Inspire IHA-1 tube headphone amp
Mar 5, 2017 at 11:40 PM Post #256 of 343
I am sorry. The review I am referring to is The Absolute Sound review.
I am using the WA8 now and is thinking of getting the Rockna DAC and for amp choosing between the IHA-1 or the Modwright Tryst. Seeking some advice as the amps are not available for an audition at my location.


The TAS review, which I wrote, was referrring to higher than 100 dB sensitivity. I was using a 115 dB sens in-ear. 15 dB is a big difference...
 
Mar 8, 2017 at 8:19 PM Post #257 of 343
Update on 6F8G and 6C8G.
Both models I bought in "round plate" versions.
 
The 6F8G while good, I wouldn't say blew me away. It's very likely the pair I got were really worn out.
It's impossible to find NOS 6sn7 or 6f8g round plates. Even used they're ridiculously priced $200-300, new $500+.
Imo not worth it at all, I'd say stay clear (purely because of price).
 
The 6C8G pair is just getting better and better with burn in. 
At a fraction of the cost ($40 for the pair) and NOS instead of used, what a deal!
Right now they're competing for #1 spot, with my Psvane CV181-TII. More listening is needed, but the Psvane was $150 for the pair, so the price v.s. performance easily goes to 6C8G. 
 

 
Also, here is my highly subjective resolution ranking for rectifiers:
 
JJ GZ34 - 0
JJ 5U4G - 3
RCA NOS 5v4g - 3
JAN-Sylvania 5Y3WGTA - 5
Mullard f31 fat base gz34 - 5
Preferred Series 274b - 5.5
Bendix 6106 (5Y3 Variant) - 6
Sophia Electric 274b mesh - 6
Psvane 274b treasure mkii - 6.5
Sylvania 5931 (5U4WG sub) - 7
GE NOS 5R4GYA - 7.5
Philco Sylvania 5U4G Hanging Filament - 8
RCA 5R4GY hanging filaments single bottom getter - 8
PHILIPS 5R4GYS (made in holland) - 9
NOS 596 (sub for 274A 5U4G 5R4)- 9.5
1940s RCA Jan Crc 5R4GY hanging filaments double bottom getter - 10
 
I only took into account detail retrieval (resolution). Each tubes has it's own tonal characters apart from that.
Did I mention it's also subjective
biggrin.gif
 don't burn me at the stake, tube impressions are fickle.
 
Mar 8, 2017 at 8:28 PM Post #259 of 343
 
The TAS review, which I wrote, was referring to higher than 100 dB sensitivity. I was using a 115 dB sens in-ear. 15 dB is a big difference...

Agreed, highly sensitive IEMs will yield a little hiss. But with the Lundahl Input Transformers, it is lower now. But still, this amp was not designed for IEMs. During music play it wont be noticeable.
 
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Mar 9, 2017 at 1:41 AM Post #260 of 343
Drew, you guys have any plans to follow the IHA-1 up with something end game?
 
This same basic design done with amorphous core output transformers and a superior DHT tube such as the Emission Labs 30A, combined with Dennis's design expertise as already displayed in the IHA-1, would be truly endgame performance and the best expression of the potential of a single gain stage design.  Expensive to be sure, but worth it if done right.
 
Apr 20, 2017 at 11:57 AM Post #261 of 343
  Drew, you guys have any plans to follow the IHA-1 up with something end game?
 
This same basic design done with amorphous core output transformers and a superior DHT tube such as the Emission Labs 30A, combined with Dennis's design expertise as already displayed in the IHA-1, would be truly endgame performance and the best expression of the potential of a single gain stage design.  Expensive to be sure, but worth it if done right.

We are playing with a couple of ideas for a new amp option at the next level. Here is a new review on the Dragon Inspire: 
 

 
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Apr 28, 2017 at 12:34 AM Post #263 of 343
This might not be much help, but I owned a WA6 years ago. Spent too much money trying to squeeze better performance out of it. The IHA-1 is on a different level from the WA6 to the point where there isn't a lot of value in comparing the two to be honest. In terms of resolution, tone and transparency the Inspire is *much* better than thw WA6 ever was. Even when you take into account the price difference the Inspire is the better value for what it delivers. Nothing against Woo, their amps are very well made and lovely to look at, but I don't think they represent a very good value anymore.
 
May 12, 2017 at 5:13 PM Post #268 of 343
The TAS review, which I wrote, was referring to higher than 100 dB sensitivity. I was using a 115 dB sens in-ear. 15 dB is a big difference...
Fancy finding you here; I just (re)read your review about the Inspire IHA-1 and was also confused about that one point. HOWEVER, I write not to complain but I do wish to understand, as I appreciate your writing(s).

In this portion of the review you kind of go back and forth between the in-ear monitors and regular headphones:
"Dennis Had told me that the two headphones he used when designing the IHA-1 were the Grado PS-1000 and Audeze LCD-3 [sensitivities between right at 100db, and 103db].
My experience is that the IHA-1 is better suited for medium- and low-sensitivity headphones
[do you mean in-ears rather than conventional headphones?]
than anything with sensitivity greater than 90dB. With higher-sensitivity in-ear monitors, the IHA-1 has a noticeable hiss that obscures low-level details. Some of the headphones that were too noisy for my tastes included the Oppo PM-3, Audeze EL-8, and virtually every in-ear monitor in my collection."

The high-end Grados have a sensitivity right at 100db, and the Audezes (LCD-2, -X, and -3) vary between 101db and 103db. So perhaps you mean the in-ears need to have a sensitivity less than 90db? This [guess] is contradicted slightly when you say the Oppo PM-3s and Audeze EL-8s were too noisy [since they have sensitivities of 102db each].

It's got to be difficult with thousands reading and (only some) critiquing your efforts, but thank you for the service you provide. In short, would any of the $999 to $1999 open-back headphone offerings from Focal, Mr. Speaker, Audeze, Senn, or Oppo work well with the Inspire?

---------------------------------------

And while I have you here; I've also considered the micro ZOTL 2.0 for a tube-based headphone amp. Do you have any experience with this unit, and perhaps an opinion between these two [when used as] headphone amplifiers? The Inspire has balanced outputs; however, I like the option the outboard power supply of the micro ZOTL offers. And, while each incorporates tubes, perhaps they are vastly different products. FWIW, I'm leaning towards the Oppo PM-1 headphones, but could easily change streams based on the "preferences" of whichever tube amp I choose.
 
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May 17, 2017 at 10:57 AM Post #269 of 343
Fancy finding you here; I just (re)read your review about the Inspire IHA-1 and was also confused about that one point. HOWEVER, I write not to complain but I do wish to understand, as I appreciate your writing(s).

In this portion of the review you kind of go back and forth between the in-ear monitors and regular headphones:
"Dennis Had told me that the two headphones he used when designing the IHA-1 were the Grado PS-1000 and Audeze LCD-3 [sensitivities between right at 100db, and 103db].
My experience is that the IHA-1 is better suited for medium- and low-sensitivity headphones
[do you mean in-ears rather than conventional headphones?]
than anything with sensitivity greater than 90dB. With higher-sensitivity in-ear monitors, the IHA-1 has a noticeable hiss that obscures low-level details. Some of the headphones that were too noisy for my tastes included the Oppo PM-3, Audeze EL-8, and virtually every in-ear monitor in my collection."

The high-end Grados have a sensitivity right at 100db, and the Audezes (LCD-2, -X, and -3) vary between 101db and 103db. So perhaps you mean the in-ears need to have a sensitivity less than 90db? This [guess] is contradicted slightly when you say the Oppo PM-3s and Audeze EL-8s were too noisy [since they have sensitivities of 102db each].

It's got to be difficult with thousands reading and (only some) critiquing your efforts, but thank you for the service you provide. In short, would any of the $999 to $1999 open-back headphone offerings from Focal, Mr. Speaker, Audeze, Senn, or Oppo work well with the Inspire?

---------------------------------------

And while I have you here; I've also considered the micro ZOTL 2.0 for a tube-based headphone amp. Do you have any experience with this unit, and perhaps an opinion between these two [when used as] headphone amplifiers? The Inspire has balanced outputs; however, I like the option the outboard power supply of the micro ZOTL offers. And, while each incorporates tubes, perhaps they are vastly different products. FWIW, I'm leaning towards the Oppo PM-1 headphones, but could easily change streams based on the "preferences" of whichever tube amp I choose.

I currently use the IHA-1 exclusively with full-sized headphones, not in-ears, so going back to my original quote - I mean headphones, not in-ears. Many headphones within the $999 to $1999 work well with the IHA-1. Currently the MR. Speaker Flows spend the most time regularly attached. Personally, I've come to the conclusion that expecting one amplifier to drive both extremely high and low sensitivity transducers is an exercise in futility... :)
 
May 23, 2017 at 3:48 PM Post #270 of 343
Short of the HE6 and the K1000, it can drive everything I own, but then those two cans should really be seen as speakers in terms of amping requirements.

Several of the posts from about a year ago mention the IHA-1 is not a good match with the HE-1000 headphones (which a friend of mine has for sale, version 1, which brings them within my price range). Does adding the option of Lundahl transformers alleviate the problem, or is the (lack of) synergy with the HE-1000s something the addition of Lundahl transformers doesn't address?

Are there still other better amps (MicroZotl MZ2? - a different animal...) that would be better suited to the HE-1000s? [The other option being, buy the IHA-1 and pair it with a different set of headphones.]


And just a quick note about this: any owner who hasn't tried the 6BX7 in their amp is missing out. These things are dirt cheap and sound really good. They give up very little to my BGRP Tung-Sol in most aspects and have a lovely, sweet tone. They also enable the bizarre listening method I've mentioned here in the past in that you can just turn the volume to maximum and therefore take it out of the circuit for a nice little boost in transparency. Odd as it sounds I look upon the low gain as a feature, as long as some quietly recorded classical piece doesn't come along. Then we have issues......

Is this option (turning the amplifier volume all the way up) available as a good option in almost all cases where one's DAC has a volume control?
 

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