Allegro is a musical term that defines a fast pacing and lively tempo in a composition piece.
If you follow my review articles in both my own blog and
Head-Fi, I did a substantial amount of
KIWI EARS products and all of them are IEM earphones. But this time, this one is quite a different type of product.
KIWI EARS decided to enter one of the most lucrative segments of portable audio devices in the current audio market and these are the DAC/Amp dongles. The DAC/Amp dongles became one of the staple devices for audio enthusiasts that its small frame is quite mobile and capable to deliver a high fidelity sound that it is also a very versatile one as you can also use in modern smartphones, laptop, tablets and even PCs to enjoy listening your favourite tracks either on local music library or via music streaming services.
This is
KIWI EARS ALLEGRO,
KIWI EARS’ first DAC/Amp dongle on their product line-up. It has a solid aluminium alloy frame on its overall structure and it underwent an anodising process to achieve that brushed look for corrosion-resistant and enhanced durability. The aesthetics of this device reminds me of some controllers from an old video game console like NES (Nintendo Entertainment System) that gives some retro vibe reminiscing the single digit bit video game era. It also has hardware volume keys that we can adjust the amplitude level without relying on software volume keys from the connected devices.
The
ALLEGRO has a dual audio output interface consisting of 3.5mm single-ended and 4.4mm balanced output which make this device very versatile in both casual and professional use. The 3.5mm has a power output of 70mW at 32 Ohms which will be enough to amplify almost all types of IEMs, earbuds and even headphones. Meanwhile the 4.4mm balanced output can deliver up 155mW of power output at @32 Ohms which can drive some of the power-hungry professional grade cans. On its connectivity, it has a type-C port which is a standard modern connectivity for better compatibility for smartphones like android devices and latest iphones, tablets, laptop and tablets with type-C ports.
On its internals, the
ALLEGRO utilises an
ESS DAC, the
ES9028Q2M which is quite uncommon as it was usually integrated mostly on desktop DAC amplifiers. This model is a 32-bit high performance DAC and it is also quite power efficient as it has a low power drag that it is able to execute on processing decoding digital audio format while delivering a fairly powerful output due to its built-in proprietary
SABRE amplifier. It can encode and support digital audio formats up to 32bit/384kHz on PCM format and up to DSD256 on DSD format to have that audio clarity while preserving the original reproduction of an audio track's recording.
The product packaging of
KIWI EARS ALLEGRO is relatively minimalist with some sparse content enough to cover its basic usage.
Here are the following contents inside of its packaging box:
- KIWI EARS ALLEGRO DAC/amp dongle.
- Short parallel type-C to type-C cable.
- Specification card.
In regards to connectivity in both hardware and software, it supports a variety of modern devices like smartphones, tablets, laptops, desktop PCs and even DAPs (as long as it supports USB audio decoding). On the software side, this device is quite compatible with almost all known OSes in both mobile and desktop like
Android,
iOS,
Windows,
MacOS and
Linux. Since I am more of an Android user, the device is highly recommended on some music apps like
UAPP( USB Audio Player Pro), Onkyo HF, Neutron and HiBy Music app.
Tonality-wise, this device delivers a quite neutral sound that all parts of its frequency range were all equally represented across the audio spectrum in a clean sonic background. Depending on the driver quality that the headphones and earphones have , this device will surely convey a proper power output to power-up those transducers to emit sounds as well-balanced with full dynamics as possible.
LOWS/BASS:
This device is capable of delivering a bass response from tight to a boomy and authoritative sound depending on the tonal profile of an earphone or headphone. It is also capable of producing a good sub-bass presence with just the right amount of mid bass texturing for a proper note weight on some bass clef instruments and low octave male vocals.
MIDRANGE:
Again, depending on the tonal profile of an earphone or a can, the
ALLEGRO gives a transparent, clean and mostly neutral midrange presentation albeit there are some instances that it adds only a little bit of warmth on some warmish and analogue-ish sounding sets.
I noticed that if I paired it on my sets with reference-neutral sound profile, it has a tad dry and sterile sound on some types of female vocals and instruments too like strings and percussives.
Unlike those other DAC/Amp dongles with warmish-neutral or balanced-warmish. This device won't give a lusher, succulent and richer vocals and instruments as it try to stay as uncoloured and natural sounding as possible.
HIGHS/TREBLE:
The treble quality that this DAC/Amp dongle delivers remains to sound smooth and even that it is sufficient enough to deliver clarity, detail and air on its overall treble response.
It is capable to convey a well-defined attack of instruments and definition of clarity of vocals without added overboost on the treble section along with sufficient harmonic for sparkle and air on the brilliance part.
OVERALL TECHNICALITIES:
In general, the
ALLEGRO is capable enough to deliver a spacious and an atmospheric-like stereo imaging presentation in a well-layered soundscape with decent separation of elements like vocals and instruments.
Its resolution capability is pretty capable on this one of giving a firmer macro-dynamics and quite proficient on micro-detail retrieval in clean sonic canvas.
PEER COMPARISONS:
FOSI AUDIO DS2
- This device has a slimmer yet longer profile with a LED light for sampling rate indicator compared to the ALLEGRO but like the latter, this device also has an aluminium alloy structure. It also has an USB type-A to type-C adaptor that was included inside of its packaging box.
- With a Cirrus Logic CS43131 DAC, this device is quite a bit more powerful on delivering an amplified sound output as it has 128mW at 32 ohms on SE and 510mW at 32 ohms on balanced output. In comparison with the ALLEGRO, it has a “warmish-neutral” sound profile which makes a bit coloured as it can give a more tactile bass response, a warmer and lusher midrange presentation and smoother and relaxed treble response with a less sparkle and less airy treble extension. On technical capabilities, it appears that it has a more solid macro-dynamics.
HIDIZS XO
- Compared to ALLEGRO, this device has a smaller form factor, an option to choose digital tuning filters and a customisable LED lighting but it doesn't have a hardware volume key. At least, on its packaging box, it includes a USB type-A and type-C adapter for usage on laptops and PCs.
- The HIDIZS XO has a balanced-neutral sound with a tad warmth just to sound at least more natural in which it aligns with analogue-ish yet less warm tonality that compared to the ALLEGRO, it sounds less dry and not so sterile sounding. It appears that it shares similar technical performance with the ALLEGRO from perceived sound/speaker size up to the resolution capabilities which is rather sufficient but not up to par with best-in-class dongle that I've tested.
EPZ TP20 PRO
- Like the ALLEGRO, the TP20 PRO also has metal alloy structure on its frame with a carbon-fibre coating on its surface albeit this device has a LED light for sampling rate indicator and a manual switch for gain mode. Inside its packaging box, it has short braided single crystal copper 8-core type-C to type-C cable for better signal transmission.
- On its internal, unlike the ALLEGRO, The TP20 PRO has a Cirrus Logic DAC, the CS43131 which is quite a proven audio IC which is quite power efficient yet it delivers a high power output. This device has “warmish-neutral” sound which is a bit coloured compared to ALLEGRO as it has a slamming and punchier bass response, a warmer and a bit lush on midrange presentation and smooth yet less airy treble response. Again, on technical capabilities, this one has a more solid presentation on macro-dynamics.
Given the current state on portable audio market that it is given there will be new product releases on a monthly or even on a weekly basis and DAC/Amp dongles are one of those products that
KIWI EARS is quite a flexible audio company as it always adapting on the audio market changes. With the release of this product, it adds more option on the already competitive DAC/Amp dongle market.
To conclude this product review, while it doesn't have a class-leading power output performance among the entry-level DAC/Amp dongles in the market. With a solid built, a uniquely looking device with sturdy volume control buttons, the
KIWI EARS ALLEGRO is quite enough to satisfy the needs of budget-minded audio enthusiasts who simply wants a device that delivers a good sound quality with capable technical performance at under US$100/£80.
KIWI EARS ALLEGRO is exclusively available only on
LINSOUL, here is the unaffiliated product link for those who are interested.
★★ KIWI EARS ALLEGRO - LINSOUL ★★
For more
KIWI EARS product reviews, check out the following previous models.
■ KIWI EARS CADENZA
■ KIWI EARS QUARTET
■ KIWI EARS QUINTET
■ KIWI EARS FORTEZA
■ KIWI EARS MELODY
■ KIWI EARS SINGOLO
SPECIFICATIONS:
Model | KIWI EARS ALLEGRO |
Output Power | 70mW(SE); 155mW(BAL) |
Input Mode | USB Type C |
Output Mode | 3.5MM + 4.4MM Headphone |
Frequency Range | 20Hz-40kHz (±0.5dB) |
THD | 0.0015%(32Ω SE) |
SNR | ≥123dB |
Sampling Rate | 32bit/768kHz |
DSD | DSD64/128/256 |
DAC Chip Set | ESS ES9028Q2M |
Material | Aluminium Alloy |
Compatible Devices | Mac\Windos\IOS\Android |
TESTING TRACKS: ( * = 16-bit FLAC, ** = 24-bit FLAC, *'* = MQA, '*' = DSD, *'= .WAV)
Alison Krauss -When You Say Nothing At All *
Jade Wiedlin - Blue Kiss**
Led Zeppelin - When The Levee Breaks **
Mountain - Mississippi Queen *
Queen - Killer Queen **
Guns N' Roses - Patience *'*
Eric Clapton - Tears in Heaven '*'
Sergio Mendes- Never Gonna Let You Go '*'
Pearl Jam - Daughter **
Roselia - Hidamari Rhodonite *
Assassin - Fight (To Stop The Tyranny)*
Celtic Frost- Visual Aggression *
New Order - Blue Monday *
The Corrs- What Can I do (unplugged version) *
Jimi Hendrix Experience - Voodoo Child *
The Madness- Buggy Trousers *
Metallica - Motorbreath **
Mariah Carey- Always Be My Baby *
Destiny's Child - Say My Name *
Malice Mizer- Au Revoir *
Mozart - Lacrimosa *
New York Philharmonic Orchestra - Dvorak- Symphony 9 " From the New World." *
Eva Cassidy - Fields of Gold (Sting cover)*
Michael Jackson - Give In To Me *
Exciter - Violence and Force *
Diana Krall - Stop This World **
Debbie Gibson - Foolish Beat *'*
The Sisters of Mercy – Lucretia My Reflection**
Suzanne Vega – Luka **
Lauren Christy – Steep *
Ottoman Mehter - Hucum Marsi *
Diana Damrau - Mozart: Die Zauberflöte*
P.S.
I am not affiliated to KIWI EARS nor receive monetary incentives and financial gains as they provide me a review unit for an exchange of factual and sincere feedback from yours truly.
Once again, I would like to send my gratitude to MS. KAREENA TANG of LINSOUL for providing this review unit. I truly appreciate their generosity and trust towards me and other reviewers.