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- Jun 15, 2012
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I have a Tung Sol 5U4GB. Good musical tube with full bloom and nice intimate soundstage but kind of flat. It also sounded like the Westinghouse 5U4GB I used to have and the Sylvania 5U4GB I currently have. Hear one 5U4GB and you've heard them all.
I prefer the coke bottle version of the tube which offers more refinement and seems to produce a wider variety of sound, though 5U4G's from the 1950s and 60s do start sounding same-y. When you dig deep into the 1940s, you start uncovering gems and start noticing character traits of each brand, as you are closer the house sound of the OEM (before it became diluted in the 50s, 60s and onward). I'm getting the fullest, warmest midrange with the Raytheon and Sylvania VT244's as well as a great sense of space. The impressive depth of stage of the CKR and the stage width of the CNU/CRC's are a step up from their 1950s non military counterparts. It's almost a revelation.
I'm also expecting good things from an incoming Tung Sol VT-244, the supposed king of all 5U4s. I have a 50s Tung Sol 5U4G and strangely it sounded a lot like a 50s RCA and 50s Sylvania.
The coke bottle 5R4GY also produces a sound of their own and differences with each brand.
Oh the joys of tube rolling.
thanks for the input - if you were to use HD800 for jazz only which rectifier would you prefer? Are the rectifiers you mentioned in the last few posts up there with the U52 for jazz and acoustic or would you choose a different rectifier?