Reviews by simonm

simonm

Head-Fier
Pros: Versatile, light and comfortable. Excellent mid-range.
Cons: Cord not replaceable. Not repairable.
First up a disclaimer: this review focusses on comparisons to Future Sonics’ former Atrio universal-fit IEM and are based on my memory of them, which was quite a while ago since they’ve been out of production for several years.  It’s possible my memory of them has changed or evolved in the intervening time period, my hearing and/or tastes have changed or a combination of the above.
 
Sound signature and quality
On first impressions, the sound signature is quite a bit different from what I remember of the Atrios, which may explain why Future Sonics decided to drop the Atrio brand name and call them something else.  They’ve taken a step towards a more neutral or balanced presentation with a decidedly more forward presentation of mids compared with the bass-oriented, gritty and relaxed Atrios.  These mids however have fantastic detail and are one of the new Atrio's best assets; it’s a genuine hi-fi quality befitting an IEM of this price.  This alone makes them quite different to the Atrios they replaced.  In some cases I felt the need to reduce the mids in EQ, but not by a great deal.  The overall impression is one of a more balanced but definitely not boring sound.  These suit acoustic music in particular very well.
 
While treble on the former Atrio was pretty messy, muddy and indistinct (but not really bothersome since they were all about that bass), there’s no such obvious flaw in the treble here.  They’re still rolled-off to protect hearing, though probably not as aggressively as the Atrio and they're definitely brighter overall.  Even so they shouldn’t cause fatigue.  You will likely find better treble detail and articulation in other brands at the same price (and certainly for more) but compared with the former Atrio, treble has gone from being average or poor to fine or decent.
 
These new Atrios (sorry, “Spectrum G10") have a fairly open sound-stage for IEMs.  Far more open than the former somewhat congested Atrios.  I actually don’t mind a slightly congested sound, but these sound like a pretty good balance to me.  Here is where it comes down to memory and possibly a biased nostalgia; the bass doesn’t seem as extended, prominent or boosted in that sub-bass region as I remember, which is what I loved about the Atrios.  Bass quality is still good and definitely at neutral or above, but it’s in that almost inaudible sub-bass region where I think it’s less than what the previous Atrio had.  Perhaps this perception is affected by the more forward presentation of mids.
 
Build quality, fit and looks
I loved the Atrios but their build quality was not their greatest asset.  The Atrios used a soft rubber strain relief that decayed, became brittle and broke off over time.  I got anywhere from 9 months to 1.5 years out of each pair before they’d decayed to a point that either destroyed the sound or simply broke completely.  I even wrote feedback to FS about the problems.  So it’s pleasing to see that (on first impressions at least) build quality is vastly improved over the former Atrio.  The once problematic strain relief is now a very hard rubber or plastic that seems durable.  Only time will tell of course but early signs are promising.  Build quality in IEMs is one of my sore points and I think many manufacturers can and should do better or be forced to do so.*
 
The braided/twisted cord is fairly thin but relatively tangle-proof and I’m happy to report completely silent, even all the way into the earphones.  Haters of microphonics rejoice!  The IEMs themselves are very light and can be worn comfortably in the up or down position.  I prefer the up and behind-the-ears placement of the cord.  The FS tips were always very good so no change there.  I’m not usually a fan of bi-flange tips but these fit pretty well and provide a good, stable and secure seal.  When worn this way I think they’d even handle a run or jog, but of course I wouldn’t advise that since they’re not a sealed sports headphone.
 
As far as looks go I’d say they’re very discreet.  They don’t stick out much and the grey colour is matte this time, as opposed to the shiny black, blue, red or beige plastic housing of the former Atrios.  I’m actually a bit disappointed that they only come in grey because they’re a little too drab for my taste and I quite liked the red colour last time.  Maybe they’ll add more colours in future but for now you have a choice of grey, grey or grey so you’ll have to live with it!
 
Packaging, accessories et cetera
Not much to speak of here.  If you’ve owned Atrios before it’s basically the same, except they come in a nicely foam-padded box with the headphones already inside the small pouch, which is a nice, reassuring touch.  This compares to just hanging in plastic in a mildly protected box previously.
 
Conclusions
There’s no doubt these are an improvement over the former Atrio, particularly in build quality, mids and sound-stage.  However at the same time I feel like it’s taken away a little of what made the Atrio unique and a favourite among lovers of a darker, gritty sound with prominent sub-bass.  Perhaps I’m being overly picky here.  The Spectrum G10 is overall a more balanced and versatile IEM that’s likely to please more people.  There’s also no question these are worth at least AU $200 (US $150).  At AU $300 (US $220) however I think it’s wise to do your research as that’s getting quite up there for an IEM without a replaceable cord and which is essentially non-repairable.  Though the build quality is improved, I’d want to get at least 2 years of respectful use out of these to be satisfied with their longevity.  I’m confident that will be the case, but again only time will tell.
 
If you can afford them and like the sound of what I described then by all means jump in.  They will please more people than the former Atrio, but still won’t please everyone and may not be everything that Atrio lovers had wanted.
 
*European brands offer 2-year warranties in accordance with EU law (even for cheap headphones) and I’ve even seen the occasional headphone with a 3-year warranty.  At AU $300, headphones should be built to last at least a couple of years, so the 1-year warranty is a little disappointing.  Australian consumer law is a little grey on this but I’m pretty sure it agrees with me in sentiment if not in practise.

simonm

Head-Fier
Pros: Fun energetic sound
Cons: Nothing really for the price
Let's face it, you don't always want to take your best headphone equipment with you when you're out on the street.  Sometimes you need a cheapish pair where it won't be a disaster if they're lost, stolen or damaged.  I'm thinking particularly if you're going out to bars and clubs.  I've lost many a pair of headphones this way (yes I'm learning my lesson...slowly).
 
If you're in the market for cheap supra-aural headphones you'd be hard pressed to look past Beyer's 501 p.  The build quality is great and they're comfortable for extended listening (and I have sensitive ears when it comes to clamping force).
 
And to top it off Beyer offers a two year warranty on all their products (in accordance with EU law).  I'm consistently shocked and amazed when headphones costing many times the price of these offer only a 1 year warranty (such as all of Grado's products).
 
I'm looking forward to the new Beyerdynamic Custom Street headphones that I think will even edge out these for price performance and value.
simonm
simonm
Not sure how to edit reviews but I want to add...
 
Don't expect hi-fi levels of detail and accuracy obviously.  These aren't high end cans.  But they perform well in the sub $100 class.  As one other reviewer mentioned, I do feel like I want a bit of extra volume out of these at times however.

simonm

Head-Fier
Pros: Very good isolation, reasonably dynamic
Cons: Painful on-ear clamping force, harsh treble peak, closed sound
These headphones are clearly designed for DJs in dance clubs and I can't recommend them for general or casual use.  They get 3 stars for doing what they're designed to do well enough but could be much better.
 
They are very isolating as a result of a strong clamping force that crushes my ears to the point of pain after 10-15 minutes.
 
The sound is very forward and punchy.  Good for techno/dance but lacks refinement, subtlety and space.
 
They are overly bright and there's a treble peak that causes sibilance and is very unattractive.  Though I didn't use a high quality amp this peak seems to be recognised in frequency response charts and other reviews here that state they can be too bright.  I'm not sure if this is a deliberate decision so that DJs will tend towards making club music darker but it could well be.
 
If using an iPhone or low-power analogue out you'll need to use a treble reducer or custom EQ to even listen to these without serious fatigue and pain, though bass response without amplification is still decent.
 
Overall these have a very specific application and purpose and unless you're a DJ that needs high isolation and a "club" sound you should steer clear.
RenZixx
RenZixx
Treble peak? Club sound? I would these the baby HD 600 and I find the bass almost on par with the 600 in quantity,quality and speed. You can mod them with cotton to reduce that sub-bass.
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