As a person that works professionally in sound, I was surprised to learn the the X-Curve is still the "law of the land" when it comes to outputting DCP or final film sound. The article may have been written some years in the past, but that doesn't mean that the standard has changed. It hasn't. Every dub stage in Hollywood mixes and outputs the soundtrack using the X-Curve. And that curve does indeed, rolloff the high frequency information above 10 kHz by 6 dB per octave (although it does vary slightly for smaller spaces). You can read Tomlinson Holman's article on the history of the X-Curve or check out a pdf on the topic at
http://www.hps4000.com/pages/special/Dolby_The%20X-Curve.pdf.
The fact remains that high-resolution audio isn't happening at the movies. The idea behind the X-Curve was to provide interchangeability and consistency from production to playback. It seems it has accomplished that goal and no one that I'm in touch with is advocating for anything else.