Taurus | The In-Ear Headset with Bass Tuning Technology & Spin Cable
The first thing you notice about the Taurus is perhaps its attractive High-Gloss Mirror-Black finishing, or the Aluminum Spin Cable nob for Dual-Wear, or even perhaps the High-Quality Tangle-Free Cables. It is truly a thing of Beauty. But once you wear them in your ears, you will realize the Taurus is a rare breed, with the Bone-Shattering Bass Output and superb acoustic performance, it is The Beauty AND The Beast.
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"Accutone Taurus - Bass lovers' haven"
Pros - Massive bass, great proprietary MMCX connectors
Cons - Bass?
Accutone is a company that specializes in hands-free communications solutions but they've taken their experience and expertise and used it to create a series of consumer earphones. From their website: "Accutone Audio is about music, and our love of music has pushed us to build products that remove the barriers between the musicians and their audience. Continuing our corporate motto of "Clearer Communication Brings People Closer", our audio products are able to do just that by delivering exceptionally accurate audio output, just as our beloved artists envisioned."
Today I'll be reviewing the Accutone Taurus.
This product was sent to me for the purpose of an honest review. All opinions and observations here are my own, based on my experience with the product. I'd like to thank Angus from Accutone for the opportunity to test the Taurus.
Accutone online store
Packaging and accessories:
The Taurus comes in a rather unusual large, rubberized, black plastic case surrounded by a red cardboard sheath that shows an image of the earphones along with "Switch and Tune" text, alluring to the bass tuning feature. Once inside we're presented with the earphones and cable secured in black foam as well as a pull out cover that reveals the included accessories. I must say first impressions upon opening are pretty impressive and the box is a handy thing to have around.
So with everything removed from the case we're presented with:
- The standard Accutone carry case
- A user manual/warranty card
- Bass tuning tool
- Foam eartips x2
- Silicone eartips (S, M, L)
A decent line-up of offerings in the box and it's always nice to see a carry case included though once again the Accutone case is on the thin side and I'm always in fear of damaging the earphones when I physically shove them into the tiny opening. I really wish their cases had just a few millimeters more depth so you could drop the earphones in rather than having to push them in.
Build, comfort and isolation:
The earphones are constructed from a black plastic and sport an angled nozzle design. There is Accutone branding on both sides and I can't help think that one side should have been assigned to Left and Right markings which are unfortunately completely absent. The tip of the nozzle has a metal ring to securely hold ear-tips. On the rear of the housing are two square shaped, metal grill bass vents which look a little bit like robot eyes when viewed at the right angle. Between the two vents is the bass tuning mechanism which I'll get back to later on. For their low price these have outstanding build quality.
The cable is attached to the housing via Accutone's proprietary MMCX connectors which I actually really like. They're much easier than standard MMCX to attach and remove and snap into place with an audible click. The connectors spin freely meaning these can be worn over-ear or cable down. I seriously wish this was the industry standard MMCX because in my opinion it's a big improvement over regular connectors.
There are strain reliefs in all the usual places though they could have been a little less stiff for added protection. There's a plastic inline microphone and 3 button remote situated above the Y-splitter. The buttons all perform their duties without fault and the microphone is of a decent quality however I do not like the inline's design as the middle button is recessed while the two outer buttons are raised and there are very sharp edges that easily get snagged on shirt collars and buttons when moving your head around. Wires above the Y-splitter seem rather thin making them look a little fragile but so far they seem fairly durable. The cable terminates in a right angled, gold plated 3.5 mm plug.
I get an excellent fit and seal with the Taurus (using third party tips) so for me sound isolation is above average. Comfort-wise I can wear these a long time easily as they're quite small and don't have any sharp edges. The spinning connectors mean that these can be worn over-ear or cable down.
These work fine out of a smartphone or budget DAP but do gain some benefit with amplification to tidy up the bass.
Sources and equipment used:
PC JRiver > JDS Labs The Element
First impression had me ready to shout "The End of the World is Nigh!" until I realized it was just the bass, holy jeez these will shake your skull apart. Immediately I pulled out the little screwdriver/bass-tuning tool and dialed the bass to minimum. Hmm much better now but still well above neutral. That's okay with me, I like bass. It's not the tidiest bass, being a bit loose but gains more composure when amped. Sub-bass is still off the charts but rather satisfying. It digs deep and keeps going down into the bowels of the Earth. Technically a bit on the sloppy side but it doesn't bleed too much into the mids, makes for a fun listen and actually is very enjoyable. Tron Legacy by Daft Punk sounds truly epic through the Taurus as does the drum heavy tracks in Trevor Morris' Vikings soundtrack.
Into the mids now and immediately there's a bit of a middied veil going on however resolution is still not bad. These have quite a lot of airiness to them which is directly in contradiction with the overly warm and bassy overtones. I guess this is due to the semi-openness from the rear grills. It's that sense of air that rescues these from being a bloaty bass-driven disaster and they're seductively musical and relaxed. Female vocals come through with more clarity and start to lift away from that low end dominance.
The treble is a bit subdued here. There's good timbre and no hint of metallic unnaturalness but I feel the Taurus would benefit from a bit more liveliness in the high end. Then again, it's the slightly recessed but airy nature of the treble that makes these so easy to listen to. From an analytical point of view you might find them lacking but if you get distracted from your critique for just a moment you suddenly realize that you've been lost in the joy of music and thoroughly enjoying yourself.
Soundstage is not too shabby here, greatly aided once again by that airiness. Neither width or depth is above average but it's not congested or claustrophobic. Listening to Jazz at the Pawnshop by Arne Domnerus Group you can get a clear image of the band's placement on the stage along with the person who just clinked the cutlery on their plate at the back right of the room.
Suggestions for improvement:
The only major gripe I have with these is the bass tuning mechanism. While it works fine the 'screw' for bass tuning is black on black and absolutely minuscule making it very difficult to see what you're doing. Also the fact that you need to use the included tool makes it inconvenient to change the tuning. It's the kind of alteration that I would only want to do once so for me it's a bit of a "set and forget" option. I'd like to see a mechanism that can be tuned by hand on the go, without the need of a tool.
One more thing is the inline control. The sharp edges on the buttons snag on your clothing a lot and I just wish the controls were flat or those edges were rounded off.
Accutone Taurus vs Accutone Lyra ( 25.00 USD):
The Lyra is a more traditionally styled earphone and for me slightly more comfortable to wear. Both can be worn over-ear or cable down. Speaking of cable I like the Lyra's a bit more as it is unique looking and has better strain reliefs along with imo a more well designed inline control which doesn't have the sharp edges of the one on the Taurus. The Lyra has a more balanced sound overall and also has a truly excellent treble presentation that sounds so clear and lifelike. Both have a non-fatiguing and easy going presentation and both are very good for their respective prices (assuming you get the Taurus at $23).
Before I get into this part I want to mention current pricing on the Taurus. On the Accutone website these retail for $89 yet on Amazon they can be found for just $22.92. I'm not sure why there's such a large difference the only thing I can think of is the Amazon version might be the older one with a non-detachable cable. Regardless I'm basing my conclusion and total score on the lower price of $22.92.
These are a well-built and unique looking earphone. The ability to customize the amount of bass to your preference is handy but the implementation means you need to have the tool on hand to do so. If you're a true bass-head these have you covered, for real. There's enough bass on tap to shake you to your very bones. The included accessories are generous, especially the inclusion of a carry case. On top of that the outer packaging is handy and worth keeping, rather than a plain cardboard box which just gets thrown away. These have a warm and relaxed yet fun sound or alternatively can be tuned into an absolute rumbling bass monster if that's how you like it. For $89 I would have a hard time recommending these but at around $23 you should certainly get your hands on some.
"Accutone Taurus Earphone Quick Review by mark2410"
Pros - Variable bass output. Removable cables. Good mic.
Cons - Mediocre sound quality.Accutone Taurus Earphone Quick Review by mark2410
Thanks to Accutone for the sample.
Full review here http://www.head-fi.org/t/828106/accutone-taurus-earphone-review-by-mark2410
Brief: Pricing discrepancy extraordinaire.
Price: PPR is US$90, Amazon US says US$23
Specifications: Erm 9mm driver. I’m not copying the manual from the Pisces out by hand.
Accessories: You get a nice tip selection and the cable is removable which is nice. The case though, well it doesn’t really fit so, yeah maybe go buy one that does.
Isolation: Not big isolators, probably okay for on a bus or out and about near traffic. You’ll still have to remember keep an eye out for traffic with music playing though, so please, do remember to keep your eyes open.
Comfort/Fit: Great for both. Their shape and the removable swirling cables meant I could wear them up or down and they were perfectly comfortable. Then it was just a shove in and done. Simples.
Sound: Yeah they may say there are by default set to make the bass and they are very heavy. You can however turn it down and when you do the get much less bad. The bass behaves a bit more and stops flabbing up all over the place. With it at min they are not too bed. They aren’t exactly great though but enough that in can say they have been pretty enjoyable to play with. They are bassy, reasonable in the mids and forgiving and mild in the treble. So for my treble sensitive ears they were pretty easy going. Still, if I said I loved these I’d be lying. Looking at their RRP of $90 I’m sorry but no. Then they appear on Amazon US at $23 which is vast difference. At that then they rocket up the value charts and their audio, their removable cable, their everything takes on a completely different tone. At that price they are cracking little things that I could absolutely give a huge thumbs up to, hand on heart at $23 they are super-duper nice. At $90 I cannot say the same.
Value: Yeah at US$23 awesome. At US$90 not so much.
Pro’s: Variable bass output. Removable cables. Good mic.
Cons: Mediocre sound quality.
"Accutone Taurus: Strength in Flexibility"
Pros - Bass tuning knob - Small and light - Easy-going signature
Cons - Tuning range exceeds driver's capabilities - Thin cable
Today we are going to be checking out one of Accutone's most unique earphones, the Taurus.
The Taurus is the first of three earphones in Accutone's Pro-X Line, which is where their earphones start to get serious. The Taurus' pièce de résistance is it's bass tuning knob, a distinguishing feature that really makes it stand out.
Bass tuning knobs are not a new feature and can be found on Sennheiser's IE8 and IE80, the Aurisonics ASG 2.5, Lear's LUF-BD4.2, and a number of other universal and custom earphones. All of those earphones are pretty expensive, however, especially for your average consumer who wouldn't look twice at a 500 USD product when shopping for their new earphone. Accutone's Taurus on the other hand brings to the budget realm a feature that is somewhat exclusive to higher end products.
I would like to thank Angus with Accutone for providing the Taurus in exchange for a fair and impartial review. I am not receiving any financial compensation for this review and all comments and views within are my honest opinions. They are not representative of Accutone or any other entity.
At the time of writing this review, the Taurus retailed for 99.00 USD: http://www.audio.accutone.com/taurus
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A Little About Me:
Over the last couple years I decided to dive head first into the world of portable audio. After reading pretty much the entirety of IjokerI's multi-earphone review thread and being greatly inspired, I took a chance and started writing my own reviews. Fast forward a couple years and I've had the opportunity to write about some great products for wonderful companies like RHA, Havi, FiiO, NarMoo, Brainwavz, and Meze. I don't do it for money or free stuff, but because I enjoy it. If my reviews can help guide someone to an earphone that makes them happy, I'll consider that a job well done.
The gear I use for testing is pretty basic composing of an HTC One M8 cellphone, Topping NX1 portable amplifier, and my aging Asus G73 gaming laptop paired with a Plantronics Rig USB amp. An XDuoo X3 has recently been added to the crew and was used for the majority of my testing. I listen primarily to various EDM sub-genres (liquid drum and bass, breakbeat, drumstep, etc.), hip hop, and classic rock. When it comes to signature preference I tend to lean towards aggressive and energetic, but I try not to limit myself to one signature only. I also tend to listen at lower than average volumes.
Enough preamble. Let us dive into the good stuff shall we?
Packaging and Accessories:
The Taurus is stored in some of the most durable and robust packaging I've come across yet. Wrapped in a red and black cardboard sheath outlining the product is a large black plastic case with a rubberized matte finish.
Open the lid and you are greeted by the Taurus' housing tucked nicely into a foam cutout. Comply foam eartips are preinstalled. The connectors of the detachable cable are displayed below with the remainder of the cable neatly wound in their own cutout in the foam.
Lift out the foam sheet and underneath is another compartment housing the accessories. Included is Accutone's excellent leatherette carry case, three sets of silicone tips (s/m/l), and another set of foam eartips. The second set of foams is the same as the set provided with the Pavo. I was very happy with their inclusion because they do not have the treble dulling qualities of Comply's tips. Finally, there is also included a tiny screwdriver.
"Why a screwdriver?" you might be asking yourself. Because the tuning knob is recessed into the housing and cannot be turned by hand (unless you've got some seriously long fingernails), the screwdriver is needed to make adjustments.
Overall the Taurus' unboxing experience is outstanding. The large case is also useful beyond providing positive first impressions, as it can easily hold the Taurus in their leatherette case, a DAP, small amp, and a number of other accessories if needed. For someone that travels a lot and needs a place to store their gear, this case will be a godsend.
Build, Design, Comfort, Isolation:
I enjoy good sound as much as an interesting design and the Taurus does a good job of providing some interesting visual stimulus.
The glossy, piano-black housings surprised me at how small they were. From the images I saw online before they arrived, I was expecting something pretty bulky but that was not at all the case. The housings are mostly plastic in construction and very light, but they don't feel cheap. The nozzle is tipped with a metal ring that holds tips securely in place. The rear of the housing has two metal grills that not only add another interesting design cue, but also serve a practical purpose in the bass tuning feature. The unique shape and plethora of design cues ensures this is an interesting product to look at.
The small size, light weight, good fit and finish, and reasonably long nozzle that protrudes at a logical angle means the Taurus is a very comfortable earphone to wear. The cable can be worn up or down as well since Accutone did not limit it to one orientation, rotatating freely to let you use the Taurus however you want. Swiveling MMCX connectors may raise questions on long term durability, but that's the price to pay for a personalized fit I guess. Personally, I would have been happy with it locked in either orientation. Since microphonics are kept to a minimum I found myself using them cable-down the majority of the time purely out of convenience.
The cable is somewhat thin above the y-split, and of average thickness below. I'd be generous in saying that strain relief is minimal at best. There is no relief at the 90 degree angled jack It is very short and stiff leading into the y-split and remote. Heading up to the housing, there is a long relief but it too is quite stiff. Not so much of an issue here due to the rotating, removable cable, but elsewhere more effective relief would be welcome. On the plus side, the cable is well-behaved. Microphonics (cable noise) are minimal, it is very flexible, and does not hold memory at all. This is a good cable that needs some extra strain relief to help ensure greater long term durability. I'm not sure if the MMCX connections are proprietary, but none of the spare cables I have worked out. The connections on the Taurus are quite stubby. Most of the MMCX cables I owned would fit, they just wouldn't lock in place and therefore were unusable.
The inline mic is made entirely of plastic and feels fragile, especially compared to the quality of plastic chosen for the housings. The buttons depress with defined clicks and are easy to tell apart from each other due to the ergonomic design. Microphone quality is simply alright. My voice comes through fairly clear, though there is some notable background static that intrudes on your conversations. It worked perfectly with my HTC One M8, able to fully control my music and phone calls.
As a result of the two large vents on the rear of the housing, isolation is predictably low. The Taurus blocks outside noise on a level similar to the amply ventilated Dunu Titan 1/FiiO EX1.
I find the Taurus to be an attractive and interesting looking earphone that is mostly well-built and very comfortable. The cable itself is decent, though the swiveling MMCX connector may be something to watch for in the long run. More effective strain relief would also be welcome.
Tips: The preinstalled Comply eartips were replaced almost immediately. The Taurus is not an overly bright or energetic earphone. I found the Comply tips dulled all treble energy and sucked the life out of the Taurus. Tossing on Accutone's unique foam tips or silicone tips resolved this issue, restoring life to the raging bull. Due to the nozzle having a smaller than average bore, tip rolling was limited. As is often the case, wide bore tips muted bass and increased treble presence, small bore tips muted treble and increased bass. I ended up choosing RHA S500i tips and using the bass knob to adjust bass to a more comfortable level.
Amping: The most notable benefit of using an amp was better bass control when the knob was adjusted past 50%. Unamped and with the dial adjusted above 50%, the Taurus loses composure and their bass becomes, slow, loose, and sloppy. Amped, it is still loose but no longer feels as slow or uncontrolled. They're quite listenable in their maximum bass configuration when amped, but this still isn't ideal. If you're planning to listen to them the majority of the time with bass turned up, then an amp is highly recommended. If you will be listening to them in a lower bass configuration, an amp isn't needed and your basic cellphone or DAP, such as an XDuoo X3, will work just fine.
The Taurus is characterized by a warm, smooth sound with laid-back treble and a clean midrange. If using bass at it's maximum setting, the Taurus exhibits an L-shaped signature with mid-bass bleeding an unfortunate amount into the midrange. This isn't so bad for music with less vocal presence, but otherwise it can be pretty intrusive. Toning down the bass flattens this L to the point where I have no issues saying the Taurus is one of the more neutral earphones I've come across.
Treble on the Taurus extends decently well. It could use some additional presence but for the most part is balanced with the midrange and bass when in a lower configuration. It can come across a little dull at times, and could possibly use a very slight boost in the 6k region to give them a bit of extra energy. This is especially apparent on Gramatik's 'Bluestep' which makes heavy use of high hats. For the most part, however, the Taurus' treble is quite inoffensive, refined, and easy to listen to.
Midrange on the Taurus, when not effected by overly exuberant bass, is also nicely balanced with the other frequencies. Both male and female vocals have nice texture and detail, and come across reasonably clear. Their is a slight veil that prevents them being as clear as they could, but this adds to that long term listen-ability the Taurus exudes. A track such as 'Empire Ants ft. Little Dragon' by Gorillaz does a nice job of showing that the Taurus handles both male and female vocals equally well. On classic rock tracks with a strong guitar presence, such as Grand Funk Railroad's 'Inside Looking Out', instruments are presented with realistic attack and decay.
Bass. All-important bass. The bass knob on the Taurus is very effective. So effective you can dial in more bass than the driver can handle. Twisting the dial parallel with the rear vents reduces bass to near Havi B3 Pro 1 levels, which means quantity is very, very low. Twisting the dial so it rests perpendicular with the rear vents means the bull has been let loose, tearing through the china shop smashing everything in it's wake. Sure that's fun, but they're not overly graceful in this configuration. Bass becomes loose, sloppy, decay is too long, and they get easily confused and muddied during complicated passages. With slower tracks, like pretty much anything from Massive Attack, the bass can really add to the emotion and feeling of the song. In most other instances, you're best off dialing down the bass to something the Taurus' driver is more comfortable with.
I spent the majority of my time listening to them with the dial at the 2 o'clock position, which is about 40%. of it's range. I found this gave me the greatest balance of bass quantity, speed, impact, and clarity, all without effecting the midrange. In this "mode" their overall tonality and sonic qualities brought to mind the AAW Q and Brainwavz S5. As with both of those earphones, the Taurus doesn't have the most punchy, hard hitting bass in the business, but does have great texture and decay. Listening to Gramatik's 'Torture feat. Eric Krasno' helps show off these qualities.
When it comes to clarity and detail, the Taurus is simply average. For the majority of songs I didn't find this an issue, but on more abstract, ethereal tracks like those found on BT's 'This Binary Universe', you want all the detail and clarity you can get. This is a very dynamic album that shows heavy use of BT's stutter edit effect in all it's glory. While the Taurus does an admirable job, many of the finer details blend into each other. 'The Antikythera Mechanism' is a good test track given the heavily edited use of a live orchestra.
Soundstage is an area the Taurus excels, nearly rivaling the Dunu Titan 1. Their semi-open design gives them a nice light and airy feel, with instruments and effects cropping up around you. More than once I took them out thinking I was hearing something behind me, or that someone was calling me. Placement and imaging aren't the most accurate, but are more than acceptable for an earphone in this price range.
The Taurus is very capable and enjoyable listen. Once you've played around with the bass dial and have found the driver's breaking point for maximum bass, the Taurus shows that it is a very versatile product. While it is certainly capable of insane quantities of bass, it does not excel in such configurations and feels much more comfortable and at home when the bass is dialed down and kept in check.
Brainwavz S5 (99.50 USD): These two make for a solid comparison since they both sell for around the same amount and produce a similar sound.
The S5 is a bit thinner, brighter, and more energetic in the treble, but offers up similar levels of detail and clarity. The Taurus outputs similar bass, but with more impact and better extension into sub-bass regions *with the bass dial around the 50% mark*. Where they differ most is in the midrange. I found the S5 to have an overly recessed midrange which was too bad because mid-focused songs showed they were quite competent. The Taurus doesn't suffer the same fate, and their general tone and feel is exceptionally close.
The only reason I would take the S5 over the Taurus is because of the materials used in their construction. The S5 has solid metal housings versus the Taurus' plastic. The S5's cable is much thicker and more robust with excellent strain relief throughout, though it's not removable. The S5 imparts a feeling of confidence in their build quality that the Taurus just can't match. While their overall sound quality is close, the Taurus is the better of the two. It's bass is harder hitting than the S5's, but it's the more forward midrange that clinches the win.
AAW Q (199.00 USD): The AAW Q is a wonderfully balanced earphone that brings forth a relaxing, u-shaped signature in a very tiny package.
The Taurus in a low-bass configuration does an excellent job of replicating the Q's sound signature, though it lacks the technical competence. Their midrange presence is similar with the Q edging out the Taurus in texture and detail. Bass depth goes to the Taurus. They have similar impact and decay times, with the Q again showing greater texture. Instrument separation and placement is vastly superior on the Q, though the Taurus offers up the more spacious soundstage able to toss effects well beyond what the Q can accomplish.
Once again, material quality falls behind on the Taurus. The Q has a pretty thin cable, but not a thin as the Taurus'. It's also better relieved. Accutone's cable has better memory-resisting effects though. Despite the Q's small size and that it pretty much resides entirely in your ear canal, the Taurus is just as comfortable. Kudos to Accutone's designers for their ergonomics.
Yes, the Q is the better of the two, but the Taurus shares many similar qualities and is more versatile due to the bass tuning feature. Pretty good for 100 USD less.
Suggestions for Improvement:
It would be nice to see future iterations of the Taurus come with an upgraded cable that is thicker and better relieved. The existing cable is okay, but it feels fragile and is not the most confidence inspiring.
The bass tuning feature is great, but you are given too much freedom. Either a future revision of the Taurus' driver should be able to handle all the bass you can dial in, or the dial should be limited to a certain range that better suits what the existing driver can handle.
Finally, the bass knob should have clear start and end points for minimum and maximum adjustment. As-is, you can spin the dial freely and it's very easy to imbalance bass levels on either side. If there were notches molded into the housing that displayed min and max bass settings, and some points between, adjusting bass evenly between the two channels would be much easier. Less important is for the dial to be adjustable without a screwdriver. It would be nice to easily be able to adjust bass levels on the fly without having to pull out a tool.
Accutone has a pretty unique and worthwhile product in the Taurus, one I would love to see them continue to develop and refine.
The packaging doubles as a spacious and secure carrying case for more than just the Taurus. The included accessories are of good quality and are fairly generous in quantity. There are some great features to be found such as an Android compatible remote that works well for phone calls, a removable MMCX cable, and the bass tuning dial.
If you are looking for a new earphone in the 100 USD price range and don't feel like limiting yourself to one particular signature, the Taurus is worthy of consideration. With a quick twist of the tuning dial it can be extremely bassy, near neutral, and pretty much anything in between.
Thanks for reading!
***** ***** ***** ***** *****
BT - This Binary Universe
Gramatik - The Age of Reason
Hail Mary Mallon - Are You Going to Eat That?
Infected Mushroom - The Legend of the Black Shawarma
Daft Punk - Random Access Memories
Skindred - Roots Rock Riot
Massive Attack - Mezzanine
The Crystal Method - Tweekend
Aesop Rock - None Shall Pass
The Prodigy - The Day is My Enemy
Gorillaz - Plastic Beach
Grand Funk Railroad - Inside Looking Out
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DNCE DONNIE WAHLBERG, NKOTB DONNY & MARIE DOOBIE BROTHERS DOWN WITH WEBSTER DR FU DRAGONETTE DRAKE DREAM DREAM THEATER DROPKICK MURPHYS DURAN DURAN THE EAGLES EARTH, WIND AND FIRE EASTON CORBIN EDDIE VEDDER ELIZA DOOLITTLE ELLIE GOULDING ELLY AND THE LAST GARAGE BAND ELVIS COSTELLO EMBER EMBLEM3 EMINEM EMPHATIC ENGLEBERT HUMPERDINCK ENRIQUE IGLESIAS ERIC BENET BAND ESCAPE THE FATE EVANESCENCE EYE EMPIRE FAILURE FAITH EVANS FAITH MARIE FALL OUT BOY FALLING IN REVERSE FANTASIA FATHER JOHN MISTY FEIST FIONA APPLE THE FIT SWIMMERS FIFTH HARMONY FITZ & THE TANTRUMS FIVE FINGER DEATH PUNCH FLEETWOOD MAC FLIPPIN' SOUL FLORIDA GEORGIA LINE FONESCA FOO FIGHTERS FOREIGNER FOREWARNED FOUR YEAR STRONG THE FRAY FRANK OCEAN FRANK TURNER FRENCH MONTANA FRIGHTENED RABBIT FUN. FUTURE GALLANT GARBAGE GARTH BROOKS GARY ALLAN GAVIN DEGRAW GEORGE STRAIT GHOST GIBSON GUITAR STUDIO, LAS VEGAS GLASS TIGER GLEE LIVE TOUR GLINT GO RADIO GODSMACK GOO GOO DOLLS THE GOSSIP GRANGER SMITH GREAT WHITE GREEN DAY GREYSON CHANCE GRIMES GROOVEBOSTON GROOVY7 GROUPLOVE GUNS N' ROSES HALESTORM HALFORD HALSEY HARVEY MARSHALL HAWKSLEY WORKMAN HAYDEN MARINGER HEART HELL YEAR HERE COME THE MUMMIES HILL KOURKOUTIS HINDER HOLLYWOOD UNDEAD HOMBRES G HOPE HOW TO DESTROY ANGELS HOW TO TRAIN YOUR DRAGON TOUR HYPER CRUSH I PREVAIL ICONA POP IGGY AZALEA IMAGINATION MOVERS TOUR IMAGINE DRAGONS INGRID MICHAELSON INTERPOL INXS IRATION IRON MAIDEN JACK JOHNSON JAKE OWEN JADE WARSHAW JAMES TAYLOR JAMES TORME JAMIE FOXX JANET JACKSON JASON ALDEAN BAND JASON BENGE JASON BONHAM JASON DERULO JASON ISBELL JASON WHITMORE JAY SEAN JC CHASEZ JENNA ROBINSON, BIG APPLE CIRCUS JENNIFER CHASE JENNIFER HUDSON JENNIFER STONE, WITH KESHA JEREMIAH MCCONICO JESSE MCCARTNEY JIMMY BUFFET JIMMY EAT WORLD JOE.E JOE JONAS JOE NICHOLS BAND JOEY BADA$$ JOHN GRANT BAND JOHN HIATT AND THE COMBO JOHN MAYER JOHN STAMOS JOHN TEMPESTA JOJO JONATHAN KNIGHT, NKOTB JORDIN SPARKS JOSH DAY JOSH GROBAN JOSH GROBAN BAND JOSHUA RADIN JOSS STONE JOURNEY THE JOY FORMIDABLE JOYWAVE JUDAS PRIEST JUDD HOOS JUICY J JULE VERA BAND JULIO IGLESIAS JULLY BLACK JUSTIN BIEBER JUSTIN TIMBERLAKE & BAND KACEY MUSGRAVES KAMILAH MARSHALL KARMA KARMIN KAT DELUNA KATE EARL BAND KATY PERRY KEITH SWEAT KEITH URBAN KELLIE PICKLER KENDRICK LAMAR KENNY CHESNEY & BAND KENNY LOGGINS KESHA KIP MOORE KISS KLAYE SANDERS KOOL & THE GANG KORN KROPP CIRCLE LACUNA COIL LADY GAGA LALAH HATHAWAY LAUREN WILEY, LES MISERABLES US TOUR LAURYN HILL LAWSON LE REVE, WYNN LAS VEGAS LEA MULLEN LEE DEWYZE LENNY KRAVITZ LEON J LEONA LEWIS LIANNE LA HAVAS LIBIDO LIDO LIGHTS OVER PARIS LIL' KIM LIL WAYNE LIMP BIZKIT LINDSEY STIRLING LINKIN PARK LIONEL RICHIE LITTLE BIG TOWN THE LIVING END LOCAL NATIVES LOU REED LOVE AND THEFT BAND LUCINDA WILLIAMS LUIS MIGUEL THE LUMINEERS M83 BAND MAC MILLER MACHINE GUN KELLY MACHINE HEAD THE MACCABEES MAD HATTER STUDIOS MADEON MADLIFE MADONNA MAGIC! MAJORS AND MINORS, TV SHOW MANA MANDY JIROUX MARC ANTHONY MARIAH CAREY MARIANA'S TRENCH MARILYN MANSON MARINA AND THE DIAMONDS THE MARKER MAROON 5 MARY J BLIGE BAND MASTODON MATCHBOX 20 MATT & KIM MATT MORRISON & BAND MATT NATHANSON MATT OCHOA MAXWELL THE MCCLAIN SISTERS MEGADETH MEGHAN TRAINOR MEL B MELANIE MARTINEZ MELISSA ETHERIDGE MICAPELLA MICHAEL ANTHONY MICHAEL BOLTON MICHAEL FRANTI & SPEARHEAD MICHELLE OSBOURNE MIDNIGHT OIL MIGUEL MIKA MIKE PORTNOY MILEY CYRUS MIKE MARLIN MINDLESS BEHAVIOR MIRANDA LAMBERT MISS MAY I MISSION TRANSMISSION MODEST MOUSE MODESTEP THE MONKEES MONSTER TRUCK MONTGOMERY GENTRY MOODY BLUES MOTLEY CRUE MY CHEMICAL ROMANCE NAS NEVEREST NEON TREES NEW EDITION THE NEW SHINING NICK FRADIANI NICK JONAS NICKELBACK NICKI MINAJ NICO VEGA NICOLE SCHERZINGER NINE INCH NAILS NKOTB NO DOUBT NOAH BENARDOUT NOEL GALLAGHER'S HIGH FLYING BIRDS NORMAN BROWN NOSTALGHIA O.A.R. OF MICE AND MEN OLLY MURS ONE REPUBLIC OPERATOR PLEASE OPETH THE ORANGE EFFECT OUR LAST NIGHT OWL CITY OZZY OSBOURNE PALOMA FAITH PANDORA PAPA ROACH PAPER TONGUES PASSION PIT PATRICK WOLF PAUL BRANDT PENNYWISE PENTATONIX PETER GABRIEL PETSHOP BOYS PHANTOGRAM PHARRELL WILLIAMS PHILLIP PHILLIPS PHOENIX PIERCE THE VEIL P!NK PITBULL PIXIE LOTT BAND THE PIXIES POLARIS AT NOON POP EVIL POST MALONE THE PRETTY RECKLESS PRINCE BAND PRINTZ BOARD PROFESSOR GREEN PUFF DIDDY PUNCH BROTHERS PVRIS PUSCIFER QUEENS OF THE STONE AGE R. KELLY R5 RACHEL CROW RAE SREMMURD RAMMSTEIN RANDY HOUSER RASCALL FLATTS RED LINE CHEMISTRY RICI JO RICKY MARTIN RICO LOVE RIHANNA RISE AGAINST RITA ORA ROB THOMAS ROBBIE WILLIAMS BAND ROCK OF AGES ON TOUR RODNEY HOWARD ROGER WATERS’ THE WALL TOUR THE ROLLING STONES RUMMER WILLIS RUSH ST. VINCENT ST. LUCIA SALIVA SAM HUNT SAM SMITH SAM WARSHAW SAN CISCO SANTIGOLD THE SATURDAYS SAVING ABEL SCISSOR SISTERS SCORPION SCOTT STAPP SEAN ALEXANDER SEBASTIAN BACH SEBASTIAN INGROSSO SEETHER SEGARRA SEIGMEN SELENA GOMEZ SEVENDUST "SGT. PEPPER LIVE" FEATURING CHEAP TRICK SHAKIRA SHARON AGUILAR SHANE DUNCAN BAND SHEILA E. SHEILA MAJID SHINEDOWN SIA SIGUR ROS THE SILVER BULLET BAND SILVERSUN PICKUPS SIMMONE JONES SIMONE BATTLE SKIP DORSEY SKYLAR GREY SLASH BAND SLAYER SLIPKNOT SMASHING PUMPKINS SMOKIE SOCIAL DISTORTION SOIL SOLANGE SONATA ARCTICA SONGA LEE STAIND STARSHELL STEEL PANTHER STEELY DAN STEREO SHOUT OUT STEVE AUGERI STEVE RODRIGUEZ STEVE VAI STING THE STONE ROSES STONE SOUR STRATOVARIUS THE STRUTS STRYPER SUBLIME WITH ROME SUEDE SULLY ERNA BAND SUM 41 SYSTEM OF A DOWN T.I. T-PAIN TALA TAME IMPALA TANK TAYLOR BURRISE TAYLORED TEARS FOR FEARS TEEL MERRICK TEI SHI TENACIOUS D TERRY ILOUS OF GREAT WHITE TESTAMENT THEFT THEOPHILUS LONDON THE TEMPER TRAP THREE DAYS GRACE TIMBALAND TIM MCGRAW TIM OWENS TIMBALAND TINASHE TOOL TONIC TONY SAVAGE TOOL TOTO TRACE ADKINS TRAIN TRAVIS BARKER TRAVIS TRITT TREY SONGZ TRILLIUM VEIN TRISHA YEARWOOD TRIVIUM TWENTY ONE PILOTS TWO DOOR CINEMA CLUB TY DOLLA $IGN U2 UNION J THE USED VAIN VAMPIRE WEEKEND VAN HALEN VANCE JOY VINCE STAPLES VIRUS THE VOICE TV SHOW 2011, 2012 VOLBEAT WALT DISNEY WORLD THE WANTED THE WAR ON DRUGS WARRANT WE ARE THE FALLEN THE WEEKND WEEZER WELL HUNGARIANS WHITESNAKE WIZ KHALIFA THE WHO WILD BEAST WINTERSUN THE WOMBATS X FACTOR X-JAPAN YOUNG GUNS YOUNG THE GIANT YOUNGBLOOD HAWKE YOUTH LAGOON ZAC BROWN BAND ZAYN MALIK ZELLA DAY ZZ WARD AND MANY MORE...