Reviews by Asahi Templar

Asahi Templar

100+ Head-Fier
Pros: Amazing sound, Great bass control, Large amount of power, Rollable OP AMPs, Microphone Passthrough
Cons: Annoying hum for first 2 mins or so of use, No balanced input or output
Here is my (too) long review of the Burson Fun with comparisons to the Arcam Rhead amp.


First off the build quality is excellent, it uses the same black aluminum case as the Burson Play which looks really nice and helps disappate the heat generated by the amp. The alps pot has a nice amount of resistance to it which makes it easy to get the volume you want and feels like it will last for a long time.

I dont notice any huge channel imbalance except at very low volumes, to me it sounds pretty much balanced by 5 o clock on the dial, which is great because this thing has a huge amount of power on tap and will get loud real fast. Even the included RCA cables are very high quality, much nicer than the monoprice esque cables you usually get when you buy an amp.


It feels like a product that will last a very long time and if there are any issues it comes with a 5 year warranty as long as you register it on their website.


So on to features, the first obvious one is the enormous amount of power this thing has. It is able to do 2.1 watts into 32 ohms which is a bit insane. I dont know if there is any headphone on the market that would need more power than this other than electrostats and the ridiculous Hifiman cans. It is very much designed with Planar Magnetic headphones in mind and is going to more than capable of driving all but the most insensitive of them. It has some kind of attenuation function which drops the power a bit when something lower than 32 ohms is connected but it would still explode the drivers of IEMs and the like, so I would use a LOT of caution using them with the Fun. It operates in Class A all the time with this level of voltage too.


With my Sennheiser HD 6xx I had to use the Topping D50 to drop the output by -10DB to get a reasonable volume at the 9 o clock point of the dial (which I do just to ensure there is no imbalance) and it was still loud. With my Fostex T60RP, I cut the attenuation down to -6DB to get to roughly the same volume.


One of the most unique features of the Fun is that it has a microphone passthrough which lets you plug in your mod mic directly into your amp, then run another mic cable to your PC or sound card. This is a really nice feature and something I wish more amps would do. It really helps cut down the wires running around you.


Okay so now onto sound, I got the Vivid V6 version of the Fun so all my impressions are based on that. I compared it to the Arcam Rhead I was using before (also a terrific amp) using my HD 6xx(650). I volume matched them with my sound level meter using a 500hz tone, and then switched back and forth by plugging and unplugging them.


I found the Arcam R head made the 650 sound quite bassy and warm, decay on the bass was a bit slow which made it sound pretty bloomy. The deep bass popped more than usually though which was very nice as the 650 is usually lacking there. The upper mids and treble were there but sounded a bit dull but I think this is just the 650 with worn in pads really. The sound staging was pretty narrow and didnt have a great deal of depth to it. Everything sounded pretty close to your ear, it could go out decently wide with a song that had a wide image built into it but rarely did so. It gave the 650 a very romantic intimate kind of sound which I think is what most people who get the 650 want. I would say the Arcam Rhead is a great match for it, it emphasized its strengths well.


Switching over to the Fun, I found that the bass decay became noticeably quicker and it sounded a lot less bloomy which made everything sound a little clearer. The upper mid and highs were more present and energetic, but still not harsh in anyway. Female vocals in particular improved, getting some more energy than before. The depth of the sound stage improved quite a bit with things seeming a lot more spread out and going out wider more frequently. The 650 became a more open ,energetic headphone. It was an interesting contrast to the Rhead, as while the Rhead emphasized its strengths, the Fun improved upon its weaknesses.


I liked both these amps for the 650 for different reasons and I would have a hard time choosing between them if that were my main headphones and I wanted to focus on them. I think the Fun matches my preferences for exciting dynamics better, so I decided to keep it and sell the Rhead.


The other exciting feature of the Burson Fun is the ability to roll op amps. It has 2 single channel slots which can accept just about any op amps on the market. I would have liked to test this more, but I dont have any other single op amps at the moment, so I am not sure how much difference the Vivid op amps actually make to the overall sound.


While I am not sure how much impact the Vivid V6 has on the Fun, I also tested the Burson Play which had 5 Vivid OP amps as opposed to the 2 in the Fun. I also had the basic version of the Plays OP AMPs so I could compare those to the Vivid ones.


With the Play I found that the Vivid OP amps had an effect somewhat akin to the Creative Labs Crystalizer DSP effect that they include in all their soundcards. It basically applies a smiley face EQ to try to make lower DR music sound more exciting. I was not a huge fan of the Crystalizer, but the Vivid op amps seem like a much better version of that idea. They seem to make music sound more dynamic especially low DR music (Dr 8 or lower) is where I noticed the most difference. With the vivid OP amps installed the low DR songs no longer sounded like a wall of sound and I could easily pick out each element. Its quite a subntle effect compared to the Creative version which is a very good thing IMO.


Unfortunately in some cases if you were using 5 of the Vivid Op amps in the Play I also found they could make music sound unnatural. The separation of different elements became so strong that it all sounded kind of disconnected and I didnt really like the effect.


Thankfully the Burson Fun does not have that unnatural quality, likely owning to it only using 2 Single Channel OP amps. It just seems a nice subtle enhancement, but not sure if that is just the Fun itself being a better amp or the fewer op amps doing it.

i do have one serious complaint with the fun and that is some noise at start up. When I first power up the fun after its been cold for awhile there is a loud low humming sound after it unmutes. This hum stays there for a min or two after powering it on and then goes away after its warmed up. It never comes back after going away, untill I power it off for awhile again.

While this is not a deal breaker it is very annoying. I asked Burson about it and they told me that its power supply raises the voltage frequency from 50hz to over 190Khz. Since we can hear up to 20Khz, you could hear some power source noises during that time. This is the characteristic of our Max Current PS.

Rather you actually hear it or not probably depends on your power setup and grounding situation I would assume.


Overall I think the Fun is a wonderful AMP and for me endgame for the foreseeable future. I will probably play around with op amps a bit (very interested in the Muses 03!) but I see myself keeping this for a long time. Only thing out there that tempts me are the THX amps, dont think much else will beat this. Now if onlyBurson would make a matching DAC to go with it......
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