DarKu
Reviewer at Soundnews
IMO useless poll.
Have both, HD800 is better in every aspect except slowness, HD650 slowness cannot be beaten
Have both, HD800 is better in every aspect except slowness, HD650 slowness cannot be beaten
IMO useless poll.
Have both, HD800 is better in every aspect except slowness, HD650 slowness cannot be beaten
Well that is the wildcard - the people who said they liked the HD800 heard it out of a big muscle tube amp. I heard the HD800 on a few amps which could drive the demanding Hifiman orthos just fine, so provision of power was not an issue, which leads me to believe that the tube amp in question did not put out a flat response.
So when people say that x headphones are great, but only with the "right" dac and amp, and that means a source that rolls off the treble and an amp that adds lower mids warmth when the headphones naturally sound sibilant and hollow then its not great headphones, its not a great dac and its not a great amp. It's three faulted products whose defects coincidentally cancelled each other out.
For me what a headphone is is what it will sound like on a neutral amp, given that amp has the capability to drive them, and in that case the HD800 is sibilant, does have hollowed out tinny mids and does not stand up to comparison to any other flagship. That's what the number of people who hated it at the UK meet showed, while there was no lack of praise for the LCD-2, T1, SR-007 and so on.
Yes, that's what quite a no. of experienced audiophiles believe as well. I'd prefer Sennheiser to bulid on hd600 for development of its flagship to produce something like hd800. I am beginning to believe many audio makers realise that a boost of the mid highs will give a strong sense of clarity to many people but hi end audio is not just about that perceived 'clarity'
Agreed. You just don't hear high levels of detail and "clarity" in real life. Listen to any brass band, say, from a reasonable distance; it's not bright and it's not detailed in the way I've heard so many phones sound (haven't heard the 800). People may prefer that sound, but it's not realistic and it's not--literally--hi-fi. You could boost the extreme treble of a so-called slow and undetailed phone like the 650 and it would immediately sound faster and more detailed, but it wouldn't be as balanced and realistic.
However, I'm fast coming to the conclusion that people don't care about that; they just want to hear as many details as possible with as much holographic clarity as possible. I presume this has to do with the type of music being listened to.
No one finds it 'odd' that after some 60 plus years in business both Sennheiser and Beyerdynamic release expensive flagship headphones that are seemingly much better than their reference series at the same time? After 60 years both these companies just-so-happen to finally figure out how to make better sounding headphones?
Better or not I call marketing BS!
You can add Grado's PS1000 to that statement. Sennheiser announces the HD800 at CES, and bam....all of a sudden, Grado makes an announcement. With respect to Beyer, they were announced a whole year later at CES, and was available exactly one year later. But in all fairness, as was stated before, The T-1 was a pretty new design compared to what was out there.
However, this is done all over the marketing arena. Isn't it a coincidence that ABC, Fox, CBS, and NBC all have the same stories on the 6 and 11 o'clock news, and when one has a commercial, you flick the channel, and all of the other news stations have a commercial at the same time. You can't tell me that they're not in co-hoots to keep you to stay put.
I dont understand how a high resolution format could possibly fix a problem with a headphone's treble. Its not like normal CDs have a different frequency response.
Well that is the wildcard - the people who said they liked the HD800 heard it out of a big muscle tube amp. I heard the HD800 on a few amps which could drive the demanding Hifiman orthos just fine, so provision of power was not an issue, which leads me to believe that the tube amp in question did not put out a flat response.
So when people say that x headphones are great, but only with the "right" dac and amp, and that means a source that rolls off the treble and an amp that adds lower mids warmth when the headphones naturally sound sibilant and hollow then its not great headphones, its not a great dac and its not a great amp. It's three faulted products whose defects coincidentally cancelled each other out.
For me what a headphone is is what it will sound like on a neutral amp, given that amp has the capability to drive them, and in that case the HD800 is sibilant, does have hollowed out tinny mids and does not stand up to comparison to any other flagship. That's what the number of people who hated it at the UK meet showed, while there was no lack of praise for the LCD-2, T1, SR-007 and so on.
Comparing News stations has nothing to do with headphone manufacturers, it's like comparing humans to insects because we're both animals... I'm asking why after so many years was a new resolution in sound and price reached by both companies? With the release of these new, expensive headphones, a higher sound resolution has been reached as reported by their owners... where was it before? Why didn't it exist?
Comparing News stations has nothing to do with headphone manufacturers, it's like comparing humans to insects because we're both animals...
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So what you're basically saying is that a flawed source + flawed amp + flawed headphone are working together well enough to put out something good? That each one shores up on the other's weaknesses till the end product is more or less the same as what you get with the ideal source + ideal amp + ideal headphone?
Isn't that called synergy?