. There are no shape edges or glue around the gap of the shell. The filter on nozzle are made with metal to prevent from the ear dust. The 2 Pin female connectors are tight, and the connector do not have sign of wear and tear after I swapped few times of cable.
The fits on the NA2+ is outstanding, thanks to its semi-custom shell design. The nozzle has moderate length, so it can fit pretty stable in your ears. The isolation is above average, and thanks to the vents there are no pressure build up after a long listening.
Technical specifications:
Frequeney response range: 9-40kHz
Maximum SPL: 125dB
Sensitivity: 107dB/mW Distortion:<1%
Impedance: 32Ω
Sound isolation: 25dB
Sound
Paring
I pair up with the stock cable and atmosphere ear tips, as the balance ear tips sound a little bit harsh in the upper midrange, and run through my music library on the Fiio M11 and Topping E30.
Overall tonality
The NA2+ has a mildly U shape tonality, it is presented in vividly yet clear, and smooth manner.
Bass
The bass is slightly warmer than neutral and it is well controlled. It has good levels of sub bass extension with moderate decay speed, which is more pronounced than mid bass. The bass has above average impact and punch with moderate amount of rumble. On the other hand, the bass has good level of speed and control, while the detail retrieval and clarity are really well. It is overall clear yet well textured bass.
Mids
The midrange has a slightly warmer than neutral tonality. There is an clear yet vividly presentation. The lower midrange has moderate amount of bodies presented in clear yet clean manner. The upper midrange has great emphasis and slightly more pronounced than lower midrange. The upper midrange sound vividly with good levels of transparency and without sounding harsh (but a bit edgy).The detail retrieval and clarity are both great.
Treble
The treble is towards the bright side, it sound generally smooth, but it still can cause fatiguing for long listening sessions. The lower treble has good amount of energy and brightness, there is also good levels of control. The upper treble is well extend, there are good amount of airiness and sparkle on the top end. The detail retrieval and clarity are really good.
Soundstage and imaging
The soundstage is pretty wide with good levels of depth.
The imaging is 3D holographic.
Comparison
Audiosense AQ3 ($169USD)
Bass
There are more sub bass and slightly more mid bass on the AQ3. The bass has warmer and fuller tone in AQ3, where the NA2+ has clearer and relatively cleaner tone. There are clear sense of punchy and slam on the NA2+, while the AQ3 sound life less in comparison. The NA2+ provide better sense of control and has tighter presentation, where the AQ3 has heavier weight and sound thicker. The detail retrieval and clarity is better on NA2+
Mids
The midrange on both has fairly neutral tone, but the NA2+ has brighter tonality. The lower midrange sound fuller and warmer on the AQ3, where the NA2+ sound leaner and clearer. The upper midrange sound smooth and relatively more laid back on AQ3, where the NA2+ sound more vividly and lively. The detail retrieval and is better on NA2+.
Treble
The treble has brighter tonality with better sense of extension on the NA2+. The lower treble has more energy and sound brighter but edgier on NA2+, while the AQ3 sound smoother and laid back-ier. The upper treble has more airiness and sparkle on the NA2+, where the AQ3 is rolling off and sound bit life less. The detail retrieval and clarity is better on NA2+.
Soundstage and imaging
The soundstage is wider and deeper on he NA2+.
The imaging is better on NA2+.
IKKO OH10 ($189USD)
Bass
There are more sub bass and mid bass quantity on the OH10, which has fuller rumble in presentation and extra sense of extension. The bass on the OH10 has thicker tone and provide extra sense of slam and punch, where the NA2+ has clearer tone and provide better sense of tightness and control. The bass has more weight on the OH10, where the NA2+ has less impact. The detail retrieval and clarity is tad better on NA2+.
Mids
The midrange on both has fairly similar V shape tonality, both sound clear and vividly with great upper midrange emphasis. The lower has slightly more texture on the NA2+, where as the OH10 has less lushness and has extra sense of clarity. The upper midrange both sound vividly and lively, the OH10 is tad more spacious in comparison, on the other hand, the NA2+ sound tad more intimate and slight fuller. The detail retrieval and clarity are both great.
Treble
The treble on both has again fairly similar tonality, both are well extend and sound vividly and spacious. The lower treble has extra sense of energy on the NA2+, which make it sound brighter but edgier compare to smoother OH10. The upper treble both have good levels airiness and sparkle, but the OH10 feel more spacious on the top end. The detail retrieval and clarity is tad better on OH10.
Soundstage and imaging
The soundstage is wider on the OH10, but deeper on the NA2+.
The imaging is tad better on the NA2+
NF audio NM2+ ($169USD) Just a brief comparison, as I sold it already.
They both sharing extreme identical tonality, which are well tuned V shape with a tad warmer than neutral tone, also have a same characteristics on the upper midrange area. The bass has slightly more weight with tad more texture on the NA2+, where the NM2+ sound clearer with extra sense of tightness. The midrange has fairly similar tonality, the NM2+ sound relatively brighter and more open, where the NA2+ sound relatively less vividly and feel more intimate. The treble area has not different between both of them in term of extension and airiness. The NM2+ has slightly more emphasis on the lower treble region, which has edgier sound compare to relatively smoother NA2+. The detail retrieval and clarity is tad better on NM2+, which take more emphasis on upper midrange. The soundstage is wider on NM2+, but tad deeper on NA2+. The imaging are on par.
Compare to my relatively more objective Head-fi star ranking, this ranking will be more subjective based on my personal preference and it doesn’t take price into my consideration.
Scoring system:
4/10 and below: Waste of money
5/10: Average
6/10: Above average
7/10: Good
8/10: Great
9/10: Excellent
10/10: OMG
NF audio NA2+:
Overall tonality: 6/10
Bass: 7/10
Mids: 6/10
Treble: 6/10
Overall: 6.25/10
Scoring system:
4/10 and below: Waste of money
5/10: Average
6/10: Above average
7/10: Good
8/10: Great
9/10: Excellent
10/10: OMG
NF audio NA2+:
Overall tonality: 6/10
Bass: 7/10
Mids: 6/10
Treble: 6/10
Overall: 6.25/10
Conclusion
The NF audio NA2+ has a class leading build quality, and the design of it is pretty cool as well. The sound of it inherit their house sound signature with fairly vividly upper midrange and boosted lower treble in the presentation. The technical performance is outstanding on the NA2+, especially the soundstage and imaging, I am truly impressed by how well it done in this price. But, the sound of NA2+ just not for everyone. Thank you for reading. Happy listening as always!!
NF audio official website: http://www.nfaudio.cn/en/index.html
NF audio NA2+ product page: https://www.aoshida-audio.com/products/nf-audio-na2-1
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