Comparisons
FitEar ToGo 334
Starting with Jeff Buckley's Hallelujah on the TG334 is simply haunting. The sound is unmistakably colored, but it's such a natural sounding effect. Jeff's voice and guitar lovingly caress you through the warmth, and resolution is simply top notch. I switch over to the the ASG-2 and hit play, then promptly walk to my bathroom mirror to make sure I'm not still wearing the TG334. WOW! The phones are so close in technical ability and signature that it would take a seasoned ear to listen out for the differences. As I scrape my jaw off the floor, I start to listen more closely for differences. In that light, please take into consideration that the differences I am about to describe are within roughly 5%, 10% at the most. Definitely noticeable, but require closer listening and potentially higher volumes.
Resolution of raw detail in the mids is dead even. Anything the TG334 could pick out, the ASG-2 could too. The differences came in the slight variations in tuning.
The TG334 has a warmer, lusher sound compared to the ASG-2's drier tone. The 334 added a tinge of warmth that worked magic at certain points of Hallelujah, but the result was a cloudier sound after a quick switch from the ASG-2.
The ASG-2 also had better treble presence and extension, adding to the slight clarity gap between the two phones.
I'm sure extra warmth could have been added to the ASG-2 by opening the bass port, but I left it as is seeing that not everyone might go for the bass port option.
City and Colour's Little Hell was a totally different story. The TG334 sounds downright honky compared to the ASG-2 on this track. The ASG-2 has a
lot (note that the "lot" is italicized and bolded) better treble timbre and presence. This song was recorded in a hollowed out cathedral, and the ASG-2 gives off the ambiance much better than the TG334 can. Dallas Green is a good deal clearer, the guitars are more delicious, and the atmosphere is
right. Dale (Aurisonics CEO) wasn't kidding when he said that these weren't any ordinary balanced armatures. The ASG-2's upper mids appear a bit more laid back here, adding to the sense of space.
I Will Wait was more interesting. With the ASG-2's bass ports closed, the TG334 had more (welcome) bass, than helped add a more toe tapping vibe to the track. Mids and treble were more equal, as I could pick out about equal detail in both phones.
I don't know what made the difference so large in Little Hell. Maybe it was because the song required the use of much more treble, prompting the ASG-2's tweeters to kick it up a notch. The other songs were more focused down in the mids, so I guess that explains my results.