The Hidizs S9 is a compact digital-to-analog converter (DAC) and amplifier combination unit which connects to the source devices via USB-C. The S9 is the first Hidizs product I have reviewed since the
AP60II digital audio player. Unlike the balanced output E1DA 9038S and the single-ended output E1DA 9038D which I recently reviewed, the Hidizs S9 incorporates both a single-ended 3.5mm audio jack and a 2.5mm balanced connection.
This review is also available on my blog:
https://medium.com/bedrock-reviews/hidizs-s9-review-617eaeb2af6
The Hidizs S9 was provided to me for review by
HiFiGo, where it is available for purchase starting at $109.
PACKAGING AND ACCESSORIES:
The Hidizs S9 comes in a rectangular black box featuring a line art illustration of the device on the top lid. Technical specifications for the S9 are provided in English and Chinese on the back of the box. In addition to the device itself, the box contains a manual, a 10% off promotional discount card for Hidizs’ webstore, a warranty card, and a quality control pass chit.
In its base configuration, the Hidizs S9 includes two USB C-C cables in different lengths. These cables are the single worst aspect of the S9 as a product. Contrary to both USB-IF specifications and common sense understanding of how USB-C cables are supposed to work, the S9’s included cables only work in one direction. One of the USB-C connectors has a purple coloring on the interior of the plug. This end needs to be plugged into the S9 in order for the transport device to power and recognize the S9. If the purple end is plugged into the transport device, the cable does not deliver power or data. I have tried using these cables with other USB-C DAC/AMPs, and the result is the same. Thankfully, the S9 works fine with generic, correctly-implemented USB C-C cables. The S9 also includes a USB-A male to USB-C female adapter, which I will note also breaks USB-IF specifications.
POWER DELIVERY:
Both of the Hidizs S9’s outputs are incredibly powerful. When the S9 is connected to a Windows PC, the SeeAudio Yume reaches usable listening volume out of the single-ended output at the 10/100 setting. The balanced output powers the harder-to-drive Moondrop S8 to a similar volume level at the 12/100 setting. Because I am confident that the S9 would blow out the drivers of a connected IEM at its maximum output level, it is hard for me to tell just how powerful it is. It is not clear to me whether the S9’s volume ramping model is different than that of the E1DA dongles I have tested, or whether the S9 is simply more powerful. I have not heard hiss with the 9038D even with multi-balanced armature in-ear monitors.
POWER CONSUMPTION:
The following power consumption measurements were taken while the Hidizs S9 was in use:
Windows PC (USB-A to USB-C)
Android Smartphone (USB C-C)
While power consumption appears to vary based on the paired transport device, it does not seem to vary based on whether the unbalanced or balanced output is being used. The power draw is higher than the balanced output E1DA 9038S Gen 3:
The power draw is also far higher than that of the gold standard for USB-C audio devices, the Apple dongle:
For this reason, I recommend using the Hidizs S9 either with a dedicated music transport device, preferably with a large battery, or with a PC.
The Hidizs S9 is mediocre in terms of heat management. While it does not get nearly as hot nearly as quickly as the Cozoy Takt C or xDuoo Link, it does get warm to the touch after a full workday of use. This is in contrast to the E1DA 9038 variants, which remain cool to the touch even if left connected for days on end with standby mode disabled.
SOUND AND CLOSING WORDS:
(3.5mm unbalanced output)
I have no complaints when it comes to the sound quality of the Hidizs S9. It sounds exactly the way a competently designed product at this price point should, which is to say, transparent.
If your intent is to listen to music and not gear, I don’t feel that either comparably priced E1DA 9038 variant is appreciably superior or inferior to the Hidizs S9 in terms of sound quality. If you are dead-set on listening to the source device, it is worth noting that unlike the 9038 variants, the S9’s digital filter selection is locked down. As I noted in my E1DA 9038D and 9038S reviews, I find different types of digital filters to sound audibly distinct from one another when holding all other conditions constant, including the transducer, volume, and specific musical passage. However, the differences I can hear between digital filters are subtle, and I personally would not purchase an E1DA product over the S9 purely on the basis of filter switching.
The Hidizs S9 differentiates itself from other options at this price point mainly through having both 3.5mm single-ended and 2.5mm balanced outputs on a single device comparable in both size and price to competitors that only offer one type of output. Importantly, S9’s unbalanced output is completely usable as opposed to being an afterthought. Some of the S9’s competitors offer superior heat management or more efficient power draw requirements, but it is difficult to argue with the value proposition the S9 presents.
The Hidizs S9 can be purchased below:
Hidizs S9 Balanced & Single-ended Mini HiFi DAC & Headphone AMP — HiFiGo